aaaaand after much research and deliberation, we’ve determined that the final frontier of women’s rights is… *opens envelope* personal aesthetics, again
wallacepolsom
🪼
trying on a metaphor
will byers stan first human second

#extradirty
he wasn't even looking at me and he found me
Sweet Seals For You, Always

Origami Around
Lint Roller? I Barely Know Her
tumblr dot com
occasionally subtle
$LAYYYTER
"I'm Dorothy Gale from Kansas"
h
Jules of Nature

oozey mess
EXPECTATIONS

roma★
cherry valley forever

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@jeaniefranklins
aaaaand after much research and deliberation, we’ve determined that the final frontier of women’s rights is… *opens envelope* personal aesthetics, again

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the funnest part of reading books is telling people the plot like its hot gossip
One thing I'm really loving about the perspective shift between Interview with the Vampire and The Vampire Lestat is how Lestat and Louis appear in each other's narratives, through each other's eyes.
Louis sees Lestat as this primal force of nature who looks like a romance novel hero, can effortlessly control any room, is "preternaturally charming," impeccably turned out, no one can say no to him for long.
but we get in LESTAT'S head, and suddenly he has scars and a tangled mane of hair, people are constantly talking over him, he sweats, he's getting beat up and his clothes are getting destroyed in a non-sexy way, he's flailing around wildly with NO idea what he's doing, people (lestat included) think he's untalented and annoying.
And LOUIS, well. Louis clearly sees himself as uncanny, reserved, compelling but a little off-putting. He is other: cut-off from humanity, holding his emotions and relationships at arm's length.
Then we see him in The Vampire Lestat, and it's like no. This is the warmest, cutest, sexiest, coolest, most capable and most desirable man who has ever walked the face of the earth.
I've never been able to make my family understand what I do.
Elementary, 1x10 "The Leviathan"
INTERVIEW WITH THE VAMPIRE 3.06 "Montreal"

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Doug Ford said it "a miracle nobody died" lmao like people will praise everything and everyone else before admitting that we did what we always do and took care of our own. It wasn't a miracle. It was indigenous communities helping each other. It's the people who aren't slashing budgets and telling us it's time to stop holding our hands out despite giving us nothing and passing a bill to give us even less who are opening their doors and letting us in.
Before taking off for the Assembly of Nations, officials told Chief Paavola that there was nothing to worry about, and there was no immediate danger, insisting the smoke residents were seeing came from a smoldering fire farther away.
If it wasn't for someone else alerting the community of the danger, they never would have known. No one called. No one came. The people of Collins had 40 minutes to escape before the fire would have consumed them. This isn't a miracle. It's an utter failing of the people in charge do the bare fucking minimum of their job requirements and keep people safe and informed. We have satellite imaging of the wildfires. We have over 8 different sites currently monitoring the fires. And they were told to stay put.
This isn't a miracle. It was Lyndon Paavola, Monty Frank, Scott Frank, Mitchell Huezo, Wayne Wastaken, Mikey and Ryan Wesley, Kyle MacLaurin, and Dean Goodwin making sure their community got out. It was them risking their lives to go back and get more people because the boats they had were too small. It was Chance Paavola, a 13-year-old boy, risking his own life to save his neighbours.
They were so close to the fire that they could feel the heat from the flames. They watched their community burn, and had to flee to the water because there was no other escape. It took 3 hours for Collins to burn.
If they listened to the officials and the people in power, an entire community of indigenous people would have burned to death. If they didn't have boats, they would have burned to death.
This isn't a miracle. It's an injustice. The government did nothing. They were content to let everyone die and now want to go on press tours down playing how miserably and catastrophically they failed another indigenous community on every single level.
THE VAMPIRE LESTAT 03.06 | "Montreal"
I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where y’all lose me is like. I saw some asshole on a post about Sinners complaining it was “hetslop”—this person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually don’t think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post that’s been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that they’d need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as I queer Native also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldn’t have to be like you in order for you to care about our narratives and experiences. and I think some of y’all are using this disdain for heterosexuality as a cover for your unexamined racial biases. it’s not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.
LDPDL for the character ask meme please!
Sexuality Headcanon:
I think we can pretty definitively call Louis gay. I think he's whatever is gayer than a Kinsey 6. I think if there had ever been the slightest hint of a whisper of attraction to women - any woman at all - in his heart, he would have married that woman immediately and they would both have spent the rest of their lives absolutely miserable. But even Louis, who has an immense capacity for self-delusion, wasn't able to go that far.
Gender Headcanon:
I think Louis is pretty solidly cis and masc, but the ways in which that manifest for him are absolutely fascinating. Louis is someone who is very interested in appearance, both as a self-protective instinct (as he says in the pilot, you had to look tough to survive) and as a form of self-expression. He is very intentional about the clothes he wears and what they say about him - clothing as a gender symbol and clothing as a status symbol. He is always impeccably groomed, he styles his hair, he keeps himself neat. This is something that wasn't really gendered when he was alive, but it has been for a large chunk of the 20th century - remember when men got called "metrosexual" for putting product in their hair or using moisturizer? But even when we saw him in the seventies, a period where he was objectively doing Not Great, he still looked fantastic. It's not really a gendered thing to want to look nice, but it does interest me that he prides himself on it even in times and places where it was not necessarily the norm.
A ship I have with said character:
I think Louis and Lestat need to be together because they would make any other partner miserable. Like, genuinely, they fit in a way that neither of them will ever fit anyone else. They also clash in the worst ways (Louis withdraws emotionally as a form of self-protection, Lestat panics at the thought of abandonment) but they're always still drawn back together.
A BROTP I have with said character:
As much as he and Daniel are uhhhhhh on the outs at the moment, I do find their dynamic hilarious. And at the best of times, they get along great! I think Louis - who, as I said, is the king of denial - needs someone in his life who will pop that balloon, and Daniel loves nothing more than popping balloons.
A NOTP I have with said character:
He and Armand need to not be together. Or around each other. It's not just their history (all of these characters have harmed each other irreparably, that's the whole point) it's that their relationship styles are fundamentally at odds, and they don't like each other enough to make up for it. Louis wants - needs - to be challenged, he wants someone who will keep him on his toes. Armand is someone with no inner self who shapes himself into whatever he thinks his lover wants. It's tailor made to drive Louis insane with boredom. The softest, beigest pillow, etc. etc.
A random headcanon:
I think he probably got taken to a brothel as a young teenager by an older male relative (maybe his dad, maybe an uncle or an older cousin) to lose his virginity. I think his family clocked him as gay very early and said, "okay, we're going to fix this," and the rest is history. It's (part of) why he is so concerned with performance - at a key developmental stage, he failed to perform the way he was expected to, and he's still chasing that.
General Opinion over said character:
I don't think he'll ever be my favourite just because I had such a negative reaction to him in the books (genuinely I never even finished IWTV when I read the series as a teenager because I was so immediately sick of him) so the fact that I find him compelling onscreen is a real testament to Jacob and the writers, because I would have told you pre-2022 that it was straight-up impossible to make me interested in this guy. He's not my particular Type of character (I tend to gravitate to the ones lashing out after abusive childhoods, which all the vamps are to an extent, but Louis carries it differently) but he is masterfully brought to life. Also, he's very dryly funny. It doesn't get noticed as much because he's not as noisy about it as Lestat or Daniel, but he gets some real zingers in there.

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When you were complaining about how dull the London criminals have been and then a murder case gets dropped on your doorstep
I saw that smile Holmes
"why do you keep calling things you find beautiful, inexplicable, and unsettling angels" i'm just doing what british wartime radar technicians did first
it was birds btw
↑ angel
"unconsciously, garraty and mcvries drew closer together." — the long walk
one direction was gonna eat that girl. they bought her for food
the long awaited sequel

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i hate the word spicy can we bring back calling things erotic
rolling up to Wendy's to get an erotic chicken sandwich
no more media analysis until we agree that all art is a sublimation of the desire to ritually sacrifice the king. yeah all of it. yeah even cars 2 and stuff
the writers thinly-disguised [sublimation of the desire to ritually sacrifice the king]