
titsay
we're not kids anymore.
taylor price
ojovivo

if i look back, i am lost

hello vonnie

$LAYYYTER

Andulka
Mike Driver
Three Goblin Art
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
he wasn't even looking at me and he found me
Cosimo Galluzzi
wallacepolsom
Stranger Things
Sade Olutola

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@ami-tv

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sometimes you see Takes™ that make you go "mmmhmmm okay yeah i see we both interpreted that differently based on what the show gave us, but i see how you arrived at your ideas even if they're different from mine," and then sometimes you see Takes™ that make you go "brother what show did you even fucking watch"
You’ve heard of “i didn’t say it was good, i said i liked it,” get ready for “i said it had some technical problems & didn’t fully deliver on its themes, not that i didn’t like it”
#I voiced a criticism of some of its aspects#which in no way implies I did not like it#“and especially does not imply that I would like to hear a defense of it of the form 'shut up and let people have fun'”
REALLY endorsing these tags from galileosballs
iron lung is good because on one hand it's like "hey if there was an ocean of blood and we threw a guy down there would that be fucked up or what" but also it's about humanity and the want to survive and the need to survive and what is worth the cost of a life but it's also about the inhuman treatment of criminals and where we draw the line but it's also about simon saying "it's bigger than me" during his self sacrificial act for humanity it's also about "you deserve your freedom. i'm sorry i can't give you that." it's about oh my god i love cosmic horror it's about seeing such an incredibly beautiful and artistic and human and independent film prevail it's about everything and it's about what you are when you're left at the edge of nothing. so yeah the movie is ok
Netflix wondering why their numbers are going down while it's impossible to find anything while browsing. "Period piece" is not a sortable genre and searching for it Netflix offers me Jennifer's Body and Dungeon Meshi alongside Tulip Fever and Atonement. You can sort by language OR by genre but if you want to find Hindi action movies then screw you, you're sorting through the horror and romcoms and true crime as well. Want JDramas? Please sort through the 60 anime we have to find them. Most of the international stuff is difficult to impossible to find by browsing the regular sections. "International LGBT soaps" and NONE of them are Thai or Japanese or any kind of Asian? Netflix I KNOW you're lying to me. I spend 3 hours trying to find a period drama to watch that suits my desires and in the end I give up and imagine elaborate scenarios for the people wearing 18th century clothing in my head

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Christopher Nolan almost allows colors into his mythical epic shot on 70mm IMAX film. thank god they stopped filming in time.
avril lavigne was right. what the hell
one time in college i was in a creative writing class and this guy was holding up the critique with what i can only describe as like cinemasins dinging another student's writing. and at some point the professor said "the plot is the fork and the prose is the meal. you are critiquing the taste of the fork"
Relevant XKCD: https://xkcd.com/2609/
theres ALWAYS a relevant XKCD for everything huh
reminds me of how artists flip the canvas to make sure their art looks good
Just flip the genders real quick and check if you accidentally made a cult
im realizing very fast that people do not in fact know that sometimes things in stories suck on purpose and it sucking is the point
"this story is misogynistic!!"
>looks inside
>about the pressures of societal misogyny and how its bad

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HOUSE OF THE DRAGON (2022– ) 3.02 | Queen's Landing
I don’t think we talk enough about how, despite the presence of multiple globes, PotC takes place on a flat earth, ice wall included.
I'm gonna need some elaboration here
They literally sail over the edge of it after passing through a hole in a wall of ice. They fall off. They get back to the other side by passing through the whole ocean.
But also there’s a globe on, like, everyone’s desk.
#it's like lord of the rings#it's only flat for pirates
You get it.
No, but this is actually (sort of) canon.
See, part of the conceit of the PotC trilogy is that all myths are true. Nearly every supernatural element in the franchise has a root in some real world mythology or pirate lore, although some of them are mashed together.
Another thing is that they take place at the end of the Golden Age of Piracy, and the more the map gets filled in, and the more the Royal Navy takes power, there less room there is for the mystical and supernatural in the world. This is explicitly called out in At World's End with the death of the kraken:
Barbossa: The world used to be a bigger place. Jack: The world's still the same. There's just... less in it.
The only way to access the world of the supernatural is through the supernatural itself. You can only get to the Isla de Muerta with Jack's compass that points to whatever you desire, or if you already know where its is. You need Tia Dalma's map to find the edge of the world. To access the supernatural, you need to already be immersed in it.
The pirates world isn't flat, it's round - but because the edge of the world exists in myth, it therefore exists in reality. The pirates are able to find it through supernatural means, but if, say, someone like Norrington just sailed in the same general direction, he wouldn't end up in the same place.
“Pirate” is a mage subclass fueled by word of mouth, rule of cool, The Power of Belief/Love/Friendship, and rum.
If you look at it in a particular way, the Pirates specifically function by FAIRY RULES: obscure codes of law and formality that they are irrevocably bound to abide by...except when you get the wording wrong.
When we go to Tortuga (or any pirate controlled space) we leave behind the sensibilities of the real world and enter this bizarre perpetual revel of debauchery and violence that could never sustain itself in a world bound by sense.
That makes Jack our Puck character, a trickster of tricksters who can invert your fortunes just by letting him talk to you.
It also makes Will into a changeling, born of the fairyworld, adopted by mortals, and fated to return to it in what makes for a doomed love story. Hell, one might say that the reason Will's swords are SO GOOD is because they contain an element of myth about them: they're the IDEA of swords, true to how they would be in myth.
I know people dislike snarky letterbox reviews and I understand why. But I, personally, love reading them and laughing after watching a movie
Something I really struggle to get people to understand is that like. Sometimes there was no intentional homoerotic subtext, the author was just extremely misogynistic. Sometimes the author wasn't "secretly shipping" those two men, the author literally just hates women so much that they see them as being literally incapable of relationships with depth. Like this is kind of a big thing with misogyny actually. A lot of extremely misogynistic people truly believe that a man can only have meaningful and complex relationships with other men because they literally just think women are so inferior they only exist to birth children and clean the house. It's like when people say along the lines of "no one worships exclusively men quite like straight men do". It's just that phenomenon actually. That happens to be manifesting in a raging misogynist's writing. Writing a man character who literally only puts effort into his friendships with other men while completely ignoring his literal girlfriend or wife is actually an extremely straight thing to write. And that doesn't mean you can't ship those men or that there are no stories with actual intentional homoerotic subtext. I just think it's important to be able to recognize extreme misogyny in writing and acknowledge it without brushing it off and assuming good intentions when literally all evidence is screaming that this was a misogynistic writing choice and not a representing gay men choice.
“It [The Lord of the Rings] is finished, if still partly unrevised, and is, I suppose, in a condition which a reader could read, if he did not wilt at the sight of it…now I look at it, the magnitude of the disaster is apparent to me. My work has escaped from my control, and I have produced a monster: an immensely long, complex, rather bitter, and very terrifying romance, quite unfit for children (if fit for anybody); and it is not really a sequel to The Hobbit, but to The Silmarillion.”
— J.R.R. Tolkien to Sir Stanley Unwin, 24 February 1950. Reprinted in The Fall of Gondolin

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reading a negative review of something you love written by a person who very clearly didn’t understand it at all
reading a positive review of something you love written by a person who very clearly didn’t understand it at all
Reading a negative review of something you hate by someone who very clearly didn't understand it at all and hates it for the wrong reasons
the central conceit of white boy "comedy rap" genres is that they're too racist to recognise that most classic rap is already pretty humorous in many ways, on account of wordplay being fundamental to the form,
and also steeped in pop culture from the very beginning, like the rap scene was already making music about comics and anime and video games you don't need to segregate a new genre for that