No power in the verse can stop me

reasons for this:

basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.

like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.

here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.

TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.

Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”

all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that

I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.

But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.

In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.

On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”

please note that yes many of these are concepts that exist elsewhere and a few are even taught in fiction writing classes but TvTropes just does an amazing job at displaying the range of things that can be done with them

legitimately so much of the terminology I use to talk about storytelling, and even think about it in my own head, i learned about from TvTropes

Willing Suspension of Disbelief

Watsonian vs. Doylist

Trope Tropes, for all the ways tropes are used, deconstructed, subverted, and played with.

The Oldest Ones in the Book, which is basically my favorite thing on the entire Internet

Punk Punk, for -punk subgenres

Sliding Scale of Silliness vs. Seriousness, Sliding Scale of Idealism vs. Cynicism

The Weird Al Effect is a fun one

Chekhov’s Gun, Chekhov’s Boomerang, Chekhov’s Skill, and further variations

Law of Conservation of Detail

Law of Conservation of Normality

Anthropic Principle

Word of God, Death of the Author

Sliding Scale of Fourth Wall Hardness

Mohs Scale of Science Fiction Hardness

Genre Savvy

Flashbacks and Chronology breaks down all the ways you can handle chronology in storytelling

Show, Don’t Tell is a very good breakdown of what is showing, what is telling, and how both can be used effectively.

Lampshade Hanging

Noodle Incident is just fun imo

Genre Title Grab Bag

Fridge Horror

Rule of Cool, and also Cool of Rule

The Smurfette Principle

The Hays Code - not a trope but a very good breakdown of how the Hays Code affected storytelling in film

yet when reading the novel, we’re all horrified by Lucy’s mother’s well-intentioned actions. We were on the edge of our seats when Jonathan’s journal entries ended. We cried for Jonathan’s and Mina’s love for each other, the kindness of the Transylvania locals doing what they could to protect Jonathan, the captain who fought to bring his ship to shore when his entire crew disappeared around him, the townsfolk who honored him and wanted to adopt the stray dog found aboard…

I think I know why we still meet here, century after century. It’s not because you want to see whether or not I’m ready to seek death. I don’t think I’ll ever seek death. By now, you know that about me. So, I think you’re here for something else.

And what might that be?

Lion King (1994) Lion King (2019) Cats (2019)

Kimba the White Lion (1965), The Lion King (1994), The Lion King (2019), Cats (2019):

Shakespeare (1564), Kimba the White Lion (1965), The Lion King (1994), The Lion King (2019), Cats (2019):

Women (and many men) fought for decades with hospitals to even have men allowed in the delivery room during the early stages of labor, which can last for several hours, and hospitals only began to give in to their requests in the 1960s but even then they would be kicked out of the room by hospital staff before the actual birth took place. So many of the couples watching the show would have had to go through labor without having/being allowed to support their spouse regardless of their wishes. Having the child’s father present for the birth only began to happen in the 1970s and 1980s. Which means most people watching this show either went through birth without the support of their spouse, were not allowed to support their spouse during the birth of their child, or their own mother’s went through that during their birth.

Moreover, a lot of kids watched this show. MLK himself contacted Nichelle Nichols and asked her to stay on the show when she was considering leaving, because “you don’t have a Black role, you have an equal role,” and there wasnt many Black role models on tv. I can only imagine how Black kids, Asian kids, and mixed race or mixed culture kids felt seeing people like them on tv. Hell, seeing Uhura on screen is what inspired Whoopi Goldberg as a little girl.

Like, all the years of anti-Chinese racism in the US? Sulu. Anti-Japanese sentiments left over after WW2? Sulu. Korean War in 1950-52? Sulu. The Vietnam War, with Johnson in 1965 (a year before TOS started airing) choosing to start sending American troops into the conflict? Sulu.

Sulu was Roddenberry’s desperate attempt to show all Asian people as inherently worthy, inherently human, and yeah, he probably put kind of too much on Sulu’s shoulders, but it was the 1960s and Roddenberry fucking cared about representation, so he did what he could.

Scotty was third in line for the captain’s chair. The only non-Kirk who had the con more then him was Spock.

He was smart, he was a *ranked* crewmen, he was a gentleman, he wasn’t a skirt chaser, and he was capitol L loyal. The only time he got into a fight was when someone both went after his Captain, AND his Ship.

And he was Scottish. 

Also, it’s very worth noting that the “token minority character” label doesn’t apply in any way to these characters.

“Good morning, Paul!”

“Good morning, Rich!”

“How are you this morning?”

And Eurydice was a young girl

But she’d seen how the world was

When she fell, she fell in spite of herself

I’ve never seen anything like this on film before. Paul really has nothing at the 30 second mark—but 45 seconds later he’s got the makings of a hit single.