AMC's Interview with the Vampire: The Vampire Lestat (2026), Season 3 Episode 2 | Jennifer Ehle as Gabriella de Lioncourt & Sam Reid as Lestat de Lioncourt
trying on a metaphor

roma★
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia|海の底で記憶を紡ぐ
Cosimo Galluzzi
wallacepolsom
we're not kids anymore.
Not today Justin

Origami Around
🪼
Sade Olutola

Kaledo Art

if i look back, i am lost
Alisa U Zemlji Chuda
One Nice Bug Per Day

JVL
occasionally subtle
Lint Roller? I Barely Know Her
I'd rather be in outer space 🛸
Three Goblin Art

seen from France

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from Algeria
seen from United States
seen from United States

seen from Türkiye

seen from United States
seen from Malaysia
seen from Algeria

seen from Malaysia
seen from United States

seen from United States

seen from India
seen from United States

seen from Brazil
@streussal
AMC's Interview with the Vampire: The Vampire Lestat (2026), Season 3 Episode 2 | Jennifer Ehle as Gabriella de Lioncourt & Sam Reid as Lestat de Lioncourt

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Vampire Lestat (2026) — Episode 2
THE VAMPIRE LESTAT 03.02 | "Toledo"
One gif set per episode Hacks | 1x03
love that lestat literally killed someone for not being perfect at singing in s1 and now that he's a singer everyone agrees that he's just kinda mid

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
ANGEL // 4.04 "Slouching Toward Bethlehem"
don't feel like drawing anything but i really wanted to redo this beautiful moment with her
On Daniel Molloy + journalism
A lil meta post initially sparked by my own post on Daniel's work in journalism and how you don't just work in journalism for 50+ years without giving a fuck about the work.
Daniel Molloy, who was carrying around his recording equipment, full recorder and brand new tapes, at 20 years old and seeking out the stories of everyday people and writing for local and underground papers like the Berkeley Barb that historically covered topics like civil rights, queer happenings, etc... which very clearly played a heavy part in the rest of his career and what he would go on to write about (hello books on the for-profit-prison-system, AIDS, the state of free speech in America, unregulated parts of the Internet, environmental policy, etc…).
Source: Berkeley Barb Net
Daniel Molloy who starts out freelancing by pitching stories here and there to editors who have open calls and with papers that work with freelancers. Once he lands his first staff writer position, he’s probably only making like $150-200 a week, so freelancing is still a major part of his work even before he becomes an investigative journalist. He’s using the interviews he captures on tape as frameworks for local profiles or as sources or as general story inspiration. The charismatic 20-something reporter who can get just about anyone to talk to him, whether he’s at a gay bar, walking the streets of San Francisco during the day, or actively looking for a story to chew on.
Daniel + Shorthand
Daniel Molloy taking copious notes in his personalized shorthand during interviews!
Interview With The Vampire 3.02 "Toledo"
Do you know what it’s like to have a friend? … // You have to go on living. I don’t know how. // The world wants me gone

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
SUCCESSION 1.05 → "I Went to Market"
this show is about violence and grief and also a man with just an atrocious haircut
his sosuke ponyo lookin ass
be serious
The Vampire Lestat "Toledo"
THE VAMPIRE LESTAT 03.02 | "Toledo"
Petty Louis is everything to me 😂

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
DEGRASSI: THE NEXT GENERATION 5.11, “The Lexicon Of Love Part 1”
some of the discourse around noah wyle really demonstrates how people treat jewishness as simultaneously invisible and hypervisible depending on what rhetorical purpose they need it to serve
let me elaborate even though i didn’t want to: when the point is privilege, he’s just a rich white man. his jewishness disappears into whiteness, because acknowledging it would require people to think with a little more nuance about how jewish people can be perceived differently in different contexts. but the second people want to turn him into some kind of uniquely sinister figure, suddenly the language starts looking very familiar to me and to other jewish fans.
he’s “demonic”, he looks “satanic”, he’s secretly controlling everything behind the scenes. he’s allegedly harming actors he doesn’t like. he has this hidden power over the workplace, over the show, over people’s careers, over the rest of the writers, over the SHOWRUNNER. he will fire fellow cast members that piss him off or are “too progressive” to his liking. and whether people intend it or not, that is not neutral language when it is being aimed at a jewish man, because this is the thing: antisemitism is not just slurs and swastikas, and a lot of the time it works through older narrative patterns. the jew as secretly powerful, the jew as manipulative, the jew as corrupting, the jew as physically marked by evil. the jew as someone who tries to appear respectable in public while supposedly pulling the strings in private. those ideas have been around for a very long time, and they do not suddenly become harmless because the people saying them are in a fandom space and think they are just “criticizing a celebrity.”
and to be clear, this doesn’t mean ashkenazi jews are never white, or that jewish celebrities can’t have white privilege, class privilege, or industry power. the point is that jewishness does not always fit neatly into the sometimes flattened american white/non-white framework we’re all familiar with. ashkenazi jews can be perceived as white, move through the world with many of the advantages of whiteness, and still be racialized through antisemitism when the context shifts. that conditional quality matters. jewishness can be treated as irrelevant when people want to talk about privilege, then suddenly become legible through conspiratorial or dehumanizing tropes when people want to construct a jewish person as dangerous.
just like with every other minority, you do not have to personally believe you are being bigoted for the shape of your argument to fall into harmful patterns. and if your criticism of a jewish public figure keeps circling around secret control, behind-the-scenes manipulation, career destruction, satanic/demonic appearance, and moral contamination, then you should take another good fucking look at yourself.