Perhaps I am a slow writer. Perhaps I do suffer from writer's block sometimes. Perhaps I try to write too many stories at once. Or perhaps I don't write at all right now. Perhaps... what was my point again?
Oh. Still a writer though.
art blog(derogatory)
noise dept.
The Stonewall Inn
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her
PUT YOUR BEARD IN MY MOUTH

ellievsbear
Aqua Utopia|海の底で記憶を紡ぐ
Today's Document
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The Bright Sessions

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let's talk about Bridgerton tea, my ask is open
Color Me Curious
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Discoholic 🪩

Jimmy Eat World
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@floating-in-the-blue
Perhaps I am a slow writer. Perhaps I do suffer from writer's block sometimes. Perhaps I try to write too many stories at once. Or perhaps I don't write at all right now. Perhaps... what was my point again?
Oh. Still a writer though.

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Sure, you know how to self-flagellate, but do you know how to apologize? Saying "I'm a stupid idiot" is not the same thing as saying "I did something wrong."
People who want an apology pretty much never want to hear "I'm a stupid idiot." If someone is actually trying to get you to say you're a stupid idiot, it's not because it will make up for a mistake you made or harm you caused. It's because they want you to feel like a stupid idiot. People who care about you do not want you to feel like a stupid idiot and it hurts them when they see you putting yourself down in their name.
Everyone on AO3 better brace for an absolute deluge of people who have no clue how to fucking behave
Literary criticism terms I use on this blog despite making them up myself, much to the chagrin of anyone who does not have my back catalog memorized:
are we the baddies: SFF subgenre focused on agents of an imperial power realizing that and grappling with what to do next, in contrast to stories focusing on the scrappy rebels resisting said imperial power
I could fix him (the empire): SFF subgenre where the colonized subject being nice and/or sexy enough Ends Colonialism, frequently tied to the John President of Racism problem
librarian bait: books centered on the transformative life-changing power of books and libraries, cousin to books focused on the transformative life-changing power of storytelling and narrative in general
college brochure fiction: stories where the protagonist has an artfully arranged group of diverse friends who are as flat as paper and whose cultural backgrounds never come up meaningfully
the Dave Strider: character the fandom fixates on to the detriment of everything else, until the weight of that attention warps fanon and sometimes even canon around them. almost always male. it's happening to Gurathin from Murderbot right now
"Readers have SHORT attention spans! The average reader takes just TWO sentences to decide whether to put a book down! You have to HOOK them in the FIRST sentence! GRAB them by throat and don't let them BREATHE—"
... have... have we considered that perhaps the average reader just, like, knows what they like in a book? I mean... first sentences are famous for establishing things like *checks notes*... genre, tone, POV, pacing, character, voice, uhhh... writing style...
The average reader is putting your book down because they discovered it's in first person (or not in first person). The average reader put your book down because they wanted a cozy read, or they're sick of cozy reads, or romance, or grimdark, or assassin princesses, or vampires, or or or. The average reader put your book down because they just didn't like your writing style—no, not because it was boring... they just, get this, didn't like it.
The average critical reader put your book down because it had six grammatical mistakes in the first two sentences.
The average reader will read quite a ways if the premise intrigues them, they like the genre, the writing style doesn't get on their nerves, and the characters pop off the page. In fact, they'll probably read the whole book, so long as it delivers on its plot promises and doesn't drag in the middle section.
The average reader will, however, stop reading after just two sentences if it's clear by the second sentence that the only thing they'll like about this book is the opening line.
Idk, I just think like, painting a demographic of people who, you know, pick up full length books to read for fun, as having short attention spans doesn't make too much sense. At least not as much sense as the alternative: words tell people things; namely, the contents of this book.
In general, though, I think we jump to blame short attention spans too often when there is a far more logical explanation. "It takes 0.06 seconds for viewers to scroll past a post." Yes, that is typically how long it takes me to discern whether this post is about something I'm interested in. There's a trillion posts out there, probably a billion books, of course we've gotten fast at sorting through content. That's not an attention span issue. That's just efficiency.

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Me: Hehe, look what I drew! (Show this to my girlfriend)
Her: Ahhhhhh! (Screams and snatches it) (Draws on it)
Yoruba Koroba braids
I really have to remember that the book and show continuities are different, because whenever I come across one of those "Shane Hollander is an asshole who wouldn't even remember his teammates' NAMES" posts, I keep thinking of Joe the figure skater.
Joe is someone Shane trained with when they were kids. He's NOT a hockey player. He's actually in a profession that most of North America stereotypes as gay. And for all of his issues with his sexuality, for all of his self-consciousness and awkwardness, Shane still cares enough about the guy to want to show up for him.
In fact, he's even willing to ask a couple of friendly acquaintances, men that he has no reason to believe aren't straight hockey players themselves, if they'd come along.
Shane's a guy who, when asked about racism in his own life, immediately thinks about some other kid who had it worse than he did, and disliked Shane for it.
And I'd love to hear more of that conversation with David about the boy his mother apparently bullied. Not a great situation, admittedly, but the way fandom talks about Shane sometimes, you'd think he'd have forgotten the kid entirely.
From what we see of Shane's relationship with his team, it's mostly good. He's clearly well-liked and well-respected, even if there is a measure of aloofness or distance. The dynamic in the locker room seems pretty easy going and we know, at some point, that he'll apparently end up trusting them enough to come out to them.
I've mentioned this in a previous post, but while he does forget baby Amber Pike's name, it's a new name for a new baby. We do know that Shane likes Hayden enough to spend multiple montage scenes with his family. They go to the aquarium together. He takes care of the baby when Hayden's chasing after the other kids. And he's willing to spend time during his sole vacation a year catching up with him.
The show is funny because they've got such a limited time to tell a story, compared to a book, which can go for pages and pages and give you the internal monologue of every character. And I acknowledge that sometimes, for the purpose of storytelling, characters do change. There are traits and aspects that work better in one medium over another.
But I feel like, considering the narrow focus of the show, how rarely these characters really interact with anyone outside of the immediate circle required for the romantic plot beats, Jacob Tierney went out of his way to make sure that we see Shane as a person who, by and large, does care about people, he pays attention to them, remembers them, empathizes with them, and generally is portrayed as a kind, polite, straightforward, and awkward person.
So I have to remember that the folks with those "Shane is actually an asshole" takes are likely working off different source material than I am. (Though I tend to think we'd probably still disagree in the end...)
How was the opera? Was it good? Hope there were no disastrous chandeliers crashing
Okay but actually can you imagine being a guy in the audience at the opera house, and then an evil ghost interrupts the show and kills someone? There is a crowd full of people who will never have the context to understand what the fuck happened. You’re like visiting relatives from out of town, so obviously you go to the theater, and there’s this new musical showing you’ve never heard of, and then during one of the first numbers, the lead actress gets kidnapped on stage mid-song.
Like imagine if you were attending a touring performance of Shrek The Musical, and you find out halfway through it’s a failed sting operation to catch a serial killer who appears on stage disguised as Shrek. Do you think you can get your ticket refunded
Now that's good but I remember correctly that's not how it goes down so let me correct this to the best of my half-remembered ability.
You AREN'T seeing Shrek, you're seeing Shronk: Some Guy's Shrek Fanfiction Opera. You meet up with one of the producers and they say that yeah it was written by a serial killer who lives in the sewers but his music is SUPER good so we're doing it. Then halfway through Shronk is switched out for another actor and it's the serial killer but the wild thing is he sings BETTER than the first guy? And it's clearly a different guy but they're just going for it but then the operation goes off and he kidnaps the lead actress and everyone runs away and now you're pissed because you were kind of invested in the story of Shronk but because this was a world première show written by a guy who was just chased off stage giggling like a giddy schoolgirl you'll never know how it ends.
God if you got invested in the plot of the phantom’s opera, you’re definitely shit out of luck, aren’t you? They are Not restaging that

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this is GREAT two sentence horror actually
Calico cat in a calico coat!
Mr. Collins would be such a fan of ai. He would love it. He would have it write scripts for him to use for complimenting people. He'd ask it what to do in social situations and then when someone would tell him "I think that's a bad idea" he'd be like "my dear madam it's so good of you to be concerned but I think the highly esteemed Grok knows a little more about this than a lady like yourself" and then he'd go humiliate himself publicly.
this trend of shitting on peer-reviewed academic studies in favor of tweeting “we already knew this was happening” is so soul-crushing. not to be an elitist cunt, but we have got to open the schools again. people genuinely seem to have forgotten that their personal lived experience isn’t indicative of the larger population, AND IF IT IS…… then you need researchers to support these assertions from a relevant data pool instead of a blog post from 2013 💀
Even if it's a 'common sense' or well known observation in day to day life, you still need the official data and analysis in order to, you know, -do- anything about it officially. Common sense can't be court evidence. Common sense can't be used for grant applications or approvals.

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Ilya Rozanov: What does ‘take out’ mean?
Shane Hollander: Food.
Troy Barrett: Dating.
Scott Hunter: Murder.