Klipspringer

❣ Chile in a Photography ❣
official daine visual archive
The Bowery Presents
hello vonnie
Xuebing Du

@theartofmadeline
YOU ARE THE REASON

#extradirty
occasionally subtle
he wasn't even looking at me and he found me
RMH
Keni
"I'm Dorothy Gale from Kansas"

blake kathryn
The Stonewall Inn
trying on a metaphor
Noah Kahan
cherry valley forever
h

if i look back, i am lost

seen from Indonesia
seen from Italy
seen from United States

seen from Malaysia
seen from United States
seen from France

seen from Malaysia

seen from Saudi Arabia
seen from Spain

seen from Vietnam

seen from T1
seen from Ecuador
seen from Austria
seen from United States
seen from United States
seen from Vietnam

seen from Panama

seen from T1
seen from Venezuela
seen from United States
@adamantinetower
Klipspringer

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
where's the part from Whipping Girl about femininity being treated as a performance, artificial, fake whereas masculinity is considered authentic, even amongst many feminists
from the chapter "skirt chasers"
[Transcript:
The media neutralizes the potential threat that trans femininities pose to the category of “woman” by playing to the audience’s subconscious belief that femininity itself is artificial. After all, while most people assume that women are naturally feminine, they also (rather hypocritically) require them to spend an hour or two each day putting on their faces and getting all dressed up in order to meet societal standards for femininity (unlike men, whose masculinity is presumed to come directly from who he is and what he does). In fact, it’s the assumption that femininity is inherently “contrived,” “frivolous,” and “manipulative” that allows masculinity to always come off as “natural,” “practical,” and “sincere” by comparison.
]
tony soprano steely dan saturday sunday
http://www.nola.com/politics/index.ssf/2017/05/what_state_prisoners_get_to_wo.html
OMG
Things that I knew about: that the mass incarceration of people in the USA , particularly black men, has direct ties to/is an extension of slavery. Things I did not know: this specific shit about Louisiana HOLY FUCK this is evil.
OH MY GOSH????
When activist Sam Sinyangwe was awaiting a meeting with the governor’s office at the Louisiana state capitol building in Baton Rouge, he not
The 13th Amendment provides a loophole that allows for the legality of unpaid prison labor, which is sometimes called "modern-day slavery."
Grew up next to Angola. It’s much worse than you think
I wonder how many people are imprisoned for weed
I’m from Mississippi and it’s like this in my home town. Enslaved prisoners clean roadways, pick cotton, everything they’ve done since before slavery was supposedly ended. What they teach in schools is nothing but propaganda.
i've been wanting to learn more about communism and socialism, i recognize that what i was taught in my grade school courses is mostly pro-capitalist propaganda. does anyone have any book/documentary/video essay recommendations?
To learn what pro-capitalist, anti-communist propaganda is doing and what it is trying to keep you ignorant and forgetful of, I would recommend reading The COINTELPRO Papers edited by Ward Churchill, The Jakarta Method by Vincent Bevins, and Endless Holocausts by David Michael Smith. These will give a sense of the full scale of atrocities committed by capitalist imperialists against revolutionaries who sought a better life for everyone, from the U.S. Empire to the countries neighboring it to the world as a whole.
History of pro-capitalist anti-communism:
I would also recommend watching the following documentaries to learn more about the history of capitalist brutality:
COINTELPRO 101 created by the Freedom Archives, which includes firsthand accounts and interviews from people who the U.S. government targeted for organizing in the Civil Rights movement, opposing the Vietnam War, and fighting for liberation from capitalism, white supremacy, and patriarchy.
The War You Don’t See directed by John Pilger, which covers the way that corporate media and governments deceive us about the actual nature of 21st century imperialist wars in Africa and Asia by misrepresenting them as fights to “make the world safe for democracy” and eliminate dictatorships.
Crucible of Empire: The Spanish-American War directed by Daniel Miller, which goes into the history of U.S. overseas imperialism and how it has always been misrepresented to the public as a crusade for democracy and freedom.
The Corporation directed by Mark Achbar and Jennifer Abbott, which goes into the history of modern corporations, how they achieved legal personhood, and how they’ve established a monopoly of control over all aspects of life under 21st century capitalism.
Capitalism: A Love Story directed by Michael Moore, which dives into the ways that 21st century capitalism directs society’s wealth towards anti-social and destructive ends. It also points out the contradictions in a lot of pro-capitalist anti-communist ideology.
What communism is:
For a basic overview of what communism is trying to accomplish, I would recommend reading these two short essays written during the biggest working class revolutionary wave in Western history in the aftermath of World War I: Rosa Luxemburg’s The Socialization of Society and Sylvia Pankhurst’s Socialism.
For a more detailed sense of what communist society would mean, I like Cornelius Castoriadis’s Workers’ Councils and the Economics of a Self-Managed Society (for some idea of post-revolution measures) and Peter Kropotkin’s The Conquest of Bread (for a stronger sense of a well-rounded communist society).
To learn about the history of communism in the U.S., some good books to read are Pioneers of Liberty by Rudolf Rocker, The Haymarket Tragedy by Paul Avrich, Hammer and Hoe by Robin D.G. Kelley, The American Revolution by James Boggs, and Black Against Empire by Joshua Bloom and Waldo Martin.
History of capital-C Communism:
For the history of 20th century capital-C Communism, you’re going to have to rely on a pretty wide range of sources to get a good look at the big picture. I’ll just list some books, then some documentaries.
Books:
As intros that come at the topic from radical liberal and social democratic outlooks, many people start with Michael Parenti’s Blackshirts and Reds, written as a critique of 1990s anti-communist triumphalism, and Why Women Have Better Sex Under Socialism by Kristen Ghodsee, which points out that the personal freedom that feminists were fighting for in the 2010s had come closest to becoming a reality in 20th century socialist states.
For a fuller portrait of some 20th century socialist experiments, I would recommend reading John Reed’s Ten Days That Shook the World, Ronald Grigor Suny’s The Soviet Experiment, William Hinton’s Fanshen: A Documentary of Revolution in a Chinese Village, Maurice Meisner’s Mao’s China and After, and Aviva Chomsky’s A History of the Cuban Revolution. These all cover the three most influential socialist revolutions in the 20th century and will give you a better sense of why so many people supported them in their day before the neoliberal anti-communist propaganda that Parenti and Ghodsee critiqued placed them behind the pale of acceptable discourse in the 1990s and 2000s.
If you’re okay with a longer book, The Soviet Century: Archaeology of a Lost World by Karl Schlögel will give you a very comprehensive portrait of what everyday life in the Soviet Union was like. It really humanizes the experience compared to the cartoon caricatures we’re used to getting from family, school, and anti-communist media.
Documentaries:
To learn a bit about the U.S.’s own tradition of communist militancy, I would highly recommend watching The Wobblies directed by Stewart Bird and Deborah Shaffer. It includes archival footage and interviews with working class veterans of the Industrial Workers of the World (IWW) and shows how they became communist revolutionaries as a result of struggling to improve the conditions of their own lives against the power of capitalists.
Red Storm Rising: The Struggle for the American Communist Party from PBS covers the basic history of the CPUSA and how it declined under the leadership of people who wanted to liquidate into New Deal Civil Rights reformism and focus on advocating for peaceful coexistence with the Soviet Union. However, it does neglect to cover the militants like Harry Haywood and Mary Inman who wanted to keep fighting for total liberation and world revolution. These were the people who carried on into Black Power and the New Left in the 1960s.
The Black Panthers: Vanguard of the Revolution goes more into the history of American communism and shows just how recent and relevant it is for regular people struggling for liberation. This is what the repression and programs of programs like COINTELPRO are designed to destroy and prevent.
The Lost World of Communism from the BBC covers the Eastern Bloc from a liberal perspective but gives a pretty detailed sense of everyday life in the socialist states. It’s definitely a much more grounded source than a lot of what we’re taught in the U.S., which is that there effectively was no society in the Eastern Bloc and it was just a totalitarian police state all the way down.
October: Ten Days That Shook the World directed by Sergei Eisenstein is the first documentary about the 1917 Russian Revolution and includes reenactments of its events from the regular people who lived through it and participated in making it. If watching a silent movie is not so much your speed, surprisingly Lucasfilm made a pretty good documentary about the Revolution called The Russian Revolution: All Power to the Soviets, although it comes with all the one-sided pitfalls of a 21st century liberal perspective.
China: A Century of Revolution directed by Sue Williams covers the rise of the People’s Republic of China and demonstrates how it was very much an indigenous product of China’s revolutionary process. It goes into the Xinhai Revolution of 1911, the Republican period and wars of the 1920s-1940s, the rise of the PRC’s New Democracy in 1949, the Great Leap Forward of the 1950s, the Cultural Revolution of the 1960s, and finally the Reform and Opening Up in the 1980s and 1990s.
Morning Sun directed by Carma Hinton, daughter of William Hinton, covers the Chinese Cultural Revolution from the perspective of everyday participants and victims. It gives a much more grounded sense of what the era was like than some of the cartoonish and racist caricatures that conventional U.S. narratives offer.
For the Cuban Revolution, you can get the most comprehensive coverage by watching Fidel: The Untold Story directed by Estela Bravo and Che Guevara: Beyond the Myth directed by Tancrede Ramonet. The pro-capitalist anti-communist lies that we’re told about this Revolution are the most straightforward for us to debunk because of how closely the participants were linked with the rest of the Americas, including the U.S.
The Death of Yugoslavia from the BBC is one of the better documentaries for seeing just how chaotic and horrific the collapse of 20th century Communism was for the people who lived it. Although it’s from a liberal perspective, it’s ultimately right that the collapse stemmed from inner rot as much as enemy encirclement. It avoids the pitfalls of the dumbest and most simplistic anti-communist narratives about corruption and inefficiency in the socialist states.
Loyal Citizens of Pyongyang in Seoul from REDFIST Media covers DPRKorean citizens living in the Republic of Korea. It shows how difficult the conditions of their lives are once they go to the south, how these horrific conditions incentivize them into agreeing to produce propaganda for the capitalist dictatorship of the South against the North (as if the North were the only dictatorship in the peninsula), and how many of them seek to return to the North where they at least have families, jobs, and social assistance.
Conclusion:
The big picture problem with the pro-capitalist anti-communist perspective is that they a priori rule out thinking about anything from a global perspective. They ask you to ignore the overwhelming violence and sabotage that it took to destroy 20th century communism in spite of its massive appeal for regular people. At the same time, they expect you to believe that the brutality and misery of capitalism is justified by its successes, and by the “greater” threat of communism. Then they point to the agonies of overwork, industrialization, and state-directed capital accumulation in socialist countries, as if these can be objected to without implying our very own objections against capitalist exploitation and corporate tyranny.
If there’s any other blindspots of anti-communism and pro-capitalism that you want to explore, feel free to let me know and I can add more sources for them here

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
started new job. dont want to say what it is because internet safety but i am VERY excited for it
Times That Copyright Expansion Has Historically Fucked Over Artists On An Institutional Level:
Sampling rights becoming prohibitively expensive to use by small artists
Musicians being forced to sign over sampling rights to their record company, making any benefits they would hypothetically gain moot.
The Digital Milennium Copyright Act leading to the vidmaker-stomping nightmare that is ContentID
The DMCA leading to making it harder than ever to preserve media due to the way it prohibits tinkering with any locks the megacorps put on it, meaning it's way easier for artists' hard work to end up vaulted and lost.
The way basic chord progressions and musical styles have become copyrightable thanks to various lawsuits by the Marvin Gaye estate
The fact that the artists of the past used to be able to remix; adapt and iterate on art made within 56 years of them, likely created in their lifetimes, and now artists can only do those things with art produced nearly a century ago by people long dead.
New and independent artists being crowded out of the market by megacorp-owned IPs that would be public domain (and thusly convey less of an overwhelming advantage-via-marquee-value to megacorps) if the US had its pre-1976 copyright laws.
Times That Copyright Expansion Has Actually Materially Helped Artists On An Institutional Level:
????????
Facial expressions practice with some PtN blorbos
Windmill I built can only power 1 quern and not the 4 wanted it to fuck my liiiiiiife
sailing into the great unknown to cope
Windmill I built can only power 1 quern and not the 4 wanted it to fuck my liiiiiiife

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
💬 6 🔁 273 ❤️ 591 · it was ultimately rooted in fandom agenda wars and straight up xenophobia, that is what columbo himself highlights, but
Trans woman + brown person experience online
for the record im not technially 100% anti-AI, in the sense that its a broad category of tech being lumped under one umbrella term so it feels over-zealous to say i hate all of it all the time forever. but i also think trying to discuss what it actually IS good for is difficult right now when i cant take one step without something trying to convince me to use chatgpt to summarize my life and speed up my hobbies and turn my friends into chatbots and optimize my life into oblivion. i am certain there is nuance to the topic but can we stop cramming the square peg into the round hole before you start trying to sell me on the legitimate benefits of the square peg. please.
here's my super-quick, easy-to-digest summary that i use when i can't spend more than like 15 seconds on it but need someone to know the basic distinctions:
generative AI - bad evil AI. chatbots, LLMs, image generators, etc. this the one that steals shit.
analytical AI - helpful medical AI. this the one that helps detect cancer early.
game "AI" - fake AI. 100% human created and dictated. this the one that determines game mob behavior n stuff.
losing the battle with my own self-control so will briefly comment and say that categorizing certain types of ai as straightforwardly good and other types as "bad evil," even for the sake of summary, doesn't really hold water. just to give two counterexamples to the distinctions drawn above, large language models ("evil") are being used by human rights groups to parse huge datasets about police abuse while analytical ai ("helpful") is also the kind of ai that animates facial recognition software and the increasingly ubiquitous searchable license plate databases that police are using to stalk people. the goodness or badness of a given ai tool has less to do with its type and more to do with things like scale and scope, transparency, ownership, and contextual application.
notice as well a refusal to mention any kind of "bad" ai other than the kind that "steals shit". putting aside even what was said here about ai ethics being much more abour context than the actual literal computing a particular ai does, the "bad ai" isnt the facial recognition software currently helping drive an attempted genocide in the US, it's the ai that doesn't respect copyright law. it's kind of hilariously grim how much bourgeoisie class interests have suddenly become the uniting "progressive" opinion.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
When the dude in her bio dies
Rubio report on Cuban subversion names Zohran Mamdani, Amy Goodman, Hasan Piker + orgs like DSA and Amazon Labor Union
“Many of the most significant upheavals in recent American political history — from the George Floyd riots to the rise of Antifa to the explosion of pro-terrorist activism on American college campuses — can be linked, in some way, shape, or form, to Cuban influence,” the report says.
As for who these supposed agents of Cuban influence are, the report is remarkably explicit. It names people like Ben Cohen (of Ben & Jerry’s ice cream fame), Mayors Zohran Mamdani and Karen Bass, media figures like Amy Goodman and Hasan Piker, and organizations like the Democratic Socialists of America and the Amazon Labor Union.
The implication is clear: Secretary of State Marco Rubio thinks there should be a modern-day blacklist of the political left in America. In fact, the report explicitly mentions the “blacklists, McCarthy-era investigations and prosecutions” of the 1950s and their effectiveness at dismembering the Communist Party USA.
The 100-page report, titled “Cuba: The Capital of 21st Century Communism,” was released this morning.