The people of West Ham often forgot that Allie Pressman and Sam Eliot were cousins. Actually, the people of West Ham usually forgot about them period. If they did think about them, it was only ever as Cassandra’s sister and the deaf kid, not as actual people. But Sam and Allie had grown up together, they were cousins, they understood each other in a way that no one else could. Sam knew how Allie both loved and hated the relative safety of Cassandra’s shadow, knew how easily her parents overlooked her in favour of their perfect, and sick, eldest daughter. Allie knew how Sam felt like his parents never saw beyond his deafness and sexuality, and just how terrified of his brother he really was. But they weren’t just cousins — after all, Cassandra and Campbell were their cousins too. No, Sam and Allie were best friends and had been for their entire lives and that? That changes everything.
Welcome to my The Society fic series, City Is A Graveyard! Who We Were Then is the first of five fics in the series, and it’s a pre-canon AU in which Sam and Allie are best friends as well as cousins! Basically, it was born from me going (and I quote) “Listen you’d can’t give me a traumatized teenager with sibling issues and imposter syndrome and a traumatized teenager who’s gay and deaf and have them be family and expect me to care about anything else ever”, especially when you throw in Lord Of The Flies on top of that!
Rest assured, Becca is still the iconic best friend we know and love (to both Sam & Allie), Will is still one of Allie’s closest friends, Grizz is always everyone’s favourite, and we’ll still have plenty of pre-Hallie goodness (leading into full Hallie in later fics), but I was disappointed by how few fics I could find that really explored the Pressman-Eliot family, so here we are!
I will eventually make introductions for each fic in the series (and hopefully I’ll get to writing it soon), but here’s a breakdown of the plan for anyone who’s interested
Who We Were Then — pre-New Ham, some of Sam and Allie’s childhood but mostly focused on their junior year leading up to getting on the busses in 1x01; pre-Hallie & Grizzam
Fear Can’t Hurt You Anymore Than A Dream — no New Ham AU, where the students come back from a camping trip and the world is exactly as they left it, will follow the end of their junior year into senior year; eventual Hallie & Grizzam
Maybe There Is A Beast (Maybe It’s Only Us) — canon AU, the kids get off the busses in New Ham, exploring how a closer bond between Allie & Sam (and how that changed their junior year) would change the events of the show; still eventual Hallie & Grizzam
It Sounds Better Than It Is, This Business Of Surviving — post canon, the kids make it back to West Ham and have to find a way to return to ‘normal’ after everything they’ve been through; Hallie & Grizzam
We Are The Kids That You Can Never Kill — post canon, the kids make it back to West Ham only to find that everyone who died in New Ham woke up back in West Ham at their exact time of death, now they all have to return to ‘normal’ surrounded by people they’d mourned and people they’d killed; Hallie & Grizzam
I’m very excited about this project and will definitely be trying to make more edits & posts about it (and hopefully writing it lmao) so if you’d like to be tagged in anything for it, feel free to let me know!
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Yes pride is a riot and a fight and yadda yadda yadda but you are not revolutionary for sucking the joy out of queerness. Sometimes, pride is a party. It is a celebration of the fact that we are here, we're queer, and we're not going anywhere. And that is just as important as throwing bricks and fighting cops, actually.
If your activism doesn't allow you to enjoy the fruits of your labors you will burn out babe. Go suck some dick. Hit on that lesbian. Get the faggy haircut!!! Dance, for the love of god.
Very generally speaking, when you see a black man in a piece of media, be it tv show, movie, video game, etc. there’s something you often see a lot of writers do. To go against the stereotype of black men (and black people in general) being dumb and lazy, you’ll see this black male character being smart and an achiever. 
The Black Nerd. A common character type, the nerd will always be very interested in all things nerdy: science, video games, mathematics, etc. In an continued effort to combat stereotypes, the Black Nerd will be lack athleticism, probably being asthmatic (the nerdiest of conditions). The Black Nerd will dress smartly, suspenders and bow ties. They’ll always talk smart too, using proper English with complex words.
Now, I don’t have a problem with a black character being a nerd, indeed black people are a people; we aren’t all the same and we all have varying personalities. The problem I have is that too often we see a distinct disconnect between Blackness and the Black Nerd. The Black Nerd doesn’t listen to hip hop or rap, only classical music. The Black Nerd only has white friends, the only other black characters are into not nerdy stuff. The Black Nerd never ever uses AAVE at any time in any context.
And again I must say that Black people, not being a monolith, there are no hard fast rules to being Black. I’m more than sure there are Black people like what I’ve described above, I’m not saying it’s impossible; what I’m getting at is that the only Black Nerd we see. There are Black Nerds that play basketball, that bump Kendrick Lamar, and use AAVE since it’s an ever changing dialect. I’m just saying there’s no one way of being a nerd and no one way of being Black.
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the dancing scene in Tangled always gets to me because like... the king and queen are grieving, this is the hardest day for them, they don't take part in the celebration other than lighting the first lantern. but she's right there she's in the town the person you miss she's in the town she's painting the streets she's singing she's playing with the children. the person you're grieving is here and she's alive and she's dancing outside your window
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one of my favorite bits in lord of the rings is something the movies didn't really try to do because it's entirely internal, but sam's carrying the ring and it starts trying to do its work on him, so he's having these intrusive visions of himself marching at the head of a vast and terrible army, and he just starts laughing because, me? samwise gamgee? sam gamgee the general sam gamgee the dark lord are you for real? man i just want to go home and do some gardening. and the ring gets frustrated and it starts trying to figure out other stuff that would actually tempt sam and it's finally like, okay, but hear me out: imagine if you could have...A REALLY REALLY BIG GARDEN
yeah yeah rainbow capitalism is bad and whatever but like. when I was a child, being pro gay was not the popular or lucrative choice. I'm happy that times have changed.
I miss rainbow capitalism. I do. I miss when it felt like public opinion was still pro gay. I understand it was always an empty gesture, but it mattered in a sense of knowing how socially acceptable being queer is. If that makes sense.
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They move in together full time and Ilya notices that Anya acts differently with Shane than she does with him, more quiet and less playful, and he worries that means she doesn’t like Shane or is jealous, so he hires a dog trainer to come over and see if there’s anything they need to do to help
After a while of talking about how Anya acts the trainer says there’s nothing to worry about, Anya likes Shane just fine, it’s just that she sees him as the boss and is acting accordingly
And Ilya is like. But. I’m the one who adopted her? And raised her before Shane got here?? And the trainer is just like yeah well she sees you more like an equal. And Ilya is like WAIT she thinks Shane is in charge of both of us?? And the trainer is just like well do you interact in a way that would make her think that?
Ilya’s life flashes before his eyes as he thinks of all the times Shane has come over with a snack for Ilya and a treat for Anya, or all the times Shane has announced they’re all going for an after dinner walk, or pets Ilya’s hair and tells him he did a good job at practice, or the fact that he uses the same warning tone with Anya when she misbehaves as he does with Ilya when he’s causing problems on purpose
Shane comes home to Ilya with his face in his hands going oh god I’m not Anya’s dad I’m her brother and she thinks we’re both your pets. And Shane just goes. What.
