Had to switch to a different tablet for this one, ngl struggled a lot.
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cherry valley forever

祝日 / Permanent Vacation
"I'm Dorothy Gale from Kansas"
wallacepolsom

roma★

Kiana Khansmith
Not today Justin
Sweet Seals For You, Always
🪼
RMH
he wasn't even looking at me and he found me
Claire Keane
2025 on Tumblr: Trends That Defined the Year

blake kathryn
Monterey Bay Aquarium

if i look back, i am lost
Keni
ojovivo
hello vonnie
seen from United States
seen from United States
seen from United States
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seen from United States
seen from Netherlands
seen from Brazil
seen from United States
seen from France

seen from Türkiye
seen from United States
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seen from United States
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seen from Switzerland
@quoththemaiden
Had to switch to a different tablet for this one, ngl struggled a lot.
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Let's talk - Part 1
Continuation of this
-Next part-
Sometimes I see people talk about how pointless the GO3 Gang Subplot was and how it should've totally been cut and it contributes nothing to the episode and I am… of two minds about it. Because I actually do see what was the intention here. That whole thread was supposed to be Important Thematic Set-Up to Crowley and Aziraphale's conformation with God. It's, y'know, Crowley has been playing the same rigged game over and over again expecting different results that he will never get, because the person actually in charge makes sure that he will never Find the Lady. And then Aziraphale swoops in and wins the only way you can win these kinds of games, by changing the game completely.
And then in the ending, Aziraphale and Humanity has been playing God's rigged game, which only goes the way God wants it to, until Crowley requests to change the rules of the game, by creating that new 'Real' Universe.
But the thing is, that STILL makes the Gang Subplot detrimental to the episode and something that should've probably been cut, because that ending absolutely FAILS to actually fulfil the thematic throughline that the Competitive Crossword Sequence established and thus it's existence and the attempt to create parallels with the climax only highlights the failure to show God being outplayed, outwitted or defeated in any meaningful way.
The contrast between the Gang Storyline; where Crowley and Aziraphale clearly want a Thing (the Bentley), and the Mob Boss clearly does not want them to have the Thing, and Aziraphale clearly takes that Mob Boss aback by twisting the contract about 'choosing a game' to mean the most bullshit game that he is most optimized to win ever, and then winning so hard the Mob Boss gets a Heart Attack, to the God Climax; where Crowley and Aziraphale want…. the universe to not end, mostly, and God can end the universe whenever They feel like but They decide to humor them, and then Crowley just shouts at God a bunch of time that it's not fair and he knows Their game is rigged, and then God is like "okay then, what better idea do you have?" and Crowley is like "kill yourself!" and God is just "yeah sure why not lol, but you know… this mean I have to kill you and your boyfriend as well" and Crowley is like "-pensive emoji- yes", is just too vast.
And trying to look at the parallels only emphasizes how weakly the climax plays as a "defeat the oppressive system by changing the rules of their game" thing. How there is never really a point where God isn't holding all of the cards, how there was nothing binding Them to do what Crowley asked other than because They felt like it which leaves open the possibility this is still all part of the Game They want to play somehow, that Crowley and Aziraphale don't even really get what they want at the start of the scene because the universe still ends and God just starts a new one, that there's no way for them to know that God will actually keep to Their word and they literally just have to blindly trust the person that the whole point is that they shouldn't trust to do anything but rig the game in Their favor…
This is much less like Competitive Crossword and more like if Aziraphale came in to that Mob Boss' office like "Oh, you know, taking my boyfriend's car/pet/extension of body away was very rude and mean of you! And I know you games aren't fair! ):<" and complained at him a bunch of time, and then the Mob Boss was "yeah, okay, my games aren't fair, what do YOU think would make them fair?" and then Aziraphale was like "let's both stick our heads into this pit of burning deadly Hellfire and if we both die you HAVE to pretty please pinky-promise me you tell your next of kin to send Crowley's Bentley back to him, okay? (:" and the Mob Boss is like "yeah sure that sounds cool I guess I guess I wouldn't mind dying today" oh and also since the Mob Boss had access to Hellfire he always knew he could've killed Aziraphale immediately and completely consequence-free…
And also maybe the Bentley was already stripped for parts and Crowley was dead but the Mob Boss really really promised he'd get a new Bentley and send it over to someone who is probably named Anthony Crowley.
In general, I think that even under the best circumstances it's hard to make your ending both "the protagonist outwitted God by changing the rules of Their game into something they can win" and "the protagonists selflessly sacrifice themselves in a bargain with God for the Greater Good". With all the themes of unfair games and changing the rules, it's Odd that when God sets up a seemingly-impossible price and ultimatum to our heroes… they really do have to just Nobly Accept it. Those rules are apparently set in stone. It would've felt much more resonant with this supposed theme if Crowley and Aziraphale could have it all somehow, the way the Mob Boss made Crowley choose between the Bookshop and the Bentley but Aziraphale made sure they'd have both, if Crowley and Aziraphale could also have a world free of God and Heaven and Hell and be an 'Us'.
And I don't think the Reincarnation thing counts both because even if (and it's important to remember that is an 'IF') they have Crowley and Aziraphale's souls/consciousness, Asa and Anthony are fundamentally different people who have gone through fundamentally different life experiences, they were just not what Crowley was thinking of when he was hoping for an 'Us'… and also because there was no Agency here on the part of Aziraphale and Crowley, they didn't make this happen or chose for this to happen or plan for this to happen. It was just, fate or the cosmos or whatever. For this theme to work, Crowley and Aziraphale would have to figure out how to do something tricksy and clever to somehow outwit God themself.
So, y'know, Gang Subplot still Stupid and Bad and should've been cut. But it's not that it should've been cut because it was pointless, but because it had just enough of a point to drag the story down even farther.
Sometimes Aziraphale feels old. Or, he feels weary and achy and tired. He is old, that’s for certain, but angels don’t really get old. He’d been wearing this face since the dawn of time, and sometimes his cheeks were plumper or thinner, and sometimes there were bags under his eyes, but it hadn’t aged a day. Sometimes he remembers the inquisitions, the revolutions, the crusades, the war and the horror of it all, and he laments how much his years have let him see.
And then Crowley will do something like start humming. He’s wandering around the bookshop, idly rearranging things. Aziraphale doesn’t have his books arranged by the alphabet or Dewey Decimal–no silly human classification. He’s not an animal, he has a system, it’s just that only he knows what it is. And Crowley, maybe. He seems to have figured it out, or otherwise is using his demonic instincts, because he’s putting the books he plucks from the shelves in exactly the worst place he could put them. Aziraphale would be mad, but it gives him something to look busy doing when customers come in asking questions.
He can’t place the tune. It’s familiar, so familiar, but he can’t place it. He doesn’t realize at first that he’s been following Crowley around the shop, brows furrowed, following the sound like a bee tracking pollen.
Crowley finally notices him, but doesn’t stop, making contact through his glasses as he reshelves a book. The humming gets a little louder, a little more pointed and teasing.
“What is that tune?” Aziraphale finally asks. “It’s driving me mad.”
Crowley quirks a grin, taking a moment before he stops to respond. “Willard Bourke. Pianist. We saw him play in the 70s, in that little tavern, you remember. You thought he was handsome.”
Aziraphale blushes, but, yes, he does remember now. They’d been there for a drink, and Aziraphale had been mesmerized by the man’s deft fingers. “Ah.” Aziraphale clears his throat. Crowley says the 70s, like there’d been only one of them, but it had in fact been the 1770s when they’d heard him play. “I do remember, yes. I thought he’d be famous. Pity no one remembers.”
“We do,” Crowley says, and goes back to humming.
Or that time he stops by Crowley’s flat, just for some tea, just for a chat. He finds Crowley in the middle of cooking, cursing quietly to himself. The demon looks frustrated. He’s positively glowering when Aziraphale enters.
Aziraphale surveys his ingredients, face screwing in confusion. “Whatever are you cooking?”
“Stew,” Crowley responds glumly. “Or, at least, I’m trying to. I can’t get it right.”
“Part of the joy of stew is that you don’t have to get it right.” He waves his hands. “The pot does most of the work.”
Crowley hisses, raising his fingers to rub against his eyes. “No, it’s … It’s a specific stew. I’ve been craving it for ages, but no one makes it anymore. It came with these little roasted dill seed bread balls and …” He cuts himself off.
“Crowley–” Aziraphale squints suspiciously. “How old is this recipe, exactly?”
Crowley sighs, already defeated. “Mesopotamia?” he ekes out, abashed.
Aziraphale laughs. “Oh, good! It’ll be a challenge, then.” He pulls the spoon from Crowley’s hand, taking a sip. “Juniper berries,” he decides. “You need juniper berries.”
Or when Warlock is young, maybe 6, not more than 7, though Aziraphale finds it so hard to keep track. He and Nanny Ashtoreth are sitting in the garden, drawing. It’s one of the rare moments when they’re both calm, worn out from a long day of chasing and yelling and plotting.
Aziraphale pretends to mind his rosebushes, but he’s been watching them for some time. Finally, he breaks and walks over.
“Ah, young master Warlock,” he says, peering over their shoulders. “What a wonderful drawing you’ve done. You like dinosaurs, hmm?”
Warlock looks up, colored pencil held tight in his fist. “Nanny is teaching me about extinct animals. Like dinosaurs and thylacines and unicorns.”
Aziraphale shoots Nanny Ashtoreth a look. She doesn’t look back.
Warlock pipes up again. “Nanny invented dinosaurs, did you know?”
“Did she now?” Aziraphale asks. It’s hard to keep his voice straight, because he knows this to be a fact. Crowley had been quite drunk at the time, but he thought it would be hilarious. “Big ‘ol lizards,” he’d said, “just huge, you know. Like a dragon, but they’ll think they’re real, see. Biggest things ever. ‘ould barely fit in the garden, them. Big buggers.”
Warlock nods. “My favorite is the T-Rex. Nanny says it would eat you in one bite.”
Aziraphale hums, discontented, as Nanny Ashtoreth quirks a grin. He spares a glance at what she’s drawing, and stops. It’s the most beautiful drawing of a passenger pigeon he’s ever seen. The reds and blues of it, every detail in its feathers. They’d seen them together, before, before they’d all gotten hunted out.
“It’s a lovely drawing, Nanny,” he says, voice a little more earnest than he means it to be.
The pencil stops, then keeps going.
Warlock looks up at him again. “Nanny says she ate the last one.”
“I did,” Nanny Ashtoreth responds. “And don’t you forget it.”
It’s the little things, the things that, by himself, Aziraphale might not remember. It’s the feel of the earliest silk, the thrill of his first moving picture, the clamor of a Roman marketplace on a hot day. Aziraphale is good at the experiencing, but Crowley has always been one for the remembering. Things stick with him. Things that, otherwise, would have been lost to time.
They’re curled up in bed, two commas together, and it’s been one of those days. Every shine is the glint of a sword, every wayward noise a battle cry, and Aziraphale can’t seem to stop remembering. He remembers the mess and the horror of it, he remembers the loss. All six-thousand years of loss.
Aziraphale swallows, and he hates how thick his throat feels. “Tell me good things,” he asks, meek, tired, and Crowley hums and presses a kiss into his shoulder.
Do you remember? Crowley asks, and keeps going. Do you remember, do you remember?
Yes, Aziraphale responds. Yes, yes, I do now.
They lay there, and remember together, six-thousand years of good and light, and fun and joy, and it’s easier. It doesn’t take away all the bad that he’s seen, but it’s easier. He remembers the food and the smells and the heavy cotton, and the music and the laughter and his first taste of wine. The bad isn’t gone, but there’s good, too, pushing it’s way in to make room.
Do you remember when we met? Crowley whispers, their hands linking.
Aziraphale pulls them up to place a kiss against his knuckles. It was so long ago, a lifetime, but yes, he does.
I remember, he says.
there is a stripper pole in my attic. i saw it in a dumpster one day, and i went, shit, this is exactly the kind of thing my wife would want. and i didnt really want it in the house, what with it being a used stripper pole lightly seasoned with dumpster juice, but i mentally decided that if she were to see it and ask for it, i would say she could have it, and then sure enough, later that evening, she went soooo baaaaaaaabs there's this thing by the dumpster and i want it but i get it if you don't want it in the house but i have to show it to you- and i went, no you dont, you can have the pole, and that was the most surprised i have ever made her look. even compared to the day when i proposed to her, which she was prepared enough that we both knew she would say yes, and she could also get her hair done up and have a cute outfit, but not so prepared that she was not fucking flabbergasted by the 12 empty decoy ringboxes i sprung on her. i handed her so many decoy ring boxes that day. still one of the funniest things i've ever done to her.
anyway we like pacing around together and ranting in the attic but sometimes instead of pacing one of us will just hang on the pole and spin, and the other person will watch on the beanbag, which makes for these really goofy conversations where the person on the bag will say something that gets the other persons goat, such as, hypothetically, that xylophones do not belong in rock music, and then the other person will go on a tirade about this, but they'll actually only be facing the Hot Take Speaker half of the time, what because of the pole, so the response will sound something like
I can't believe
you would even suggest such
a stupid opinion. You've
been to a Danny Elfman
concert! How can you
have heard Oingo Boingo
live and say with a straight face
that they alone do not justify
rock and roll xylophones
and then that person will continue until they get too dizzy, then they'll get off the pole, and by unspoken agreement, the person on the bag will get up and trade places with them to deliver their rebuttal while also spinning and it just creates this sort of crazy strip-court lawyers debating absolute nonsense for no reason kind of vibe that frankly just really does it for us.
i don't really have any marriage advice for this i guess its just a look at what being married can look like. i thought that being married would involve a lot more stuff like carving the turkey, or barbecuing, or watching the sunset, and if id known how much time it would involve arguing for xylphones in rock music while spinning upside down i might have prepared for it a little differently.

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Part two of reverse omens
Don’t you ever leave me
i got into gomens years ago when s2 came out, but for the first time ever, i’m seriously thinking of starting a gomens blog and making an ao3. ever since the finale (I Did Not Care For It) i’ve felt this irrepressible need to create, to fill in the gaps that went unaddressed and to give my beloved A&C the happy ending they deserve. anyway i guess my concern is that i’m worried that everyone will leave for greener pastures in light of, well, everything. i don’t want to pour even more of myself into something that’s already broken my heart twice over if the fandom is just going to turn into a ghost town yk? anyway i thought as someone who’s way more involved in the fandom than me you’d have some sense of where things might be headed in the future. but also feel 100% free to ignore this lol
oooh very interesting. i do have a lot of thoughts on this!
first of all, spite is a great motivator to start creating. in fact, it’s how i myself got started in fandom, after bbc sherlock s4 aired, and i went from mostly lurker to very active blog and creator. (just when the fandom was on fire, yes)
and just like the sherlock fandom, the good omens fandom is way older than the tv show. this will not become a ghost town, ever.
i won’t lie to you, though: the fandom will change, inevitably, and in fact, it already has. after good omens s1 the fandom was massive, the biggest fics from those days have more than 40k kudos. post s2 there was controversy, and a fandom split, less engagement on posts and fics. after the neil gaiman allegations came out, a lot of people got angry, disappointed, moved on, etc. now after s3 it will again change: people will move elsewhere, others will double down, some people will join anew.
in truth: your fic will not get as much attention as a s1 or probably even a s2 era fic might have received. i will say in favour of the good omens fandom that it has an excellent commenting culture: readers tend to leave comments more than in other fandoms, which is absolutely lovely.
as a beginner in fandom though, this will likely be an uphill battle, it’s something that will need to grow, though i do know some people are desperately refreshing ao3 for good omens 3 fixits every day. and if you make a blog and write your fic, feel free to tag me in your post about it (for example in the comments) and i’ll give it a reblog.
now here we arrive at the core of it: fandom as a catalyst for creative self expression. you feel that urge to write, to seek justice for your blorbos, to become active in fandom. if nothing else, giving in to that urge will lift you up, inspire you, and help you grow in so many unexpected ways.
when i think back on my bbc sherlock days and look at where i am now, my life has forever changed. i know that if i hadn’t made that jump, there are so many crucial people i would not have met, so many skills i would not have developed or acquired (writing, amv making), big life events that wouldn’t have happened, community i would not have felt,… i would not be who i am, be where i was, if it weren’t for fandom.
everything of yourself that you pour into fandom, changes you, grows something inside you. it isn’t ever a waste.
Wait tho pls tell me non british people have also seen this advert bc it’s amazing and very important to me
Oh my loooord
The Reviews™ are in
I would love to know what the fuck has been going on in Money Supermarket’s advertising department over the last few years.
OH MY GOD
WATCH THIS. PLEASE.
Lolololololoooooooolll ❗️❗️❗️
do you think that the guy playing he-man is wearing some kind of muscle body suit or those are his real muscles
cause like i don’t think a real person could look like that
also what an awesome ad good music choice too
@thefingerfuckingfemalefury
<3 The single greatest commercial to ever exist in human history <3
Geez well now I have to go to Britain
“GOTTA DANCE WITH SKELETOR”
I am c r y y y i n g
Holy crap 😂😂😂
The greatest Super Bowl ad ever isn’t even a Super Bowl ad.
Impossible not to reblog. :)
Ok. It won’t get better than this.
👩🏼💜💀
Sometimes creative genius simply can’t be contained
Sub-Radio, the band that did Stacy's Dad, coming out with another banger for Pride.

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"Under the roof of Eden." part 3
PREVIOUS
learning better coping mechanisms
prompt 7. stckers
@bakubangspeedrun
Yurifies your trolley problem <3
Just so you all know, my tumblr glitched egregiously so now every time someone reblogs this from me, tumblr takes me off of my dashboard or search results and forces me to see this post again
WHY DID SOMEONE ADD AN INCINERATOR ????
I STILL HAVE TO SEE THIS BTW. ITS BEEN YEARS.
i don't think "secunit neutral" actually means anything tbh

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So today I learned that there’s a conventionally attractive dragon furry BEWD card
And I just have to live with this fact now.
Ok I want to know something
how often do you talk with the mutual you speak the most to?
every day
several times a week
once a week
once a month
less than that
i'm too much of a coward to talk to my mutuals
also if you want to please add in the tags whether you've met in person and whether you live in the same country