i'm black & i'm proud. this is my inspiration and doodle blog. my interests are black vernacular photography, video games, old films, pinup + vintage things, my ocs, and black womanhood. i unfollow back. i block back, too.
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everyone and their ma has said it at this point but i really can’t understate how many flirty lines there are in outer worlds 2, despite the lack of romance.
“how about this? we ever make it out of this system, i'll take you back to triangulum, make the introductions myself. deal?”
“deal!”
“oh yeah. they're gonna get a real charge out of you.”
I love your art so much! There's such a charm in your style and colors. How did you learn to draw children and babies so well? I try but they never quite look right. They just look like I messed up an adult face. Any tips?
hey, thank you so much!!! tbh, children are tricky and it took years of practice before i felt like i drew them okay--hopefully these tips are helpful to you!
using georgia and her much younger self as a guide: children have big heads in relation to their bodies, with their features mostly relegated to 2/3 or even 1/2 of the face, depending on the art style. babies and toddlers in particular almost always have large foreheads and big cheeks, no matter what their individual features are.
my children tend to lean more cherubic and cartoonish because i've always adored how rose o'neill, the creator of kewpie dolls, drew children and babies. great big eyes, small noses and mouths, etc.
that being said: as you can see with georgia above, her younger self still has fuller lips and a wider nose, they're just small in proportion to the rest of her head, if that makes sense!
i would avoid any harsh lines/super definition on the face. i usually add a soft touch of shading or a few very, very light lines, usually to show the fullness of the cheeks like i've done with eloise above.
there are exceptions. sometimes my characters like wilma and all of her children have dimples or a particular way their eyebrow crinkles, or some other definable feature. all that is okay! but just know the more lines you add to a character, the older they look--so you want to use a lighter hand when drawing very young children or babies.
as children age, they "grow" into their facial features. their heads are usually still a bit bigger in proportion to their bodies, with a jawline that is beginning to define, but still relatively soft.
with ellen and leon below, you can tell they are several years older than eloise above, but not so old they begin to look like teenagers or mini adults.
overall, these are the tips that have stuck with me! because i like to give my ocs children or draw them as children, i make a point to dedicate time to figure drawing people of all ages, from babies to old folks, and it has helped a lot!! thanks for asking!! <3
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mentioned it in an ask for CBC, but i am very excited about making a guide for how to research and implement hairstyles for black characters in the early 20th century
honestly? a lot of the styles really are just translations of popular styles at the time. finger waves of the 20s, victory rolls of the 40s, bouffants of the 60s etc
however, i really want to acknowledge how natural, non-chemically relaxed hair and locs can also wear these styles, since most historical photographs feature us with chemically straightened hair.
i plan to focus on the 1920s - 1960s specifically, with just a few examples for each decade.. but if there’s anything anyone wants me to speak to specifically, let me know :)
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