There was a lack of Hank + Ladybird fanart so I made some.
One Nice Bug Per Day

Andulka
styofa doing anything

if i look back, i am lost
"I'm Dorothy Gale from Kansas"
NASA

@theartofmadeline
hello vonnie
I'd rather be in outer space 🛸

Kiana Khansmith
Xuebing Du

★

Kaledo Art

Discoholic 🪩
h
PUT YOUR BEARD IN MY MOUTH
dirt enthusiast

Origami Around
Alisa U Zemlji Chuda
seen from Australia

seen from United States

seen from United States
seen from Malaysia

seen from United States
seen from Greece
seen from United States
seen from Guatemala
seen from United States

seen from Germany
seen from United States

seen from South Africa

seen from Singapore

seen from United States

seen from United Kingdom
seen from Sweden
seen from United Kingdom

seen from Malaysia
seen from United States

seen from United States
@rainstormcolors
There was a lack of Hank + Ladybird fanart so I made some.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Reading No Longer Human by Osamu Dazai back-to-back with Lonely Woman by Takako Takahashi was a pretty decent unintended-by-me route to experience these older acclaimed works which have really strong parallels and contrasts about loneliness, alienation and disconnection, and misogynist vs feminist perspectives.
I feel like a lot of Tumblr might really enjoy the first 50 pages of No Longer Human but the character's misogyny does get very blatant and persistent as from an unreliable narrator after that point on, but it's considered a classic novella and it's pretty brisk. (I don't know how I feel about it yet really and there is a lot of context with it.)
The epilogue of No Longer Human is very fascinating to me and elevated the whole novella for me, because the real world parallel and questions become so very distinct and potent there.
Because the parallel is our protagonist who has struggled with emotional isolation and various other difficulties who has a history of suicide attempts sent his journals to a friend and then is never heard from again; this parallels the author having written this very personal novella, leaving it for the world, and then killing himself. And the epilogue is the madam character's reaction to this and also a stranger's reaction but also perhaps what Osamu Dazai was pondering aloud of his thoughts of what others would think of him and his suicide, at least in some capacity.
And there's a lot to wonder in the madam's thoughts on the protagonist in the end.
Did the character understand he was loved by the people he knew in spite of everything? Is this the full awareness of how his inside didn't match what other people saw of him or wanted to see of him? Does it feel like even in death this woman would never see Yozo for who he really was and insist he was just good? Is this a desire to be seen as good and to have left some positive impact even in the disconnect and judgements? Is this the truth of an unreliable narrator: that he was a good man to his pals even though he felt he was not a human being? Is this a dearly desired thought, that his friends loved him and would miss him? Leaving the journals, perhaps like leaving this novella, was a desire to be remembered and possibly reach out after being gone. And of course, Osamu Dazai was just a person. People are complex beings and feelings are complex things and it's not grand or divine. It's human.
The novella also has the context of Japan being in the midst of intense societal changes when this story was published in 1948 which factors in to the miasma that came to speak to many readers who made it a classic.
Ms paint
"Alley Guys" is what Hank named their beer so this is the foursome ship name to me 😊 I'm glad Dale has very good friends so he doesn't go full Unabomber.
Drawings of Chocolate the Chihuahua 🐶 First time I've done a sketch page of a pet! I should do more...

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Black and white ink commission: Dale surrounded by his guardian angels: Ryo, Kaworu, and Castiel. Could this paranoid little cockroach man ever get used to being loved?
The crime: young duo of rats chew holes in clothing sometimes and will mark with piddle.
The sentence: a dozen smooches each day.
a collage of scraps of today
Jonouchi overworking himself for his family and his father - trying to support himself and trying to fix the situation in some way - didn't "fix" Jonouchi's father or family situation, but we know this is in Jonouchi's habit and that he was also repeatedly willing to throw himself into deadly situations and what-should've-been-lethal ones for the sake of Yugi and other loves ones.
How much is Yugi withholding his struggles potentially a reaction to knowing on some level this aspect of Jonouchi, that Jonouchi would go to the ends of the earth to make Yugi happy and Yugi doesn't want to burden him with that. I believe it's more complicated than this for Yugi but maybe the aspect is there.
It's like the pier duel, the two eternally wanting to sacrifice themselves for the other.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Reading No Longer Human by Osamu Dazai back-to-back with Lonely Woman by Takako Takahashi was a pretty decent unintended-by-me route to experience these older acclaimed works which have really strong parallels and contrasts about loneliness, alienation and disconnection, and misogynist vs feminist perspectives.
I feel like a lot of Tumblr might really enjoy the first 50 pages of No Longer Human but the character's misogyny does get very blatant and persistent as from an unreliable narrator after that point on, but it's considered a classic novella and it's pretty brisk. (I don't know how I feel about it yet really and there is a lot of context with it.)
Ryo Bakura as the freeze trauma response to grief
Seto Kaiba as the fight and flight trauma response to grief
Yugi Mutou as the fawn trauma response to grief
I hadn't heard of this idea previously, but Yugi is also this trauma response to grief:
Well... Here's a project i've been working for some weeks now: an attempt of an doujinshi-style comic! This one of a silly idea i had for these two
Maybe i'll try doing more comics in this style in the future, who knows.
Also avaliable in Brazilian Portuguese in this link, also a file with the full thing in English here!
I personally found the castle precipice duel at DK to be a highlight of YGO with complex emotions and I don't personally paint anyone but Pegasus as the true bad guy of that duel. Atem and Seto were troubled teenagers who did make their mistakes but the emotional charge and their desperations and everything whirling like a storm.
But Yugi sobbing at the end... he's sobbing because he's reminded of his other self's capacity to harm and willingness to harm and he's sobbing because Seto came close to dying, yes to all this, but I feel he also sobbed because maybe his other self wouldn't come back or wouldn't like him anymore. I think that's why Yugi mumbles that he was selfish afterwards, maybe. I think he was scared he hurt Atem too but it was a painful rough moment for everyone involved. But still afraid that other self wouldn't like him anymore...
Ryo Bakura as the freeze trauma response to grief
Seto Kaiba as the fight and flight trauma response to grief
Yugi Mutou as the fawn trauma response to grief

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Thinking of Seto either during his stay with his relatives or maybe at the orphanage, hiding away from other people. And he feels like a monster because he doesn’t feel sad about his biological father’s death the way he’s been told he’s supposed to feel sad. But he also can’t stand seeing happy families, happy parents with their darling children, and his mind shouts inside when adults try to engage him that they’re not his mom, they’re not his dad, “leave me alone.”
In line with the post from yesterday, Seto’s hostility towards Yugi in DSoD may partially be from that particular variety of pain in grief: “I lost the only friend I had; and I can’t stand seeing you happy with your friends. I can’t stand seeing friendship at all right now.”