
titsay

pixel skylines
Mike Driver
official daine visual archive
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

Andulka
sheepfilms

Product Placement
Today's Document

Jar Jar Binks Fan Club
The Bowery Presents
Aqua Utopia|海の底で記憶を紡ぐ
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
🩵 avery cochrane 🩵
Noah Kahan

blake kathryn
I'd rather be in outer space 🛸
seen from Vietnam
seen from Ukraine

seen from Malaysia

seen from United States
seen from Albania
seen from Malaysia

seen from Slovakia
seen from Argentina
seen from South Africa

seen from Türkiye
seen from Colombia

seen from Morocco
seen from Netherlands
seen from Brazil
seen from Russia
seen from Brazil

seen from Germany

seen from United States

seen from United Kingdom
seen from Brazil
@yazzy97

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
there are a lot of really good ancient roman laws but i think my favorite is that, if you got struck by lightening and died, you couldnt have a proper burial because it meant that the gods hated you
“Jupiter cancelled him and we’re not going to question that”
genuinely asking: how would these laws apply to that guy who got struck by lightning on seven separate occasions but survived every time?
I think I would have assumed Zeus was trying to fuck him.
worst possible response thanks so much
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
#'this is present in the text' is often a good first step #but those second and third ones (naming it; describing its function) are vital (via @elucubrare)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
ohhh my god I just fact-checked, Nolan actually DID cut the "Nobody" scene from his Odyssey movie. Mfer that is like cutting the Father reveal from Star Wars. Let me speak in a language you understand this is like not dressing Batman up in his suit. "It was not possible to work it in" the TikTok musical with a budget of $4 and a scratched Hamilton CD managed to work it in in SONG form, step up your FUCKING GAME
As someone who has written academic papers about the role of disguise and deceit in the Odyssey — Nobody is so damn important.
Prior to this point, when Odysseus tries to exercise Xenia (ancient Greek guest rites/hospitality code), he did what he was supposed to do. (Well, we think so anyway — notably, the most famous books of the Odyssey are told by Odysseus, who isn’t exactly a reliable narrator.)
But when Polyphemus kills and eats some of the men, the game changes. The Cyclops makes it clear he has no intention of abiding by Zeus’s laws, and will cannibalize the lot of the men. So, Odysseus responds in kind — he breaks Xenia and lies. He introduces himself under a false name as part of a trick. Polyphemus then breaks Xenia again — he tells Nobody he’ll be eaten last, and that is the Cyclops’ guest gift to him.
Odysseus’ transgression is clearly the lesser one. The Nobody trick works. It gets Odysseus and most of his crew out of the cave alive.
But, crucially, before leaving Odysseus sheds his disguise. He admits his true identity, in detail, so he can boast of his achievements and add vanquishing a Cyclops to the list. And it bites him in the ass spectacularly.
The only reason why Polyphemus can curse Odysseus, can bid his father Poseidon to curse the man who blinded him, is because he now knows who did it. If Odysseus had kept his mouth shut, he might have safely made it home from there. But while a big part of why the Nobody disguise vs. real name reveal is showing Odysseus’s hubris, it’s not just about that. It’s also about the start of a pattern that hurts him more than it helps him.
From this point in the Odyssey on, Odysseus lies about his identity constantly. And sometimes it protects him, but more often it’s a detriment or at least unnecessary. He’s lying about his identity primarily to people who are on his side — a kindly loyal swineherd, his son, his faithful wife, his ailing father.
The last one is especially damning, because happens when Odysseus has already killed the suitors and returned home and reunited with the rest of his family sans disguises. He knows from everyone else that Laertes never betrayed him or his legacy, but was mourning his son and heartbroken for almost a decade. Odysseus has publicly declared his return to everyone else — his father doesn’t know because he’s living in squalor remotely. But Odysseus doesn’t tell his father who he is. He makes up a fake identity and tells a story implying Laertes’ son is dead. And when Laertes bursts out crying, then Odysseus drops the charade and finally admits who he really was.
There was no utility to that lie. No loyalty to test. No hidden threats to worry about. But Odysseus still instinctively lies to his beloved father about who he is, only dropping the charade when he sees the damage it’s doing to his relationships.
Because at this point, lying is pathological for Odysseus. He can’t seem to stop doing it. Because with Polyphemus, a lie protected him and the truth hurt him. That is the point of the “ Nobody” disguise.
And they fucking cut it???
that's hot

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Agreed.
(voice of a person spiralling) its embarrassing but i still havent figured out if its ok for me to be alive

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
This tweet read me to filth