therapist: and what do we say when we feel like this?
me: no live organism can continue to exist sanely under conditions of absolute reality
therapist: no
Jules of Nature
KIROKAZE

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Misplaced Lens Cap

if i look back, i am lost

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@ahollowyear
therapist: and what do we say when we feel like this?
me: no live organism can continue to exist sanely under conditions of absolute reality
therapist: no

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"You can say that [orangutans] are not dependent on social support and approval, and if you admire this in them, that an orang is irredeemably his own person, 'the most poetic of the apes', researcher Lynn Miles told me once in an unguarded moments. What she had in mind was the difference between orangs and chimps in the way they carry on their discourse with the world.
Chimps are much admired for their tool use and for their problem-solving relationship with things as they find them...the orang is, let us say, not so replete with enterprise. Give an orangutan the hexagonal peg and the several shapes of hole, and then hide behind the two-way mirror and watch how he engages with the problem.
And watch and watch and watch--because he does not engage with the problem. He uses the peg to scratch his back, has a look-see at his right wrist, makes a half-hearted and soon abandoned attempt to use his fur as a macramé project, stares dreamily out the window if there is one and at nothing in particular if not, and the sun begins to set. (The sun will also set if you are observing a chimp, but the chimp is more amusing, so you are less likely to mark the moment in your notes. An orang observer has plenty of time to be a student of the vanities of sunset.)
You watch, and the orang dreams...when casually and as if thinking of something else, the orang slips the hexagonal peg into the hexagonal hole. And continues staring off dreamily."
Vicki Hearne, "The Case of the Disobedient Orangutans"
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The Velvet Gang + outfits
Dove-Shaped Perfume Vessels from Ancient Rome, c.50 CE: these glass vessels were filled with scented oils or cosmetic powders and then sealed, meaning that their contents could only be accessed by breaking the dove's neck or tail
These bottles were created and used as unguentaria (otherwise known as balsamaria) which are ancient vessels that were typically filled with scented oils, cosmetic powders, balms, or ointments. Unguentaria could be crafted from ceramic, glass, or stone, and they came in various shapes and sizes, but dove-shaped vessels made of glass were especially popular during the second half of the 1st century CE, when they were produced and distributed throughout the Roman Empire.
Above: a dove-shaped unguentarium with residue from the original contents still visible inside
Each bottle was crafted from blown-glass that was carefully modeled into the shape of a bird; the inner cavity was then filled with perfume or cosmetic powder, and the tip of the tail was reheated and compressed, effectively sealing the vessel.
Above: dove-shaped vessels that were opened and emptied long ago, c.50-100 CE
As this article explains:
The vessels were produced with glass blowing pipes by so-called "free blowing," and are for this reason extremely thin-walled, with body thicknesses significantly below 0.1 cm.
After the containers had been filled, the tail feathers were sealed airtight by reheating to protect the contents from moisture. Parts of the containers, such as the head or tail feathers, had to be broken off in order to access the contents of the vessels, which means that they were disposable packaging.
Above: vessels with the tips of their tails broken off
Most of these bottles were made from clear or pale blue Roman glass, but some were crafted with a dark blue, green, purple, or yellow appearance instead:
As cheap, mass-produced goods, the packaging consisted mainly of the conventional thin-walled and transparent Roman glass with an unintentional light blue colouring. Specimens made of intentionally coloured transparent glass (e.g. dark blue, dark green, violet or yellow) are less common. This may also have to do with the fact that the pink or white contents could be visually better distinguished and marketed if the vessels were made of the conventional Roman glass, which offered more transparency to the beholder than the intentionally coloured glass.
Above: a sealed unguentarium that likely contains scented oils and cosmetic residue, from Rovesenda, Italy, c.50 CE
Research suggests that many of these bottles were filled with powder, including pink substances that have been described as "blush" or "rouge," while others were filled with liquid.
Above: more dove-shaped unguentaria from the Roman Empire
Vessels with this design (which is also known as Isings form 11) have been unearthed at Roman-era sites located throughout Europe:
Evidence shows that these glass containers were widely marketed in the Roman Empire. The main areas of distribution are the central and northern Italian regions of Campania et Latium, Venetia et Histria, and Transpadana, along with the northwestern provinces of Gallia Belgica, Gallia Lugdunensis, Germania inferior and Germania superior [in what is now Italy, France, Belgium, Luxembourg, Germany, Austria, Switzerland and the Netherlands].
There is also evidence from the Balkan and Danube region in the provinces of Dalmatia and Pannonia, and also from the eastern Mediterranean in the provinces of Achaea, Creta et Cyrenae and Macedonia. The distribution in the western Mediterranean seems to be limited to Hispania Tarraconensis.
Above: the severed heads of two bird-shaped unguentaria
Sources & More Info:
Glassware and Glassworking in Thessaloniki: 1st Century BC-6th Century AD: Bird-Shaped Inguentaria (Isings Form 11)
The Austrian Archaeological Institute: New Finds of Bird-Shaped Glass Vessels with Residues of their Former Content
The British Museum: Roman Perfume Bottle in the Shape of a Bird
Società Friulana di Archeologia: Glass Doves and Globes from Thessaloniki: North Italian Imports or Local Products?
Analytical Chemistry for Archaeology and Cultural Heritage: Compositional Analysis of Greco-Roman Unguentaria Residues
Metropolitan Museum of Art: Glass Bottle in the Shape of a Bird

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i promise you a brand new expensive laptop will not make adobe illustrator run any better than it already doesn't. illustrator has had stage 27 terminal cancer since inception Every anchor point made with the pen tool is a tumor
Reverse Mulan about a young man who disguises himself as a noblewoman and has to learn how to do passive-agressive politicking at dinner parties.
He does so to dodge the draft
Nathan Lane and Robin Williams as Albert and Armand Goldman THE BIRDCAGE
Gonna be so funny when Trump dies of heat stroke in the middle of his 4th of July speech and topples off the podium with a sad little thud

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i love following people with kinks I don’t have because somtimes I’m like
What's the context for this 1914 strip?? I'm assuming the child committed some archaic faux pas, is he wearing the wrong hat for the season or something?
had a dream a few nights ago that a bunch of scientists tried to save the kakapo parrot jurassic-park style and combined its dna with a few dinosaurs and it ended up growing an extra set of legs and became about the size of a great dane and became an extremely invasive species across the entire world. i don’t even remember them having a name, tehy just escaped the lab en masse and everyone took to calling them “the bastards” because of how much havoc they caused. anyway the bastards looked something like this:
looks nothing like the source material. in my dream one took up residence inside my car and built a nest inside and wouldn’t let me in at all. i dont even own a car irl
ok some days being visibly homo is the most wonderful thing in the world. an old woman walking her dog stopped to say hello to me and I asked if i could say hi to her dog. she seemed really excited and told me "his name is rupert brooke. i named him after a gay poet from the era of the first world war. he had red hair just like my dogs fur". then she leans in and whispers like she's divulging some great secret and says "i don't usually tell people about the gay part"
I’ve told this one before, but: I was in a long-distance relationship in 2010. One time, after flying back into Toronto, I got a cab to my apartment. The cab driver, who was a recent Pakistani immigrant, asked where I had been travelling.
And I had to think about my safety as a passenger and a woman, but I decided to just tell him: “I was visiting my girlfriend in New York.” And he went quiet, and I was briefly terrified, and then he said, “It’s good here in Canada, for people like us.” AND THEN I FUCKING CRIED OBVIOUSLY.
It’s good to be visibly or openly queer, when you can be. There are so many more of us out there than you ever realize otherwise.
Super disappointing to finally see artwork accurately representing my body and realize it’s being reposted on subreddits like “awful taste but great execution” and “diwhy” :( Like this is so cool
(Note- none of the people reposting it to make fun are posting a source and I haven’t been able to find one after an hour of searching, so I can’t say for certain what the artist’s intentions are/if it’s intended to be about intersex genitals or embryonic genital development or both)
The artist is Sonia Rose aka Rose Grown. It is captioned "Biology is not binary".
152K Followers, 676 Following, 550 Posts - See Instagram photos and videos from Sonia Rose (@rosegrown)
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having unwashed hair will have you believing shit like i can’t be saved
Insects may as well be the size of elephants for the way I react to them.
You’ve captured the essence of the show marvelously, OP