girl...
come ON
ojovivo
Aqua Utopia|海の底で記憶を紡ぐ

One Nice Bug Per Day
"I'm Dorothy Gale from Kansas"
Game of Thrones Daily
$LAYYYTER

if i look back, i am lost
Claire Keane
he wasn't even looking at me and he found me

★
Sweet Seals For You, Always

blake kathryn
let's talk about Bridgerton tea, my ask is open
Xuebing Du

pixel skylines
TVSTRANGERTHINGS
h

tannertan36

JVL
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@angry-glasses
girl...
come ON

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I actually think the lack of race politics is probably the weakest factor in rgu (as well as the fandom) bc like. the dynamics of patriarchy are in fact inextricable from the logic of colonialism in many ways? and so it makes me feel crazy that everyone in ohtori is always like “let’s kill the one brown girl we know with knives for no reason” and then nary a single fan is like “this is surely not motivated by any sort of visual signifier of alterity that she may be assigned by a racializing gaze” and in fact some of them are even like “everyone who wants to kill her is right for that probably bc she’s evil”
@pseudotsugas yes exactly ! really well put
anything for the lemurians in bleach for the ask game, if you're still taking asks for it?
“This the brat she talking about?” An unfamiliar voice drawls, and it’s unfamiliar in not only being someone Rukia’s never met but in its accent, its tone.
The words come from a tall dark person, one with flat fish eyes and fanged teeth in a smirk tilted towards them. He holds a sword, leaned up both against his shoulder and the ground.
As ridiculous as it is to have the thought in the middle of this, Rukia thinks: that sword is somehow bigger than Ichigo’s.
“What are you.” Her brother demands. Because what is the correct term here, for what stands before them are not Hollows, nor any kind of human soul. Instead, two individuals with gills and scales stand there. The taller has tentacles that wiggle about his waist while the other has a tail swishing behind. But it’s more than that, the reiatsu she senses from them (what little she can anymore) is different. New.
Fishpeople, like the one Ichigo ran into. The one that ran away.
Her eyes flick between the two. The smaller one’s that same one, right? It has to be.
“Answer him!” Renji demands, hand on his own zanpaktou hilt.
The mouth in that gray face somehow widens even further, exposing layers and layers of sharp jagged teeth. Slits of skin, gills, flap on the neck.
“Why don’t you take a guess?”
Then he turns slightly towards his companion.
“Caecus.”
“Yes, Lord Goliath?” The pale fishperson somehow straightens even more in his already stiff position.
“Grab the girl.” The large blade slings out, scratching against the pavement as its owner draws it forward, stalking towards the Shinigami. “I’ll have some fun while you do.”
“Arrogant,” her brother scoffs, and Rukua can’t help but agree. He’s a Captain, one of the thirteen most powerful Shingami in the Seireitei.
What can this stranger hope to be up against that?
“Oh, I hope so.”
If you don't mind more questions about Vigilantes, what do you think about Koichi's flaw as a character? I recall the mangaka on a character note stated that Koichi never gives himself more then he can handle. Plus, his tendency to passively stay in his lane until he absolutely needs to in order to help/survive? I think it makes him even more of a unique protagonist, personally. And even more of an interesting foil to Deku. So I'm curious to know what you think?
Okay, so, I apologize for the delay on this reply. I find I lag even more than usual when I get asks that are obviously sincere but which I just disagree with the whole premise of, because nobody sends asks this genuine expecting to get hammered and I hate to be the one delivering that sting.
On top of that, I’ve had a lot of personal life stuff going on (as I posted earlier), which made my inbox in general drop pretty far down my to-do list. But I did want to answer this because I think it raises an interesting question, and I do have an answer about what I think Koichi’s most significant character flaw is, even if I don’t think it’s the one(s) you mentioned! So I hope that you will take this answer in good faith, anon, if you see it, and thank you for your patience!
So, I had to go digging for this because I did not remember the author saying anything to the effect of what you mentioned, but I did eventually turn up the note in question in Volume 10, as reproduced below the jump:

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i'm starting a collection of a very specific brand of images. donations welcome 😊
delayed entry
newcomer
anotha one
i will never stop
Alice's Adventures in Wonderland by Lewis Carroll is a book about a small child who is forced to solve RPGmaker puzzles, which is very impressive given that the book was written in 1865
I haven’t seen anyone talking about this. And imo. This is one of the most important shots of the whole video.
I keep seeing people say how crazy Mizi is and how innocent Sua was in comparison, but that’s just not true. I adore both Mizi and Sua, by the way. This isn’t criticism of either of them. But you can’t ignore what Sua does here if you want an accurate portrayal of their relationship in this world.
When Mizi becomes an idol, she’s manufactured into a sex symbol, crafted into something that can appeal to the male gaze despite how we KNOW she’s a lesbian. Specifically, we can see how Mizi’s breasts are often framed promiscuously to further her objectification:
So this shot where Sua finds Mizi, tied up and helpless, incoherent, and the first thing she does is frame an unaware Mizi’s breasts as if in a photoshoot—bitterly, ironically, before relief takes over—it goes to show something major about Mizisua’s relationship in both the ALNST and ZOMST verse.
In ALNST, Sua enables Mizi’s infantilization (something often levied against women in a misogynistic context) of herself by keeping Mizi “in the dark” (although Mizi is more aware than either of them want to acknowledge). People rightfully criticize Till for his innocent vision of Mizi to comfort himself with, but Sua has a version of Mizi in her head that she uses to comfort herself, too. She and Till aren’t incredibly different in this regard.
In ZOMST, this translates not to infantilization, but to objectification. Sua is bitter over Mizi’s decision to let the industry use her in this way, she’s disgusted by it, but then she wields it herself when Mizi is finally helpless and incapable of pushing Sua away again by miming taking a photo of Mizi’s breasts.
Mizi is objectified in ZOMST by everyone: the industry, herself, the crowd, and even the person she loves the most.
One man army

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Look I don't think Supergirl (2026) is secretly a perfect masterpiece or anything (I personally thought it was like. a 6/10 fun time) but I do think it's wild that Tumblr isn't going crazy for it because this Kara is one coattailed suit away from being a Tumblr sexyman. she is the flawed messy female character people have supposedly been clamouring for. she's the popular archetype of a gruff self-destructive alcoholic middle-aged man begrudgingly having to look after a kid and growing fond of them but genderswapped and also 23. she's allowed to be visibly messy and kind of gross and her hair is constantly all over the place and she literally cries, screams, throws up, and pisses onscreen. she's caustic and mean and puts up an act of carelessness but has a heart of gold. she's heavily traumatised and coping with it terribly. if anything happens to her dog she will kill everyone in this room and then herself. she spends most of the movie in a trench coat and baggy band T-shirt. she gets into bar brawls and breaks a guy's hand. she is Going Through It 24/7 and looks the part. she stabs a guy in the throat. how is everyone else not obsessed with her.
I hate when people say how Sasuke killing the elders and other people responsible for Uchiha genocide is bad because it continues the cycle of violence. But it literally doesn't. That isn't even revenge, it's just justice. If Sasuke were to commit a genocide on a clan of elder THAT would be continuing cycle of violence. But purely killing the elders is literally just justice being served. The elders, Danzo and Hiruzen didn't show remorse for their actions. They didn't care, in fact they'd 100% do it again if necessary. So Sasuke has no reason to forgive them or even consider forgiving them. Just because justice is violent doesn't mean it isn't correct.
Quick, imagine a guy. Just any dude.
Did you imagine a woman? No one does. Tell me again how these terms are "gender neutral."
o-oh.
O H .
F U C K .
"folks", "y'all", and hell even "people" are all right there....
hot take in a roundabout way i think that's also why so many of us opt out of becoming parents ourselves
Does anybody know how to fix it
Start disappointing people and not backing out of it when they are upset, reject feeling ashamed of everything including of yourself, start saying No to things you do not want to do not just things you're scared of, do more of those things you're scared of but wish you could do, make your own plans and execute them, decide to do or not do something without basing it on who will Dislike it.
Free Will takes practice, and the chance of making someone somewhere Slightly or even Very Disappointed In You. But you're an adult and you can't be made to stand in a corner anymore.
I had a dream that I went to heaven and heaven had its own heaven-exclusive tv shows that were written and produced there in heaven and they showed me the most popular show in heaven and it was this really beautiful drama and, at the end of the episode, the credits said “Created by Mike Ehrmantraut” and they were like “oh yeah. fictional characters who die in earth media go to real heaven” and I’m like “sure but mike did some pretty fucked up stuff, wouldn’t he go to hell?” and they’re like “no, all the fucked up things he did were fictional. people only get judged for the real things they do and the only thing mike really did was bring joy to millions of viewers” and i think that’s beautiful

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i wonder what thh is like in geno's pov
like the betrayal’s always going to be worse if they cared about you and it didn’t matter. someone discards you because they didn’t give a shit, then you can be angry about that, you can feel vindicated in that, you can get over it. but if they can look you in the eyes and say “I love you. I would make the same choice again.” You will never sleep peacefully again, is all.
“I thought they cared about me, but they were lying this whole time.” <- tired. boring. removes all the nuance of this relationship to make it easier to move on from.
“I thought they cared about me, and I was right, and every minute they were there for me, every time they said they were proud, every laugh we shared leaning against each other bruised and breathless, all of it was real. and they still left me behind. They could put their love aside. I couldn’t.” <- insane. will never leave you alone. reminds you that even the worst people are still people and can still care about even the ones they hurt the most and that undoes neither the harm nor the love.