I'm so so so so so so so good at self-promotion and advertisement. Literally the best.
Anyway my new book, Embers and Sparks, came out in November!
I'm really, really excited about this one, arguably even more than I was for my first book. It's extremely personal and means a lot to me, and I'm trying to get better about letting myself gush over things I love.
So please please please think about giving it a look!
Penny Hartwell’s dreams of being a celebrated artist have been reduced to sketching between shifts at a Boston gas station. Rent is overdue, inspiration has dried up, and her once-bright future feels like it’s slipping further out of reach.
Anthea Corey has spent centuries guiding artists to greatness, but after too many betrayals she vanished from the world. Now, reluctantly back from a decade-long retreat, this weary muse is determined to keep things simple—and her heart well-guarded.
Neither expects to collide in the hushed halls of the Boston Public Library on a bitter winter’s day. But when Penny and Anthea meet, something stirs—something neither talent nor time can deny.
For Penny, it’s the return of inspiration. For Anthea, it’s the dangerous pull of hope. And for both, it could be the beginning of something that blurs the line between art and love.
If you're intrigued but not entirely sure you wanna buy it, there's also a preview available up on the Bella site, which is essentially just the entire prologue. That'll give you a pretty good sense for the writing and POV characters.
Embers and Sparks is also available from most major retailers, if you prefer any of them instead of getting it direct from the publisher.
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has anyone else noticed that pretty much everyone who is worth knowing seems to be doing really bad all of the time and is never allowed a moment's respite from all the pointless cruelties and horrors ❓❓❓❓❓❓❓
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For the first time, declassified documents confirm the CIA carried out tests on North Korean POWs and planned for much more invasive experim
Korean prisoners of war in the 1950s were subjected to early MK-ULTRA experiments while in American custody, according to recently declassified CIA documents which confirm these experiments for the first time.
The only reporting that previously referenced Koreans being used as guinea pigs for these experiments was journalist John Marks’s landmark 1979 book, The Search for the “Manchurian Candidate.” Using CIA documents, Marks traced the now-infamous MK-ULTRA project to its start, when it was known as Project Bluebird. In the book, Marks describes how, in October 1950, 25 unnamed North Korean POWs were chosen as the first test subjects to receive “advanced” interrogation techniques, with the overt goal of “controlling an individual to the point where he will do our bidding against his will and even against such fundamental laws of nature as self-preservation.”
[. . .]
The first reference to “Project Bluebird” in the NSA’s collection is an office memorandum from April 5, 1950. Addressed to CIA Director Roscoe H. Hillenkoetter, the document lays out the project’s goals, required training, and budget, all while emphasizing that knowledge of Project Bluebird “should be restricted to the absolute minimum number of persons.”
The memo includes detailed plans for interrogation teams trained to utilize the polygraph, various drugs, and hypnotism “for personality control purposes.” These teams were to be made up of three people: a doctor (ideally a psychiatrist), a hypnotist, and a polygraph technician. The memo clarifies that while the doctor and technician would need to undergo approximately five months of training, the Inspection and Security Staff’s own department hypnotist could be made available immediately. In a later memo from February 2, 1951, there are inquiries into acquiring six “hypospray” devices: experimental instruments designed to covertly inject sedatives through the skin via “jet injection.” There’s a request to investigate modification of a “tear gas pencil” and other “devices of unestablished action,” such as the “German ‘Scheintot’ [sic] (appearance of death) pistol.”
[. . .]
[W]hile the actual offshore locations are redacted, a write-up of a CIA meeting held one year later specifically notes a “project in Japan and Korea in which the Army had used a polygraph operator along with a team of psychiatrists and psychologists on Korean POWs.”
Although the initial proposal for Project Bluebird mostly emphasized the potential for “personality control,” it’s clear that CIA officials were also interested in broader, more ambitious outcomes. One document summarizing a “special meeting” between U.S., British, and Canadian intelligence services notes the CIA’s desire to research “the psychological factors causing the human mind to accept certain political beliefs” and “determining means for combatting communism,” “‘selling’ democracy,” and preventing the “penetration of communism into trade unions.” Another meeting held on May 9, 1950, called for “the Surgeon General of the Army to place on the search list of the Nuremberg Trials papers request for information on drugs, narcoanalysis, and special interrogation techniques.”
[. . .]
Notably absent from these declassified documents is any proof that similar experiments were undertaken by enemies of the U.S. The central animating myth behind MK-ULTRA and Project Bluebird is the narrative of the American soldier who returned home after months of imprisonment by enemy forces, only to be revealed as a hypnotized double agent. Throughout the Korean War, American moviegoers were screened films starring and narrated by future president Ronald Reagan. These films showed American troops being psychologically tortured by Chinese and North Korean soldiers until dangerous, anti-democratic ideals were implanted in their minds without their knowledge.
[. . .]
In a 1983 witness testimony from CIA chemist Sidney Gottlieb, who led the MK-ULTRA experiments, he recalls receiving confirmation that, after thorough investigation, there was no evidence any American POWs were subjected to drug-induced hypnosis at any point during the Korean War. “As I remember it,” Gottlieb said, “[The report] basically said that they felt that the techniques the Chinese and/or the Koreans used were not esoteric. … [They] didn’t depend upon sophisticated techniques used in drugs and other more technical means.” Additionally, a 1952 memo to Allen Dulles reinforces the CIA’s willingness to fund these experiments without any proof that enemy countries were undergoing similar research: “We cannot accept this lack of evidence as proof.”
In one of the more revealing moments from the entire collection of documents, the CIA’s Morse Allen recounts a conversation with an agency employee about the effectiveness of interrogating individuals through hypnosis. “Individuals under hypnotism will give information,” Allen writes, “but … it could not always be regarded as accurate, since fantasy and even hallucinations are present in certain hypnotic states.” Reading the lengthy budgetary sheets for drugs, syringes, polygraph machines, and hypnotists, paired with the details of Marks’s book, one’s imagination begins trying to fill in the gaps, drifting into fantasy. It’s an experience uniquely fitting for research into the CIA’s pursuit of technology aimed at erasing facts, experiences, and memories.
Throughout these declassified documents are numerous reminders that the Korean War’s label as “The Forgotten War” serves, in part, as intentional obfuscation. People, histories, and crimes are rarely forgotten on accident, and what these disclosures clearly demonstrate is that there remains a world of difference between the forgetting of history and its swift, coordinated erasure.
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to fallout 4's immense discredit in the matter, its decision to mandatorily define all female player characters as lawyers who married a soldier puts it behind literal fallout 1 on "does the female character feel like you're the punchline to a joke"
to elaborate on that a bit, it's actually toothgrittingly misogynistic that they contrived a scenario where there are two player characters and one of them was clearly conceptualised as The Wife of the Male Player Character, while the other was made as a character first. it's remarkable they managed to do that in a game with a character creator and no mechanical distinction between genders
the idea that every summer will be as hot if not hotter than this for the rest of my life is unbearable i need to (remembers suicide jokes are bad for my mental health) murder an oil executive
Are the phone charms canonically something Morgan's putting on her phone, or are they mostly for the benefit of the player?
If you want the canon Morgan experience, pick the black phone case and never express anything more about yourself than absolutely necessary equip a charm.
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