spicy mcnugget

...

I killed that wealthy man, simply because it was a mission. I didn’t know why I was killing him, nor what kind of person he was. I just aimed for his head and pulled the trigger. That was it.

It seemed that the client who ordered the assassination was targeting that painting. I did not find out about it until much later. My job was only to kill the man. Carrying the painting out and cleaning up the aftermath was another professional’s job. They did their job. I did my job. And on my way back after the mission, I casually had my eye on a novel on the desk, so I took it and left the house.

It always starts with the little things.

That novel triggered a lot of things, and I eventually stopped killing. I have not killed a single person since then.

One day about two years after that day, I suddenly came up with an idea that I should go back and return that novel. There was no big reason for it. It was not out of sense of morality or guilt. It was simply because I thought if I did that, I would be able to face that novel directly. I already had another copy of the book that I bought by myself.

In the mansion that was once owed by the wealthy man lived a son of his. He was seventeen years old. I later heard that he was not his real son, but a boy who had lost his parents in an underworld conflict, that the man took in. An orphan.

I must have been out of my mind at that time. To think I would go and meet that son of his. I could have just sneaked into the house, put the book there and left, and it would have been as easy as bending a finger for me. But anyway, I ended up standing in front of the son and introducing myself. As “the person who killed your father.”

There was no word that could describe how angry the son was. He had all the rights to be angry. His family was killed by the underworld, twice. He was hitting me, throwing stuff at me, and attacking me with all sorts of insults. I could easily dodge all of his attacks, but there was no way to avoid the insults.

When he became exhausted from all the rampage and finally sat down, I explained to him about the killing. After that, he demanded a compensation. For his father’s life, and for the rental fee of that book I took without permission.

Bring that painting back, he said.

There was no reason for me to accept that request. First, I didn’t know where the painting was then. It must have been bought by yet another wealthy person far across the sea. I could find some clues if I looked, but that would mean a long, tedious and unprofitable job on top of that.

If it had not been for the book, I would not have accepted it.

As it turned out, my guess was correct. It was a long, tedious and unprofitable job. To add to that, it was a dangerous job. I had to get into a private military company (PMC) of nearly one hundred and fifty armed soldiers and carry the painting out under a rain of bullets, without killing anyone. If I were asked to do it again, I would absolutely refuse. Most of the troubles in my life were brought upon me by myself.

Standing in front of the painting that I brought back, the son of the wealthy man just looked at it in silence. After about thirty minutes, he started talking, little by little. About the reason he wanted the painting back. And how that painting was the object of a bet.

His father wanted his son to become a businessman that would surpass himself. So, he made a promise that if the son could make ten million yen by the time he turned eighteen, he would give him that painting.

“Stupid parents”, he said. In the first place, it was a dirty painting that had been obtained through illegal means. Did he really think that the son would try that hard to get his hand on such a thing?

But the son did try very hard. He managed to earn almost 80% of that ten million by himself. He did not try that hard because he wanted the painting, he said.

There was one year left till the promised eighteen.

That young man asked me to keep that painting for him until then.

The painting had a setup. It had been written on, by a special type of paint that would become visible when exposed to ultraviolet rays. The text covered an aera of about a quarter of the painting. And it said,

“You are my pride.”

If all the art lovers over the world saw that, they would just faint in anger. This kind of graffiti just blew away the whole five million yen worth of the painting. The man caused troubles even after his death. But perhaps, that wealthy man did it exactly because it was trouble.

He probably wanted to say that he wouldn’t care even if the painting’s value was to be reduced to zero, because his son was worth all that much. Or maybe that was why he went through the trouble of buying that painting illegally. Of course, the truth stayed unknown until now.

Because I killed the father.

I kept the painting as requested. I put it in a storage box and stored it in a dark, cool and windy place.

It is under the floor of my house, near the foot of my bed.

It is a painting that no longer has any artistic value. There is no point in preserving it with care.However, it has value to that young man. The son whose father was killed. That painting is the memento of his father, the will of his father, and in a sense, his father himself.

I am still protecting it now.

It is not to atone for my sin. I am not that kind of an admirable person. It is just because a lot of things piled up, that I decided to do so.

“And once I have made up my mind, I am not going to change it, no matter who asks me to.” I say as I walk toward the cop. “Got it? Bandaged man?”

“What?”

Before the cop can react, I quickly snatch the gun from his hand. The cop, whose arms have been injured and cannot even stand up, do not have the strength to steal it back. I bring the gun close to my face and say.

“This is not a gun.” I say. “This is a listening device. You are listening to us over there, right? You have anticipated this and created a situation for me to tell where the painting is, and tried to eavesdrop through this gun.”

“This gun … listening device?” The cop was stunned. So he did not know either.

“I found it odd from the beginning. That this was an automatic gun.” I say as I observe the gun. “When they stormed into my house, they were carrying the revolvers used by the city police. This is a different kind. Perhaps, this automatic pistol was the one you used when you threatened this guy? One more thing, if you want to threaten me, basically, you will have to come to me directly. But all I can see here are injured people. So, this is what I came up with: you, in order to find out where the painting is without showing up here, have created a situation for this cop to threaten me. If that is the case, then there must be a listening device somewhere.”

Of course, the gun does not answer me. It is just there, cold, heavy and quiet. But just by being there, that gun is radiating its unique presence to the surroundings. I continue to talk to the gun.

“This is loaded. But I guess it is just a blank, right?” I point the gun at the ceiling and fire a single shot. It makes an explosive sound and a flash of light cut through the darkness. But that is it. There is no bullet hole on the ceiling.

“That was quite a performance. Did you calculate everything up to this point, and collapse in front of my house on purpose? If so, that was impressive. Now, I have told you everything about the painting. Break the siege as you promised. Or you can let everyone in here and we can have a fun killing party. I am fine either way.”

As I am speaking, I check the gun more closely. Originally, it is my tool of trade. I know the balance of the weight like I know my fingers. The grip is a little heavy. I press the button to release the magazine, it drops into my hand. In the area near the grip screw, the polymer plastic material on the side of the magazine has been removed and a black rectangle part was embedded in it. That is the listening device.

I hold up the magazine like a microphone, and talk into the device. “Within ten seconds, you will make three blasts. After that, you will disappear immediately. If you don’t, I will consider that our negotiation has failed and I will come get you from here.”

I throw away the device and count to ten inside my head. Between eight and nine, a series of shocks shake up the underground basement. Exactly three times. The blasts sound like thunders from afar, and then the sound suddenly stops as if it has been chopped off. All that is left is silence. A silence that makes my ears ache.

“It is over.” I take a breath and walk away. “I will call the cops once I get out. The real ones, you know. All of you will be arrested, but at least you will be treated a little better. Compared to the Mafia.”

“Wa… wait a minute.” The cop says with a hard voice. “You…. Why? You said yourself that you alone could get away with this. You even knew that the gun I pointed at you couldn’t be used? Could it be that… you… you saved me? For what?”

The answer to that question is simple. But I don’t want to answer him. What is the point of answering anyway? I feel empty. I am tired, wounded, betrayed by people, and betraying people.”

“I am thirsty.” I say to myself. “I’m going home.”

The guy says something but I don’t hear it. I keep walking out of that place.

***

The light from the gas lamp illuminates the profiles of people walking through the ticket gate.

The blue stars of the city, of which there are only a few, are scattered in the night sky like a film.

The station is surrounded by the night sky, the night scenery, and a group of people walking home in silence. There is no explosion, no gun shot, no bargaining for your life here. It is the plain scene of the closing of a day like every day, which starts mechanically and ends mechanically.

Dazai Osamu and Oda Sakunosuke are there at that same station. In different places.

Oda is exhausted. Covering his aching back, he walks among the crowd rushing out of that station.

Dazai stands in the darkness, away from the street lights of the station front, watching Oda as he becomes one with the night.

Oda walks along the station platform, out of the ticket gate, and stesp into the night of the city. After getting out of the underground bunker, he crossed the mountain and walked over to a nearby village. He negotiated with the farmers there for them to give him a ride. He then got on buses and trains one after another, back to the nearest station to his home. When he arrives, it has become completely dark.

Oda rubs his own shoulders, and walks home with an exhausted face as he cracks his neck. His clothes are wrinkled and covered in mud. Sometimes, people passing by Oda look at him as if they are looking at a strange, foreign creature. But no one calls out to him. People in the city just don’t do that.

Oda gets through the ticket gate and walks under the street lights, as he takes out a cigarette and puts it in his mouth. Then he starts searching for something in his jacket. He is looking for a fire.

“Here you go.”

Suddenly, a voice comes from behind him. Oda turns around. In front of his eyes, there is a light from a match. And a hand holding it.

Oda is caught by surprise for a second, but he immediately places the cigarette in his mouth on that. He closes his eyes, breathes in the smoke, and breathes it out into the dark night. Then he looks at the person.

“Hi. What a look you’ve got there. Are you okay?”

That is Dazai.

Dazai, who has half melted into the dark, is standing there silently, smiling a smile that does not look like one.

“Nothing.” Oda says so as he looks at the other person through the smoke. “I just tripped.”

“This matchbox is yours, isn’t? I saw you drop it at the ticket gate.”

Oda looks at the matchbox Dazai is holding. It is black on the sides, white on top, and has a logo of a bar in front. It is clearly the one that Oda always carry with him.

“Yes.” Oda says, looking at the matchbox.

Then he observes the man. He stays silent for a few seconds before asking with a blank expression.

“Have I met you anywhere?”

Dazai smiles a smile of no personality. “No. This is the first time we met.”

The bandages that have covered most of Dazai’s face the whole time are no longer there. He is wearing a flat cap to cover his eyes, and a black inverness coat to hide his shape and his wounds. As for the voice, Oda has not heard Dazai speak even once.

“Is that so?” Oda says as he takes the matchbox from Dazai and turns his back on him. “Thanks for the match. Good night then.”

Oda is just taking a few steps when Dazai calls out to him from behind.

“Looks like you got into quite a bit of trouble.”

Oda stops and slowly turns around. “What?”

“Just… You seem so worn out. Your face looks so bad… Also, that thing on your hand and clothes, I can’t see very well in the dark, but it’s not just dirt. There is blood too, right?”

Oda looks at his own hands. It is true that there is still some blood from when he tried to help the injured cop on his wrists.

“Well, there was a bit of a situation.” Oda says, checking the smell on his hands. “It is not my blood. But it’s true that I got into some trouble. I got something important taken from me. Something I have always protected.”

“If it has been taken”, Dazai smiles helplessly, “then at least you don’t have to worry about it being taken anymore.”

Oda looks at the other for a while. As if he is trying to look for an answer there.

“Probably.” Oda says. “I can’t forgive the guy who took it, though.”

Dazai slowly nods. Trying to hide his expression.

Oda watches his expression for a moment but he finally turns away. “Thanks for the match. That was a big help. Bye then.”

Dazai looks at the back walking away from him and speaks quickly. “If you ever get into trouble in the future…”

Oda turns around, “Huh?”

“You can turn to The Armed Detective Agency in Yokohama for help. They will take on even the troublesome stuff. And they will get the job done without fail. I was helped by them in the past, too.”

“I see.” Oda says after he gives it a moment of thought. “I’ll do so then. That is very kind of you. You are a good guy.”

Dazai’s expression becomes distorted.

He opens his mouth, and closes it again, as if he can no longer breathe.

If he tells him everything now, maybe things will go back to how they were. The two of them will go to the bar together and have a toast. Just like that night.

“Odasa…”

Just as Dazai is about to say that name, a train passes by. The express train passing through that station cuts through the silence of the night, right next to where Dazai and Oda is.

The darkness and the light alternatively hit the road, and the roar of the steel blows away the silence of the whole surrounding. Oda narrows his eyes.

The train is long, and the sound it makes sounds like an extended sorrow. Dazai looks down so that no one can see him, his face twisted in grief. It is as if that long roar is promising him six long years of heartlessness to come.

The train finally passes through.

Oda looks around, trying to get what the other was saying again.

There is nobody there anymore.

Oda blinks his eyes, feeling confused. He looks around. Then he shakes his head as if to shake off all the thoughts, and walks away with a resigned expression.

Only the cold and quiet night breeze is left blowing through the space where no one remains, trying to fill up the emptiness.

Nobody says a word. The painting is kept by the Port Mafia for a year, before it is returned to its owner, the son of the wealthy man.

The son keeps it for a few years, and later donates it to a museum anonymously.

That way, Dazai has achieved his goal. Getting Oda to tell him where the painting is without facing him, nor having his face remembered. And by doing that, Oda will never be targeted by a criminal organization again. That is Dazai’s goal.

He has another goal.

To make Oda despise the Port Mafia. So that he will not join the Port Mafia, thus avoiding his coming death.

That goal is accomplished. Oda becomes involved with not the Port Mafia but the Armed Detective Agency, and joins the Agency two years later.

And then two years after that, Oda meets Dazai again one more time.

At the bar counter, in the sad melody of a parting song.

That is where Oda points his gun at Dazai, and Dazai says the last goodbye.

The last goodbye of his life.

A bloody corpse of a young man is lying on my front porch.

I look down at the corpse, then at the front of the house. It is a quiet morning. The apartment across the street is casting a long black shadow on the pavement in front of me. The trumpet vines planted in the hedge are rustling in the breeze, and whispering to each other in a way that human cannot decipher. Somewhere in the distance, I can hear the sound of the long-distance trucks scraping against the road surface. And there is a corpse in the middle of the stairs in front of me.

In any case, to our eyes, a corpse is always a strangely exaggerated presence. But this time it is different. This corpse blends in with the landscape, becoming one with the everyday peaceful morning scenery. After a while, I realize the reason. The corpse’s chest is moving up and down faintly. It is not a corpse, it is alive.

I look at the young man. He is all black. A high-collar black cloak, a three-piece suit, a black tie. The things that are not black are his button-down shirt, and the bandages around his head. This one is a mottled color of white and red. This color pattern reminds me of some ominous Chinese prophetic characters. The place he is lying is the middle of the stairs that leads to the front porch. The blood stains continuing down the cracked concrete stairs looks like he has been crawling.

Question. What should I do with this nearly-corpse in front of my eyes?

The answer is simple. If I touch him with the tips of my toes and put some weight on him, he will just roll down to the ground below. If I do so, then he will not be on my premise anymore. He will be on a public road. The country’s territory. All those who are in trouble within the territory of the country should be saved by the mercy of the country. An ordinary postman like me should go home and have breakfast.

I am not doing that because I am a cold and heartless person. I am doing that because it is a survival necessity. The young man’s wounds are clearly from gunshots. He has been shot multiple times. There are probably more holes in his body than I can see from here.

I look at the young man, at the road, and the sky, and at him again.

And then I start to act. First, I approach the guy and lift him up by his sides. Then I drag him by his heels into the house and lay him down on the wall-mounted bed. He is much lighter than he looks. Carrying him alone is not that much of a trouble. I check his wounds. There are many deep wounds, and the bleeding is not usual, but if he receives immediate proper treatment, it is not like he will die.

I take out my medical kit box from the back of the closet, and give him some simple first aid treatments. I put a towel under his upper body, cut his clothes with a pair of scissors to expose the wounds, and check if there is any bullet left inside. In order to stop the blood flow, I apply pressure on the pressure points: below the armpits, inner elbows, ankles, backs of knees, and tie them tightly with a clean cloth. Then I put disinfected tourniquets to the wounds to stop the bleeding. Fortunately for him, I can do this kind of first aid even with my eyes closed.

After I am done with the treatment, I look down at the young man and cross my arms. His breathing has stabilized. His respiratory system and bones seem to be intact. But he does not seem to be waking up. “It’s fine already, just kick him out.”, I can hear the angel’s voice in my head. There is nothing more stupid than treating a suspicious guy like this. I guess I should listen to that voice. That is what a wise man would do.

Before following the angel’s advice, I take another look at the young man. I don’t recognize his face. Probably not someone I know. I say probably, because the bandages covering most of his face makes it impossible to make out his features.

I feel an uneasiness in my chest.

There is something strange about this young man. It is impossible to say that seeing someone covered in blood in front of your house is not strange, but I am feeling a completely different kind of discomfort than when I first saw him. I go around and look at his face. His eyes are closed. His face is pale and tired. His breathing is so faint that it is hard to tell without paying close attention. But still, I feel a strange power coming from his presence. It’s like will power, a certain sense of trust in his own body. And more specifically, right…

It is as if the whole thing about him collapsing here is all according to his plan.

The young man opens his eyes and looks at me.

I am startled and jump up. I didn’t notice when he opened his eyes at all. He moves without any sign of movement. He looks without a sign of looking. He seems to be one of “those people”, the kind of people you will never encounter if you are to lead a normal life.

Those eyes.

I’m not a person with an excellent observation skill. But even so, just by looking at those eyes, I understand a few things right away. He probably has killed before. Not one or two digits. Hundreds of people. When you have killed that many people, you will reach the other side of the mentality that ordinary humans can possess, beyond the other shore where neither light nor gravity can reach. The spirit of those who have reached that state will be seen first in their eyes, then in their mouth. Their eyeballs become black holes, and the muscles around their mouth become organs to show the depth of their sin, not their facial expressions.

And I also know one more thing instantly.

This young man knows me.

“Who are you?”

I ask without thinking.

The voice coming out of my mouth is so cracked, I cannot believe that it’s my own voice. If I didn’t hold my leg strong, it would have backed up a step on its own.

“Who are you?”

I ask again. There is no answer. I don’t even know if he is listening. Because the light in his eyes show no reactions to my question. No matter how cold-hearted a person is, if you look at him in the eyes and throw words at him, you can still see some kind of responses. But this young man does not have any of that. Just black eyes looking at where my figure is.

I cannot say anything much in details, but I associate this young man with a certain state.

There is no heart here. Just a heart-shaped emptiness.

Just as I am thinking this, the young man opens his mouth. He is trying to say something.

To make sure I do not miss anything, I stare at his lips and listen carefully.

But he doesn’t say anything. He just opens his mouth in a certain way. He doesn’t say anything. He doesn’t show any emotions. He just changes the shape of his lips. That’s it.

“Do you know me?” I try asking. “Why did you collapse in front of my house? How did you get all those wounds?”

The young man looks at me. He opens his mouth and breathes in as if he is going to say something, but he ends up not saying anything. His mouth is quietly closed, together with a sign that it should not have been opened from the beginning.

Maybe he cannot speak? Aphasia, or probably congenital speech impediment. People can lose their voices for various reasons. Mental reasons, brain conditions. Having their throat burn in a fire, or having their pharynx removed through surgeries. However, I feel that none of those applies to this young man. There is a sign that he has been suppressing the sounds coming right up to his throat.

He can speak but he doesn’t.

“It’s okay if you don’t want to talk. But if I leave you untreated, you will die. Do you understand what I’m saying?”

He doesn’t reply. Those eyes are filled with a quiet emptiness. From that, I assume that he is listening. Because if he is deaf, there should be a reasonable amount of confusion and signs of claiming that he cannot hear.

“To treat you, or to kick you out, it is up to me to decide. As long as you don’t speak, you have no rights to decide. Is that okay? If it’s not, say something.”

The young man stares at me. A few seconds, then tens of seconds. Then he gently looks away and closes his eyes. Quietly, emotionlessly.

He can hear, he can speak. The reason he does not talk is because his door is closed. A door built of thick, huge iron that will not open now matter how hard you try.

“I see. Then I will do as I like.”

I say, my words echoing in the emptiness and dropping into the corner of the room, in the middle of nowhere.

And so begins my communal life between me and the young man.

Strictly speaking, it cannot be called a communal life. It cannot even be called nursing. It’s more like an adjustment work, a monitoring work, and a maintenance work. If I dare to put it in a terribly devious way, it is like keeping a fish. After all, the young man just lies in bed and hardly moves all day. Except for eating and going to the toilet, he is not stirring a muscle. He doesn’t react to what I say or do. It saves me some effort, but it does not feel like dealing with a human at all. I do not expect to hear words of gratitude, and it is a lot easier than dealing with rampages or complaints, but it makes me feel restless all the time. I have never experienced something like this in my life.

There is just one time, when I try to change the bandage that covers most of his face, do I get a strong resistance. That is such a quick reaction that I cannot even imagine. He quickly grabs my wrist as I try to change the bandage. His other body parts do not move at all. It is just like his hand only has turned into another creature and attacked me.

In fact, that bandage should be changed. The bandage that covers most of his face has turned gray in places, and the blood stains have darkened into a gloomy color. From a hygienic point of view, it is not in a condition for an injured person to wear. So I try to change it no matter what, but he is still resisting so stubbornly that I eventually give up. I have carefully applied disinfectant on it. He will not die.

Probably, I imagine, he is afraid that I will see his face when I change the bandage that covers it. I can see the stubbornness in the color of those hard and cold eyes. When you are resisted with such strong will, there is no choice but to back up. However, no matter how many times I try to recall after that, I cannot remember ever seeing him before. Not even in a photo. So, his worry is absolutely groundless. I think so and I actually speak it out, but there is no response from the other side.

Just do as I like.

I cook his meals, let him change his clothes, and change the bandages on his body. We do not talk. He is not speaking anyway, and I am not exactly good at conversations. So, his silence itself is a convenient thing. But somehow, I cannot get rid of the feeling that I have been put on a boat without knowing where it is going.

The time the cops appear at my house, is one of those times.