I know I've been blogging a lot of information about the situation with Israel and Palestine, and if anyone is wondering my opinion on things, I am trying not to say something I'll regret in six months
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@feenyxblue
I know I've been blogging a lot of information about the situation with Israel and Palestine, and if anyone is wondering my opinion on things, I am trying not to say something I'll regret in six months

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A little advice from someone studying extremist groups: if you’re in a social media environment where the daily ubiquitous message is that you have no hope of any kind of future and you can’t possibly achieve anything without a violent overthrow of society, you’re being radicalized, and not in the good way.
If the solution to your problems sounds like “we need a blank slate” it’s a lie. There are no blank slates, and the closest approximation people can generally imagine is “burn it all down and let God/fate/history sort it out”.
That’s not problem solving. It’s barely catharsis, in practice. It doesn’t just create more problems than it solves, it destroys more solutions than it creates.
Put the apocalypse down, and back away slowly.
Real solutions to complex, systemic problems are not so easily reduced to “us good, them evil; kill them.”
[image transcript:
Voting as Fire Extinguisher
When the haunted house catches fire: a moment of indecision.
The house was, after all, built on bones, and blood, and bad intentions.
Everyone who enters the house feels that overwhelming dread, the evil that perhaps only fire can purge.
It’s tempting to just let it burn.
And then I remember:
there are children inside.
—Kyle Tran Myhre. end id]
The author has specifically asked that this part of the poem not be quoted out of context; here’s the rest of the poem: https://guante.info/2020/10/14/trickortreat/
TO THROW A WRENCH IN THE BLOOD MACHINE: Five (Season-Appropriate) Metaphors for Voting
by Kyle “Guante” Tran Myhre
VOTING AS PRESSURE ON THE WOUND: After the battle against the killer robots, I become aware that my leg is bleeding. And I know that applying pressure does not, on its own, heal the wound, but it will buy time for the medic to arrive, for the healing to begin.
VOTING AS FIRE EXTINGUISHER When the haunted house catches fire: a moment of indecision. The house was, after all, built on bones, and blood, and bad intentions. Everyone who enters the house feels that overwhelming dread, the evil that perhaps only fire can purge. It’s tempting to just let it burn. And then I remember that there are children inside.
VOTING AS THIS ONE SMALL THING I’ve tracked the werewolf to its lair, deep in the basement of the old doll factory just outside town. Upon entering, I have the option of flipping the light switch from off to on. Either way, the battle will be difficult. Either way, victory is not guaranteed. But the werewolf can see in the dark, and I can’t. So I will do this one small thing. I will summon what light I can. And I will keep going.
VOTING AS HIGH GROUND, CLEAR SIGHT LINES, AND MULTIPLE ESCAPE ROUTES It’s been said that during the zombie apocalypse, the undead are not the biggest threat, that the real monsters are the human survivors who will hoard resources, betray one another, and fight endlessly amongst ourselves. And it’s true: survival is about so much more than just not getting eaten by zombies. But not getting eaten by zombies is still an important part of the plan.
VOTING AS WRENCH IN THE BLOOD MACHINE Our village has existed in the shadow of Dracula’s castle for years, and has been the site of many battles against him. Now, he’s running for mayor. His platform: rather than turning into a giant bat to hunt his victims one-by-one, he will take control of the village’s resources, its watchmen and bureaucratic machinery, creating a system that will more efficiently identify victims and supply him with fresh blood.
Will defeating Dracula at the polls end his reign of terror? No. But what it will do is deprive him of one specific set of tools that he will otherwise use to hurt people. It will allow us to think offensively rather than defensively, because when the forces of darkness are not knocking on our doors, it frees us up to go knock on theirs.
And yes: there is always more work to be done. There is always more horror beyond that which is right in front of us.
And those who study monsters are right: if we only think short-term, we lose.
But those who fight monsters have taught me: short-term and long-term thinking are not mutually exclusive. We use every tool we have access to, every opportunity to shape the terrain of battle, every advantage we can seize. We don’t split up. We don’t leave anyone behind. We don’t wait for some hero to save us, whether a knight in shining armor or an opposition politician. We fight the monsters. And when the sun rises, we do the work of creating a world in which there are no monsters.
We win. For the fallen, for our families, for the fact that dawn is not promised, it is carried—in this blood, still hot, still coursing, defiant, inside us.
So every year, my aquarium does a captive lobster hatchery project (hence all the loblings). The reason we’re doing it is because in the wild, loblings only have a 1 in 25,000 chance of surviving their larval phase. They’re plankton as babies and everything eats them. Additionally, as the Gulf of Maine warms, they are having even lower survival rates because the blooms of copepods they feed on as babies are happening earlier in the year, and they’re missing it.
Obviously, the goal of this experiment is to grow the lobsters until they’re big enough to settle to the seabed and then release them, because they have a much higher likelihood of surviving to adulthood when they’re able to hide. Ideally, captive lobster hatcheries can boost the wild population and keep things stable, so we don’t have a major crash in a decade or two.
The first year we tried this was pretty bad. We had a lot of eggs, but very few babies. It turned out that the CO2 levels in the building spiked as more guests visited throughout the summer, and that settled into the water and threw off the pH and caused a chemical reaction that prevented a lot of the eggs from hatching. I think we ended up releasing three baby lobsters (which is still better than their wild survival rate but not great).
The second year was a little better. We added a de-gasser to the aquarium and got a ton of larval lobsters, but right as they were settling to the bottom we had a disease outbreak that killed most of them. We ended up releasing four babies at the end of the season.
But this year? Oh boy. We have so many lobsters that we had to release the first round early (usually we wait till September or October so guests can see them). We just released a total of FIVE HUNDRED AND TWENTY FIVE baby lobsters, and we still have over a hundred who haven’t settled to the bottom yet. I genuinely don’t even have words to explain how cool this is. OVER FIVE HUNDRED. We just added hundreds of lobsters to the wild population that wouldn’t have been there otherwise.
Conservation is so fucken sick
I always thought Reddit was a place where people could share things they created.A few days ago I posted one of my original paintings. People loved it. We had wonderful conversations about art, emotions, and how everyone saw something different in the same sunset.
About two hours later I was permanently banned from r/MadeMeSmile for “self-promotion.”
I accepted that different communities have different rules.But then something even stranger happened.Soon afterward, a moderator from r/pics started going through my account. Not just the new post—many of my older painting posts disappeared as well. One after another. Then I was permanently banned there too.
Maybe it was the same moderator. Maybe it wasn’t. I honestly don’t know.
What surprised me wasn’t even the ban itself. It was realizing how much power individual moderators have over what millions of people are allowed to see. One decision can erase years of posts from a community and instantly cut off your ability to participate, even if those posts had been happily sitting there for months or years.I’m not saying moderators shouldn’t have rules. Communities need moderation.But it does make you wonder where the line is between protecting a community and allowing a single interpretation of the rules to completely reshape what people can share.
The funny part?
I wasn’t advertising anything in those posts. I wasn’t posting prices or asking anyone to buy anything. I was simply sharing my original paintings because I enjoy discussing art with strangers from around the world.
Anyway…
Here’s the painting that apparently caused all the trouble. 🎨
So funny story actually. One of my friends was hooking up with this girl, they were friends with benefits. She needed a date for some work party so he agreed to go with her. Turns out her dad owns like 3 dental practices and she worked as the business manager for one of them.
Anyway my friend had some not so nice teeth and during dinner the father of his fwb was like “you work where you work, you sleep with him and his teeth look like that? Get him an appointment.”and then bounced. So his fwb made him an appointment at the practice she managed and my friend ended up needing like 3k worth of dental work and his friend with benefits just gave it to him for free.
So that is the story of how my friend not only got sex, but dental out of the friends with benefits deal.

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where do you live on the internet and how can i get there
i must not get takeout. takeout is the wallet-killer. takeout is the little-death that brings total obliteration. i will face the kitchen, fridge, and pantry. i will make choices about what to cook and then execute them. when hunger is gone there will be nothing. only i will remain.
*opens the empty fridge* I must not get takeout. Takeout is the wallet killer. Takeout is the little death that brings total obliteration. I will make a list of ingredients and then purchase them. When my fridge is full and I am read— oh, oreos on sale?
i must not get takeout. takeout is the wallet-killer. takeout is the little-death that brings total obliteration. i will face the kitchen, fridge, and pantry. i will make choices about what to cook and then execute them. when hunger is gone there will be nothing. only i will remain.
"That’s what makes Zohran Mamdani’s election in New York so unsettling to the old order. New York City is not just another municipality; it’s a sovereign-scale entity. Its population surpasses 38 states. Its metropolitan GDP trails only Texas and California.
It is, by any metric, a small country masquerading as a city.
It governs more lives and more wealth than most nations. If democratic socialism — housing reform, public banking, equitable taxation — functions here, it obliterates the myth that such governance can’t work at scale. The fear isn’t ideological. It’s empirical. Because if Mamdani can keep the lights on, reduce homelessness, and maintain economic growth without catering to Wall Street, then the capitalist gospel collapses under its own dead weight.
What terrifies the establishment isn’t failure. It’s feasibility.
If it works in New York, there’s no reason it can’t work in Nebraska. If it works in Queens, it can work in Kansas City. And once proof exists, belief becomes irrelevant. The ship of democracy, fully refitted, will keep sailing — and no one can claim it isn’t American."
- Jackie Summers
online communities are so strange because people slip away so easily. you can be on here for years, folding people you've never met into the fabric of your daily life, and then they disappear, leaving only ghost posts scattered across tumblr behind. or their blog stays dormant, for weeks, months, years, until you're only still following them because you remember that they love sunflowers or they were kind to you when they didn't have to be or the last thing they posted was sad and raw and you still worry about them sometimes.
and sometimes they come back when you least expect it, years later, even, and there's this sudden rush of relief like there you are, there you are, even though you barely knew each other.
there's a strange kind of love to it. i don't know you and i want to hold your hand across miles and time zones and oceans. i can still see the imprint of you in this community you left. you don't think anyone will notice or care when you're gone, but we notice and we care and we wish you well.
i hope you're all okay out there. i hope the sun is shining on your face and you are breathing deeply. i miss you.
Always reblog.

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i feel like it's absolutely crucial in the social justice world to take "he a little confused but he got the spirit" and similar sentiments/situations as a Win. intent is so much more important than saying it right the first time! if someone is approaching with scuffed language and incorrect terms but they're visibly being as polite as they know how, that person is a friend and should be treated better than what their words might invite in someone else's mouth.
someone who's confused but who's got the spirit has the best thing, which is respect. the other stuff is secondary. I'd take someone who's messing up but doing their best to treat me respectfully any day over someone who's using the right words to do me wrong.
how eerie to hear they're going to remake carrie. how eerie to hear they have made the mother into some kind of gentle well-meaning figure.
carrie is almost explicitly about the cycles of abuse. it is almost explicitly about how women and girls are taught to reproduce the patriarchy. it cannot be isolated from either message.
it shows cruel teenagers not as a random whacky plot point but instead to highlight that we are taught to mock other girls for not being fuckable; lest we ourselves be considered not-fuckable. we will eat our own kind to survive. nobody helps her because to help carrie would be to turn against the patriarchy.
carrie's mother has experienced abuse at the hands of her husband and religion not as a "sad backstory" but instead because it lampshades her behavior when she then turns and abuses her daughter while citing that same religion. we are forced to ask the question: what is the difference between the patriarchy and religion? aren't they both systems of control? we often see mothers as being the "ultimate" in innocence and kindness - but this book challenges that narrative. abusive mothers exist, and and always have. abusive women exist and always have. white women, after all, love voting for donald trump.
men are almost absent from the book, but their presence lingers. it feels almost like the red mark made after a slap - the men do not have to be there; the women will continue to abide by the rules without question. it is a devastating, haunting condemnation of the notion of feminine fragility. it accurately asserts that women are cruel, are capable, are power-hungry - and often are hiding behind perceived innocence to mask that cruelty. the abuse carrie experiences rests in a doubled betrayal: it is because of another woman. the supposed "sisterhood" is revealed to be thin, a guise of equanimity that is only offered to the "right" type of girl/woman.
many of us were not the right type of girl.
to go back on these main and obvious themes of the book - to rewrite the mother as some caring and sad creature is... a curious choice. i can't explain it, but it feels almost like censorship to me. it refuses a deeper meaning of the book (and one that questions the patriarchy) in favor of the incredibly thin plot of "what if scary girl had scary powers." i literally don't even know what level of misogyny it is that we have to defang everyone around her in order to tell her story. i'm baffled by it.
in the era of trad wives endlessly posting abusive content of their children online - the adaptation had plenty of meat to modernize her mother. in the era of AI and revenge porn and social media - there's a huge amount of space for a competent writer to play around in. after all, if the abuse is recorded and posted to media - and as the audience we're watching it without interfering - the story is now about us. it asks us who we are comfortable bullying.
it's okay if you feel like you don't have the writing chops to talk about how many religions are abusive and tacitly enable domestic violence. it's okay if you feel like you couldn't write a believable teenage bully. it's okay if you're just interested in "scary girl has scary powers."
but maybe, i don't know, choose a different fucking story?
i’ve warmed up significantly towards the concept of small talk ever since i learned that its sole purpose is to make friendly noises.
as long as you smile and nod, people are satisfied. it’s just to show that you are nice and there with good intentions. we’re small in a big world and have to rely on other people to be decent to us. so we do our little human dance to each other to say, “i’m not here to hurt you. here’s something we have in common, like the weather or sports or itchy sweaters, so we both know we’re on the same team. we both agree on a basic fact, like that it is rainy or that being itchy is uncomfortable, and this proves we can get along. i’m being light-hearted and non-threatening right now.”
small talk isn’t to get to know a person. it’s just a greeting to affirm you’re buddies in the universe.
i am motivated by wanting the other person to know i am friendly, so i have gotten pretty decent at small talk when i used to hate it.
I refuse to let this be lost in the tags

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we need legislation banning games >100GB
OPTIMIZE YOUR SHIT BETTER THERE IS NO EXCUSE FOR A 150GB GAME!!!
upon reviewing the notes I'm changing my position. games must be <50GB. no more mandatory 8k uncompressed textures!!! I don't believe in 8k I think it's fake
to be clear games really ought to be around 20 gigs or less. but I think in the spirit of generosity and mercy we won't criminally prosecute the developers until the file sizes breaks 50
Helldivers 2 heard you and went from 156 to 23
wait is that real
just looked it up. holy fuck. they did it by de-duplicating assets. I'm just. my jaw is on the floor. supposedly duplicating assets helps load times on HDDs but. holy fuck at what cost
it's worse than that: The Helldivers devs were told that duplicating assets would help HDD load times, but then they actually tested it and it had basically zero effect on load times!
So they had more than sextupled the size of their game by following industry standard practice that actually did basically nothing!
cancel your mullvad subscription
tech news today is that Mullvad VPN has gone mask-off about being the major funding source for the Swedish Orebro party, who are racist nationalists. unfortunately all discussion of this is occurring on fucking Mastodon instances i can barely load
if you are a mullvad customer (as i am) and want to get out, here is guidance from this guy
If you don't want your Mullvad fees going to fund neo-Nazis - or @mozilla VPN fees, which is rebranded Mullvad - cancel and get a refund immediately that's whose "free speech" the official account is talking about here, and that's where your fees go to EDIT: Mullvad has a 14 day refund policy. But the message below is a direct call to ask for a refund if you don't want to give money to Nazis. If Mullvad refuse a refund, call your consumer protection agency. And reverse credit card charges on the basis of deceptive refund policy representations. It's not like you ever want to be a Mullvad customer again. archive copy of Mullvad statement: https://web.archive.org/web/2026062717