I feel like a lot of fans who really want a butch Cassie would snub a real butch Cassie because the extent of butch for many of them is just short hair and nothing else.

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I feel like a lot of fans who really want a butch Cassie would snub a real butch Cassie because the extent of butch for many of them is just short hair and nothing else.

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My piece for the @womenincomicsminibang, which goes with this amazing story by @gnomewithalaptop!
In an alternate timeline not too far away, Greta did join Darkseid at the end of Young Justice 1998 and the Female Furies were successful in capturing Cassie during Wonder Girl 2007.
When the two former teammates meet again on Apokolips there is plenty of intense emotions and old hurts to go around.
imagine you had a friend who constantly made jokes at the expense of something you loved. they're never funny, but they seem to expect you to laugh even though the punchline is just, "this thing you love sucks ass". it's not even really a joke, there's nothing funny about it, you can tell that they genuinely actually believe it. but they insist it's just a joke!
no matter what the situation is, they're always bringing the social interaction to a screeching halt with these jokes. nobody ever wants to participate in this joke with them. nobody agrees with the premise. nobody ever knows what to say afterwards, it's just an awkward moment and a subject change. but they just keep doing it.
you have to stop with the self-deprecatory "humor", it's not fun for anyone including you.
#actual advice: switch to self-aggrandizing humor #have the biggest ego in the world even if it's fake #does wonders
as the smartest and most beautiful woman in the world, I can confirm this
Self aggrandizing humor saves lives. I’m an authority on this since I’m legitimately the coolest girl in the world.
Hey don't look now but I think your ex is actively seducing your sister
Can you rank your siblings from best to worst

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Like I mentioned on my previous post, there’s a particular aspect of how Steph got fired from being Robin that I find particularly interesting. (And based on your tags, @alvindraperzzz, you're going to enjoy this as well ;) )
So, just as a reminder, this is the deal that Stephanie and Bruce make when he agrees to let her be Robin:
"You're on probation. You don't learn any of the big secrets. And the first time you disobey my orders, is the precise moment you're out. No second chances."
Here's what makes this interesting: Tim also had a probationary period. It took place between 1989's "A Lonely Place of Dying" storyline and 1991's Robin miniseries, happening in scattered pieces across bits of Batman, Detective Comics, and other associated books.
Aside from changes in comm-tech between 1989 and 2003, there's only two major differences between Steph's probationary period and Tim's. First, Tim already knew the biggest of the Big Secrets, so he gets moments of interacting with Bruce and Alfred in civilian mode and even stays with them during school holidays. And second, Tim was not allowed his own costume and was forbidden from going out on patrol. Presumably, this second difference comes from a mix of Bruce's implied scheme to lure Tim back, Steph already having copious experience on the streets as Spoiler, and just general management of their differing personalities.
The important thing is, during this time, Tim was under the same restrictions as Steph: stay out of this fight, and if you disobey me you're gone. And there came a time, right at the end, where Batman wound up in a dangerous situation versus a supervillain (in this case, Scarecrow) and the would-be Robin chose to break the rules. What's interesting is the parallels and differences between the two scenes, and how, if you're paying attention, they're pretty consistent, despite their very different endings.
For one, in Tim's case, he's not initially on the scene, and he doesn't have contact with Bruce (like I said, 1980's comm-tech -- Oracle wasn't even a thing yet). This means that he isn't defying direct orders when he chooses to act. And he doesn't rush in himself right off the bat -- his first choice is actually to dial up Commissioner Gordon on the landline.
It's only after he runs out of ways to get a hold of Batman and warn him of the danger that he makes the decision to go out. And he does so very conscious of the fact that this is going to cost him Robin, in spite of the months of work he's put in.
Stephanie, on the other hand, is on the scene and has a direct line to Batman. She's chattering in his ear the whole time, to the point that he has to tell her to be quiet because she's distracting him. And when the fight gets going, he tells her repeatedly that he's doing fine, don't come in here, stay in the plane.
She lasts maybe fifteen seconds before abandoning her comms and diving in.
She doesn't wait or consider her options. She doesn't even give their deal so much as a passing thought. She simply assumes that she knows better than him and leaps in without thinking. Which mostly just demonstrates that a) she doesn't trust him which is bad when you're trying to form a partnership, and b) she can't be trusted to follow orders.
Also, frankly, she demonstrates poor judgement by completely misjudging the situation. Bruce does not need her help. Even injured, he's doing just fine. Stephanie rushing in is nothing but a distraction and, ultimately, what loses the fight.
Tim, on the other hand, judged the situation correctly. When he arrives on the scene, Batman (and innocent civilian Vicki Vale, not shown for space) is in trouble. He's been caught by Scarecrow and genuinely needs the back-up because he's being psychologically tortured.
Another parallel is that both Robins wind up in trouble as a result of coming to Batman's rescue. Which makes sense, they're teenagers versus adults with super-tech, training and horrible fear chemicals.
In Tim's case, he gets doused with fear gas (specifically "essence de trauma" because this was back when Scarecrow had specific strains of his stuff) which trapped Tim in an illusion of the very recent attack on his parents. Seriously, this is happening like, the day after they buried his mother.
But! He pulls himself out of it with the help of what might be hallucinations or might be the ghosts of Jason Todd and the Earth-1 Dick Grayson (it's never explained because this was the late 80s and nobody questions this stuff when half the creative staff is running on cocaine.) He then manages to turn the tables on Scarecrow and actually save the day.
Stephanie, on the other hand, gets herself caught.
Which, like I said, loses Batman the fight. And more importantly, it puts Steph's life in danger and she's not able to get herself free.
And it isn't like she doesn't have the opportunity, in-universe. This is where the scene ends, but Bruce recaps on the next page how Scarab, quote, "Left Robin tied up, but alive and uninjured" when she stole the Bat-plane to make her escape.
So, if you're a reasonable person, I hope you can see how there's already multiple strikes against Steph that don't really apply to Tim: she broke the rules thoughtlessly instead of with consideration, she defied direct orders instead of taking initiative on her own, and she completely misjudged the situation, putting herself in danger for no real reason and costing Batman the fight.
But now, we come to the difference that almost everyone overlooks, but I think is the real key to the whole thing: how each Robin behaves in the aftermath.
Because, see, Tim comes to Bruce immediately afterwards and owns up to everything.
I really like this scene because what Tim says here is very deliberate. He doesn't make excuses or try to deny anything. He simply explains himself and then apologizes, fully willing to accept the consequences of his actions.
It's a very mature thing to do. I couldn't have done it at 13. I'm not fully confident I could do it now, at 33. And in return, Bruce says this:
This is the story where Tim earns his wings. In the next two pages, he's given his costume and is officially made the new Robin. And it's because he demonstrates, through his actions in this story, that he understands both the weight of the legacy and the very real responsibility he's about to leap into.
Compare that to how it goes down with Steph.
Like I said in my previous post, despite Bruce saying she'd be out "the precise moment" she disobeyed him, Bruce doesn't fire her immediately after the Scarab incident. Instead, the story skips ahead by three weeks, until after Bruce has recovered from his injuries.
This is something he's shown consciously choosing to do, though he doesn't explain why. I like to think it's to give her time to consider her actions.
Note the difference in the way that Steph behaves: she shows up in her costume, with the standing assumption that they're going to go after Scarab. The only thing that she thinks would've prevented them from doing so is Batman's vision not healing.
She feels "guilty" about him being blinded, but that just demonstrates that she doesn't really understand the situation -- Batman was blinded while she was in the plane. Which implies that what she feels "guilty" about is not disobeying him sooner. The fact that she put herself in danger, the fact that she broke the rules, these things never cross her mind.
You'll note that she doesn't apologize either. Again, it's probably not deliberate, but "I feel so guilty, it was all my fault!" is not the same thing as "I'm sorry." The former is what you say when you're trying (consciously or not) to get the person you've wronged to comfort you. To tell you that it's okay, you didn't mean to do it, everybody messes up so don't feel bad. Which you'll note that Bruce does.
It's only after Steph does this, comes to him acting like nothing's wrong and they just had a little oopsie-daysie on the way to their next rip-roaring adventure, that Bruce finally drops the bomb.
Note the "direct order in the field" specification.
Stephanie only starts to admit that she did something wrong after she realizes she's going to be punished, and even then, she's not apologizing, and she's not owning up to her actions. She's making excuses, trying to wheedle out of the consequences of her own actions. And not once does she ever seem to internalize that she could have died.
And all of this is very in-keeping with her personality as established up to his point.
In short, while the two situations are very similar, Stephanie's actually demonstrates the exact opposite of Tim's: even after years of being Spoiler and multiple occasions where her own life, civilian lives, and the lives of people she supposedly cares for have been on the line, she's still treating this all as a game where the most important aspect of the outcome is how she feels about it. It's not just that she made "one mistake," this is part of a pattern for her, one that demonstrates very aptly that she does not understand the danger she's putting herself in, doesn't respect the guidance of the people who are trying to teach her, and frankly, has no interest in ever getting better, because she doesn't think she has a problem.
It can't be her fault, after all. She just made a little mistake! It's everyone else who're being unfair to her, holding her to rules and agreements she never meant to honor, and they'll all see as soon as she can prove them wrong...
And we all know where that leads.
Now, there are people who believe that this entire issue is simply unfair to Stephanie. And yeah, there's an entirely different discussion to be had about the out-of-universe decisions surrounding this story, the intention of the creators, etc. But I think everything that happens here in Robin #126 is as in-keeping for Steph's personality as the events of Batman #457 are for Tim. And I believe that, in both, Bruce's reasoning is fair and based on sound judgement, not sexism.
Still, they're very fun to compare. The nuances between the different relationships is very interesting.
Aside from this being a wonderful meta that I adore, one of the misconceptions that bother me the most is that Batman was unnecessarily cruel to her?
It has been a while since I had read a comic run where Bruce praises someone to their face so consistently. Specially with how little appearances she has.
And he's also the opposite of antagonistic towards her. He's relaxed, he's making jokes.
Don't misunderstand, he was strict but not unfair. There are so many things you can critique Bruce about when it comes to him as a mentor. Hell, there are so many things you can critique him about in regard to how he treated Steph herself. Why choose the one with no canon basis?
These are honestly cute. Bruce also did some random cute mentorly stuff with her when she was Spoiler at least once. Their relationship is very ¯\_(ツ)_/¯
I feel like he likes her, but still thinks she shouldn't be a vigilante.
But this has made me think about how War Games was there to set up UtRH. That if they hadn't killed her in War Games, editorial had another easy way to kill her off. Jason killing Stephanie and taunting Bruce over how she'll go unavenged just like he did is in keeping with what they were trying to do with Jason at the time. The only reason to not have him kill Stephbin would be if they wanted to leave open the possibility of redeeming him later.
I feel like he likes her, but still thinks she shouldn't be a vigilante.
Yes! Exactly! That's true of most adult superheroes in Steph's life TBH. She might've gotten a lot of, "Go home, Stephanie, you shouldn't be here" in her early days, but by this point in the story, what she'd been hearing for years was:
"Good work, kid, you've got a lot of potential. You're just not quite there yet, keep working."
And sure, sometimes she acted like they'd told her to go fuck herself when they needed to break off the training for whatever reason. But like -- she's a teenager. They overreact to stuff like that, their emotions are bigger.
I know exactly what post you saw before that self rb, and when I saw your rb I already knew it must be in responce to that other post before I even got down to your tags XD
And to think I even thought 'I wonder what people are saying in the comments and tags of this?' before being smacked in the face with such hot takes as 'Steph was fired for saving Bruce' and 'Steph didn't recieve any training'
I always forget what the fandom consensus is on Steph's time as robin when one of those posts come around, before being abruptly reminded…
It's so frustrating! It's such a blatant surface-level read of "these two moments look similar so they're the same thing" when they're just not.
My perpetual hot take: Steph was not held at a higher standard than the boys, but she should have been. She was the oldest and the most experienced. The boys (and Carrie, and Maps, and at least one version of Helena Wayne) all start between the ages of 10 and 13; Steph's at least 17, probably closer to 18 -- a legal adult, or close to it. She'd dropped out of high school, held down at least one civilian job, and had a baby. She'd been trained by Tim, Dinah, Cass, Babs, and Bruce before becoming Robin, and starts up a whole new intense training routine with the latter three once she gets the job.
She may not have been Trained On Arrival the way Dick or Damian was, but she had more training than Jason and more in-cape field experience than any of them. After all that, "Understands the danger she's putting herself in" feels like it should be the bare minimum to clear to continue being a superhero, period, let alone being Robin where Batman is explicitly responsible for her safety.
That post that's going around right now is particularly frustrating because it even acknowledges why Bruce was hesitant about Steph in the first place -- her recklessness and tendency not just to sometime disobey, but regularly resist and defy his orders, reminded him too much of Jason, the Robin Who Got Fucking Killed. And yet it still acts like that's just some stupid hang-up of Bruce's that doesn't really matter, as opposed to an actually pretty reasonable point that lines up with both Bruce's trauma and Steph's established character traits.
Because god forbid we remember Robin is Batman's partner, a job with expectations and standards, and a role in the narrative, not a shiny trophy awarded only to crown the Purest and Best Character.
Like I mentioned on my previous post, there’s a particular aspect of how Steph got fired from being Robin that I find particularly interesting. (And based on your tags, @alvindraperzzz, you're going to enjoy this as well ;) )
So, just as a reminder, this is the deal that Stephanie and Bruce make when he agrees to let her be Robin:
"You're on probation. You don't learn any of the big secrets. And the first time you disobey my orders, is the precise moment you're out. No second chances."
Here's what makes this interesting: Tim also had a probationary period. It took place between 1989's "A Lonely Place of Dying" storyline and 1991's Robin miniseries, happening in scattered pieces across bits of Batman, Detective Comics, and other associated books.
Aside from changes in comm-tech between 1989 and 2003, there's only two major differences between Steph's probationary period and Tim's. First, Tim already knew the biggest of the Big Secrets, so he gets moments of interacting with Bruce and Alfred in civilian mode and even stays with them during school holidays. And second, Tim was not allowed his own costume and was forbidden from going out on patrol. Presumably, this second difference comes from a mix of Bruce's implied scheme to lure Tim back, Steph already having copious experience on the streets as Spoiler, and just general management of their differing personalities.
The important thing is, during this time, Tim was under the same restrictions as Steph: stay out of this fight, and if you disobey me you're gone. And there came a time, right at the end, where Batman wound up in a dangerous situation versus a supervillain (in this case, Scarecrow) and the would-be Robin chose to break the rules. What's interesting is the parallels and differences between the two scenes, and how, if you're paying attention, they're pretty consistent, despite their very different endings.
For one, in Tim's case, he's not initially on the scene, and he doesn't have contact with Bruce (like I said, 1980's comm-tech -- Oracle wasn't even a thing yet). This means that he isn't defying direct orders when he chooses to act. And he doesn't rush in himself right off the bat -- his first choice is actually to dial up Commissioner Gordon on the landline.
It's only after he runs out of ways to get a hold of Batman and warn him of the danger that he makes the decision to go out. And he does so very conscious of the fact that this is going to cost him Robin, in spite of the months of work he's put in.
Stephanie, on the other hand, is on the scene and has a direct line to Batman. She's chattering in his ear the whole time, to the point that he has to tell her to be quiet because she's distracting him. And when the fight gets going, he tells her repeatedly that he's doing fine, don't come in here, stay in the plane.
She lasts maybe fifteen seconds before abandoning her comms and diving in.
She doesn't wait or consider her options. She doesn't even give their deal so much as a passing thought. She simply assumes that she knows better than him and leaps in without thinking. Which mostly just demonstrates that a) she doesn't trust him which is bad when you're trying to form a partnership, and b) she can't be trusted to follow orders.
Also, frankly, she demonstrates poor judgement by completely misjudging the situation. Bruce does not need her help. Even injured, he's doing just fine. Stephanie rushing in is nothing but a distraction and, ultimately, what loses the fight.
Tim, on the other hand, judged the situation correctly. When he arrives on the scene, Batman (and innocent civilian Vicki Vale, not shown for space) is in trouble. He's been caught by Scarecrow and genuinely needs the back-up because he's being psychologically tortured.
Another parallel is that both Robins wind up in trouble as a result of coming to Batman's rescue. Which makes sense, they're teenagers versus adults with super-tech, training and horrible fear chemicals.
In Tim's case, he gets doused with fear gas (specifically "essence de trauma" because this was back when Scarecrow had specific strains of his stuff) which trapped Tim in an illusion of the very recent attack on his parents. Seriously, this is happening like, the day after they buried his mother.
But! He pulls himself out of it with the help of what might be hallucinations or might be the ghosts of Jason Todd and the Earth-1 Dick Grayson (it's never explained because this was the late 80s and nobody questions this stuff when half the creative staff is running on cocaine.) He then manages to turn the tables on Scarecrow and actually save the day.
Stephanie, on the other hand, gets herself caught.
Which, like I said, loses Batman the fight. And more importantly, it puts Steph's life in danger and she's not able to get herself free.
And it isn't like she doesn't have the opportunity, in-universe. This is where the scene ends, but Bruce recaps on the next page how Scarab, quote, "Left Robin tied up, but alive and uninjured" when she stole the Bat-plane to make her escape.
So, if you're a reasonable person, I hope you can see how there's already multiple strikes against Steph that don't really apply to Tim: she broke the rules thoughtlessly instead of with consideration, she defied direct orders instead of taking initiative on her own, and she completely misjudged the situation, putting herself in danger for no real reason and costing Batman the fight.
But now, we come to the difference that almost everyone overlooks, but I think is the real key to the whole thing: how each Robin behaves in the aftermath.
Because, see, Tim comes to Bruce immediately afterwards and owns up to everything.
I really like this scene because what Tim says here is very deliberate. He doesn't make excuses or try to deny anything. He simply explains himself and then apologizes, fully willing to accept the consequences of his actions.
It's a very mature thing to do. I couldn't have done it at 13. I'm not fully confident I could do it now, at 33. And in return, Bruce says this:
This is the story where Tim earns his wings. In the next two pages, he's given his costume and is officially made the new Robin. And it's because he demonstrates, through his actions in this story, that he understands both the weight of the legacy and the very real responsibility he's about to leap into.
Compare that to how it goes down with Steph.
Like I said in my previous post, despite Bruce saying she'd be out "the precise moment" she disobeyed him, Bruce doesn't fire her immediately after the Scarab incident. Instead, the story skips ahead by three weeks, until after Bruce has recovered from his injuries.
This is something he's shown consciously choosing to do, though he doesn't explain why. I like to think it's to give her time to consider her actions.
Note the difference in the way that Steph behaves: she shows up in her costume, with the standing assumption that they're going to go after Scarab. The only thing that she thinks would've prevented them from doing so is Batman's vision not healing.
She feels "guilty" about him being blinded, but that just demonstrates that she doesn't really understand the situation -- Batman was blinded while she was in the plane. Which implies that what she feels "guilty" about is not disobeying him sooner. The fact that she put herself in danger, the fact that she broke the rules, these things never cross her mind.
You'll note that she doesn't apologize either. Again, it's probably not deliberate, but "I feel so guilty, it was all my fault!" is not the same thing as "I'm sorry." The former is what you say when you're trying (consciously or not) to get the person you've wronged to comfort you. To tell you that it's okay, you didn't mean to do it, everybody messes up so don't feel bad. Which you'll note that Bruce does.
It's only after Steph does this, comes to him acting like nothing's wrong and they just had a little oopsie-daysie on the way to their next rip-roaring adventure, that Bruce finally drops the bomb.
Note the "direct order in the field" specification.
Stephanie only starts to admit that she did something wrong after she realizes she's going to be punished, and even then, she's not apologizing, and she's not owning up to her actions. She's making excuses, trying to wheedle out of the consequences of her own actions. And not once does she ever seem to internalize that she could have died.
And all of this is very in-keeping with her personality as established up to his point.
In short, while the two situations are very similar, Stephanie's actually demonstrates the exact opposite of Tim's: even after years of being Spoiler and multiple occasions where her own life, civilian lives, and the lives of people she supposedly cares for have been on the line, she's still treating this all as a game where the most important aspect of the outcome is how she feels about it. It's not just that she made "one mistake," this is part of a pattern for her, one that demonstrates very aptly that she does not understand the danger she's putting herself in, doesn't respect the guidance of the people who are trying to teach her, and frankly, has no interest in ever getting better, because she doesn't think she has a problem.
It can't be her fault, after all. She just made a little mistake! It's everyone else who're being unfair to her, holding her to rules and agreements she never meant to honor, and they'll all see as soon as she can prove them wrong...
And we all know where that leads.
Now, there are people who believe that this entire issue is simply unfair to Stephanie. And yeah, there's an entirely different discussion to be had about the out-of-universe decisions surrounding this story, the intention of the creators, etc. But I think everything that happens here in Robin #126 is as in-keeping for Steph's personality as the events of Batman #457 are for Tim. And I believe that, in both, Bruce's reasoning is fair and based on sound judgement, not sexism.
Still, they're very fun to compare. The nuances between the different relationships is very interesting.
Ryland Grace and his popularity as a character feels like such an important step in repairing the cultural tsunami left by the long running trope of every genius character needing to be an insufferable asshole to everyone in a ten mile radios about it.
Conversely, Eva Stratt is doing wonders for repairing and inspiring a appreciation for commanding women with dubious moral convictions who are fully willing to bend laws for the greater good without hesitation.
And together they are doing brilliant things by not kissing or hooking up even once.
I wonder if we can convince the fanon people that Greta and Suzie are two separate characters
Legitimately, this is how I would reconcile Secret's appearance in the Stargirl Spring Break Special. Hypertime duplicate who got shunted into mainline reality at some point during the various reality shuffles. Greta's still at home, living her mostly normal life, and the Secret from the Isle is a "Suzie" who's more content with remaining as she is.

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Sorry just every time I see "DC stands for disregard canon" on a post about DC's timelines as a Flash fan I start breaking out in hives. No there very much is rhyme and reason to it that remains relevant to the overall narratives of DC, you just aren't seeing that because you're not reading the comics of the characters whose purpose it is to explain the cosmic level stuff.
If I had the ability I'd make a little comic with Barry cheerfully and exuberantly explaining the timelines and occasionally interjecting AND HOW THIS RELATES TO BATMAN in the tone of
while grabbing Bruce, who's been standing next to him unhappily and not saying anything the whole time.
I’m just glad Barry got to collate all the timeline data in New History of the DCU. Professor Waid explains via Professor Allen :)
Also yeahhhh why is it *always* Batfans who are always parroting “disregard canon”…? And I’m saying this as someone who genuinely LOVES Tim Drake and is fond of Robin I and the Big Bad Bat.
Obviously I'm also really fond of them (gestures at blog theme) but truthfully the fandom has a big problem with people treating the Bats as if they're all there is, and while they're very fun and good in their own niche, it just isn't their job to explain what's going on in the wider universe. And there's so much going on in the universe they inhabit! That people are sadly missing out on! It makes me so sad especially to see people telling new fans to not even try to understand things, as if the explanations just don't exist and the Bats live in an empty vacuum devoid of meaning.
Also to be frank (as someone with a fairly reasonable spread of understanding of the process of retcons and reboots across various sections of DC): the Bats are one of the least affected properties!
Earth-One while having its own quirks continues to be relevant to the present day (and while it contributes to the Helena Wayne retcon oddities, it’s still a specific timeline that turns up)
Pre-Crisis Earth-Two became Post-Crisis pretty smoothly. Aside from resetting Jason (and tbf most people use the latter version anyway) and concreting a modernised version of Bruce’s origin, the history and events are remarkably unchanged compared to other properties. There are, don’t get me wrong, changes, but mostly on the ‘reinterpretation of events’ level more than ‘we rewrote whole swathes of story and threw out huge chunks of existing canon’.
The scramble to attempt to retain essentially all of Bat canon in n52 actually created a bunch of the biggest pressures on that timeline. ‘Make Bat canon return to normal’ was basically the thrust of Tynion’s Tec run at the start of Rebirth, and other properties have consistently navigated around the Bats trying to fix stuff.
If you compare even the biggest ‘problems’ with Bat comics and timelines (a bunch of weirdness around Thomas Wayne generally, n52!Tim, Cass and Steph not existing for a bit, arguments over Jason’s personality as Robin) it is NOTHING compared to say “what is Hawkpeople lore, are they aliens, how do their rebirths work” or “does Donna Troy have a backstory? Which one? What memories are real?” or “what’s going on with the JSA, time travel, The Trinity, and how are half of them alive?” or “exactly what is Power Girl’s current name and backstory” etc
There ARE issues, but of the big ones people are pretty aware of the tension points and how to tug them into a reasonably coherent story, and most of the smaller ones are navigated by people just choosing not to look too closely.
I wish the sort of person who loves claiming it’s incoherent would actually say ‘I don’t really understand how eras or multiple worlds work’ or ‘my preferred reading/version of events is not the current explanation’. It’d be more honest.
man sometimes friendship really is just "I saw this and knew it would give you psychic damage. please respond with agony" and then they do. and it's great
okay already i desperately need u.s. americans to practice the phrase, "not where i'm from, but maybe in other parts of the u.s."
because it's genuinely insane the things i've heard americans say 'america doesn't have' when it's just factually incorrect.
for some perspective: during my longest move i did by-car in the u.s., i drove ~3,000 miles. That's ~4,800 km. It took nearly 50 hours drive-times alone. Meaning, if I could have driven without stopping once, it would have taken nearly 50 hours. Of course I split that up over several days.
Driving that same distance here, If there's a ferry+road from Rabat (in Morocco) to Kyiv (Ukraine), I could take it and keep on going another several hours.
So you can understand how silly it is for someone from the u.s. to be asked to answer a question on behalf of the entirety of the u.s.—geographically, culturally, etc.
So now that we've said all that, I need you to know that I listened to a guy from Idaho tell an Irish person today, "yeah, we just don't really get snails much in America."
Snails.
Next. Even if someone does say, 'not where I'm from,' you might still want to check that out for yourself:
in the increasingly conservative-leaning global sociopolitical climate that we live in it's important to remember that "subversive" does not automatically equal "good" or even "better" lest ye become what i like to call a Temporarily Embarrassed Contrarian

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"Mfinda", an upcoming African-American-Japanese feature film produced by N LITE.
Directors: Gisaburo Sugii & Arthell Isom. Character designs: Patience B. Lekien & Shigeru Fujita. Image boards: Shinichiro Yamada. Animation production : N LITE, MOCCO, PONOC. Partners: Masao Maruyama (Studio M2), GKIDS.
To put it very bluntly.
You will always make a better impact helping people who need it than trying to hurt people you think deserve it.