Echoes and Musings

If anyone is ever training you to replace them in a position and tells you 'its an easy job I don't do much' what this means is that you are about to spend six months to a year catching up on all the stuff they didn't do and sorting out the stuff they did poorly.

Compiled some basic information I know about drawing fat characters for beginners since I've been seeing more talk about absence of really basic traits in a lot of art lately.

In 2021, Swarovski (the company that makes the very sparkly crystals you see in certain jewelry, on figure-skaters' twinkliest outfits, on red carpet dresses), decided they didn't want the grubby fingers of small-time jewelers, clothing designers and costumers and crafters on their shiny beads and rhinestones anymore. They decided to limit their sales to "luxury" and couture creators, not girls who sell stuff on Etsy. The tenor of their press release on the subject was snide and insulting. Resellers (like your favorite bead shop) would no longer be allowed to carry their product; the average Jane on the street would not be able to purchase them. You could only get them if you had an authorized business agreement that bound you to very strict brand behavior. And those of us who still had good stock of the crystals would no longer be "permitted" to use the brand's name in our listings for sale.

Every bead shop and craft supply place and many, many small clothing makers--wedding shops, prom and dancing dress suppliers, the sort of salt of the Earth mom and pop time machines of shops that are the backbone of the field--scrambled to find something that could replace them. The last of the stock dwindled quickly, all of us grabbing what we could get while there was any chance of it, and then it was gone and we no longer had any access.

I was Big Pissed about it at the time. It was just so goddamn stuck-up, when wholesalers and indie jewelers had made them so much money, when some people I knew--when *I!*--had been brand-loyal for decades. But with no recourse, everyone pivoted fairly quickly, most of us to Preciosa Crystals. Those are Czech, quite sparkly, and considerably less expensive than Swarovski. The faceting method they use is different, but not worse; any differences are hardly noticeable when you're seeing them as a hundred pinpoints of light.

Well, out of nowhere, Swarovski just dropped this: https://www.harmanbeads.com/swarovski-brand-policy-update

"Effective June 1, 2026, Swarovski updated the distribution and brand usage policies introduced in 2021. Businesses may now purchase Swarovski Crystals without signing a Brand Control Agreement, and Authorized Distribution Partners may once again sell Swarovski Crystals to resellers, including bead stores and online retailers. Businesses may also use the Swarovski brand name when following Swarovski’s Proper Use Guidelines. Designers, manufacturers, artists, brands, retailers, and resellers are now eligible to purchase Swarovski Crystals through authorized distribution channels."

They want us back. A lot of the companies who could have kept a brand relationship with them also have swapped to Preciosa, over the last half-decade, in solidarity with indie creators and out of a sour awareness that it could be them, next. And it doesn't hurt that Preciosa was able to expand their line quite a bit now that everyone who wanted sparkle had no choice but to go to them.

And I'm not seeing nearly anyone who intends to return. The feeling is, "Y'all told us to fuck off! Off we fucked! And now, that's what you can do, too!" I'm seeing a lot of "How many of us did you stab in the back?" comments from the people whose money they're hoping to attract.

This may seem like an exaggeration, the idea that one can learn how to properly think like a criminal by learning how crime stories work. On a personal note, let me tell a story from the Leverage writer’s room.

Apollo Robbins (http://www.istealstuff.com/) runs a crew of professional thieves who consult for law enforcement. He was also our criminal consultant on Leverage. Every few weeks he would visit the writer’s room to advise on the scripts and keep us up to date about new cons and the latest in criminal technology.

One day during the third season he sat in with the writers while we broke a story. We posted the details of a real-life white collar criminal up on the room’s whiteboard, using him as the basis for our Mark. We looked at his weaknesses, how he moved his money, what his hobbies were. Once we were happy with that element of the story we added a Vault to the mix, one that used an interesting new alarm technology we’d researched. We then spent about an hour figuring out how to circumvent that alarm. We even sketched out a map of the imaginary building so we could keep track of our Crew’s movements during the Job.

“Well, I’m done here,” Apollo muttered. Noting our confusion, he pointed at the board and index cards cluttering the wall. “This is exactly how real Crews plan these things. This writer’s room is now a fully functioning criminal gang. You could be thieves.”

Of course writing television pays better than crime (usually), with far less chance of being arrested (usually), so we all managed to resist the temptation. But aside from the day a US Attorney asked us to change a plot because we’d created a scam that was a little too foolproof, or when a Homeland Security Agent admitted they were spooked by a security hole we’d exploited in our season finale, it was certainly one of the proudest moments I had on the show.