✨sun, 26, any pronouns including neos✨ podcast hours are ALWAYS ✨ don't follow if you're under 16 thanks ✨ currently spiralling into vampire territory ✨️icon by @hellichk ✨️
ID: slightly blurry photos of painted buttons sewn on a dark corduroy jacket. The top photo shows, from left to right: emerald green, white stars, white lettering 'N S', and a doodle of a coffee cup; green background with black drawing of a sound waveform and 'Monstrous Agonies'; green button with white line art and text - outline of an eye with two silhouettes in the iris, text reads 'Ceaseless Watcher'; red glitter button with black letters 'NQD' and doodles of a fanged smile and two roses; white glitter button and text reading 'still working on the name'. The second image shows two buttons on corduroy lapels: left is blue-purple and sparkly with yellow loopy text reading 'sbr' with a tiny cat; right button has a simple painting of a vial of purple Something. End ID
HI PLEASE APPRECIATE THE COOL BUTTONS I MADE AND SEWED TO MY JACKET TODAY
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people focusing on the writers feeding them with “transfem lestat” while ignoring the vehement antiblackness they're putting the black gay man through kinda perfectly encapsulates the priorities of white queer fandom
also this is a secondary concern compared to the pervasive and gleeful antiblackness on the show, but lestat's line in s3ep7 that feeds into transfem readings feels like another example of this season going for "tell, don't show" and expecting fanon and fannish interpretation to carry the weight of what they aren't depicting onscreen. the s1ep7 marie antoinette drag scene is one of my fave in the whole show- and i mentioned before s3 aired that after rolin cited rocky horror and hedwig and the angry inch as s3 influences back in 2024, the lack of rockstat drag onstage felt like a glaring omission and was possibly tied to amc's corporate queerphobia given the obvious double standards in how they depict m/m and f/f v m/f intimacy. if the show wanted to make the idea of lestat being genderqueer or some form of transfeminine firmly canon, we could've seen a whole arc play out in s3 especially with gabriella coming back into lestat's life. imagine if drag was a consistent part of rockstat's look and stage performance, and esp around gabriella he insisted it was all for show, meaningless, he was just clowning, and as her control over lestat's music career and lestat himself increased we saw her steering him toward more conventionally cismasc presentation...and then we got hit with the quiet honesty of the line where lestat admits he does wish he was a woman sometimes as a resolution to a season-wide narrative that's primed for further exploration in s4. (this would also be in the hypothetically well-written s3 where lestat faces what he did to louis and claudia more firmly too, instead of 6-7 eps of wheel-spinning and darvo, and safe to say he would not be saying this to the apparition of louis' brother come to comfort him while louis is being tortured). they could've pulled on late 18th century ideas of gender that would've been formative to lestat (male performers performed fem roles then too- show him playing a woman when he was human and having a euphoric experience, show him interested as a child in the markers of femininity and womanhood that gabriella possesses and she rejects etc) being gnc/genderqueer/nonbinary/transfem/gnc (whatever your interpretation of lestat is) in 18th century france and then the early 20th century new orleans and then north america in 2025 are extremely different- your lead is an immortal vampire who's lived through all those eras, explore that.
but instead of doing any of that, instead of engaging with lestat's gender in any kind of arc, the show adds a throwaway line (in a season of throwaway lines) that can be interpreted depending on viewer bias as 1) lestat genuinely expressing some yearning for womanhood and being trans canonically or 2) still-cis lestat just saying he wishes he and louis had a heterosexual relationship to begin with bc it would've made their lives easier- like even though their relationship would've still been illegal if they were a m/f couple, they at least would've had paul and maybe the rest of the de pointe du lacs' acceptance- and plenty of casual viewers are gonna walk away with the 2nd impression. (and speaking of the de pointe du lacs, louis mentioning he was molested is another one of the throwaway lines with paradigm-shifting impact that the show doesn't care to explore in any depth- why bother developing things onscreen when fans will do the work for them and praise the writers as genius for hinting at depth instead of portraying depth onscreen??)
so many choices this season feel like the writers checking off boxes to confirm fan theories bc they seem cynically aware that a lot of people are watching the show less out of care for good storytelling but more to "win" whatever stan or ship war they're personally invested in. they're lines and moments meant to be screenshotted and shared on socmed for the fandom to talk about, pithy quips that can fit into 1-2 screenshots in subtitles and reposted with more pithy quips. the show doesn't care to explore lestat's gender in any deeper form but it does want fans losing their minds over some form of trans lestat being confirmed (with plausible deniability bc amc is the queerphobia network now)- the show doesn't care to explore devil's minion in any deeper form or show how armand and daniel started plotting together but it does want fans losing their minds over past devil's minion being confirmed, etc.
and this is only if you try looking at the arc (and lack thereof) of lestat's relationship to gender in isolation- when you put it back in the wider context of this episode and this season's antiblackness and the nonblack writers' choice to have paul's spirit (even if he isn't meant to be "real" or at least not represent paul's real thoughts) praise and comfort lestat while louis gets graphically tortured by his lynching director in the same episode. (and the white showrunner has already admitted he felt more for armand than louis in that scene and claimed the "apology" louis was coerced into via torture to be some kinda real moment of understanding, rather than louis doing what we saw him do in s2 and try to appease armand when he's helpless and armand holds his life in his hands.) like with the merrick scene in s3ep6, it doesn't matter what in-universe rationale for these choices are, it doesn't matter whether any of this gets revisited or recontextualized with "oh ghost claudia was lying just to hurt louis' "oh paul's spirit wasn't even real" "oh we were totally tryna critique armand's violent antiblackness" bc the problem here comes down to the nonblack writers' decisions and the choices they made in the real world when crafting this story. this show has had a persistent problem since s1 of depicting the onscreen brutalization of black bodies with far more vividness than it does nonblack bodies, and if a nonblack main character is doing the brutalization (lestat, armand) you aren't supposed to hold it against them or expect these choices to have longterm narrative consequences- the camera lingers on claudia and charlie's charred and "melting" faces as they burn but when daciana, nicki, magnus, bruce, antoinette or madeleine are burning, the camera's far quicker to cut away. and this is a deliberate choice- they weren't just pointing the camera at people spontaneously combusting, they had to allocate an effects budget and invest time and energy into showing black bodies burning with graphic detail. they had both delainey and roxane in the vfx makeup chair for their characters' murder scene, but only claudia's death was shown vividly while madeleine burning was a few brief seconds of ash scattering away.
and i simply can't enjoy any form of this "jangling keys in front of the fandom to validate popular interpretations/ships/theories" writing bc it's such a cynical bid from writers who want and expect their viewers to be satisfied with crumbs that we build elaborate headcanons around instead of expecting any form of depthful storytelling or care from them, especially when it comes to their black characters. fans being content with the show just going down a checklist to validate or debunk specific theories and fans not demanding anything more of the writers than perfunctory expository dialogue is exactly what this writing team is counting on.
also theo is right bc if your only reaction to people criticizing the nonblack writers' choices is to be like "neener neener femstat canon" (black folks critiquing the antiblackness and sharing their reactions to the show depicting this level of gratuitous racialized violence toward black bodies have already received comments along those lines) when that has nothing to do with the antiblackness being discussed here, that's ghoulish. like read the room
the sequence where the muses judge lestat as an unworthy failure would've hit so much harder if the show had adapted magnus, marius and gabriella's white supremacy from the tvl novel. and i think muse-magnus and muse-gabriella should've been the only characters to consistently refer to louis as "a pimp" or "the pimp". imagine if the show had textually addressed magnus' white supremacy and his fixation on finding a "superior" heir as one of the reasons for his specific victim pool (you could even connect him being an alchemist to him having proto-race science style beliefs- 1794 is 2 years before the idea of "cranioscopy" the precursor to phrenology was invented in england in 1796, magnus turns lestat during one of the periods where the idea of trying to scientifically codify and "prove" racism is really starting to take off). and imagine if instead of muse-louis, muse-magnus had spoken this line- "hops the "ss abandoned" in new orleans. gives the gift to a pimp who lives to make him miserable" contrasted with s1 footage of louis looking darling and sweet and not at all like the way he's being harshly stereotyped. (in this hypothetical alternate version of tvl that actually cares about race and blackness, muse-gabriella saying "kills the daughter. saves the pimp" would've worked too, given gabrielle's canon supremacist views, desire to lord over her victims like a goddess in africa, and her contempt for every lover lestat's ever had).
like ofc a white supremacist like magnus would be indignant and repulsed that lestat gave the gift to louis and claudia- literally shared his blood with his black husband and adopted daughter, metaphorical vampiric miscegenation in addition to the literal miscegenation of loustat's relationship that was x2 illegal under the jim crow regime and louisiana's "crimes against nature" laws. there could've been a longer horror scene in magnus' tower where magnus waxes creepily poetic about lestat's physical attributes and his gallic heritage and how that shows ~he's more finely made than other men~ while touching his body or his face in a gross way and lestat's half out of it with blood loss (then later, when marius admiringly and matter-of-factly talks about this when lestat meets him, the show smoothly affirms marius' racism that the s2ep4 museum scene already hinted at and shows how powerful either marius or akasha are that they could pluck this fixation from magnus' mind across the continent).
and lestat, knowing this about magnus, would represent him this way in his mind, knowing his maker would've been more than displeased that his blood was passed on to black vampires- and it could connect with lestat having a deeper reckoning about the way he treated louis and claudia, the fact that he was complicit in their lynching- when lestat was onstage in s2ep7, he said "i'm cursed with my maker's temper". my maker's temper, not "my father's temper" this time, when he's onstage spouting lines villainizing his black family, framing claudia as an inherently defective "cripple" (white supremacy and ableism go hand-in-hand!!) and acting as the star witness in a show trial that's meant to manufacture consent for louis and claudia's murder.
also remember magnus and armand knew each other- armand called magnus "my predecessor" in s2, meaning magnus was the leader of the parisian children of darkness chapter before he left the cult at some point and then armand took over, and at some point between magnus' departure and lestat's arrival in paris in 1789 magnus began actively pursuing a "perfect specimen" as his heir- and given enforcing the great laws by disproportionately targeting black people seems to be a paris coven specialty (maybe it's bc magnus was too powerful to fight directly or bc armand didn't wanna bother with it as long as magnus left him alone and was suitably discreet with his killings, but there's no indication armand tried to put magnus down for being a rogue vampire hunting in his territory) it's interesting to think about how that could have roots in magnus' tenure as the parisian coven leader or in the vampire laws in general- it's a major "freeze frame and squint" moment in s2 and given the massive change in the writers room i don't know if the show would even follow up on this idea anymore, but in the plaque in the coven's lair listing all the vampire laws in s2ep3, there's a law about not giving the gift to black people.
like. you can see how engaging with race and racism already makes the text richer and the characters and their motives more layered- and the tvl writers team consistently falls short of that. instead of examining the racialized context of black men being perceived as inherently sexually predatory for why racist characters would reduce louis down to pimp and pimp only as his core trait, the show just plays into that kind of racism- the writers are clearly fixated on "pimp" as something eternal and inherent about louis (notice they don't do this with lestat being a john, sex tourist or the angel investor for louis' biggest and most successful brothel in s1) so multiple characters just call louis a pimp left and right without considering whether it fits those characters' voices. like off the top of my head i can think of at least 10 different words lestat would use to refer to louis instead of "pimp"- but magnus insistently calling louis "a pimp" would make sense if his racism had been adapted, bc then it's clear it's a specific reflection of a character's personal politics. i miss the characters feeling like unique individuals with unique voices and worldviews instead of coming off like an assortment of mouthpieces for rolin's voice and worldview.
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It's my cat's birthday (anniversary of me getting him) so I told him the story of his life while petting him real good
Highlights include:
For your first two years (when you were small) you lived in a foster home with people who raised you into a very polite young man. Two is like you plus me, that's what two is.
Some people adopted you before me and they called you Timmy (which is a stupid name) and they returned your ass almost immediately because you were so annoying at that age.
Like think about how annoying you are right now at seven years old, but way worse.
I'm better than them though, I don't call you Timmy and I wore earplugs to bed for three years because you love to scream at bedtime. Earplugs are like when I roll over and go back to sleep even when you are yelling so so so loud.
I got you at a time in my life when I was really sick (being sick is like when I'm up late because I'm throwing up and you are a very handsome good boy who sits with me) and they had to put me asleep for a procedure. A procedure is like what happened to you when they put you asleep and took your balls away.
Now you've lived with me for five years. Five is like the number of toe beans on one of your feet. When I clip your nails five is when we're halfway done. But we're hopefully not even halfway done with how long we get to be together. I'm gonna have to figure out new ways to help you count.
We need 680 euros for my nephew's surgery. The operation is in a sensitive area of his body and cannot be delayed. The surgery will determine his future ability to have children, and it must be done quickly while he is still young, before he grows older and suffers greatly, and may also be unable to have children. Please don't leave us alone. Help us! Donate to us.
My nephew is his parents' only child. He lost his father in this genocide in the Gaza Strip and has suffered many traumas in this war. Please don't leave him alone. Donate for his operation. Please donate, donate! 💔😭
Everyone, I am saying this again—after my account was banned once more—my nephew’s surgery is in 16 hours, and we are in desperate need of your help. Please, please do not leave me alone. Save me! Donate, donate! Do not leave me alone in this world to suffer through this genocide. Please support me! Please donate, donate!
Suddenly struck with a need to explain to you how boat pronouns work (I work in the marine industry).
When you're talking about the design of the boat, you say "it".
When the boat is still being built, your say "it".
When the boat is nearing completion, you can say "it" or "she".
When the boat is floating in the water you probably say "she", unless there is still a lot of work to be done (e.g. no engine yet) then you say "it".
When the boat is officially launched and operating, you say "she". If you continue to say "it" at this point you are not incorrect but suspiciously untraditional. You are not playing the game.
If you are referring to a boat you don't really know anything about you may say "it" ("there's a big boat, it's coming this way"). But if you know its name, it's probably "she" ("there's the Waverley, she's on her way to Greenock").
If you are talking about boats in general, you say "it" ("when a boat is hit by a wave it heels over")
If you speak about a boat in complimentary terms, it's "she" ("she's a grand boat"). If you are being disparaging it may be it, but not necessarily ("it's as ugly as sin", "she's a grotty old tub").
If she has a boy's name, she's still she. "Boy James", "King Edward", "Sir David Attenborough"? The pronoun is she.
If it's a dumb barge (no engine), you say it. But if it's a rowing boat (no engine), you say she.
I hope this has cleared things up so that you may not be in danger of misgendering floating objects.
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It was a huge milestone of scientific and technological advancement. (Plus, at the time, politically significant). Humanity went to space! We set foot on a celestial body that was not earth for the first time in human history! That’s a big deal! I’ve never thought about it before but now that I have, it’s ridiculous to me that that’s not part of our everyday lives and the public consciousness anymore. Why don’t we have a public holiday and a family barbecue about it. Why have I never seen the original broadcast of the moon landing? It should be all over the news every year!
It’s July 20th. That’s the day of the moon landing. Next year is going to be the 54th anniversary. I’m ordering astronaut shaped cookie cutters on Etsy and I’m going to have a goddamn potluck. You’re all invited.
PITCH: We call it Moon Day, and then every 7 years when it falls on a Monday, that's an even BIGGER deal and we call that Moon Day Monday and go absolutely apeshit about it (the next Moon Day Monday is in 2026 so we have a couple trial runs first)
A few years ago while trying to find ways to commit suicide as painlessly as possible, I came across a PDF of Dr. Paul Quinnett's The Forever Decision. Thinking it might go into actual methods of suicide (I read an article once that actually did that and was trying to find it again) I started to read it, and I think I only got about two pages in before I was crying too much to actually see the words.
I downloaded the PDF to my hard drive and I open it again whenever I'm feeling too suicidal to do much else, but not enough to start booking a ride to the hospital. And every time without fail I only go up to a few pages before backing off and choosing to live another day just because suicide suddenly seems even more unbearable than whatever the hell upset me in the first place.
All the book really does is [I'm pulling a summary from GoodReads here as, again, I've read no more than 5 pages] "discusses the social aspects of suicide, the right to die, anger, loneliness, depression, stress, hopelessness, drug and alcohol abuse, the consequences of a suicide attempt, and how to get help."
But it also starts with the author kindly asking the reader to complete the book before going through with anything, and for some reason I'm compelled to really just try to read it all before finalizing everything. Despite not yet completing it (hopefully never will) I think I can safely say it's saved my life at least a few times now.
It's intentionally legal to copy and redistribute this book to keep it as accessible as possible, and it's very easy to find, but here's a link for it anyways.
has anyone else seen dnp interviewed by a man who has possibly never used the internet before and definitely was not given time to research them for even a second
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Broke: what is worldbuilding? Made in a lab to be as blandly inoffensive as possible. Time to randomly namedrope terms like 'nonbinary' and 'ace' while doing zero work actually incorporating them into the world or characters and have someone give a speech about how valid they are. Lines like 'I'm too ace for this' while never exploring the concept of asexuality or aromanticism and still having very central romance plotlines is common. I hate it here learn how to write realistic dialogue and fully realized characters I'm begging.
Woke: more ore less typical sci-fi and fantasy but It’s Queer Now. Might include in-universe queerphobia to be struggled against or may have queer identities be fully normalized. Can be done bad or well depending on the skill of the writer. A good way to explore our contemporary ideas of gender and sexuality or to have a bit of a power fantasy with lesbian princesses and trans knights. There will probably be a bisexual love triangle.
Bespoke: what is a gender. What is monogamy. What is polyamory. What is romance. What is platonic. Time to show you the most fucked up uncategorizable relationship you’ve ever seen. There may be weird ass metaphorical sex
AKA books that tackle gender, sexuality and relationships in ways that come off as deeply alien and non normative to our present day culture, frequently featuring actual aliens.
For details on the books, check under the readmore! My personal favorites are marked with an *
A note: as I'm generally more into sci-fi than fantasy, this list skews heavily toward the former. Feel free to make your own recommendations in the notes if you know of more titles!
If you want more book recs, check out my masterpost of rec lists!
Ancillary Justice by Ann Leckie*
Once, Breq was Justice of Toren, a starship whose artificial intelligence linked through the minds of a multitude of human ancillary bodies. Now, there is only Breq, a lone soldier seeking vengeance after a horrific act of betrayal cost her everything. As Breq gets closer to her goal, the conquering empire she once served begins to destabilize from the inside, and Breq herself has to question her priorities as new loyalties arise. Features female-as-neutral worldbuilding, as well as singular characters existing throughout many bodies.
Note: my favorite from this series is Translation State, which gets really weird about gender and sexuality and stands fairly well on its own, go read it!
The Black Tides of Heaven by Neon Yang
Novella series. In a world where children choose their gender when they're ready, twins Mokoya and Akeha once swore never to pick. But as they grow older, the two find themselves drawn in different directions, both in terms of gender and in what they want from their lives. Rebellion is brewing, and the twins' mother is looking to use them to her whims to retain power. Akeha, unwilling to be her pawn, resorts to leaving home and falling in with the rebels.
The Unraveling by Benjamin Rosenbaum*
On a distant planet in a distant future, everyone has multiple bodies that can be customized however they want, cybernetics have abolished nearly all privacy, and the gender binary is no longer about man or woman. Instead, there's vail and staid, for which biological sex is irrelevant. Fift should be focusing on the obligations of a staid, but is distracted by budding feelings for Shria, forbidden due to Shria being a vail. When their complicated relationship unexpectedly becomes the center of a growing revolution, they will both have to decide where their priorities lie.
Dawn by Octavia E. Butler*
After a devastating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Includes darker examinations of agency and consent, so enter with caution.
The Javelin Program by Derin Edala
Dr Aspen Greaves expected to be woken from decades of cryo sleep on humanity’s first deep space colony, but instead finds themself alone on a spaceship still years away from its goal. Surrounded by mysteries on a barely functioning ship, Aspen must make sure the still sleeping crew reach their new home, while also dealing with the many secrets hidden behind the Javelin Program. Nonbinary and aromantic lead, based on a society and norms very far removed from ours.
Gideon the Ninth by Tamsyn Muir*
Gideon, raised as a swordswoman by unfriendly nuns, would rather run away and make her own life, but her services are needed. The Reverend Daughter, Gideon’s childhood nemesis, has been invited to a trial to win a place as an immortal by the Emperor’s side, and she’s in need of a bodyguard. Listen, if you’re on tumblr I probably don’t need to explain this book to you. Trust me when I say it’s exactly as good as people claim. Humorous and spooky but also absolutely gut wrenching and clever with a lot of political commentary. There are also, indeed, lesbian necromancers in space.
Too Like the Lightning by Ada Palmer
Centuries in the future, humanity has deliberately engineered society to be as utopian as possible, politically, socially, sexually, religiously. But things begin to crumble as the shadow of impending war looms. Written in an enlightenment style and featuring questions of human nature and whether it’s possible to change it, and what price we’re prepared to pay for peace, this book is simultaneously very heavy and very funny, and written in a very unique style. While still human, the society presented often feels starkly alien.
Walking Practice by Dolki Min
Having crashed their space ship, a shapeshifting alien finds themself trapped on Earth. Suffering from isolation and loneliness, they have settled into a routine to survive. Using online dating services, they take on the shape of human men and women to hunt humans for food. Strange, gross, and gender weird, Walking Practice is a unique take on gender from a wholly alien perspective.
The Stars are Legion by Kameron Hurley
Zan wakes without memory, a passenger aboard one of the living world-ships of Legion, a fleet of decaying generations ships. Told she’s the salvation meant to free them from the fleet, Zan is flung head first into a brutal and bloody conflict. This book fucked me up when I read it. It’s weird, it’s gross, there’s So Much Viscera, there are literally no men, it has living spaceships and biotech but in the most horrific way imaginable, where humans are nothing but part of an ecosystem that cares little for their well-being. It’s an experience but not necessarily a pleasant one.
All Systems Red by Martha Wells*
After having hacked its own governor module, SecUnit uses its small amount of new freedom to secretly download and watch as much media it can between doing its job guarding humans. But when the scientists it’s been charged with keeping safe come under attack, it must make a choice about whether to continue keeping its freedom secret or risk it all to save them. The series features both novellas and full length novels, and balances humor with scathing social critique. There's also an excellent tv adaptation!
Drinking Sapphire Wine by Tanith Lee
Four-BEE is a utopian city, in which humans have no responsibilities, are cared for by machines, and few acts cause true consequences as even death has been conquered. Able to change bodies and gender nearly at will, living lives of luxury and hedonism, everything should be perfect; yet the narrator finds him/herself dissatisfied with his/her life. After an impulsive decision leads him/her to break one of the only remaining taboos, he/she is exiled from Four-BEE into the wholly uninhabited desert wilderness outside.
The Cloud Roads by Martha Wells
Moon doesn't know what he is. Having lost his family young he lives on the move, shifting shape to hide his true form. The only ones similar to him he's ever encountered are the vicious, bloodthirsty Fell, but he knows he cannot be one of them. When chance leads to a meeting with someone like him, he hopes his days of loneliness are over. But his new people stand against a dangerous enemy, and not all of them welcome Moon's help. Featuring a world with not a single human in sight, The Cloud Roads makes for a unique perspective.
When the Angels Left the Old Country by Sacha Lamb*
The angel Uriel and the demon Little Ash have been friends for centuries, living and studying together in a small Jewish community in Europe. But times are changing, and many of the community have left for a new life across the sea. When one of these emigrants go missing, Uriel and Little Ash decide to leave their peaceful life to go find and, if needed, save her. While set in our own past rather than a fictional world/time like other titles on this list, the relationships and identities of the two main characters often break our ideas of gender as well as platonic/romantic.
The Summer Prince by Alaya Dawn Johnson*
Young adult. Young artist June Costa lives in Palmares Tres, a beautiful, matriarchal city relying heavily on tradition, one of which is the Summer King. The most recent Summer King is Enki, a bold boy and fellow artist. With him at her side, June seeks to finally find fame and recognition through her art, breaking through the generational divide of her home. But growing close to Enki is dangerous, because he, like all Summer Kings, is destined to die. Set in a world in which bisexuality and polyamory are largely the norm.
Dreamsnake by Vonda N. McIntyre*
In a future ravaged by disaster, Snake is a traveling healer who uses the venom of her snakes to concoct medicines for all imaginable ills. The most valuable of them all is her dreamsnake, an alien creature whose bite can grant a painless death. When circumstances cause her to lose her dreamsnake, she must embark on a dangerous journey to obtain a new one so she can continue her work. Set in a world where polyamory and bisexuality are largely the norm.
Shadow Man by Melissa Scott
As an effect of an FTL drug, intersex births increased, resulting in five separate genders among humans: men, women, mems, fems, and herms. But on the planet Hara, people cling to the old two gender system, forcing intersex individuals to pick one of the two and generally refusing to recognize their existence and needs. As conflict on the planet broils, Warreven, a Haran advocate and herm, and Tatian, an off-worlder, find themselves dragged into a struggle for equality.
Leech by Hiron Ennes*
Unbeknownst to humanity, a sentient hive mind has taken over the entire medical profession to ensure the health of their host species. One of their doctors is sent to an isolated location where they’re cut off from the rest of the hive mind, only to realize they’re faced with a rivaling parasitic entity. Leech hands you only just enough information to get by, and whether its historical fantasy, an alternate timeline, or futuristic post apocalypse is hard to determine. It’s spooky and weird and wildly creative, and does some neat things with gender, because what does gender even mean when you're a hive mind bacteria inhabiting countless bodies?
Axiom's End by Lindsay Ellis
It’s 2007, and a leak has just confirmed that the US has reached alien contact. Cora wants nothing to do with it, but as her absent father is the whistleblower who dropped the news the media won’t leave her alone. Even worse, she soon finds herself meeting and being stalked by the alien presence itself as it tries to remain in hiding - and discovering that there is a much larger threat on the horizon. Features aliens with very different ideas of gender and relationships than humans, and a central focus is how a relationship between one of them and a human would look like.
Ammonite by Nicola Griffith
Centuries ago, the first settlement on the planet Jeep was hit by tragedy: a virus killed off all men, leaving behind a society of only women. Now, the planet has been rediscovered, its inhabitants having long forgotten about the rest of humanity. Anthropologist Marghe Taishan is sent to test out a potential vaccine. If the vaccine succeeds, Jeep and its people would no longer be in forced quarantine, but it would also open them up to exploitation.
Ethan of Athos by Lois McMaster Bujold
For Dr. Ethan Urquhart living on Athos, delivering babies looks a little different: they are "born" from uterine replicators, as Athos is a planet populated entirely by men. But now they're running out of the ovarian cultures that allow them to reproduce. To replace them, Ethan is one of the first of his people to be sent off planet into the wider universe - where there are women, rumored to be an evil and corruptive force.
The Left Hand of Darkness by Ursula K. Le Guin
Genly Ai is an emissary sent to the planet of Winter, meant to help facilitate Winter’s inclusion in a growing intergalactic civilization. But he’s unprepared for Winter’s citizens, who spend much of their time genderless or switching between genders, making for a culture wildly different from what Genly is used to.
Meet Me in Another Life by Catriona Silvey*
Thora and Santi are strangers, brought together by a coincidence and torn apart just as abruptly when tragedy strikes. But this is neither the first nor the last time they meet - again and again they encounter each other, as friends, lovers, enemies, family, every time recognizing in each other a familiarity no one else carries. But with every new life, a mysterious danger grows ever closer, forcing them to find out the truth of their connection. This is a puzzle-box of a story that goes some entirely unexpected places in a very wild ride, featuring a bisexual co-lead and a very hard to define main relationship.
A Door Into Ocean by Joan Slonczewski
On the moon Shora live the Sharers, a nation of women who reproduce via parthenogenesis and have developed highly advanced biological sciences. Leading wholly pacifist lives, the Sharers are threatened when humans from another planet come across their world and decide to develop it, no matter what the Sharers themselves think. The Sharer society is openly sapphic, though the main romance is m/f.
Dust by Elizabeth Bear
In a dying spaceship, orbiting an equally dying sun, noblewoman Perceval awaits her own gruesome death. Having been captured by an opposing house, her wings severed and life forfeit, Perceval’s execution is imminent - until a young servant charged with her care proves to be Perceval’s long lost sister. To stop a war between houses likely to doom them all, the two flee together across a crumbling, dangerous spaceship. At its core waits Jacob Dust, god and angel, all that remains of what the ship once was. And he wants Perceval. Sapphic and asexual characters, however be prepared for kinda fucked up relationships.
Halfway Human by Carolyn Ives Gilman*
When Val, expert in alien cultures, gets called in to help handle the young Tedla after a suicide attempt, she is let in on a secret decades in the making. Tedla is neither male nor female, an asexual person from an isolated planet where a genderless class of 'blands' are exploited as a work force. As knowledge of Tedla's presence begins to spread, so does the attention of various parties wanting to use it for their own ends, including its old masters. As Val works to unravel the history of how Tedla came to leave its world, the pressure builds - what is to become of Tedla? Content warning for themes such as suicidal ideation, slavery, and child sexual abuse.
Moonstar Odyssey by David Gerrold
On the planet of Satlik, humanity have been changed: children are born genderless, and have the ability to choose between male and female during puberty. As a child coming of age, young Jobe finds herself having a hard time choosing what she wants to be, a decision coming into shadow as global disaster looms near. Novella length, focused as much on building up the history and lore of Satlik as it is on the coming of age story. Also an early example of female pronouns being used as default and neutral!
Venus Plus X by Theodore Sturgeon*
Charlie Johns is just your average guy, so when he suddenly finds himself pulled into the strange, utopian future of Ledom, he's shocked. In Ledom, gender is a thing of the past, as is hunger and war. Confused and wanting to return home, Charlie Johns is promised that he will be returned, but first the people of Ledom want him to tour their society. Charlie Johns agrees, but the more he learns and the better things seem, the more suspicion grows: why is he really here? Published in 1960, Venus Plus X is frankly astoundingly progressive about the topic of gender.
Trouble on Triton by Samuel R. Delany
On the moon Triton hundreds of years in the future, life looks a little different from our world. The only place yet to be drawn into a war spanning the entire rest of the solar system, society on Titan is in many ways a utopia, where everyone can live however they want, no matter how strange their ideals. Yet despite this, martian immigrant Bron Helstron isn't happy. Unable to build meaningful relationships or figure out what he actually wants out of life, Bron is prepared to all but turn himself inside out to figure things out. Strange, surreal, and a bit out there, I'd recommend this if you want a story with a fairly loose plot and prose that will scramble your brain. Not a personal favorite, but an impressive work.
Every Day by David Levithan
Young adult. A is neither boy nor girl - in fact, A doesn't have a body of their own. Every day they wake up inhabiting a stranger's body, and spend a single day living their life before waking up as someone else the next day. They try to be respectful of their hosts' lives, not making decisions they wouldn't themselves make, but after meeting and falling for Rhiannon, the girlfriend of one of their hosts, things begin to change as A begins pursuing their own wants.
Woman on the Edge of Time by Marge Piercy
After being forcefully committed to an asylum, Connie Ramos' life is looking bleak. She's being coerced into experimental treatments meant to "cure" her, and no matter what she does no one will believe she's fit to be released. Her only escape are the mysterious visits by a time traveling envoy, who introduces her to a utopian future of sexual and racial equality. But this isn't the only possible future, and Connie herself may be a driving force in what shape the future will take. A very interesting work featuring a mostly gender neutral future, though it does at times feel more like a thought experiment than a narrative.
[images: photo collages of the covers of all the named books, first all of the books in one image and then in groups of three before the descriptions.]