The people of West Ham often forgot that Allie Pressman and Sam Eliot were cousins. Actually, the people of West Ham usually forgot about them period. If they did think about them, it was only ever as Cassandra’s sister and the deaf kid, not as actual people. But Sam and Allie had grown up together, they were cousins, they understood each other in a way that no one else could. Sam knew how Allie both loved and hated the relative safety of Cassandra’s shadow, knew how easily her parents overlooked her in favour of their perfect, and sick, eldest daughter. Allie knew how Sam felt like his parents never saw beyond his deafness and sexuality, and just how terrified of his brother he really was. But they weren’t just cousins — after all, Cassandra and Campbell were their cousins too. No, Sam and Allie were best friends and had been for their entire lives and that? That changes everything.
Welcome to my The Society fic series, City Is A Graveyard! Who We Were Then is the first of five fics in the series, and it’s a pre-canon AU in which Sam and Allie are best friends as well as cousins! Basically, it was born from me going (and I quote) “Listen you’d can’t give me a traumatized teenager with sibling issues and imposter syndrome and a traumatized teenager who’s gay and deaf and have them be family and expect me to care about anything else ever”, especially when you throw in Lord Of The Flies on top of that!
Rest assured, Becca is still the iconic best friend we know and love (to both Sam & Allie), Will is still one of Allie’s closest friends, Grizz is always everyone’s favourite, and we’ll still have plenty of pre-Hallie goodness (leading into full Hallie in later fics), but I was disappointed by how few fics I could find that really explored the Pressman-Eliot family, so here we are!
I will eventually make introductions for each fic in the series (and hopefully I’ll get to writing it soon), but here’s a breakdown of the plan for anyone who’s interested
Who We Were Then — pre-New Ham, some of Sam and Allie’s childhood but mostly focused on their junior year leading up to getting on the busses in 1x01; pre-Hallie & Grizzam
Fear Can’t Hurt You Anymore Than A Dream — no New Ham AU, where the students come back from a camping trip and the world is exactly as they left it, will follow the end of their junior year into senior year; eventual Hallie & Grizzam
Maybe There Is A Beast (Maybe It’s Only Us) — canon AU, the kids get off the busses in New Ham, exploring how a closer bond between Allie & Sam (and how that changed their junior year) would change the events of the show; still eventual Hallie & Grizzam
It Sounds Better Than It Is, This Business Of Surviving — post canon, the kids make it back to West Ham and have to find a way to return to ‘normal’ after everything they’ve been through; Hallie & Grizzam
We Are The Kids That You Can Never Kill — post canon, the kids make it back to West Ham only to find that everyone who died in New Ham woke up back in West Ham at their exact time of death, now they all have to return to ‘normal’ surrounded by people they’d mourned and people they’d killed; Hallie & Grizzam
I’m very excited about this project and will definitely be trying to make more edits & posts about it (and hopefully writing it lmao) so if you’d like to be tagged in anything for it, feel free to let me know!
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received the email from my university notifying me that I am officially dr. postarcadian, phd while standing in front of Alfred Sisley’s The Road From Versailles to Saint-Germain then had to go see Turner’s Modern Rome-Campo Vaccino in the same gallery about it. life moment of all time
It’s extremely fucked up that some ppl try to make you feel stupid and immature for hoping for a better world. You say you want world peace and mfs think you need a pacifier; dawg, I just don’t want ppl dying from violence. This idea that ppl simply must die as casualties of war is misanthropic to say the least.
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the symbolism of billionaires willingly paying some greedy tech bro 250k to go sit in his backyard shed built tin-can submarine to find a sunk mass grave site of over a thousand people (many whom died solely due to being poor or third class passengers) only to become missing and likely lost at sea themselves is the type of karma you usually never get to see play out so perfectly
It coinciding with the creation of a new oceanic mass grave off the coast of Greece, due to cultural hatred of The Poor, certainly makes it a stark illustration of exactly what has gone awry in our society: excessive adulation of wealth.
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#looked up and thought ‘that can’t be hard’#and then my eyes widened with horror as I realized the sheer number of rectangles everywhere#I’m . I’m horrified
we seriously need to stop conceding to the personhood trap when it comes to abortion rights. is a fetus a person? thats a spiritual question. i dont care about the answer. should another person dictate what someone can do with their body? simple answer: no.
like if a fetus isnt a person it has no right to my body and if a fetus IS a peson it also has no right to my body because there is no other context in which we are required to put ourselves at risk of physical harm to preserve another persons safety or even life.
you dont have to save someone from drowning even if youre a strong swimmer. even in death youre not required to donate organs and that could save several people. you can kill someone if you truly believe your safety is at risk. we dont mandate preservation of life over autonomy in any of these circumstances.
The thing is, a lot of people confuse Eddie giving Buck space to make the choice to come to him if he needs it with Eddie being bad at communication. There's a reason why Buck hides at Eddie's place after the lightning. There's a reason why Buck wordlessly hands Eddie a beer after his breakup. Yes, Eddie needs to be better at accepting that he can want things, but after his breakdown, he did get better at talking about his struggles before he reaches a breaking point. Hell, we even see him opening up to Brad about his struggles with Chris. He talks to Buck AND Bobby about the problems with Marisol. He chose to go to confession. He chose to talk to Father Brian at the juice shop once he hit the right button. Buck had to give him one 🤨 look, and he was spilling his guts about Kim. Buck asked one question, and he was talking about moving to Texas because he wasn't hiding from Buck because he wanted to hide, it was because the idea was new, and Buck walked into it while it was fresh. He was talking to Buck all throughout the move. He was calling at every minor inconvenience. He talked to henren about the job in El Paso and not getting through to Buck. Buck is the one who is consistently bad at starting a conversation because he feels things too intensely all at once, and he needs time to bring himself down before he can actually talk. And Eddie knows when he needs to poke at Buck until he explodes and they can move on, or when he needs to let Buck do his thing and come to him when he's ready. It's why he's not on Maddie's list to check on Buck after the lightning. It's why he doesn't push Buck to talk to him after the basketball. And it's also why he sends Buck away after he starts sabotaging the house showings. Because he's not mad at Buck when he gets to the station. He only escalates when Buck escalates. When Buck tells everyone something he asked to be kept a secret. When Buck tells him he doesn't need him. Because obviously, he's not perfect, and his feelings are getting hurt, too, and he can be brutal when he's hurt. But even then, he's telling Buck to be angry if he needs to. And in 817, he escalates because Buck can be self-centered in his insistence on not being a burden. Seriously, how is Buck taking Eddie's guilt for not being there and hearing it as Eddie accusing him of not trying hard enough to save Bobby, not Buck making it about himself? That conversation does make Eddie realize that thing Buck needs at that moment is not him, so he gives Buck family to see if he can help Buck bring himself down. He tries. Every single line we use in this god forsaken site came out of Eddie's mouth. And most of the time for the past few seasons, Buck is the one not being honest, not Eddie. So much so that they always resolve things the second Buck settles enough to have a conversation that's not gonna be reactive. Because Eddie is physically unable to hold things against Buck once Buck explains what's happening. Ever since the "you can have my back any day" Eddie has been letting Buck take the lead while letting him know the option is there. I don't know why is it such a surprise when he lets Buck do what he needs instead of forcing him into something he's not ready.
always gets my hackles up when people talk about the EVIL INVADING FOREIGN TARGARYEN DYNASTY and how westeros just needs to retvrn to the pure unblemished past free from subjugation.... with each of the seven kingdoms having their rightful monarch LOL ok alright
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I really like motherhood as a character trait and symbol in fiction because it's a position of power afforded to women that's both aligned with and central to their gender role rather than being contrary to it, and it can reveal a lot about how a character reacts to being given almost total control, heavy responsibilities, and very little external accountability or support, which I think is a very rich scenario and character type to explore. in my mind the role of mother is closer to captain than to wife. but, unfortunately for me, there is the rest of the world to contend with, and most other people are trying to be Normal about motherhood rather than Weird about it on purpose.
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