I love Star Trek & Buffy & Widow's Bay & cats & plants & music & womenâs hockey he/they, trans and aro
divest from genocide invest in education dc comics blog: @batsandbirdsandpiggybanks
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A question I get asked a lot while working at a public library is "how do you deal with homeless people?"
And the answer is, we don't.
The unhoused people who come here seeking refuge 99% of the time understand that they will be kicked out if they misbehave.
The people you have to watch out for are Jessica, who only came because the kid she didn't want had to visit for a homework assignment and she just *needs* to yell at her child for asking to borrow two books or stay an extra five minutes, or Michael, who came in to look at porn on our computers for whatever fucking reason, or Karen who just wanted to come by to throw a fit that the particular book she wanted was checked out and harrass our staff about our collection being too limited.
99% of the time, the people we need to ban are middle to upper-middle class white people while the homeless and mentally ill/disabled people mind their own damn business and are honestly some of the best patrons we have.
I bring this up because today we had a man come in. He stopped at the desk, pulled up a chair and said "I'm newly homeless and was living in my car. I'm disabled. It was impounded. It's raining. I don't have a phone and I don't know where to go tonight."
And we did what we could to help. He was incredibly kind and patient despite his obvious anxiety and stress, more than most able bodied, housed patrons are to us under much less dire conditions. I liked knowing that we were the first place he came.
We have so many people like this who come in everyday. Many are quiet and keep to themselves, but sometimes they talk to us.
They tell us about how they're taking a few courses on a scholarship they applied for from our library's computer at the local community college to get their diploma. Or ask about a manga or dvd or book we might have to help them pass the time.
One woman, who comes in daily with her tattered walker always says hello to me and likes to work on the new jigsaw puzzle with me when we set one out.
So like, treat unhoused people like people. Treat disabled people like people. I don't want my library to feel like the only safe space in the world, but I'm glad it can be one of them.
I'm so sick of hearing about how "the homeless are ruining everything" when they are some of the kindest, most respectful people here. Sometimes they mutter, might not have had a place to shower, and might need a little extra space for their backpacks but that's FINE. It Doesn't Matter Actually. None of that is a problem or any of my business to care about (unless they request help/services), and I also don't think it's any of yours.
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letterboxd needs to allow me to add sports. 90 to 120 mins. matches i watched on the grounds. matches i watched live. matches i dug up on footballia. sometimes the game is horrendous but your team won. sometimes its a heartstopper. sometimes its the greatest performance of your fav sideshow player. sometimes the manager enacted the greatest tactical feat seen this century. sometimes its an all time great underdog performance.
Every single non trans woman who proclaims to be an ally absolutely needs to be posting about how goddamn transmisogynist staff is.
Because when trans women dare to speak up for themselves, Tumblr nukes their blogs.
We need to be fucking loud about this, daily, because Tumblr staff is specifically targeting and deleting trans women who are not breaking ToS and who often have fundraisers up FOR THEIR SURVIVAL.
By deleting these blogs repeatedly, Tumblr staff is saying loud and clear what they hope happens to these girls.
Are y'all okay with that? Because if not we need to be posting about it more because we have seen by now it's incredibly fucking unlikely this sites moderation will delete our blogs for it because we are not trans women
Tumblr staff and CEO Matt Mullenweg want trans women in need to not be able to post their fundraisers, meaning they are okay with these women dying.
browsing some dark romance titles for reasons (you know why) and ran into this in the blurb for The Ritual
what does it mean that they "require their blood in payment"? obviously it's a play on the idea of receiving payment in blood, but what do those words actually mean in that order? also and unrelated what the fuck do you MEAN the most powerful men in the world are a gaggle of college undergrads? Tyler from Intro to Psychology???
working at a university really makes any romance set among college undergraduates unreadable but ESPECIALLY the dark romances where they're supposed to be like sinister mastermind daddy doms. he's 20 years old dude. there's a good chance he doesn't know how to do laundry. I know a guy who was living in a house with 4 other dudes when he was 20 and they were all sharing one fork. that guy's not leading the college mafia.
male main character is doing the awful dark romance dirty talk schtick where he's like "gird your loins my little wombat... I'm about to do things to your pussy that would violate the Geneva conventions" and then he takes her to his room where it's just a mattress in the floor. it looks like this
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american blackbirds are icterids but european blackbirds are thrushes but american robins are thrushes but european robins are flycatchers and they are named robin because (checks notes) brits in the 1400s called them "robert" on account of they are just some familiar guy who shows up in your yard. hold on post canceled is that really why they are called that? what the fuck. they did this with jackdaws and magpies too? i can't even be annoyed. how human. "who's that? that's bob." fuck dude it sure is.
also according to michael collins when the three of them were discussing what neil armstrong should say when he first stepped on the moon, collins suggested armstrong say âOh, my God, what is that thing?â and then scream and cut out his mic.
my brother and I get on bandcamp and click on songs from the live updating list of albums that are selling and we listen to 30 seconds or so of a song and if we like it we add it to a playlist. and we call this "foraging for music."
anyways one of terminology we have coined to talk about music is "Knee Music" which is derived from the fact that album covers that show a person's knees tend to sound the same as each other. It's kind of a sleepy, grungy indie folk pop sound with youthful-sounding, vocals that affect a candid and vulnerable feeling.
or anyway we found multiple album covers with knees in quick succession, and they all sounded the same, hence "Knee Music"
but it doesn't have to be knees to be Knee Music. any kind of blurry, candid-looking photos that include skinny white people is likely to be knee music
My other brother's method of foraging for music is slightly more complicated: he gets on everynoise and uses random number generators to get a random genre, a random artist, and then a random song from that artist.
For a while, his method was slightly different, instead choosing a random genre and listening to it until he found a song from that genre that he liked.
However, this could be very time-consuming. once he became trapped for a long time in "geek rap" which was mostly a lot of people rapping in potentially spanish or portuguese (?) about Five Nights at Freddy's
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I spent the afternoon arranging our books by size and color (and itâs so satisfying and looks amazing) and my partner came home and stared in shock at the bookcase and then said âiâm a librarian, you canât do this.â
it has occurred me during this process that apparently not everyone thinks about books by what color they are? like, literally when iâm looking for a book, i picture it in my mind. i have a veryâŚtactile experience with the books i read and idk! i thought everyone did that lol.
my partner was like âhow will i find [this book] for instanceâ and i replied âeasy, itâs purpleâ and he looked at me like i was a witch.
This actually is interesting in terms of information-seeking behavior, which is a thing librarians think about a lot and often actually study (some library jobs require you to publish, and academic librarians, for instance, will often use the students at the college they work at to study how they search for information in order to figure out how to best provide them services).
When you go for an MLS (Masterâs of Library Science, which is a thing, and which is usually required for âprofessional-levelâ library work [which is also a weird and contentious concept that I wonât go into here]), one of the things you study is the organization of information. This deals with how to determine what a book or other material is âabout"âa concept we tongue-in-cheek call âaboutness"âand how to convey that to a potential user of the item and make it easy for them to find. Things like keywords and subject headings, do I put this book about how often wild birds attack aerial drones in with books about birds or with books about technology, if its a fictional novel do I put fantasy in itâs own section or mix it in with all of the other fiction, so on and so on.
OP is organizing books by how they would look for them. OPâs partner is thinking in terms of aboutness. This is a system that works for OP because itâs their personal library: they know basically what books they own and they only own books that are relevant to them, and if they know what the book looks like, that can be a quick way to find it.
In a library that assumes the public (or people who do not own that particular collection of books) are using the collection, that doesnât work. Books are often re-issued in multiple covers, or re-bound in new covers when they get worn out, and if the user doesnât know what the book looks like or is expecting a different cover, theyâre lost. Thatâs why non-personal libraries used standardized cataloging systems like the Dewey Decimal System or Library of Congress System to organize a book by what itâs âaboutâ, and then put books about the same or similar topics together, marked with labels and signage so a person unfamiliar with the book or collection can find their way to it.
Basically, OPâs system works for their own personal library, because itâs best suited to how the primary userâOP themselvesâlooks for books. OPâs librarian partner is coming from a background of thinking in terms of a public-facing collection, where aboutness is the key criteria and communicating it to a user unfamiliar with the collection is the priority.
OPâs actions both make perfect sense and (as someone pursuing an aforementioned MLS (actually an MLIS (Masters of Library *and Information* Science) because progress I guess)) hurt my very soul.
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