"COLUMBO" S1E5 - "Dead Weight"
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Discoholic 🪩
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open
Three Goblin Art

JBB: An Artblog!
Aqua Utopia|海の底で記憶を紡ぐ
ojovivo
wallacepolsom

Origami Around
Acquired Stardust
dirt enthusiast
i don't do bad sauce passes
PUT YOUR BEARD IN MY MOUTH

Kaledo Art
hello vonnie

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will byers stan first human second

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@tinyphantomsalad
"COLUMBO" S1E5 - "Dead Weight"

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It's terribly simple. The good guys are always stalwart and true. The bad guys are easily distinguished by their pointy horns or black hats. And we always defeat them and save the day. No one ever dies and everybody lives happily ever after.
ANTHONY STEWART HEAD as Rupert Giles
being friends with english majors is so fun you'll send a text like hey are you free for brunch and they'll respond with some shit like "haven't the faintest clue, my schedule is utterly fucked"
english majors so used to talking like 19th century british aristocracy they think this is a joke about busy schedules
The Birdcage (1996) dir. Mike Nichols
SEIS fag sex? En esta economia?

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Don’t worry I’m vaccinated and neutered
And those nice ladies at the front desk will put me in a funny cardboard box if you don’t have a carrier to take me home in
Bad salesman
“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-
To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate
Preach I guess
OH I HAVE MISUNDERSTOOD
The Bed
Day 8 of drawing Ditto until I give in and nab Pokopia...

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I was feeling agitated and artblocked yesterday so I decided to give my brain a rest by watching TV and then the next thing I knew these were in front of me
phineas and ferb heritage post
1$ flea market score. Tiny glass 1960s perfume bottles. I love them.
Can you swap their heads ?
omg you can
Their meeting was foretold in the ancient texts
So somebody on my Facebook posted this. And I’ve seen sooooo many memes like it. Images of a canvas with nothing but a slash cut into it, or a giant blurry square of color, or a black circle on a white canvas. There are always hundreds of comments about how anyone could do that and it isn’t really art, or stories of the time someone dropped a glove on the floor of a museum and people started discussing the meaning of the piece, assuming it was an abstract found-objects type of sculpture.
The painting on the left is a bay or lake or harbor with mountains in the background and some people going about their day in the foreground. It’s very pretty and it is skillfully painted. It’s a nice piece of art. It’s also just a landscape. I don’t recognize a signature style, the subject matter is far too common to narrow it down. I have no idea who painted that image.
The painting on the right I recognized immediately. When I was studying abstraction and non-representational art, I didn’t study this painter in depth, but I remember the day we learned about him and specifically about this series of paintings. His name was Ad Reinhart, and this is one painting from a series he called the ultimate paintings. (Not ultimate as in the best, but ultimate as in last.)
The day that my art history teacher showed us Ad Reinhart’s paintings, one guy in the class scoffed and made a comment that it was a scam, that Reinhart had slapped some black paint on the canvas and pretentious people who wanted to look smart gave him money for it. My teacher shut him down immediately. She told him that this is not a canvas that someone just painted black. It isn’t easy to tell from this photo, but there are groups of color, usually squares of very very very dark blue or red or green or brown. They are so dark that, if you saw them on their own, you would call each of them black. But when they are side by side their differences are apparent. Initially you stare at the piece thinking that THAT corner of the canvas is TRUE black. Then you begin to wonder if it is a deep green that only appears black because the area next to it is a deep, deep red. Or perhaps the “blue” is the true black and that red is actually brown. Or perhaps the blue is violet and the color next to it is the true black. The piece challenges the viewer’s perception. By the time you move on to the next painting, you’re left to wonder if maybe there have been other instances in which you believe something to be true but your perception is warped by some outside factor. And then you wonder if ANY of the colors were truly black. How can anything be cut and dry, black and white, when even black itself isn’t as absolute as you thought it was?
People need to understand that not all art is about portraying a realistic image, and that technical skills (like the ability to paint a scene that looks as though it may have been photographed) are not the only kind of artistic skills. Some art is meant to be pretty or look like something. Other art is meant to carry a message or an idea, to provoke thought.
Reinhart’s art is utterly genius.
“But anyone could have done that! It doesn’t take any special skill! I could have done that!”
Ok. Maybe you could have. But you didn’t.
Give abstract art some respect. It’s more important than you realize.
You know bloodymary is peak bc it fits this dynamic
some doodles !! i’m a big believer in huge adrian and they’re loosely inspired by variscite because the colours felt Right.
also some sappy things, had a vision of rocky and grace rough housing and just being silly dudes, and a quick attempt at human! rocky and adrian but i might come back to those and tinker with them a bit more at some point :) (and by I Might i mean I Will)

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I cannot stop thinking about Grace labeling himself as a coward, thinking of himself as a coward, and fearing of someone new, brave, and strong finding out about his cowardice.
He knows he needs to tell Simon about what happened, he can't lie to him, he doesn't want to make Simon believe he willingly got on the ship and think of him as some mighty hero. He isn't a hero, not a willing one at least.
He didn't choose to become one, he ran from it. He was pinned down, drugged, and dragged to be a hero for humanity, to leave his home, his children, his earth.
It isn't easy telling Simon, of course it isn't. Nothing is ever easy about telling someone who cowardly you are.
But, Simon doesn't react the way Grace expects. He doesn't shun him, chastise him for his selfishness, or even say he's disappointed. Instead, he's staring blankly, before asking how would Grace be a coward for running?
How is Grace a coward for wanting to live?
From Simon's perspective, Grace isn't a coward, he's human. A human who wanted to live and fought every step of the way too, even if it could've risked many lives. It's what a human does, that's in their nature.
Simon would never view Grace as a coward, just someone who wanted to live, like he did.
when you're trying to work on saving your planet but your best friend won't stop throwing a fucking circle at you
rocky not fucking like ball. warning.