The suburbs dream of violence. Asleep in their drowsy villas, sheltered by benevolent shopping malls, they wait patiently for the nightmares that will wake them into a more passionate world.
âJ.G. Ballard, Kingdom Come
styofa doing anything
đŞź

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Product Placement

if i look back, i am lost
tumblr dot com
i don't do bad sauce passes

#extradirty
Stranger Things

Janaina Medeiros
Cosimo Galluzzi
wallacepolsom
dirt enthusiast
PUT YOUR BEARD IN MY MOUTH

ellievsbear
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
sheepfilms

Kaledo Art
will byers stan first human second

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@a-refreshing-reign
The suburbs dream of violence. Asleep in their drowsy villas, sheltered by benevolent shopping malls, they wait patiently for the nightmares that will wake them into a more passionate world.
âJ.G. Ballard, Kingdom Come

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Chris Gkikas
Source:
https://trazoscuro.com/
Nina Simone performs live on stage at Newport Jazz Festival in Newport, Rhode Island, United States on 4th July 1968. Photographed by David Redfern.
Nina Simone, The Sound Of Silence, Montreux, 1968

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"When It's All Said n' Done", Olivia Morgan, 2024.
The series, titled "When It's All Said n' Done," seeks to depict an intimate scene between two Black masc lesbians, showcasing the romance, vulnerability, and femininity that exists between them. It also captures the moment after they have shared their most sacred parts, questioning whether they need to resume the facade of heteronormative masculinity and revert to the gender-normative roles imposed on them by others.
There is tension, there is ease, there are these moments in between where time is lost and the word masculinity and femininity donât easily exist, there is only gentility and care moments where we feel bare and full all at the same time! When itâs all said and done we just screaming and reaching to be felt, reaching for some sense of our unbiased selves, pure and in love.
This happens all over the world, because the US government (like other empires before it) rewards charities whose "food aid" involves shipping American crops and food to a country, rather than helping that countries agriculture sector grow so it can sustain itself. In fact, the large amounts of "free" food donated by charities can destroy local agriculture because they cannot sell their crops, forcing them to find new jobs or start growing cash crops to sell instead.
Empires actively work against trying to "teach people how to fish," because they want countries dependent on "charity" from the empire and exploitative international trade. Bill and Hillary Clinton's actions in Haiti are despicable, but not unique.
"Charity" under capitalism is rarely done for the long-term benefit of those given "aid," and that is by design.
Thomas Sankara
[Video description: Gritty is turning the crank on a flagpole to raise the Progress Pride Flag. He gesticulates angrily that the flag is not blowing in the wind, then gestures offscreen. The flag begins blowing. As Gritty begins raising the flag more, the camera pans out to show a man in a suit and sunglasses, looking like a stern Secret Service agent, is holding a leafblower that points at the flag. End description.]
everytime i wear an outfit like this i think about this tweet
how many movies have you see in theaters so far this year?
none
1
2-5
6-10
11-15
15-20
20-25
30+

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Just letting everyone know Iâm reading a book right now. I also drank 7 glasses of water yesterday. Im not saying explicitly that Iâm a better person than you, but it is heavily heavily implied. Heaven is going to be awesome!
Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
Bonus: If I buy a book I get to keep it! The publisher can't turn up at my house at random and confiscate all the books I bought.
absolutely hate it when the pleasurable activity procrastination hits. iâm going to do something fun that brings me joy but not yet. yeah, not yet. not yet. maybe i shouldnât do it at all, itâs not that fun
i feel like we donât talk about things like this enough
Reblogging this for the third time in celebration of African World Heritage Day â¨đđŞ

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Oh so you think you have hoes? Thatâs interesting... name 5
This man has you covered
Whoâs this guy? -_-