Your potato skillet.

libido: body says NOW

The mirror replied "To whom?"

"The miller who made the flour for my bread," the queen would say, or "Whoever spun the thread my shawl was made of".

The second time, she says "To the King," and she is pleased to see herself once more.

The third time, she says "To the Royal Advisor," and is once more satisfied to see herself.

The fourth time, she says "To the scribe who takes the King's letters." She is shown the man's wife. And she seethes, but quiets herself, for it is only right that a man loves his wife.

The fifth time, she says "To the Court Wizard," and is shown the man's departed mother as he remembers her from his youth, radiant and smiling and warm and larger than life.

The tenth time, she says "To the Stable Master," and is shown the fastest horse in the stable, majestic and free as the wind even in captivity

"To the baker," she is shown the man's daughter, young and adorable and full of joy and laughter.

"To the artist who did my portrait," she is shown a painting of a woman done by the man's teacher, who he still looks up to now that he is well established himself.

"To the Royal Knight," she is surprised but not displeased to see the castle's entire guard force in the middle of doing drills.

The one hundredth time she asks the mirror, and it asks her "to whom?" she once again says, "To me." And she does the same the one hundred and second, and again and again and again.

He returns one night to his humble apartment, which is known to have vermin, and comes across a rat, which he could easily kill or set loose on the street.

But the rat- it is special. It seems to speak to him. Promises him every little thing he desires- talent, fame, and fortune. Recognition and esteem like he has only ever seen from afar; fine company like the wealthy men and women whose scraps he picks at over the sink.

Put me on your head, the rat says. Put me on your head and think of nothing.

It is strange at first, yes. Strange to feel another take control of his life and live it better than he ever could. To see miraculous things created with his own two hands, to feel his feet move in graceful and fantastic ways with a confidence he has never had.

But the rat delivers as he had promised: he receives promotions, notoriety, admiration. He is noticed. Envied. Every day is a waking dream, rubbing elbows with beautiful women and handsome men and influential personalities who lavish him with praise. It is addictive, this lifestyle- never mind that he is only ever truly conscious of it as a passenger of in own brain.

It is when he has reached heights few can ever conceive, with all that the rat had ever promised- a beautiful wife in a beautiful house with all the world in his palm, in possession of all the wealth and success a man could ever want, that the rat says that it is leaving.

Leaving? The rat cannot leave. Everything he is, the rat has provided.

"I have delivered on our bargain", the rat says. "I have brought to you all that you have ever dreamed. What more could you desire? I must live my own life, now."

The man is furious. He is terrified. He destroys the rat, in all of the ways that a rat can be destroyed, until nothing is left of it but a fine smear of marinara sauce.

He returns to the restaurant the next day moving like the shell of something hollowed-out and brittle. He cooks well- his fingers remember the movements, his eyes recognize the patterns, his mouth knows without his asking what orders to speak and what platitudes make patrons smile pleasantly with their straight white teeth.

He retains the talents of the rat. The charm of the rat. All the worldly pleasures the rat had provided him.

Still, it seems, he is little more than a vessel for the talents of the rat.

But the rat is gone.