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pouty frowny sleepy eddie diaz walking into his kitchen and then immediately just licking into his buck’s mouth as he steals that beautiful hot steamy cup of Their Shared Coffee from his best friend’s hand. best friend’s. that’s his best friend. and eddie just kissed him. it only takes him fifteen minutes to remember they’re not together and they’ve never kissed before. but now eddie’s in the shower and he’s just a man, so he might as well jerk off before he does anything about it
It's early, the sun barely tinging the sky pink when Eddie stumbles out of bed, shoving his feet into his slides, rubbing the grit from his eyes, the sound of his alarm still ringing in his ears. He is not a morning person, he has never been a morning person, vision dimmed and like his head is full of cotton wool for way longer than most people. Shift work and a kid has helped some but mostly he's forcing himself through his morning routine on autopilot, not fully awake until he's dressed, got through breakfast, in his truck and on his way.
He shuffles his way down the hall, walks softly past Chris's door; he doesn't have to be up for hours, no school today, Saturday, and no plans until the afternoon. The living room is tidy, Eddie notices that, Buck's blankets neatly folded at the end of the couch as usual, as he heads towards the kitchen, still barely cognizant of his own existence let alone anything around him.
Buck is leaning against the sink looking out into the garden. He's in his pajamas, less of a head start on getting ready than Eddie had assumed, his hair fluffy, curling up on one side and flattened to his head on the other, gingery stubble glinting on his cheeks. He's prepped lunch, something for Chris to eat when he wakes up most likely, and he turns when he hears Eddie come into the room.
'I made coffee,' he says, jerking his elbow in the direction of the Hildy but Eddie just steps closer, into Buck's space and the sleepy, familiar warmth of him.
'Thank god for you,' he says, his voice coming out rough, scratchy with disuse, as he snags Buck's mug, his free hand landing on Buck’s jaw, leaning in.
Buck's mouth is hot from the coffee, Eddie can taste it, dark and bitter the way Buck likes it, and he laps it up, stepping closer, tightening his grip. Buck makes a sound, caught in the back of his throat and his mouth opens wider on a gasp, letting Eddie in, the soft press of his tongue against Buck's teeth, sweeter and harder all at once.
One of Buck's hands jerks upwards, catching against Eddie's ribcage as if he isn't sure whether to pull him in or push him away. Eddie’s eyes flutter open, the sunlight painting their edges golden. He tilts his head, catching Buck's bottom lip between his teeth, soothing the sting with his tongue, rolling forward again as they find their rhythm, slower, shallower pecks into deeper, tonguing kisses. It's good and it's easy and Eddie loses time, loses breath, still half asleep and the taste of coffee entirely gone from Buck's mouth.
Almost as quick as it started, it stops. Eddie steps back, he's still holding Buck's coffee, hasn't even taken a sip. He prefers creamer and three sugars anyway and he needs to shower, setting the mug on the countertop and turning to head towards the bathroom. They can't be late for work.
Eddie turns on the shower and strips out of his clothes, stepping under the spray of the water, noting mildly that's he's half hard. He would be, Buck does that to him, pink and freshly kissed in their kitchen, pouted mouth bruised and slick with Eddie’s spit. Eddie touches his fingertips to his own bottom lip, the feeling of Buck's against him still beating there. The scrape of his stubble. Buck's lips on his. From when they were kissing, just now in the kitchen. His best friend Buck.
They don't do that. They've never done that. Except, it felt so right in the soft, early morning hush to step up to Buck and capture his mouth like that, to kiss him over a shared cup off coffee before he's even got his head on right.
Eddie looks down, fully hard now, and takes hold of his cock, insistent need blooming under his skin. He wants to do more than kissing with Buck, that's clear to him now. He wants to take him to bed and listen to every sound he can draw out of him, how sweetly yielding he knows Buck will be, how good he'd feel under Eddie, taking him. Eddie strokes himself faster and imagines fucking Buck hard, slow, quick, soft. His tongue feels too big for his mouth, his desire too big for his body with how much he wants it; more awake than he's ever been with this new knowledge.
They've been living in a strange sort of limbo ever since Eddie and Chris came back from El Paso, the raw edge of everything they've lived through enough to occasionally catch, sharper some days than others, but mostly it's been good. Mostly it's been as easy as kissing Buck in the kitchen just now.
Buck has been making noise about finding his own place because he can't keep sleeping on the sofa forever. Eddie doesn't want him to leave and yet he's still not found it in himself to ask him to stay. If he stayed he could share the bed with Eddie, share the couch when they watch TV with Chris, share the kitchen, share a whole life. That's what he wants. Buck by his side like always.
He squeezes his cock, close now, pumping his hand over his length, twisting his wrist and a thumb to the head. Buck kissed him back and if Buck did that he might want all those other things with Eddie too. He might get on his knees for Eddie, his back, he might let Eddie touch him all the ways he wants. He might let Eddie love him.
It rises quickly, then, pulsing hot, and he comes, stripping his cock hard and fast to the memory of Buck against him and the possibility of everything waiting for him just one room away. If Buck is still there, if he hasn't run out of the house in a panic as he's liable to do if Eddie doesn't keep a tight hold on him, grounded and secure.
Eddie gets out of the shower, no more than rinsed clean, and dries off quickly, shoving himself mostly damp back into his shorts and tank, hurrying back through the house, less than fifteen minutes after he left the kitchen. It's brighter now, the sun fully breaking over the line of houses past his back yard, and Buck is still standing where Eddie left him.
'You kissed me,' he says, dazed.
'I did,' Eddie nods.
'Why?'
Eddie shrugs, comes closer, 'seemed like the right thing to do. You want me to do it again?'
His heart is in his throat, he couldn't bear Buck turning him down, but he has to know if they can have this, now he's learned to want it.
'Yeah, Eddie,' says Buck, his eyes shining, bright and wet, 'I want you to kiss me all the time.'
Eddie crosses the room in two strides, catching hold of Buck with two hands, bringing them together again, as if they never stopped, and Buck melts into him, his hands on Eddie's waist. His touch isn’t tentative anymore, fisting in the fabric of Eddie’s top to pull him closer, lips parting on sigh, as Eddie licks into his mouth, desperate for another taste.
It's not mindless this time, both of them equally committed, and Eddie sweeps his thumb over Buck's jaw, to his chin, a hand to the frantic beating of his pulse. It makes Buck moan, everything spit and heat, reeling into each other. Eddie just came but he can feel it rising again, his arousal a dizzying, grasping thing and Buck is hard too, rocking against him, easy friction against Eddie's thigh on the brink of escalation.
They break apart at last, forehead to forehead, breathing hard. Eddie's hand is still clasped around Buck's throat, notched against his jaw, holding him steady as Buck sways into him. He drops his arm, palm to Buck's chest and the racing thrum of his heartbeat. Eddie just went through several epiphanies in the shower and he needs to be sure Buck is on the same page.
'This isn't just sex,' he says, meeting Buck's eyes, 'I don't just want that from you. I want it all, Buck. I love you.'
Buck smiles, beams, beautiful and freshly kissed and Eddie can't wait to do it again, do it a hundred times, do it until they've lost count.
'I—me too,' says Buck, breathless, 'I love you, too.'
Eddie leans in, kiss number three, and Buck meets him in the middle.
Context for anyone who is wondering: Lamine Yamal's parents won an UNICEF raffle for a charity photoshoot in which Barça players posed with kids, and 5 month old Lamine happened to get 20yo Messi. Which is like. Literally insane
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It is really important to me that all of you learn about Al Bean, astronaut on Apollo 12 and the fourth man to walk on the moon, who after 20 years in the US Navy and 18 years with NASA during which he spent 69 days in space and more than 10 hours doing EVAs on the moon , retired to become a painter.
He is my favorite astronaut for any number of reasons, but he’s also one of my favorite visual artists.
Like, look at this stuff????
It’s all so expressive and textured and colorful! He literally painted his own experience on the moon! And that's just really fucking cool to me!
Just look at this! This is one of my absolute favorite emotions of all time. Is Anyone Out There? is like the ultimate reaction image. Any time I have an existential crisis, this is how I picture myself.
And then there's this one:
The Fantasy
For all of the six Apollo missions to land on the moon, there was no spare time. Every second of their time on the surface was budgeted to perfection: sleeping, eating, putting on the suits, entering and exiting the LEM, rock collection, setting up longterm experiments to transmit data back to Earth, everything. These timetables usually got screwed over by something, but for the most part the astronauts stuck to them.
The crew of Apollo 12 (Pete Conrad, Al Bean, and Dick Gordon) had other plans. Conrad and Bean had snuck a small camera with a timer into the LEM to take a couple pictures together on the moon throughout the mission. They had hidden the key for the timer in one of the rock collection bags, with the idea being to grab the key soon after landing, take some fun photos here and there, and then sneak the camera back to Earth to develop them. They had practiced where they would hide the key and how to get it out from under the collected rocks back on Earth dozens of times.
But when they got to the moon, the key was nowhere to be found. Al Bean spent precious time digging through the collection bags before he called it off. The camera had been pushing their luck anyways, he couldn't afford to spend anymore time not on the mission objectives. Conrad and Bean continued the mission as per the NASA plan while Dick Gordon orbited overhead.
Fast forward to the very end of the mission. Bean and Conrad are doing last checks of the LEM before they enter for the last time and depart from the moon. As Bean is stowing one of the collection bags, the camera key falls out. The unofficially planned photo time has come and gone, and he tosses the key over his shoulder to rest forever on the surface of the moon.
This painting, The Fantasy, is that moment. There have never been three people on the moon at the same time, there was never an unofficial photo shoot on the moon, this picture could never have happened.
"The most experienced astronaut was designated commander, in charge of all aspects of the mission, including flying the lunar module. Prudent thinking suggested that the next-most-experienced crew member be assigned to take care of the command module, since it was our only way back home. Pete had flown two Gemini flights, the second with Dick as his crewmate. This left the least experienced - me - to accompany the commander on the lunar surface.
"I was the rookie. I had not flown at all; yet I got the prize assignment. But not once during the three years of training which preceded our mission did Dick say that it wasn't fair and that he wished he could walk on the moon, too. I do not have his unwavering discipline or strength of character.
"We often fantasized about Dick's joining us on the moon but we never found a way. In my paintings, though, I can have it my way. Now, at last, our best friend has come the last sixty miles." - Al Bean, about The Fantasy.
I love it. Something about it feels so incredibly human. The emotion on display, even without a face to show it. This is magnificent. Truly magnificent. I feel it in my soul.
On July 20, 1969, 109 hours and 42 minutes after launch, Neil Armstrong and Edwin ‘Buzz’ Aldrin entered the lunar lander ‘Eagle’, made a final check, and the Eagle undocked from the lunar orbiter ‘Columbia’, where the third member of the crew Michael Collins, stayed in orbit around the moon.
Partially manually piloted by Armstrong, the Eagle landed 0 degrees, 41 minutes, 15 seconds north moon latitude and 23 degrees, 26 minutes east moon longitude. Armstrong stepped out, and Aldrin followed 20 minutes later: human beings stepped on the moon for the first time. The two men spent 21 hours and 26 minutes on its surface.
One of the astounding aspects of the mission was the seeming simplicity of the technology used to get man to the moon. According to Oliver Gassmann, professor of Technology Management, the mobile phone in your pocket has one million times more memory than the Apollo 11’s computer. Same about the procesor: the latest phones typically have more than 100,000 times the processing power of the computer that landed man on the moon 50 years ago.
“It suddenly struck me that that tiny pea, pretty and blue, was the Earth. I put up my thumb and shut one eye, and my thumb blotted out the planet Earth. I didn’t feel like a giant. I felt very, very small.” –Neil Armstrong
(gifs from the documentary Chasing The Moon, 2019)
A few weeks ago one of my historical pet peeves was activated when I heard about a new Robin Hood movie that takes the groundbreaking, unprecedented, bold and visionary step of suggesting that the Middle Ages were a time of brutality, cynicism, and lawlessness.
Sarcasm alert. Everything I've heard about this movie sounds like it was created specifically to annoy me, so I'm going to try to ignore it and just talk about my pet peeve, which is this pop culture myth that the medieval period was particularly filthy, brutal, misogynistic and lawless.
Which is simply not the truth, and here's a true story from 1348 that shows the real Middle Ages.
We know this story because it's a very important moment in the development of common law - that is, the facts and the conclusion of the story were written down and became the basis for how similar cases would be decided long into the future. This 1348 judicial decision (citation: I de S et Uxor v W de S (1348) yb 22 edw iii f 99) is still read by law students today when studying the tort (or wrong) of assault. That's nearly seven hundred years of judges and lawyers looking back at a medieval judicial decision and saying, "Yes! That was a good and just decision!"
To set the stage, it's the 1300s - a century famous for the Black Death, the Hundred Years' War, the Peasants' Revolt, and the Babylonian Captivity of the Church that saw the papacy moved to the French town of Avignon as puppets of the French monarchcy. But that's not the only thing that happens in the 1300s. This century also sees the publication of Dante's Divine Comedy; the Clockwork Revolution in which intricately designed clocks tracked everything from the hours of the day (which were measured in variable lengths) to the phases of the moon and the Sun's path through the zodiac; the creation of gorgeous books of hours and tapestries; the career of Christine de Pizan, the first woman known to have made a living from her pen; the writing of Geoffrey Chaucer and the radical social and religious reforms proposed by John Wyclif and his followers.
About the middle of this century a man known to history as W de S came in the night to the house of I de S and M, his wife, looking to buy some wine. The door to the taven was closed, so W pounded on the door with a hatchet, which he had in his hand. At this, M, the tavern-keeper's wife, put her head out the window and told him to stop. W responded by throwing the hatchet at M, narrowly missing her.
The tavern-keeper and his wife, contrary to what pop culture will tell you, responded exactly the way a couple of pub owners might respond today: they took the offender to court and argued that W had made an assault on M. W argued, in response, that he had committed no crime because the hatchet had not in fact struck M.
You might now be thinking that of course W would have won the case, since no actual physical harm was done to the woman he'd attacked. But you would be wrong! The judge in the case declared that the assault itself was harmful, and that W was liable to pay compensation for the fright he had caused M.
"Ever since then," states my old Torts textbook, "the tort of assault has extended protection to a person's right to be free of emotional disturbance brought about by intentional threats of physical violence."
Law did exist in the middle ages. Women, as well as men, could expect to be protected by the law from assault. And not only physical, but even emotional damages could be awarded for assault...all the way back in 1348.
It wasn't a perfect time, but it was far from the callous brutality depicted on our movie screens.
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That's amazing and beautiful, and I can't imagine doing it with a quill in an inadequately heated monastery scriptorium on an Atlantic island in November.
today I learned that in 2008, the city council of florence overturned dante’s sentence of execution if he returned from exile. yes, dante’s inferno dante, who died in 1321.
but the funniest part of this is not that they were debating the exile of a man who has been dead for over 500 years.
the funniest part is that the vote was 19-5. five people voted to uphold dante’s exile.
The objectively funniest part of this is actually that the city that holds his remains, Ravenna, refused to give his remains back. This was a ploy from florence to have his remains moved back for the tourist money and its been ongoing for a long time. Florence had a fake tomb built in the city to trick people into visiting, and have tried to force the return of the remains.
His actual caretakers have been very steadfast in keeping them hidden, moved, or generally out of reach to respect his choice in life to never, ever, ever return to florence, even when he was first offered the chance to return. This is at this point an almost millenium long feud that florence is really, really mad about losing
nimble, a border collie-papillon mix, wins the 12” class in the 2024 masters agility championship. the first time a mixed breed has won at westminster ever.
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Your partner came back from the dead after being missing for decades. Every one of their friends who they went with ended up dying a horrible death.
Now, somehow, their entire mental health is based on the continued life and happiness of this fairground goldfish that they picked up.
Neither of you know the first thing about how to care for even a healthy fish. This fish has been poorly cared for, has multiple diseases and the person who handed it over explicitly didn't expect it to live nearly as long as it already has.
You're frantically googling how to set up a fish tank, where to buy fish food, can you even take a fish to the vet? Your partner wants you to know that they're happy they made it home and survived their horrific ordeal, but also that if anything happens to the fish then they're going to kill everyone on this planet and then themself.
You're honestly wondering if you're even helping the fish, or just prolonging its suffering, but your partner will only accept medical help for their many injuries or engage in basic self-care once they're confident that the fish is being looked after.
So you get a tank. You set up a filter and all that stuff. You learn way more than you ever wanted to know about water temperature and ph and nitrate levels. The fish is safe. You start to develop some affection for the little guy. Your partner begins to recover. The fish begins to recover.
Which is when you learn that in its 'healthy' state, the fish regularly refuses to sleep when tired, keeps begging for food that is obviously unhealthy for it (and struggling to eat the food that you do provide because “it tastes gross”), and continually tries to persuade your partner to take it out of its nice safe tank so it can go explore the wonderful world of Outside, where the slightest mishap will kill it instantly.
Your name is Adrian, and you kind of wants to strangle this fucking fish, statement.