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"it's not that deep" START DIGGING!!
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My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
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A stalwart of British acting, with an incredibly varied talent, from the hilarious Hercules Shipwright in Cabin Pressure, to long suffering Giles in Buffy, even Frank N Furter in Rocky Horror on stage, Anthony Head, you shall be missed.
RIP Anthony Stewart Head

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RIP Anthony Stewart Head, celebrated for his incredible versatility and his celebrated musical theatre/singing career. His diverse talents and multi-faceted career featured a variety of skills and milestones and he brought a rare blend of warmth, dry wit, and gravitas to every performance, from his iconic turn as a beloved father figure in Buffy the Vampire Slayer to his magnetic stage presence. He leaves behind a remarkable, multigenerational legacy spanning television, West End musicals, and cult classics. âżď¸ľâżď¸ľâżŕ¨ ŕ§âżď¸ľâżď¸ľâż Rupert Giles: "Buffy, I'm not gonna send you out there to die. Now, you were right. I-I've waded about in these old books for so long, I've forgotten what the real world is like. I-It's time I found out." Buffy Summers: "You're still not going up against the Master." Rupert Giles: "I've made up my mind." Buffy Summers: "So have I." Rupert Giles: "I made up my mine first! I'm older and wiser than you and just⌠just do what you're told for once, all right?"
have you ever seen a fictional male character that is obviously designed by straight people to be ugly as possible but you KNOW would be extremely popular with gay men???
Fictional male character:Â âyeah, iâm not very attractive because iâm big and hairy and i sweat alot hahaâ
Me and every autistic gay man in the distance:
YOU KNOW WHAT NAH YOUR RIGHT!
Happy Pride
Happy Pride Month to those two women dancing together in the foreground of the boat scene in Godzilla (1954).
Iâm sorry your romantic foibles were overshadowed by a big ass atomic lizard thing.
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Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
Needed a clean graphic for a project, and figured while I was vectoring I would put sex and magic back in.
Happy Pride Month
Reblogging this yearly for anyone who needs a very clean version <3 Happy Pride.
Reblog to put the sex and magic back into pride

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in a way john watson is a fantasy (what if you had this brilliant enigmatic friend and what if he liked you in particular and what if he offered you the excitement of youth and adventures and a way out of boring society life and all without having to actually give up your status as a gentleman so you could have the best of both worlds) and in a way sherlock holmes is a fantasy (what if someone never got tired of you despite your various strange habits and mood swings and instead of simply tolerating you they genuinely liked you and what if you didnât have to live alone forever and what if you never had to give up doing the things you love) and of course thereâs the most fantastical part of it all (what if you could afford london housing prices)
Happy Pride
happy pride month from the tribblesÂ
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the best fanfiction you've ever read was written by a woman in her 40s before she made dinner for her kids. it was written by a teenager after school when they should've been studying for a history test. and a barista came up with the idea while they cleaned the espresso machine and busser fact-checked it on their break and the post-doc edited between writing grant proposals and the nurse apologized for typos in the notes after a long shift and behind every drabble and one-shot and multi-chapter fic there is a person with a wonderful and interesting and chaotic life and it is such a privilege that we get to be apart of it because they decided to do this thing we all share, for fun.
I'm in awe of how we ran historical revisionism on the civil rights movement so bad that people truly believe it was quiet self-sacrifcial non-disruptive christ-like activism that forced progress and not â like â the incredible economic pressure of boycotts and outbreaks of illegal civil disobedience
Yapping to the choir but eughhh it burns me up girl effective protests have to be loud and inconvenient for change to happen because silent cries die in the dark that's the entire pointtt
Also, a lot of the so called harmless examples used for peaceful protests were specifically supposed to be disruptive as all hell. Like, take sit-ins, for example. What you were probably told is that black people just refused to leave white only establishments to make a point.
But how they actually worked was manipulating racist policies to cause as much of a delay as possible. They'd sit down at the bar to order (that's how those restaurants worked, you had to sit down to order and there weren't many tables) and when the waiter said they couldn't serve them, they'd respond that they would wait until they could be served. And then all their friends who they organized this with would do the same, and they would sit there at every seat until they're holding up the whole line. Then nobody could order and the restaurant was forced to either close, serve them, or try and fail to work around them. It wasn't just to make a point, it was to cost them money and time.
Even what was framed as "quiet peaceful protest" was actually very disruptive both socially and economically.
Does this look quiet, peaceful, nondisruptive?
And the struggle didn't stop after formal integration, once the Civil Rights act had passed. Because even when they are legally required to serve you, they can make you really fucking uncomfortable and threaten you and the cops probably will take their side.
For one example, there was a cafe that would serve Black people, but would then publicly break the dishes so that no white customer would ever have to eat off a dish a Black person had eaten off of. This was done publicly, right as the Black diner was done eating. The waitress takes the plate and smashes it. This is a signal both to the white diners "see, we hate them just as much as you do, you're safe here" and also a threat of violence to the Black diners. "If you're not careful we'll smash you just like we did this plate."
But at the same time, if Black people go there and eat every day ... how long before the cafe can't afford to do that? How long before they have broken so many dishes that it's eating into their profits? How long before the white diners start getting used to eating alongside Black people and simply don't care as much any longer, or start getting annoyed at the noise and fuss and mess?
Black people eating in white establishments was loud, inconvenient, and disruptive. Because that's the nature of challenging the status quo.
All of this, plus a couple of additional thoughts:
1. Folks in these movements trained. They were disruptive and they were strategic about it and they trained so that they could stay calm in terrifying situations and create the targeted disruptions they wanted to create and not get goaded into deviating from that. Absolutely badass.
2. Not at all a criticism of OP because I think their description of people thinking it was "quiet self-sacrificial non-disruptive christ-like activism" is dead on, but I think that description itself speaks to the same kind of revisionism re: the Christ of the Gospels and how disruptive he was and why, and it's important to remember that, especially in this era of renewed christofascism. Rev. Dr. King was a prophet and you will never convince me otherwise.
As I told my students a few weeks ago:
Nonviolence is not a goal, it is a strategy. A deliberate strategy at a calculated time in response to violence of the oppressor, which can be effective if it shames the perpetrators. See: why Selma or Montgomery was chosen by the SCLC (they had the most racist unhinged sheriffs who would deploy maximum force, which got shown on nationwide broadcasts and finally moved the public).
Nonviolence doesnât mean you donât carry weapons if necessary, as many organizers in Selma did. Nonviolence doesnât mean that you accept that people will throw bombs into your familyâs home, as they did to MLK.
And yes, the absurd simplification and bastardization of this strategy is deliberate. It went from being a tool for fighting for liberation to being a justification for more violence and oppression used against future generations of protestors who didnât meet the standard of perfectly obedient nonviolent non disruptive protestors. Which of course there is no such thing.
And itâs all a lie. Know that people in the movement, at the time, were called criminals, because they knowingly and deliberately broke laws with the idea that theyâd get arrested. Know that most of the country hated King at the time of his death. Know that no movement demanding change from the system will ever be loved by those in power.
once again I feel I must mention Erica Chenoweth & Maria J. Stephan's "Why Civil Resistance Works: The Strategic Logic of Nonviolent Conflict".
For more than a century, from 1900 to 2006, campaigns ofnonviolent resistance were more than twice as effective as theirviolent counterparts

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Happy Pride Month!!
"Scrooge learns the true meaning of Bisexual Awareness Week" Make Some Noise Season 3 Episode 11