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“team of people and there’s one girl” is literally the worst trope and I’m Tired of it
its so weird because its always like “we need one of each personality trope” and then “this one’s personality is girl”
This is why Sailor Moon was so revolutionary and good. It took the five man band, which was usually like
The leader
The cool one
The strong one
The smart one
The girl
And was like
“We’re doing this, but they’re ALL girls. Also the one whose personality is The Girl is also the main character. Die mad.”
God I fucking love Sailor Moon
and all the sailor moon characters are girly in different ways. It's great.
In the Netherlands, abortion is legal. There is however one pro life organization called Stichting Schreeuw Om Leven. But instead of harrassing women who are on their way to the abortion clinic and make them feel miserable, they offer them HELP.
If a woman wants to get an abortion because she is financially unable to give birth to and raise a baby, the organization will pay for everything she needs during the pregnancy and after, until she’s financially stable to raise the baby on her own.
This organization won’t stop women from going to the abortion clinic, but would rather hve a healthy conversation with them. Ask them if they can help her with anything in order for them to keep the baby. They also hand out contraception in the streets for those who can’t afford it.
Women don’t get abortions just because they want to. There are reasons why. This organization doesn’t fight abortion, it fights the reasons why women get abortions. Take notes America.
America doesn’t WANT to take notes. Anti-abortion in America isn’t about actually preventing abortions it’s about controlling women. That’s it. That’s all it is.
and imo, this is a solid idea.
Because people don't get abortions for shits and giggles. They have compelling reasons. Like, stuff like this won't stop people wanting abortions, because a lot of those reasons are stuff like "medical concerns" or "rape." But a good % of those reasons can fall under the umbrella of "lack of support." So being able to provide money and support and advice would be a very successful strategy.
I’ve seen a lot of people say that Hardison and Parker can’t cook, and while I acknowledge that’s a totally valid interpretation of the text, I personally think that Alec Hardison is perfectly capable in the kitchen.
First off, Nana almost certainly had her kids helping out with meals on the regular. A person needs to eat, and I cannot imagine that fine woman would ever allow one of her kids to head out into the world unprepared to meet their own basic needs. As far as I’m concerned, Hardison left her house with a favourite family cookbook, a half-dozen dishes he could make in his sleep, and the ability to follow a recipe and produce perfectly acceptable results.
Second, this is the guy who learned how to convincingly forge an artifact in a weekend. Who took up molecular gastronomy for the fun of it (and OK, more than a little to bug Eliot — but that was part of what made it fun!) in the middle of a con. If the man can do that, he can certainly throw together a casserole in a pinch.
The issue isn’t that Hardison can’t make perfectly normal, edible food — it’s that he doesn’t want to.
For one thing, normal food is boring. He has no interest in making it. He’s a very rich, very busy man! If he wants basic sustenance, why go to all that effort when he can order something delivered (efficient and tasty!) or heat up a hot pocket (fast and effective!). If Hardison’s going to put the effort in, it’s going to be for something interesting and complicated, ideally involving lasers.
For another, Hardison? Has terrible taste in food. It’s a joke that he makes awful, undrinkable beer, and then wine. But if you listen to him describe what he was going for, it’s clear that he’s achieved his goal. It’s just that his goal is completely unpalatable to most people. Nobody else wants wine that’s as sweet as his orange soda. Which means nobody makes it. Which means he has to do it himself. And so he does.
It’s not that Hardison is a bad cook. It’s that he’s a technically proficient cook who only wants to make terrible, terrible things that no one else would ever enjoy. Bonus points if it involves gadgets in some way.
Parker, though — Parker genuinely doesn’t know how to cook, at least not at first. Who would have taught her? Where would she have practiced? But Eliot likes to teach, and Parker likes to learn, so before long she’s playing sous-chef more often than not. (Easier to steal bites as they go that way, too. Win-win!)
Yeah, I feel like this is a result of Parker and Hardison a) getting different versions of the foster care system and b) differing mindsets.
Hardison knows how to do a lot of Life Skills stuff from living at Nana's. He's at least adequate at basic cooking, laundry, sewing/mending, car and home maintenance, and so on. He just usually can't be assed - it's usually more convenient to use money to solve these problems. For everyday stuff, he'd rather pay for premade food or for a laundry service. He will, however, make the effort for stuff that he feels is worth it. So he'll makes himself food or alcohol that meets his specific desires that nobody else will touch, or fix a button on his favorite pants.
Parker probably didn't learn a lot of this stuff in foster care. Her fosters either couldn't be assed to teach her or didn't bother teaching it in a way that worked for her. It's similar to how her fosters didn't bother helping her work on her social skills (these are a learnable group of skills, Parker picks up a lot of it during her time with Leverage so she's capable of it). Archie, her thief mentor, probably taught her some stuff as part of her training?
you will never catch me complaining about an actress on a tv show having an imperfectly concealed pregnancy or a character going on a sudden trip somewhere while her actress is on maternity leave. so many actresses (and women working in any other field) are fired, punished and pressured into making reproductive decisions for their employers' convenience & if i have to try a bit harder to suspend my disbelief then that's absolutely what i'm going to do if it means people are getting to exercise reproductive & bodily autonomy without punishment
My favorite writing of this was how Star Trek DS9 handled Nana Visitor's pregnancy. It felt out of character for her character (Kira Nerys) to get pregnant and it's the semi-utopian future, so presumably birth control works quite well and abortions are easily available. Solution: another female character gets pregnant, is injured in an emergency situation, and Kira agrees to act as surrogate. They effectively wrote this entire story line well enough, with implications for the dynamics between Kira and the biological parents, that I didn't realize until later that the actress was actually pregnant. I thought it was just an interesting plot line.
Leverage handled this well when Gina Bellman had to take mat leave. She had to get

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hunter x hunter is a narrative about an abandoned child, a severely abused ex-child soldier, a traumatized genocide survivor, and leorio, written as an upbeat high fantasy action-adventure. you have to read it. im so serious. its so cool.
To give Leorio his due:
A survivor of intense, systemic poverty who has committed himself to bettering his life and the lives of everyone he knows.
Yeah, Leorio's obsession with money is absolutely explained in canon. He wants money because he grew up terribly poor alongside a bunch of other poor people, and he's immediately, personally aware that while money can't solve every problem, it can damn well solve a lot of problems for a lot of people.
We see that Leorio explicitly wants to use his hunter license to help people. Having a hunter license will help him afford medical school, and give him the resources to help more people afterwards, since he wants to treat people for cheap or for free as often as he can.
Any take on Luke as just a normal kid whining about freedom should probably account for the fact that he lives on a lawless desert planet controlled by gangsters who kept his father and grandmother as slaves
#like … every time i see a post about how much easier he has it than leia i’m #he absolutely does in some ways #but also leia’s family are wealthy and powerful while luke’s are eking out water from the air
This post is nearly ten years old and I still think about this, honestly. Luke has no consciousness of the dangers and pressures in Leia’s life when he’s playing with his toy starship; she’s already had to become what he can only vaguely dream of. But she’s also never had to consider “where is tomorrow’s food and water coming from” to anything like the degree that Luke, Owen, and Beru do every day. Luke and Leia both make sure they’re armed when they leave home because their environments are so dangerous, in completely different ways.
It really is possible to talk about the ways Leia has been forced to grow up and Luke has been allowed to remain functionally a boy, without dismissing pretty much everything we ever find out about Tatooine and the Skywalkers, or the drastic differences in their opportunities and access to material luxuries. I promise, she’s a good enough character to stand on her own without misrepresenting Luke’s circumstances to prop her up.
what feels distinct to me about Terry Pratchett work is even though he’s a comedy writer and he’s more or less poking fun at things all the time, he also knows how to let his characters be sincere and to respect their emotions when the story requires that
like, oftentimes he shies away from writing big dramatic emotion and tends to pull back instead, but you don’t get the sense that the character isn’t allowed to feel it, but rather that the narrative voice is, idk, giving them privacy
i often don’t enjoy comedy writing because it’s hard for me to envision the characters having fully-fleshed-out relationships and emotions apart from the jokes and the humorous antagonism, because it’s not presented as happening on page without there being a punchline attached, but I don’t feel that way about Discworld
PTerry was a master at pacing and timing, for both comedy and drama. Because a story can't be good if it's all action, all the time. There needs to be quieter bits for it to work.
What do you think of Sailor Moon? She's 14 while Tuxedo Mask was 21.
Neither me or the other mods know a single thing about Sailor Moon. If another anti wants to take this question go ahead.
- Mod Shiro
I hope you don’t mind if I tag in here! According to the manga, at the beginning of course, Usagi is indeed 14. Tuxedo mask is actually 19 at the beginning of the manga but I haven’t seen the anime in a long time so I’m unsure if that differs. I’ve wanted to do a large rant on just how abusive their relationship actually is for a while now, as I know for a fact people will bring up the fact Usagi time travelled quite a bit throughout the manga. That doesn’t change her mental age at all, and it doesn’t really her physical either because she’s barely had time to actually grow up.
For an interesting analysis on the anime ages, I’d like to direct you to this: http://www.moonprincess.com/amiages.php As it’s about the most coherent timeline as it stands for the anime. You can apply it roughly to the manga, but obviously a one size doesn’t fit all.
We’re at least looking at a 5~6 year gap, which is extreme on all accounts, seeing as at the start she’s Pidge’s age. Not only this but Mamoru repeatedly shows throughout both the manga and anime that he can have abusive tendencies and obviously has no fucking idea how to deal with a young girl. Future moon wife be damned, he’s a preying asshole and Usagi deserved better as a character to not be deluded into thinking he was great.
Guys He was actually 17 in the manga
Still a bit predatory but Not as extreme
According to this article, he’s 16 in the beginning of the manga while she’s 14 which means it’s a two year and month gap between them.
From the Article
“ The year you enter school, and thus your age for any given school year, is determined by your age as of March 31 of the following year. We know that Mamoru’s birthday is August 3 and that he’s a second-year high school student, so he must be 16 at the start of the manga and turning 17. For a list of school years and ages, see Age by Academic Year “
Nothing predatory about that since it would be like a freshman dating a junior in high school …. (Altho Japanese school system is a little different than American)
Also from the article..
“ A two year age difference is pretty minor anyway, and since they’re both minors, it’s no big issue.
Also he’s not abusive in the manga at all.
One more thing.
About this time travel.
90’s Anime When they went to the 30th century she was 14.
When they come back she was still 14.
In S ,she turned 15 since its a because of the two part birthday episode.
Between SuperS and Stars she turned 16 since she’s about to enter High School.
Manga and Crystal
She’s already 15 while Mamo just recently turned 17 when they go to the 30th century.
When they come back they are still that age.
At the beginning of Dream she’s 16 and he’s 18 since she’s going to high school and he’s entering college.
So this time travel nonsense doesn’t make any sense.
She wasn’t even in the 30th century long enough for it to effect her or anyone else.
This is not Dr Who or any time travel shows where it’s a time influx. Where time goes quicker than in present time if they are on another planet.
Edit: I forgot about that “return to the past” bullshit at the end of Classic… I think the writers forgot as well…
Yeah, the 90s series dub makes it a LOT more iffy than it is in canon b/c it made Mamoru a college student instead of a high schooler. So their age difference in the manga is .... a lot smaller than in the 90s dub version. I'm pretty sure that this was part of the "localization" thing done as part of the dub, like anglicizing all of the names - they didn't want to show a high schooler living alone, so they made him a college student. Even though it makes for some bad implications re him and Usagi dating. During this time period, a lot of animes did really hardcore localization, even when (like here) it actively messed with the story.
And this is actually something that (I think) the Sailor Moon Crystal dub handled better. Mamoru is still in high school, and they took the time to explain why he was living alone, and why he's mature for his age, etc. So the age gap isn't as questionable.
So something that’s been bothering me since we first found out about it: why did Stain attack Tensei?
It was a catalyst for Tenya and effects of it still linger in the story, so it was a pretty important point, but why did it happen? We know that Stain only kills ‘bad’ heroes who are in it for the money or some other petty reason, which is why he spared Izuku but went after Tenya. But from what we’ve seen of him Tensei was a pretty good hero and an all around good guy and brother. Not really the type Stain targets. And sure he has that one-off line about popularity being part of it, but he also clearly wants to help people.
A possibility is that Stain tests heroes in some way, to see what they’re made of, and Tensei failed, or maybe he just operates under the idea that all heroes are corrupt unless they prove otherwise; guilty until proven innocent. The latter seems more likely. But chapter 203 hinted at the character of Tensei, with Tenya talking about how he’s representing Ingenium’s good name, which we all know is the hero name he inherited from his older brother.
But that just brings me back to my first point, that Tensei seems like a decent guy, not the type to hide and commit morally questionable actions, certainly not as a hero. From what we’ve seen of him, he expresses good character.
And then I remember that at this point in the manga (I haven’t read Vigilantes or seen the anime) we have only seen Tensei in two perspectives: his injured state after the fight with Stain and, for the majority of his appearances, in the memories and flashbacks of Tenya, his adoring little brother. In other words, a partial witness.
We don’t know Tensei’s character outside of how Tenya sees him (again, haven’t seen the anime or read Vigilantes), which could mean he’s a very different person outside of his appearances.
This is all purely speculation, but twists about character’s identities, actions and morals are something of a theme in this series, so my question is: What did Tensei do to attract Stain’s attention?
So going through some old likes and saw this one, and had some Ideas.
So the Iidas have canonically been heroes for several generations. The "ingenium" name has been passed down to several people. And we know that they've done well by this. The Iida family have benefited tremendously by being heroes, in terms of fame and fortune and prestige.
So I think that Tensei got picked by Stain because of this. Stain wanted to see what sort of person Tensei was. And I think that Tensei being a decent person saved his life. If Tensei had been an asshole, or a rich kid playing around, Stain would have probably just killed him and been done with it. But we see in canon (mha and vigilantes) that Tensei is serious about heroism, and he's a pretty good guy. And imo, Stain saw enough of this to not kill Tensei, instead basically "killing" his hero career by giving him a crippling blow.

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This is a reminder for those who handmake Christmas presents that now is not too early to start. It may in fact be a good time to start if you have a lot to make/your craft takes a long time. You should maybe start it now, whether that's brainstorming or actually doing the crafts!
Translating this into tumblr's preferred public service announcement format for this kind of alert:
So I want to become a teacher (will start studying in October) and I just wondered: Who was your favourite teacher and why? Or what does a good teacher do in your opinion? How does a teacher motivate you?
My favorite teacher in high school was Mr Grey, and I was in his English class for two years. He was a tall, really imposing looking man who had served time in the army, and he could silence a room just by standing up. But he was also kind and funny and and prone to making a lot of dad jokes and even the wild child students who were always one more fuck up away from being expelled really liked him. He believed in them you see.
I always remember the one year when one of the lads from 6b, Graham, was put into our class, because his own teacher couldn’t control him anymore. Graham hated being in our class, with all the “posh kids” and he hated it even more that he had to sit on the edge of Mr Grey’s desk. After a few days of refusing to read from the book he was supposed to, Mr Grey brought him another book to read. It was a child’s book intended for ages 5 years and upwards, with lots of pictures and easy words. Where the other teacher had just surmised that Graham was a lost cause and didn’t want to learn, Mr Grey had realized that he couldn’t actually read very well, and spent the next two years helping him.
He made him a part of our advanced class, getting him to write on the board and type out our lesson plans on the one class computer in the corner. He’d sit with him in quiet moments when we were all writing, and you’d hear him quietly sounding out the words with Graham, smiling and nodding whenever he managed something complicated by himself, and smiling and nodding when he couldn’t because asking for help was better than throwing a wobbler.
By the end of the first year we had to stand up and do a presentation in front of the whole class and talk about a book we really liked. Some did it on Shakespeare, others did it on Hemingway—we were the advanced lit class and were supposed to be reading and writing at a university level, so there was a lot of books that we might not have actually liked on the list, but knew we had to study regardless. I did mine on Pratchett, surprise surprise. Graham didn’t have to do a talk, but he sat listening intently. I still remember walking past his seat and the way he turned to me and said “that was puir good like” and I said “thanks” and smiled. It was as good as getting an A, praise from the trouble maker boy who every other teacher had given up on.
The following year we all had to do another presentation, this time without the aid of notes. I did another Pratchett book, drawing parallels from Shakespeare and highlighting the need for genre fiction to be taken seriously, to which Mr Grey agreed, applauded and eventually gave me an A+. And just when we thought it was all over, Graham stood up and the whole class went silent. He had an a4 piece of paper in his hands which shook, and he was staring at it like it was his lifeline. He looked up at Mr Grey and said “I can’t…” to which Mr Grey said “You can” and there was more silence. And then Graham began to read.
“The book that I read was also by Terry, and it’s called Truckers, and it’s from the much larger Bromeliad trilogy which I haven’t finished yet but so far is dead good. It’s about these little tiny people right…”
And he stood there for about ten minutes, talking about what the book was about, why he liked it, and even going into what he had read so far in the next book, Diggers, and what he liked about that too. When Graham finally stopped and looked up, giving us all a little nod as if to say “thanks for not laughing” the whole class went wild with clapping and shouting. And Mr Grey was beaming with pride, clapping harder than anyone.
He was a kind and patient man who respected us and in turn we respected him. He didn’t try to be our friend like a lot of the other teachers did, but he did make sure we knew we could turn to him if we had to. And we did. He was the kind of teacher who you wanted to make proud, but he was also the kind of teacher who wanted to help you be proud of yourself. And that has always stuck with me.Of course he was also the teacher who used us for social experiments and told us to come to class “prepared to survive” after we’d finished reading Lord of the Flies, but that’s another story.
Probably one of my fave teachers in high school ...let's call him Mr. F, because he has a somewhat rare name.
Mr. F taught English language arts and history. He knew that he had a bunch of kids in his classes that didn't really want to be there, but that needed to do ok in his classes to graduate. Mr. F went out of his way to make his classes interesting and fun, even for the stuff where he didn't have much control over the content. Mr. F obviously cared about his students, and helped them when they had trouble without making it a huge Deal. Mr. F didn't make people feel stupid when they didn't understand the material, or feel bad when they didn't have time to do the assignments because they were helping with the lambing every day this week and the lambs don't care about homework. Mr F didn't make a big deal of people going to the toilet as long as they weren't disruptive.
As a side note… I am really annoyed by one thing about Star Trek.
“Replicated food is not as good as real food.”
That’s ridiculous. In Star Trek, replicator technology is part of the same tech tree as transporters. Replicated food would be identical to the food it was based on, down to the subatomic level.
Proposal for a Watsonian explanation:
In a blind taste test, nobody, but nobody, can tell the actual difference between replicated food and “real” food. (Think back to our youth and the New Coke vs. Pepsi taste tests, only worse.) BUT, humans being What We Are, the human Starfleet members insist that “real” food is better than replicated food for reasons including, but certainly not limited to:
1. Hipsters have survived even into the 24th century. “No, you just can’t make good curry from a replicator! You gotta toast the spices yourself right before you cook it or it’s not the same, maaaaaan”
2. All military and para-military members everywhere always grouse and bitch about the food and sigh over What We Get Back Home. It could literally be the same replicator recipe you use at home when someone has to work late or just doesn’t feel like making the effort to cook, but people are people everywhere so they’re going to complain about it.
3. Humans tend to think we’re smarter than we actually are and we can totally tell when something is going on; as a result, human crew members insist they can “taste the difference” because their minds are making shit up, as our brains do.
4. One could presume that, generally speaking, a replicator recipe programmed into a starship or base replicator database would come out the same every time. This is perhaps the 24th century equivalent of mass catering. (I won’t try to account for the nuances of replicator tech that might allow for variances, and leave aside for the moment the fact that some people probably tinker with the standard “recipes” to suit their own taste.) The single thing that would be different in this case about “real” food is the variation, since of course the “real” dish will have slight variances every time due to the whims of the cook, the oven temperature fluctuation, freshness of ingredients, etc.. And since we are an easily bored species who really, really hates boredom, I bet people would jump all over that to lament the lack of “real” food when they’re out exploring strange new worlds and new civilizations and whatnot. (This is the only reason I can think of that might hold up to scrutiny.)
The Vulcans in Starfleet (and Data), of course, remain baffled by this human insistence that “replicator food isn’t as good as ‘real’ food”, as it defies all known forms of logic.
Hmm. This is a fair point. It occurs to me that I once met a Texan who commented that the chili in a restaurant I worked at was not as good as what they made in Texas, and when I pointed out that the cook was a Texan and the chili was his personal recipe, for which he had won awards in Texas, just said “Doesn’t matter. Wasn’t made in Texas.”
I gotta be honest, Replicator technology is one of the things I am SUPREMELY jealous of, and I’m… okay, I’m not a great cook, but I can cook and there are several dishes I do very well. I think if I had access to the technology I would cook a lot less, though, and I would for sure use replicated ingredients.
1. It is not just hipsters that act like this about food. All the grandmothers I know feel this way too, and I don’t see that ever changing.
The missing ingredient is love, obviously. You can’t get that from a replicator.
Right, for that you need the holodeck.
Okay so, we’ve missed a few things that I think are relevant here:
The replicator or replicator + holodeck combo can’t recreate the experience of cooking, nor can it recreate the experience of being cooked for. And that experience makes food taste better.
Cooking is what makes us human. No other species on this wet rock cooks its food–only us.
First: if you’re making lamb stew, or phở, or mole, or curry goat, you spend hours puttering around the house doing chores in a cozy sweater, periodically petting the cats and playing with the kids, waiting an anticipating the hour in which you get to eat the soup. All the while: your house smells like lamb stew, or phở, or mole, or curry goat.
You get a tamale from the replicator: it’s pretty good. You wish it came with a green olive with the pit still in like the kind your abuela puts in her tamales.
You get a tamale from the tamale lady on the way to work on a clear, crisp fall morning. It’s so hot from her steamer that it nearly burns your fingerprints off and it smells divine; you use all of your Spanish to tell her how good it is and how grateful you are that you pass her every day. On a whim, you buy 30 more tamales to share with the office; they’re still warm at lunch and they taste like friendship.
You get a tamale from your abuela. It’s Christmas Eve, your entire family has spent the last seven hours making them, your tio Juan just busted out his tuba and it is definitely too hot outside for the fake snow your baby cousins have started throwing at each other in between begging to open just one present and if you don’t hurry up you’re all going to be late for mass.
The tamale tastes like home.
You get a tamale from the replicator. Its neural network reviewed your order against every known tamale recipe and variety and decided that your addition of “green olive, pickled, pit in” was a mistake, and omitted it.
Your tamale tastes like homesickness. You ball-up the corn husk and
Second: The replicator is probably not accounting for regional variations in ingredients for its base foods.
The ingredient library may have jalapeno, red; jalapeno, green, jalapeno, (color slider), (heat slider). It probably does not have: jalapeno, Hatch new mexico, USA, earth, sol system; or jalapeno north face Olympus Mons Mars, sol system. Replicator Parmesan is very likely a scan of a Parmesan and doesn’t duplicate regional variations between, say, a Parmesan from Mantua vs a Parmesan from Parma.
Did your grandmother use san marzano tomatoes that were actually grown in san marzano in her red sauce (, canned, peeled, whole in juice)? Sucks to be you, the replicator scanned a hydroponically grown plum-type tomato which environment was carefully controlled for optimal nutritional value and “pretty good” taste.
Is the replicator cilantro a kind bred or genetically engineered for maximum palatability across the broadest spectrum of individuals? Is it missing the gene that makes some people taste soap when they eat it? Is that gene the one that makes it taste good to you, so that the replicator chimichurri is always missing something, some particular specific type of freshness, a unique vegetal taste that you can’t put your finger on, and it’s not important enough to track down when you just like the chimichurri you make at home, from cilantro your grew yourself, much better?
Third: The recipe database is probably sourced from hundreds of thousands of recipes written over centuries’ time – and then averaged using a combination of median and modal averaging to come up with something that’s Pretty OK to most people, but which is going to leave others wanting–no matter how much they tweak it.
And then you have many, many people in a state of, “yes but I like my/mom’s/spouse’s/grandparent’s/aunt’s/uncle’s/best friends better”. And that’s OK.
I mean, really. Think about this for a minute.
Fourth:
You go to get a cup of tea from the replicator, because everything is terrible. You know in the darkest depths of your soul that everything will still be terrible with a good cuppa in your hands, but it will be terrible and you’ll have tea, which is a marked improvement.
The replicator gives you a glass of brewed, iced sweet tea.
It takes you three more tries to get a cup of hot earl grey. You decide you’ve finished pressing your luck with this positively infernal machine today and don’t even bother asking for a lemon wedge.
If that doesn’t indicate that the replicators were programmed by an American, I don’t know what does.
The third option is how many ready made “festive” meals are made by supermarkets already. Unilever, at least, hires great chefs, and then puts the result to a test panel. They tweak the recipe - which was very high quality - until they get something that appeals to the majority of people. And that is often something that is familiar to most people, some of whom may not have access to healthy, fresh ingredients, or have been taught to cook, and even though nobody rates it a ten now, most people rate it a 7, and that’s what they sell.
And that really makes you ache for something made just the way you like it, doesn’t it?
A replicator can’t do that for you, either, and sometimes it just tastes like sadness.
And finally, and most importantly?
A replicator meal is always that meal.
That one last EXACT meal.
Every day, the same meal.
You ever go to a resturant and order the same dish two times in a row, and notice the differences? That the fish in the sushi had a slightly different flavor, or the baking of the ribs was just that little bit different. Even when you’re going to a chain fast food place, there’s always a little difference between each one, the fries were cooked a bit more this time, or salted a bit more. The soda mix is slightly different.
But the Replicator always makes the EXACT. SAME. THING. Your tamale tomorrow will be the exact SAME tamale as you got today. Same seasonings. Same temperature. Same length even!
And unless you luck out into a meal you can eat every time? Sooner or later you will grow sick of ti. Because it will never be anything else but that one, identical, meal.
replicators are handy as hell, but they'd never entirely replace real cooking.
kids deserve so much more respect and it turns out that saying that is a great way to locate the horrible people in any community <3
you'll say something as simple as "no child deserves to be hit" and people will crawl out of the woodwork to explain why they should be allowed to beat a 6 year old for spilling some water
you'll say "i think it's weird that adults literally have control over when children are allowed to use the bathroom" and up pops a teacher to say that when they're not shouting at the kids they teach, they're trying to stop them from hiding in the bathrooms
you'll say "i think children shouldn't be forced to eat food they hate" and here comes someone who feeds their kids plain rice and boiled chicken (while eating a nicely seasoned stirfry) claiming that it's okay actually and kids shouldn't be allowed to taste things
you'll say "i think kids should have bodily autonomy" and in comes someone who pierced their babies ears before it was even 24 hours old, frothing at the mouth because their kid wanted a haircut and thats somehow an insult
children are an oppressed class and everyone should be looking back at their own childhoods and making sure they don't ever make a child feel the same way they felt.
And there's a big difference between "being responsible about the kid(s) in your care" and "giving the kid(s) in your care proper treatment."
Like, ok, parents/guardians/supervisors of kids do have to insist on stuff for the safety and well-being of minors. Kids have to eat their veggies and wear weather-appropriate clothing and so on. But that doesn't mean that you have to treat kids like shit.
I love BNHA a lot in general but one of my highest praises is for how they handle Bakugou.
Like, the “cool, angry, top-of-his-game rival character who hates the protagonist” is dime-a-dozen in shonen series. That’s who Bakugou is. And its real common to toss a set of rose-tinted glasses on every other character so they all see Rival Guy as cool and amazing and admirable. That way the protagonist has to work extra hard to beat his rival AND prove himself to everyone else, who all just blindly adore Rival Guy.
And BNHA…doesn’t do that. BNHA lets everyone understand that Bakugou is an asshole. He’s strong. He’s talented. He’s a force of nature. The other kids know this, but theyre not blinded by it. They understand he’s unfairly cruel to Deku. They know his ego is a problem. They’re not scared of him or dazzled by him. They take notice when he’s being a problem. They call him out. They tease him.
There’s the bus scene in early season 1 where Deku’s cowering in shock because Good god, these kids have the nerve to mock Bakugou. Because the kids in Deku and Bakugou’s old school were a lot more like the typical shonen characters. They let Bakugou get away with his awfulness because he was Bakugou. The UA kids are a different cut though. They don’t care Bakugou was #1 in the exam. They don’t care that he’s Bakugou.
And heck, half of Bakugo’s character arcs involve him hopping from one angry existential crisis to another, because he’s not always the best, because he can’t win everyone over to his side with confidence, because he can’t accomplish every single thing his inflated ego says he should be accomplishing. The audience witnesses him meet resistance and hardship and consequence for being an egotistical, hot-headed bully. He faces real-world honest consequences for being that kind of terrible person.
Bakugo hasn’t had one definite character-redeeming moment–no “oh you talked sense into me and now im Good™ “. But as the manga goes on, he’s become less volatile, less cocky, less eager to harass Deku. He still is an asshole, but he’s changed. I have a lot of respect for how it’s been handled. Slowly, progressively. His ego has been chiseled down by personal failures, by witnessing how his cocky confidence does harm to himself and others.
I love that BNHA doesn’t let the cool, powerful, rival character just have his way. I love that BNHA doesnt just whack Bakugo with a single character-redemption arc and pull him through the other side. I love that BNHA shows us what things are whittling down Bakugo, that they take a metaphorical spray bottle to him again and again, pushing him into something less cruel than he was.
And it’s really good.
and this is handled very well in-universe, as well.
Bakugou is a big fish in a small pond in his middle school/hometown area. He is sincerely strong and talented, but he's so OP compared to all of his agemates that he doesn't have anyone to challenge his worldview.
But he gets to UA .... and the situation changes. Suddenly he's surrounded by a bunch of other talented people. He's no longer automatically top dog - several of the other students match him or are objectively better than him in other areas! We can see the wheels starting to turn in Bakugo's head about this. He gets knocked down, both in the classroom and outside of it. And his behavior does start to change, but it takes time and effort and work.

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@telltaletypist the “third space” refers to a space between work (or in teens’ case school) and home! Basically it’s a comfortable space that allows you to mentally transition between the mental states of work and home. One of the reason why Starbucks ended up as such a widespread coffee chain is because they heavily modeled their locations on this concept. Libraries are also increasingly trying to make themselves “third spaces” for their respective communities. But capitalism doesn’t really like people just hanging out in spots and not spending money, so third spaces that aren’t commercial are getting increasingly rare. There is also something to be said about the general pathologization and criminalization of teens literally just hanging out. Like teens will hang out in a parking lot and proprietors will put up “no loitering” signs. One more third space eliminated.
I think the easiest explanation for American imperial vs metric systems is this:
Metric is good for science. It's exact, specific, and the whole thing moves by scale of 10s. Useful for science and technology, but not always the best way for your average person on the street to understand. Like, you know in your head what 5 mm of rain is, but you don't know in your gut.
American imperial .... it's designed for everyday use. An inch is about the length of the first joint of your thumb. A foot is about the length of your forearm. It's not as good for science, but it's very useful for an average person trying to bake or sew or do carpentry with limited tools.