First artfight of the year, for @existentialterror's Catfish Orpheus.
Misplaced Lens Cap
AnasAbdin
dirt enthusiast

tannertan36

"I'm Dorothy Gale from Kansas"

Kaledo Art
wallacepolsom
hello vonnie

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titsay

#extradirty
Claire Keane
Today's Document
Peter Solarz
Keni

blake kathryn


Love Begins

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@wolffyluna
First artfight of the year, for @existentialterror's Catfish Orpheus.

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rainbow lady
Full below!
Mutuals do this
You've heard of parallel play, now get ready for perpendicular play.
Hot cross buns?

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beanie baby batties
First artfight of the year, for @existentialterror's Catfish Orpheus.
My contribution to Potluck Secret Satan for @meadow-cryptid of their satyr Briar!
i must say, i am a huge fan of when a book is in the middle of a very exciting plot containing many interesting problems when out of nowhere for a few pages it's like, "hey by the way, real quick, here's a detailed explanation of the city's water filtration system! i'm telling you this for a reason and you should worry about it. anyway! haha okay back to the plot" and you just get to be Scared for a while
i am kissing you on the mouth right now
you are the only person who understands me. you and the person who tagged a series of unfortunate events
Happy Hanguang-June! Kicking off this June with a redraw of my rainbow HGJ from last year. 💕
IT'S THAT TIME AGAIN

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@tolkienweek 2022 | favorite character | fingon the valiant | insp.
Then Fingon the valiant, son of Fingolfin, resolved to heal the feud that divided the Noldor, before their Enemy should be ready for war; for the earth trembled in the Northlands with the thunder of the forges of Morgoth underground. Long before, in the bliss of Valinor, before Melkor was unchained, or lies came between them, Fingon had been close in friendship with Maedhros; and though he knew not yet that Maedhros had not forgotten him at the burning of the ships, the thought of their ancient friendship stung his heart. Therefore he dared a deed which is justly renowned among the feats of the princes of the Noldor: alone, and without the counsel of any, he set forth in search of Maedhros; and aided by the very darkness that Morgoth had made he came unseen into the fastness of his foes.
—The Silmarillion, “Of the Return of the Noldor”
His Serenity Edrehasivar VII
Finished rereading The Goblin Emperor and wanted to try drawing Maia in his imperial robes.
I was waiting for something and wound up watching part of an episode of the Apprentice UK and discovered a new fun fact about myself: watching people who claim to be good at negotiating fuck up literally the most basic negotiation tactics fills me with a wild animal rage
Anchoring (in negotiation) is a term for the way that the first number put on the table by a party sets the scale for all the other numbers used. For example, I could start a negotiation by telling you that I sold a painting at a thousand dollars. Your brain will take that number and latch on to it as a benchmark. If I were to then later say that I had a certain painting available for $500, your instinct will be to see that as a great deal. And if I were to then say I have another painting for $2000, your mind is naturally going to come back to the first number I gave you as a price comparison.
What the idiots in this show are doing, constantly, is saying that they're trying to get X amount of money for something, and then that's the first number they put on the table. They're anchoring with the number that is their target point. It's bad strategy. It leaves them nowhere to go but down, which means they're missing the target every time. If they were anchoring at, say, twice what their target price was, they can use that baseline to convince the other party that they're being offered a great deal when they negotiate down to their target price.
Just as another note, because everyone should know a little about how to negotiate: if you're going to give a number, give the explanation for the number first. As soon as a number is given, the other person is going to be focusing on whether that number works for them, and will likely focus less on any explanation given after.
So you don't do: The painting is a thousand dollars, because it takes months to complete. Instead: This painting is the product of months of work, so I would ask a thousand dollars for it. It's a small thing, but you get less sticker shock when you preface the number with the reason for it.
Tumblr shitposts have gotten into my brain. It's citrus season and the small sweet ones like mandarins and satsumas and all of those are so goddamn easy to inhale at the speed of light. Like you grab four of them, remember peeling three, and once you're looking for the fourth one you turn to see that they're freaking gone. You already ate them, every single one, and the empty peel in your hand is the only proof you have that you didn't eat the last one with the peel still on it.
And I thought "wow, the amazing thing about mandarins is just how quickly they disappear", and the immediate second thought I had was "me when I'm a Ming Dynasty emperor and my unfavourable bureaucrat scholars are so easy to assassinate."
No but it always kills me how CURUFIN is the one who had Angrist all along and that he did fuck all with it until Beren and Luthien took it from him. The one knife strong enough to pry a Silmaril from Morgoth's crown.
And Celegorm had Huan!! These two Feanorian brothers specifically had all they needed to at least make an attempt at retrieving the Silmarils and it never really occurred them to TRY.
In my opinion, this does not even occur to them - because subterfuge as a means of attack is not an option in the institutional sense for princes accustomed first and foremost to achieving their ends by military & political machinations, by open battle or by rhetoric that takes advantage of the structures of power within which they have lived their entire lives entrenched. What Beren and Lúthien do requires a certain forfeiture of pride - a forfeiture of pride necessitated by the fact that they do not have any feudal systemic power behind them, in fact they are acting against the interests and desires of that power, so they have to come to terms with using means that eschew pride in order to win the freedom to decide their own fate.
No such thing has ever been in question for Celegorm & Curufin, as princes who have always been backed by systemic power or only temporarily disadvantaged yet still construed as within the right in their framework of power; the Exile is a schism, Maedhros' abdication is unprecedented, Nargothrond is seized by rhetoric and populism, Doriath - as later Sirion - are assaulted by means of military power. And what examples has Fëanor given them? That subterfuge and infiltration are the tools of Morgoth (theft; disguise; lie) and the way that Fëanor himself had been wronged (infiltration of the family structure by Indis), not something a king or prince is liable or allowed to use. Fëanor himself utilises rhetoric and takes advantage of the legal framework, and if no other thing will avail, uses military power and force to achieve his objectives, and decries cowardice, where a line can be drawn to assume that direct, open conflict is thus assumed to be the morally correct path to attain what you want. Celegorm and Curufin, the two most likened to Fëanor, exemplify his lack of willingness to treat with anyone considered a traitor to the cause or compromise on their objectives perhaps best of all. To them, guile is both humiliating and morally suspect in this ideological framework; the sons of Fëanor in Beleriand utilise force, organise military operations, send intimidating letters and use political posturing, but nothing akin to guile even such as Fingon uses to rescue Maedhros from Thangorodrim. That brings me to the second reason: guile missions in the Silmarillion require a certain amount of faith and hope in things turning out the right way, and a certain amount of divine providence. Fingon would not have succeeded without prayer just as Lúthien would not have enjoyed the fruits of their success without convincing Mandos. But hope in divine favour is not something that people famously eschewing the authority of the Valar and undertaking a blasphemous oath not once, but twice, would champion; clinging to hope for aid from the same people considered to have betrayed the cause & good of the Eldar is not to be expected. In light of that, relying on goodwill clearly seems like a suicide mission, especially in the aftermath of the Dagor Bragollach which has revealed that all of the military might the Noldor have been amassing is still insufficient to move any closer to their goal. The only possible way forwards is more power, more resources, more bodies. There is no hope to talk of.
So of course it does not occur to them to try; to try is not just humiliating and amoral, but a waste of resources and foolish to boot, inevitably doomed to fail.
#interesting meta. I could challenge a few points but it's a fascinating discussion and I do really think#the notion that the Feanorians should have tried at least to steal the Silmarilli isn't I think what the narrative frames here as#the missed opportunity but rather that they could have worked some way WITH Beren and Luthien (after all there is a point in#allying with the heir of a king like Thingol you're clashing with and earning thus an in to the Menegroth scene should you succeed)#but Otto makes very interesting points about why even that would be entirely outside of some fundamental worldviews of the#Feanorian camp. And I do think that though C+C are often framed as guileful for their acts in Nargothrond that they are indee really not#their provocations and speeches are very open and populist. The opposite of cloak and dagger really. Never understood where#behind the shadows manipulative Celegorm and Curufin comes from. as a trope. Like they are orating on the main floor.
@antlered-vixen allying with Beren (mortal Man; vassal of a second son of a lesser house; outlaw without any kind of feudal capital in the ill will of Thingol) and Lúthien (Sinda, Dark elf, woman going against the will of her father, again in the ill will of an actual authority they may want to extract resources from) would have to be seen as a viable option in the first place. While sticking it to Thingol for the insult of desiring a Silmaril in the first place may seem attractive narratively, it would mean aiding and abetting a perceived hierarchical lesser, forgoing their pride and even taking a risk against themselves on their behalf - for a quest that is framed ostensibly as a quest of love (and there is that 'neither law, nor love, nor league of swords' line in the oath that I find symbolically relevant here) rather than a quest of military opposition to Morgoth, and clandestine and as such in their eyes perceived as inherently doomed. And I really do not see C&C putting aside both ideology wrt/ how conflict should be led & their conceptions of hierarchy of power & their value framework of acceptable efforts just to stick it to Thingol, definitely not in this manner at least. IMO the very premise of a love-quest against the will of Thingol, who at least has the legal authority and resources on his side, would be seen as offensively frivolous. Anyway I really need to finish writing Herzkranzgefäß which is precisely about this
Oh, entirely agree. As I said, the worldview and character traits C+C carry would not permit for that to be seen as a possibility, for all the reasons you describe, and more. I was speaking more of Tolkien's own deontological implications. What he implies from that "negative space" (as this post by @magicalmanhattanproject points out) to be his ideal story-shape, that the tragedy of the Noldor makes intrinsically impossible. You know, what he feels C+C should have done - what Finrod actually does, and it is clearly framed as a redemptive arc. And I feel like Angrist and Huan symbolising there on some level the resources of C+C, seems to imply Tolkien imagined this possibility of their redemptives arcs that are, again, impossible to them - this is, after all, the whole tragedy. I am not, however, even implying I entirely agree with Tolkien's own framing in this, actually. I do think one can make a strong argument that Finrod's act and choice, and even the Oath of Barahir to begin with, are rather complex and not entirely noble and without concerns about what the priorities and loyalties of a King are meant to be in the feudal social contract.

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Floral Bugs i moje szczurki pozdrawiam dobra nuta lubię bardzo zrelaksowane szczurki 🐀
The first of two pieces I did for the @feanorian-zine! This illustration pairs with the gorgeous fanfic by @beatles4ever65, which can also be found in the zine.
I had a fantastic time working on the project with so many amazing artists and writers, and we all wish you happy holidays!