I don't think its legal to draw a Cecil but not a Carlos. So here is Carlos!
I hope his hair is fabulous enough.

Origami Around

tannertan36
$LAYYYTER

Peter Solarz
tumblr dot com

roma★
"I'm Dorothy Gale from Kansas"

titsay
Stranger Things
noise dept.
PUT YOUR BEARD IN MY MOUTH
Not today Justin
Monterey Bay Aquarium
DEAR READER

Kaledo Art

#extradirty
One Nice Bug Per Day
i don't do bad sauce passes
Lint Roller? I Barely Know Her

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@wolffyluna
I don't think its legal to draw a Cecil but not a Carlos. So here is Carlos!
I hope his hair is fabulous enough.

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Fingon the valiant ⚔️⚔️💙💛💙⚔️⚔️
This woman's dragon puppet
This woman's dragon puppet

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shining like the sun <3
Give me strength in the sea, oh, sinner Be the light that I see when the light has left me When you hold me, I feel holy When you kiss me, I Bleed - Wine and Wheat, Madds Buckley
“Then Beleg’s burial in those bleak regions did Flinding fashion; where he fell sadly he left him lying, and lightly o'er him with long labour the leaves he poured. But Túrin tearless turning suddenly on the corse cast him, and kissed the mouth cold and open, and closed the eyes.”
A scene that hit me gently with a sledgehammer in the guts. There is a bit of a humorous story behind that drawing actually. Long before reading a copy of The children od Húrin myself, I watched the fandom argue back and forth wheather Turin and Beleg were implied lovers or not. Argument for my beautiful doomed gays was the quote of Beleg:
"If I stayed beside you, LOVE would lead me, not wisdom"
So I got a german copy myself, but what do I read? The translator had translated the word LOVE with FREUNDSCHAFT (friendship)! The audacity! With all the rage one biromantic asexual woman can posibly have, I sat down and began to draw on my tablet. To cope? To protest? I don't know. But here is the result.
Fuck you, german translator :(
For those who don't know: Ikumi Nakamura is the woman who was senior artist on Bayonetta, and designed the titular character along with Hideki Kamiya. Their greatest moment of bonding was over their insistence that Bayonetta keep her glasses on at all times. Nakamura cannot go to horny jail. She is the warden.
Happy pride month to her and her exclusively
she made a comic about the experience on twitter
happy pride
An Update from back in October I'm surprised wasn't added to this post. lol
Every good disgraced chef needs a good poster they can tear down when they walk past
Reference below the cut lol

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No but it always kills me how CURUFIN is the one who had Angrist all along and that he did fuck all with it until Beren and Luthien took it from him. The one knife strong enough to pry a Silmaril from Morgoth's crown.
And Celegorm had Huan!! These two Feanorian brothers specifically had all they needed to at least make an attempt at retrieving the Silmarils and it never really occurred them to TRY.
In my opinion, this does not even occur to them - because subterfuge as a means of attack is not an option in the institutional sense for princes accustomed first and foremost to achieving their ends by military & political machinations, by open battle or by rhetoric that takes advantage of the structures of power within which they have lived their entire lives entrenched. What Beren and Lúthien do requires a certain forfeiture of pride - a forfeiture of pride necessitated by the fact that they do not have any feudal systemic power behind them, in fact they are acting against the interests and desires of that power, so they have to come to terms with using means that eschew pride in order to win the freedom to decide their own fate.
No such thing has ever been in question for Celegorm & Curufin, as princes who have always been backed by systemic power or only temporarily disadvantaged yet still construed as within the right in their framework of power; the Exile is a schism, Maedhros' abdication is unprecedented, Nargothrond is seized by rhetoric and populism, Doriath - as later Sirion - are assaulted by means of military power. And what examples has Fëanor given them? That subterfuge and infiltration are the tools of Morgoth (theft; disguise; lie) and the way that Fëanor himself had been wronged (infiltration of the family structure by Indis), not something a king or prince is liable or allowed to use. Fëanor himself utilises rhetoric and takes advantage of the legal framework, and if no other thing will avail, uses military power and force to achieve his objectives, and decries cowardice, where a line can be drawn to assume that direct, open conflict is thus assumed to be the morally correct path to attain what you want. Celegorm and Curufin, the two most likened to Fëanor, exemplify his lack of willingness to treat with anyone considered a traitor to the cause or compromise on their objectives perhaps best of all. To them, guile is both humiliating and morally suspect in this ideological framework; the sons of Fëanor in Beleriand utilise force, organise military operations, send intimidating letters and use political posturing, but nothing akin to guile even such as Fingon uses to rescue Maedhros from Thangorodrim. That brings me to the second reason: guile missions in the Silmarillion require a certain amount of faith and hope in things turning out the right way, and a certain amount of divine providence. Fingon would not have succeeded without prayer just as Lúthien would not have enjoyed the fruits of their success without convincing Mandos. But hope in divine favour is not something that people famously eschewing the authority of the Valar and undertaking a blasphemous oath not once, but twice, would champion; clinging to hope for aid from the same people considered to have betrayed the cause & good of the Eldar is not to be expected. In light of that, relying on goodwill clearly seems like a suicide mission, especially in the aftermath of the Dagor Bragollach which has revealed that all of the military might the Noldor have been amassing is still insufficient to move any closer to their goal. The only possible way forwards is more power, more resources, more bodies. There is no hope to talk of.
So of course it does not occur to them to try; to try is not just humiliating and amoral, but a waste of resources and foolish to boot, inevitably doomed to fail.
✨️Commission✨️ An Illusion Wizard apprentice and heiress to the prestigious Drow House Arkenval, Mazira spent most of her upbringing in the lap of luxury whilst residing in the last Elven city of Tol’Leyemil. Shortly after her 100th birthday and a single semester at the preeminent Sarmar Academy, the Dark Elf Curse would posture the surface-dwelling Drow as pariahs amongst her Elven kin. Now living in the human-led, business-centric city of Morencia to escape the prejudice, Mazira must join up with some unlikely allies to establish herself in the island city-state—and look fabulous doing it.
All three of them
Moonwatcher in the panelka
Turtle in the elektrichka
Winter in Vorkuta
(I will block anyone who writes how terrible, depressing, etc. panelki are. I'm not kidding)
meeble <3
A few things uou need to know:
My mother- who was a single parent raising me alone in my early youth- has never believed in baby talk. So when I was born, she started from day one talking to me and treating me like I was an adult.
As a result of this, I had rather high expectations of other adults from a very young age, and despised being talked down to. The worst was being asked sweetly and stupidly y over and over, “can you say “hello”?” in a way that felt like I was an animal being coaxed into performing a trick.
In my earliest years, I learned that using certain words and phrases could convince new adults to treat me the way I preferred. So to combat the annoyances of being treated like a subhuman idiot, I began purposefully expressing myself with a broad vocabulary.
My mother started teaching me how to read when I was three. By the time I was five, my favourite thing to read was Calvin and Hobbes anthologies, partly because I loved tigers, but mostly because in every other book I’d read, kids my age were written as stupid babies with no thought process or agency who nobody seemed to think of as capable of thinking or contributing. Calvin, though, was only a year older than me, and had a rich inner world, and was capable of speaking meaningfully and eloquently while still being a kid. Calvin was a kid the way that kids WERE, not the way adults saw us.
As a consequence of this, I think, I developed a prematurely warped sense of humour wherein- again, starting around age five- the funniest thing in the world to me was to approach adults and instigate conversations wildly beyond my age range. Like “oh, you’re slowing yourself down for me? Bold of you to assume I’m not already four steps ahead”.
I imagine this was probably very annoying, as I mostly didn’t actually have the experience or context to fully understand a lot of the subjects I was talking about and was mostly just imitating the persona of a mildly disinterested and somewhat philosophical old woman, but I genuinely understood enough vocab to bluff around the gaps in my knowledge long enough for the funny part to happen.
My preferences to spend more of my time fucking with adults instead of my peers slowly widened the already-existing gap between me and the majority of my schoolmates, which honestly didn’t bug me much because the two friends I DID have were way more fun than the rest of them anyways. But I was probably a bit emotionally stunted by this point anyways
Cut to me, age nine or so. Annoying know-it-all, deeply ironic, and the kind of kid who would rather lick a carrot peeler than suffer through the torture of meaningful emotional vulnerability with any adult ever
First real health class
We get the Puberty talk
Skin-peelingly awkward
Mr. Q, our fifty-ish something teacher, brings out a question box and a bunch of scraps of paper. Says he wants everyone to write down at least one question and he would pull a handful of them out anonymously to answer.
I cannot resist
We all submit our questions
Question one. “What is a vulva”
Diagram. Clinical and age-appropriate response.
Question two. “Is love nothing more than a chemical reaction designed to ensure the survival of the species?”
Long awkward pause
Teacher clears his throat
[This is hilarious]
Teacher speaks
“Uh…….”
“Well, um. I suppose… I love my wife. And I love my children. Or I would describe what I feel for them as love.”
Oh No
[Dawning realization that I have trapped myself and everyone in this room in a Feelings Talk]
[Panic and stare directly through the floor until he stops talking about his personal emotions regarding family and society and shit]
[Pain And Suffering And Hell because this is, in fact, what I signed us all up for, because boarding a plane to Alaska means that you are definitely going to Alaska, no matter if it was a joke or not, because the plane doesn’t give a fuck, because it is a plane and you are a moron]
The lessons in humour I learned that day have stuck with me ever since
Sincerity always wins
You Can Press The Big Red Button Whenever You Like But You Cannot Un-Send The Nuke

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Discworld book where the auditors hear about the phrase "it's not over till the fat lady sings" and hire someone to kidnap all the fat ladies in the world to find the One who will end the world when she sings.
Lady Sybil Vimes is one of the ladies, so Sam Vimes is on the warpath until he can find her, while the watch desperately try to keep all infrastructure from falling apart without all the fat ladies who keep it together on a daily basis
It ends when Sybil leads a hoard of fat ladies into battle, which ends up being so glorious an unrelated time traveler who witnesses it goes back to his native time starts the myth of the Valkyries
I knew I was getting close to Textile City. I could see their monument, a colossal weaving device, looming in the distance.