the thing they dont tell you about learning to "trust the process" is that you forget and relearn it every single time you make a new piece of art. unfortunately there is no cure either
a chart of what i mean for the visual learners in the audience

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the thing they dont tell you about learning to "trust the process" is that you forget and relearn it every single time you make a new piece of art. unfortunately there is no cure either
a chart of what i mean for the visual learners in the audience

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well you know what they say. when you've invested billions of dollars into hammers every problem looks like a nail and you keep handing these hammers to your users and they go "i don't really think i needed this hammer" and "but i don't have any nails that need hammering in right now" and "this is not a nail this is a glass vase that will break if i hit it with a hammer" and "didn't you used to have, like, other tools avaliable that might be better suited to this job" and you tell them to suck it up because you've replaced all your screwdrivers and wrenches and box cutters and crates and ladders and paint with hammers because your shareholders need to see an increase in value from your hammer investments
Otto Lindberg (Swedish, 1880ā1955)
An Archive of Our Own, a project of the Organization for Transformative Works
Chapter 14 is up!
SNEAK PEEK:
The lab, he thinks, has never felt so much like a tomb. Even on the night he nearly died here ā first with Mike and Victor and their ridiculous, transparent fiction about some chemical leak down in the red-lit bowels of the building; and then all of them together, waiting in that silent otherworldly limbo in the wake of Galeās death for Gus to come and pass judgment ā he hadnāt felt the closeness of it, the way he does now.Ā His own footsteps echo on the concrete stairs behind the washerās faƧade, down to the familiar steel door. That grip on his arm, still. Businesslike.Ā Impersonal. An inexorability to it ā something that canāt be appealed to, or argued with. Heās terrified at first that Jesse is dead, already; a prelude to his own execution, the two of them brought here to be shot in the head and packed into matching barrels for clean, efficient disposal.Ā No lingering mess.Ā Another spreading pool of gore; another squeegee. But, no ā voices, down below. āā¦You want to cook with a broken arm?āĀ Jesse says something in reply that Walt canāt quite make out; muffled, like heās got his respirator on.Ā Break this, bitch.Ā The rush of mingled irritation and relief makes him sag against the railing, stumbling over his own feet when the hand on his arm continues its unyielding forward push without the slightest care for his balance. āNext stepās CO2.Ā Do it.ā
Itās still kind of insane to think almost all major plot points of breaking bad happen because Walter white is psychosexually obsessed with this random guy he has groomed and buried his claws into and canāt let go of to the detriment of himself his family and his own stated goalsā¦.Like the axis on which the breaking bad plot spins is that walter white wants jesse pinkman to be his battered boy wife so bad that people will die

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The reason Lalo is such a great antagonist (aside from being the hottest man alive) is that he's extremely well-motivated. Like, yes, his purpose in the narrative is to just fuck everyone's shit up, but he's clearly the star of his own story.
Like, you could easily change him to the protagonist and still have a compelling TV show. He's an antihero narco who has been called up north after his beloved uncle has a stroke, leaving the fate of his family in his hands. His uncle's old nemesis is acting super shady - he's clearly up to something, and it's Lalo's job to get to the bottom of it. He meets the mysterious Nacho Varga, an old associate of his cousin's - can he trust this busty beauty, or does he have motivations of his own? Also he has a shady lawyer who provides comic relief
I understand some of you are 19 but that is not an old man, he's 32.
This phrase has already entered my vocabulary re: media criticism where like. The viewer has a concrete view of what they expect a story to be based on the tropes and cliches they're used to seeing together, and when that doesn't happen, they judge it as a failed depiction of what they assumed it was going to be instead of judging it as what it actually is.
"This show is problematic because the hero didn't kill the villain at the end": When does he steal the bread?
"These two characters who were close friends throughout the series don't kiss at the end! What the fuck?": When does he steal the bread?
"This feels like it's missing a conclusion! Like, the protagonist does bad stuff and because of a critical decision he makes as a result of his major character flaws, meets tragedy in the end! Where's the part where he learns better and brings is love back from the dead and becomes a good guy and gets a happy ending?": When does he steal the fucking bread??
I heard this out as "When criticizing something, you must judge it for what it is, not what it isn't"
#this is why so many of us urge people to get a wider diet of stories

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To commemorate my first trip to ABQ (driving down today), I wanted to write something quick about Waltās continuously broken windshield in Season 3 and how, at least to me, it serves as a symbol of how fractured he and Jesse are in the time between Janeās death and Galeās death.
Waltās windshield breaks a total of three times after Jane dies. In a way it represents him being unable to see the way forward in his life during this time, just as the broken glass prevents him from seeing the road ahead of him clearly. He is trying to shove down the guilt he feels about what heās done, heās unable to predict the consequences of his actions, and he canāt see whatās right in front of him. But on a more specific level, all three windshield incidents are Jesse-related - the breaks represent their relationship and Walt's emotional volatility in relation to Jesse. Walt canāt predict him, which he both thrives on and is eternally frustrated by, but he also canāt predict what HE will do FOR Jesse because itās often a decision made on emotional impulse and not a carefully laid plan. He is at his most impulsive when Jesse is involved, which is a huge factor in why his feels so alive in this business.
Anyway, the first break comes from the plane accident - a direct result of Waltās 'in the moment' decision to let Jane die. He made that choice for Jesseās sake, to ānever give up on familyā, but also selfishly, because with Jane out of the picture, there is no one to pull Jesse away from him and no one to turn him in or threaten to. The plane crash that follows is something Walt grapples with for a while, trying to reason his way out of feeling responsible for that tragedy. But he knows, deep down, that his choice to āsaveā Jesse from Jane came at a great cost (and really the dominoes began to fall way before that).
Walt takes a long time to fix that windshield because he doesn't want to face his involvement in breaking it. He doesnāt want to see the path forward, he takes comfort in the obstructed view, but the broken windshield also serves as a reminder of what heās caused. Just like the teddy bearās eyeball, the broken windshield keeps the plane crash with him, it keeps Jane and her father with him, and it tells him āthis is what your attachment has wrought, but it was worth it because heās still aliveā.
The second windshield break comes when Walt pushes Jesse over the edge with his cold-ass āIām in, youāre outā line in Saulās office. This is the moment in S3 when their relationship is most fractured. Walt is mad because he sees Jesse as ungrateful for his help, for paying for rehab and giving him a place to sleep. To Jesse, he is only doing what he thinks is the only thing heās good at and he wants Mr. White to be proud of what he accomplished on his own. But in Waltās mind, Jesse thanked him by turning around and āstealing his formulaā (which Jesse views as THEIR formula) and trying to poach his distributor. So Walt plays nasty, effectively telling Jesse that not only are they done as partners, but he actually means nothing to Walt on a personal level, either, which devastates and infuriates Jesse.
Walt doesnāt anticipate Jesseās emotional reaction to that level of rejection. Itās just money, right? But for Jesse, who has been abandoned by every trusted adult in his life through rejection, neglect , or death, itās so much deeper than just not being allowed to cook. Walt isnāt just taking the formula, Walt is taking their shared history. So Jesse is the one who breaks the windshield this time, by throwing a rock at it (not sure how Walt didnāt predict this, since Jesse always throws things when heās mad, like a frustrated housewife). I think itās significant that although Walt does get the glass fixed quickly, he leaves the tape on the windshield for literally the rest of the season - a reminder of that moment, that betrayal, as he spends the remaining episodes of S3 ārepairingā his connection to Jesse. The blue tape is there to remind him as he moves forward, 'you did this, Walt, and don't forget itā. But itās all a bandaid, ultimately - from paying for rehab to bringing Jesse into the super lab, none of it addresses his deeper feelings, so the wounds are all still there.
And then, of course, the final break is when Walt impulsively runs the two dealers over with no regard to the consequences for himself. This is maybe one of the only truly selfless things Walt ever does (though he retroactively makes it selfish by using this event to manipulate Jesse later). He walks out on his family to stop Jesse from getting himself killed knowing full well he could just as easily die trying, but he doesnāt give it a second thought. And so the windshield comes full circle - the first time it breaks is the result of āsavingā Jesse, but in doing so he also so thoroughly ruined Jesse, and the final time it breaks is also the result of saving Jesse, though he canāt anticipate how these dominoes will fall either.
Itās worth noting that Walt regains a lot of confidence from doing this. Heās been a cog in Gusā machine but now he can don his Heisenberg hat and confidently meet Gus in the desert to not only defend Jesseās actions as well as his own, but to make demands to keep them both safe for the moment. And, again, he keeps the broken windshield until Mike tells him he HAS to get it fixed. A reminder, but this time itās a positive one, a brag, even - āsee the lengths I will go for him, no matter the costā. No half measures, right Mike? (But thatās an essay for another day).
The evolution of the glass mirrors Waltās own evolution - at first, he avoids facing the shame he feels for his choices, the second time around he wants the reminder of the damage he caused so that he will feel bad, and by the third time heās proud of the damage. āLook on my works, ye mighty, and despairā and all that jazzā¦
Walt does get the car fixed, fully this time and with no blue tape in sight, because the way he sees it, the break in his top priority relationship has already been repaired (for now). Jesse is devoted to him again, completely. Jesse is relying on him for safety and security. Jesse sees him as a hero again. Jesse knows he will kill for him if needed. And I donāt think Walt even knew he would do that until he did it. The path forward wasnāt clear until that moment. Impulsive, unpredictable. Alive.
hands & hurts
cultures that do an afternoon nap are OBJECTIVELY CORRECT and the world should be learning from them
you've heard of the spanish siesta now get ready for places like Vietnam where it's commonplace to see workers pull out a mattress & take an afternoon nap on the office/store floor. very powerful way to roll. give kindergarten-style naptime BACK to the people ā
"it would be so good if it was good" will haunt you but "it's extremely good, except for the one or two parts which are so bad it's genuinely kind of insulting" will straight up drive you insane
one has you making posts like "okay but if the author UNDERSTOOD the POLITICAL IMPLICATIONS of the story they were telling, and leaned into it, it would actually be a really interesting exploration of..."
the other has you pacing your bedroom at one in the morning going "why. why would you ever in a million years do it like that. genuinely what possible thought process was involved. was the writer possessed by a fucking ghost or something."
"you don't know what you have until you lose it" works for things that suck too btw. sometimes you need to experience life without something for a while to realise oh damn that was some bullshit

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The most basic, intractable fact about mental illnesses is that you simply cannot willpower your way out of them. The only exceptions to this rule are the ones I have, which continue to disable me due to lack of determination and other grave personal flaws