WolffyLuna

Lin Shu

you lie; in agony on the blood-soaked snow

you had fire in your heart. you were a soldier once, do you remember? you died.

you do not yet understand how it will change you be glad, you will find out

open your eyes. destruction is all you can see a battlefield, bloody lips and broken skin a corpse, speaking. we know you we know you will try.

dream. within the confines of your mind, avenge with your blade the ghosts all around you. close your eyes

this rage beneath your skin the monster you’ve become it’s a promise. all this pain you’ve endured someday it will end

the spirits of the dead hold you up in their arms freezing wind blowing on your exposed skin. for them you will stay you will live.

Mei Changsu

you lie; on your back unable to breathe

illness does not suit you but it is the choice you made. bones ground to dust, skin flayed apart you survived.

the price you paid for this reprieve: your face, your health, your self. they will tell you, averting their eyes that it was too high.

rise from your bed; it has become a prison. this body no longer yours will fail to achieve your goal. find another way.

plan the rise and fall of empires the death of thousands. the next day, repent start over.

the poison in your veins slowly kills you you will keep it to yourself: it will be over soon just as it began.

the embraces of the living are nothing but the scattered ashes of broken promises. alone you will wait you will die.

Lin Shu / Mei Changsu

you lie; in agony on the blood-soaked snow / you lie; on your back unable to breathe

you had fire in your heart. / illness does not suit you you were a soldier once, / but it is the choice you made. do you remember? / bones ground to dust, skin flayed apart you died. / you survived.

you do not yet understand / the price you paid for this reprieve: how it will change you / your face, your health, your self. be glad, / they will tell you, averting their eyes you will find out / that it was too high.

open your eyes. / rise destruction is all you can see / from your bed; it has become a battlefield, / a prison. bloody lips and broken skin / this body no longer yours a corpse, speaking. we know you / will fail to achieve your goal. we know you will try. / find another way.

dream. / plan within the confines of your mind, / the rise and fall of empires avenge with your blade / the death of thousands. the ghosts all around you. / the next day, repent close your eyes / start over.

this rage beneath your skin / the poison in your veins the monster you’ve become / slowly kills you it’s a promise. / you will keep it to yourself: all this pain you’ve endured / it will be over soon someday it will end / just as it began.

HC: Her mother is Telerin, a silversmith, an honorable profession for the Teleri as well as the Noldor, which is where she gets her grey hair colour from, but she leans more towards her father´s Noldor side, who she learned glassmaking from. Her father was a lord in charge of the biggest glassmakign guild in Tirion, so she grew up in the court where she later met Curufinwë through one of Fëanáro´s messengers, who was commissioning glass for the construction of Formenos' great halls.

Having been drawn to Fëanáro´s many speeches before, she quickly became her father´s herald in Formenos, overseeing the glasswork and growing closer to the family, becomign a Fëanorian herself. After Formenos was finished, her and Curufinwë became inolved and married young, much alike to Nerdanel and Fëanáro themself, as Hiswiel also quickly becaome pregnent after their marrige.

She followed Curufinwë and his family at the flight of the Noldor, but when the first kinslaying happened, against her mother´s people, and at the beaches she grew up at when she was a child before moving to Tirion, she quickly left in the panic and took Telperinquar with her but was found by Curufinwë where they fought over what should happen.

When Mandos came saying his doom, she chose to follow Arafinwë, a man she had only seen in passing before, but was family, and Curufinwë said she could keep Telperinquar if he choose to stay with his mother, as Telperinquar is traumatized, I wonder why!, he doesn´t say anything, so Curufinwë tricks her into going back, believing Telperinquar is behind her as Tyelkormo takes her child without her knowledge as Curufinwë keeps her occupied.

After she realizes she has been tricked and the ships have sailed, Arafinwë takes her in, but they never grow close, and instead, she seeks out Nerdanel, ignoring her own parents trying to get in contact with her, and later, when Nerdanel moves back to Formenos, she goes with her, overseeing the glasswork again.

In the third age, when Telperinquar is reborn, he moves in with her for a short period before finding one of Fëanáro´s old houses in the wilderness to live in solitude, much to her disdain.

Clothes: Years of The Trees: The different groups of Valinor are more divided in culture and fashion in the years of the trees.

Already leaning more towards her Noldorin side, being a princess of the Noldor means she leaves many Telerin fashion trends behind, especially in her formal attire. She only wears them with family, but does, however, use many more pearls than are normal for the Noldor. Her biggest Telerin indicator is the hairnet with pearls, which is worn a lot by the Telerin, especially in Alqualondë and Tol Eressëa, but also the pearls being embroidered into the fabric instead of seperating textile and metal/jewel craft from each other.

Fourth Age: The fashion between the different groups of people looks a lot more like each other due to the different groups mingling with each other more after the first age, and now works more like different governments coming together to make decisions instead of countries each making their own decisions.

The Noldorin part of her dress is the length and different coloured layers of the skirts, a white and red one, the yellow, and the grey, as well as her shirt´s collar cut and the opening in her outer shirt´s shoulders and of course the jewelry, exsept the choker that is a fast fashion trend for the Teleri since the years of the trees. The Telerin part is the shirt being a different colour from the outer skirt, and the floral embroidery on it.