Rude and Not Ginger

Emmrich, wise and long-familiar with grief, being told by Neve and Harding what happened; understanding why sometimes he overhears Rook’s muffled voice in the Infirmary, talking to no one. He takes Rook to the Memorial Gardens and mentions he talks to his parents, thinking Rook might be comfortable with the same. Rook lights candles and rings bells but Emmrich watches, sorrowed, to see Rook still seems in deep denial.

Neve takes Rook to the Wall of Light; a Shadow Dragon Rook knows just what this means but any Rook can understand the solemnity, the power of remembrance. Neve reenergizes Brom’s light and looks to Rook, hoping Rook will mention wanting to make one for Varric. Rook is kind and comforting to Neve, but Neve is lost in wondering why Rook doesn’t take the chance to open up. She can’t figure it. Maybe Rook just can’t face it, not yet. Maybe Rook does something privately. She isn’t sure but it nags at her.

Davrin’s not big on talking about feelings. He’d rather just move on. But he sees the way Rook seems a little hollow sometimes, a little distant; he sees how Rook takes so quickly to Assan. “Hey Rook,” he says, and invites them to come with him and Assan to safe places in Arlathan, where the woods are clean and green and growing, where real sunlight dapples through the trees. Rook always seems to love these outings, seems lighter afterwards. But Davrin feels a little confused in that Rook never seems to realize the outings are mostly for them.

Taash is another person not big on feelings. But they know how much feelings can twist you up and mess with your head. When Lace tells them about Varric they feel badly for Rook, and think to how they feel when they’re struggling. Epic fights, dragon fights, drinks with the Lords. Taash is perfectly capable of doing all that on their own. But maybe bringing Rook along will help get them out of their head a little bit. Does it help? Taash isn’t sure.

Bellara’s double-versed in grief after what happens to Cyrian. Rook helped her through trying to reach him, and Bellara wonders, in her own pain, if she can help Rook a little bit too. Especially if Rook is elven, teaching Rook about the braziers and the challenges is another tool she can share about her or their people, another way that might help Rook with their grief. Neve’s told her that the Wall of Light didn’t seem to help Rook much, but maybe a different funeral tradition could help them instead. Rook helps her light the braziers and Bellara feels her heart lightening, though she wonders at Rook, who seems more moved by Bellara’s reactions than anything else.

Lucanis is nearly as allergic to dealing with feelings as Davrin is, but he immediately clocks how Neve and Harding are acting, and asks what happened before he joined them. They tell him about Varric and that they’re worried about Rook, that Rook seems to just be shoving those feelings down without dealing with them. Lucanis is no stranger to that, but while it’s fine for him, he doesn’t want to see someone who risked their life to save him share that struggle. He brings Rook to Caterina’s funeral planning to show Rook it’s okay to admit the loss and honor it. When that doesn’t seem to make a dent, he falls back to his standard - lavish meals, small gifts, coffee. He knows it would help him. He just wishes it helped Rook too.

Lace hurts the worst after losing Varric and Lace is where Solas’ magic comes the closest to faltering. Rook can see Lace is down, she’s quiet, she’s afraid after what happens with the gods escaping; but Solas’ magic holds and Rook can still never see quite why. Lace would love to sit over drinks one night and share stories about Varric, but she sees that Rook doesn’t seem ready, and she doesn’t want to push. Instead she writes letters to Ma, to the Inquisitor, to Cassandra, to Aveline, maybe even to Hawke. She writes out her stories with Varric’s old quill and she carries a bolt of Bianca with her. A dozen times she goes to talk to Rook about him, and when she tries Rook turns away or changes the subject. It hurts, but Lace knows she can’t make Rook talk about him, and she hopes in time it will get better.

This just absolutely crushes me the more I think about it 😭

The rest of the thread is here.

AO3 still doesn’t let you monetize those things on the site, because we don’t want the site to be commercial! Because that’s not what it’s for!

It’s not there for you (generic you) to make money off the efforts of the people who build and maintain the site for free! We aren’t getting paid for the work we do to give you a nice site to use, just like you aren’t getting paid for the work you do to create whatever art you share there. Because fandom is supposed to be a community where we share with each other, and therefore we all benefit.

«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain

Victorian tea gown that clearly started as a kimono.  It still has the long furisode sleeves, but now they’re gathered at the shoulder and turned around so that the long open side is facing the front instead of the back.  Similarly the back is taken in with curved seams to fit the torso and pleated below that for the skirt.

Woodblock of a woman in a a bustle dress made with colorful patterned fabrics and examples of how a woman could style her hair with it.

More prints to showcase hairstyles, two women wearing western wear and two women wearing kimonos.

This next one’s modern, but it involves hoopskirts so I’ll add it in because it makes me so happy.  There’s been different styles of wedding fashion that take kimonos and give them a more modern look.  Often this involves taking a kimono and then cutting and resewing it into a new dress.  Very pretty, but it can’t ever be worn like a traditional kimono again.  But now there’s another trend where the bride wears a hoopskirt with a white skirt, then you take the kimono and drape it on.  The back of the kimono covers the front of the dress, the long sleeves fall across the sides or the back, and you still wear an obi with it.  The result is pretty and the kimono itself doesn’t have to be altered at all.

And because you mentioned steampunk, I have to add in these two:

Vox Machina....FUCK. SHIT. UUUUUPPPPP!

1. There’s not a lot of point in locking your works. The AI has been trained. It’s done. Not only that, but the data itself remains archived and can be reused.

2. The algorithm in question is a bigger project called GPT-3, which gets its training data from a resource called Common Crawl. Common Crawl basically trawls everything on the web and is how search engines (including Google) index content. So it’s probably not that the people behind it have intentionally targeted AO3, though I am fascinated by the high specificity of fandom content in my results.

3. That’s going to make things difficult for AO3 staff to prevent, though, because as mentioned, if you make it so Common Crawl can’t look at the site at all, pages will no longer show up in searches at all.

4. This is understandably creepy as all hell, but my personal opinion is that locking my fanworks will do me more harm than leaving them open.

5. Action is needed to address the root problem of these AI training datasets in all fields, but I don’t think focusing on the ethical or artistic arguments is the way to change things. I think we should be leaning hard on IP and copyright law here. You can’t copyright a sentence or a phrase, but once you get enough individual factors together (character names, similarity of narrative, concepts) it starts to get dicey. So for example, if Sudowrite always gives a character named Harry glasses and black hair… well we all know why that is but it’s unlikely to be actionable.

If Sudowrite always associates a character named Harry with characters named Hermione, Neville, and Sirius, and consistently produces concepts like wands, potions, schools, etc… it starts to look like the kind of problem IP holders may take an interest in. Sudowrite claims that all its text is original and not directly lifted from anywhere - which may be technically true - but ironically, copyright and IP law is based on the whole of a work and its context… and if the AI can’t help but imitate those works and contexts, things are going to get interesting.