Bless you, if you've made it here. This blog is a multifandom mess. Fandoms include 911, The Mandalorian, Critical Role, Dimension 20, The Murderbot Diaries, Leverage, Elementary, Brooklyn Nine Nine, LotR, Firefly, Sailor Moon, and many others. I post A LOT of cute animals and babies, pictures of unfairly attractive celebrities, social justice posts, and pretty things that catch my eye. I REALLY like puns. On Wednesdays, I do No White Dude Wednesdays (NWDW) where I spam my dash with pictures and historical posts of POC and transgender people. Occasionally, I commit podfic. Also, I apparently do fanfiction now. I am also on Twitter and AO3.
so this guy right he makes ancient egyptian themed furry costumes. he makes all kinds but mostly he specializes in Horus heads. it's his passion really. he loves to make the beautiful falcon head of the Sun God. anyway so he's at a con one day and he sees this whole bunch of people in middle kingdom dress with these indistinguishable animal heads. he's like. oh man these folks could really use a new source, i can hardly tell what animal those are! so he goes over and he says "hey guys! i see you are into ancient egyptian mythological themed furry costumes--if any of you are interested in being the radiant Son of Ra, I am the BEST in the business!"
and the group of people look at each other, then at him. awkward. finally one of them says: "uh. no thanks. we're all Set."
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so i really enjoy the body acting in the scenes where jin guangyao gets up after getting kicked down the stairs, particularly in the scene with nie mingjue.
he gets up slowly, with difficulty, and then starts climbing back up the stairs, and there’s this almost mechanical jerkiness to his motions that i think is really significant to his character. the in-universe explanation is just that he is physically hurt so he is limping, but if you watch the scene, it’s pretty obvious that this is exaggerated and used for effect.
there is something really creepy both in the way this action is shot, lit, and edited between cuts, and the unnatural physicality of his movements. there’s an almost terminator-ish slow intentionality to it, an “i am going to keep coming for you even if you chop off parts of me,” and a singular, unemotional focus that calls to mind uncanny monsters in horror films.
this is further highlighted by the way it’s framed so that his face is either not visible or wearing a terrible smile mask. it’s almost like he’s possessed or being puppeteered from above in these moments. and i think this plays into his motivations and this idea that he has no choice.
and it’s like, we get this visual sign post: this is where the switch is flipped. we are no longer looking at kind doormat a-yao. this is the monstrous side of him.
but what really gets me is that we get the same motion, the painful, difficult lift onto his knees, the jerky shift of his shoulder, the slow uncurling of his back with the head only straightening at the end, in episode 49 in the temple:
the movement is almost identical to the way he straightens up in the first gif (and after jgs kicks him down the stairs!), and it’s a sign that he’s been cornered, so his survival instincts are about to take over. the switch has been flipped! his next line is the one about “that’s just the kind of person i am” right before he takes jin ling hostage. and i think this scene wants you to call to mind the other instances where he hurts people he cares about and see the connection.
there’s just all this visual and thematic detail to get you to consider a character beyond the obvious, and isn’t that neat??
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Raymond Schuyler and Four of his Children, photographed by William Bullen (link is to an article with historical context, especially about the use of these family photographs as a counterweight to racist images of Black Americans and the Black family.)
[the child in the striped hat is most likely his son Stephen]
"A native of Troy, New York, Raymond Schuyler migrated to Worcester in 1887 to work for the Worcester Wire Works and later worked for the Boston and Main Railroad. Active in All Saints Episcopal Church, the Masons, and Knights of Pythias, Schuyler was the oldest member of the Worcester Chapter of the National Association for the Advancement of Colored People when he died in 1956. Raymond and his wife, Rose Bates, had nine children, two of whom died as children. Given the uncertainty around the photograph’s date, the only child who can be confidently identified is Stephen, their oldest son." E.132.16.75
[Rediscovering an American Community of Color: The Photographs of William Bullard, 1897-1917]
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OP: Now I understand why people in old times loved visiting lantern festival so much. I recreated the shrimp lantern for yuanxiaojie/ lantern festival in Song dynasty and Ming dynasty. It can be folded, unfolded, and even moved.
I keep hoping someone funnier or better with images than me will write a primer for this show, but I haven’t seen it yet, so it’s looking like I’m going to have to be the propaganda I want to see in the world.
Fangs of Fortune is a 34.5-episode drama that takes place in Ancient Fantasy China, split between the human world and the Wilderness (home of the yao/demons). You can watch it on iQiyi or YouTube. There will be some spoilers below, mostly for early episodes; photos here are from official production stills/promos. As far as I can tell, Fangs of Fortune is a (successful) attempt to get a m/m romantic pairing past the censors by giving the dudes a(n also-queer) female love interest as well, which is neat. The show cares way more about the characters than about the plot, so I’m going to follow suit, starting with…
Zhao Yuanzhou, a.k.a. Zhu Yan
30,000-year-old suicidal Great Demon with suave DILF energy, sky-high self-confidence, and rock-bottom self-worth. 8 years before the show opens, he was possessed by malicious energy and killed a ton of people, including the only living relatives (father and brother) of this guy:
Zhuo Yichen
24-year-old swordsman and demon hunter (head of the Demon Hunting Bureau, in fact), who wears the most beautiful costumes of all time, has sworn to avenge his family, and happens to be in possession of the only weapon that can kill the aforementioned Great Demon Zhao Yuanzhou—if only he knew how to use it.
On the dynamic between Zhao Yuanzhou and Zhuo Yichen, which is the driving force of this show, I can’t do better than this post and this post – please go read them, you will not regret it. In the meantime, please enjoy some homoerotic violent hand-holding.
Zhao Yuanzhou shows up at the Demon Hunting Bureau very sexily and offers to teach Zhuo Yichen to use said weapon, if Zhuo Yichen will (a) swear to kill him with it once they’re done, and (b) in the meantime, let Zhao Yuanzhou join the demon hunting crew. Specifically, he demands to be paired up with this lady:
Wen Xiao
Scholar, demon hunter, Zhuo Yichen’s sort-of foster sister, and technically the Baize Goddess, guardian of the Wilderness… but when her predecessor as Baize Goddess died, she couldn’t complete the transfer of her powers to Wen Xiao, leaving Wen Xiao unable to do the job, and sickly to boot. Wen Xiao compensates by being smarter, more socially adept, and more mentally healthy than everyone else in this cast… although I will grant that’s a low bar to clear.
While recruiting a crew to go after a pesky water demon, Wen Xiao runs into…
Pei Sijing
Stoic archer who recently retired from demon-hunting after she had to kill her own brother; target of Wen Xiao’s very persistent affections.
Here they are being cute together:
Congratulations, you have now met the polycule! There are also two comic-relief teenagers (with obligatory difficult backstories) and two villains, one of whom is boring and will be ignored, and one of whom is Zhao Yuanzhou’s human-hating mall goth demon ex-boyfriend Li Lun, as seen below:
There is not really an overarching plot: in general, the plot is driven by the desire to get Wen Xiao fully powered-up as the Baize Goddess so that she can fix stuff that has gone wrong in the Wilderness, but after a certain point, most plot arcs are driven by problems caused in the previous plot arc. The writers are way more invested in putting the characters in Situations that will crunch them up against each other in interesting ways than in having a coherent plot or worldbuilding. Fortunately, they are very good at writing these characters reacting to each other in Situations, so it works out.
Why should you watch this show? First, it is delightfully gay and there is great fic for it, which you will get more out of if you’re familiar with canon (but don’t let that stop you from diving in now…). Second, the writers are really good at building compelling relationships between characters, romantic and otherwise, and in particular, they have a gift for writing two-character dialogue scenes and cute banter. Third, damn, this is maybe the most visually beautiful show I’ve ever seen in my life. The costumes, in particular, are unbelievable.
Are there downsides? Yeah, candidly, you are going to spend a chunk of the first third of the show sitting through long flashbacks that I call The Ponderous Tragic Backstories of the Het Guest Stars when all you want to do is get back to the main characters. Don’t worry, the whole show is not like this. It happens four times (three toward the beginning and once toward the end). And at least even the Ponderous Tragic Backstories of the Het Guest Stars are still very pretty to look at.
Anyway – check it out! Ask me if you have questions! Correct me if I goofed on anything! See you in Queer Poly Ancient Fantasy China!
(Edited to correct the number of episodes, thank you, @kandadze!)
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