A cabinet of curiosity

See, it's not just that he writes mediocre, churned-out thrillers; there are many, many authors of mediocre, churned-out thrillers out there, he ain't special.

It's also not that he "writes" them with "coauthors" and slaps his name on them - again, this is not unique.

It's not even - though this is starting to get there- that he chases every publishing trend and creates His Version of everything from Diary of a Wimpy Kid to Nicholas Sparks, which nobody likes as well as they like his thrillers but still buy because they have His Name on them like a summoning charm.

No, what makes James Patterson uniquely loathed is the combination of the frequency of publication and his popularity. Because, to be honest, I'm not sure that anyone even likes his books anymore, but it doesn't matter, because if they have the James Patterson name on them then readers will be queuing up like zombies desperate for a fix of decaying cerebral matter. Which would be tolerable if he had the decency to only write one book a year like most other bestselling authors, but "James Patterson" (quotes VERY intentional) puts out roughly two books per month. So as a librarian, not only do you have to buy every new book James Patterson puts out, you have to buy multiple copies in order to fulfill demand. Somewhere around 5% of my fiction budget is spent ENTIRELY ON JAMES PATTERSON. Every new James Patterson that comes out means a dozen or more queer romances, inventive sci-fi novellas, unique cultural viewpoints, etc, etc that you can't buy because YOU HAVE TO BUY JAMES PATTERSON INSTEAD. (See also, you just weeded and shifted the Ps in fiction to make room and now it's full again oh god why.)

And the clincher - the absolute clincher - is the knowledge that the publishers will be "finding" "unfinished manuscripts" by "James Patterson" for a minimum of fifty years after his death, so even if some right-minded bibliophile with a claymore takes one for the team, we will never, ever be free.

nature is healing

Happy Black Fae Day!

I did this as part of a collaboration post with many other wonderful black creatives over on IG. My theme was Warrior Fairy.

Creative Direction and editing by me

... hey 😉

This elaborate saddle blanket dates back to about 400-300 BCE. It was discovered in the Pazyryk barrows, located in the Altai mountains of Siberia, where it had been preserved in the permafrost for more than 2,000 years. It's made of felt, leather, horsehair, and gold foil.

Above: the appliqués at the center of the saddle blanket

The central design features two identical appliqués, each depicting an ibex being pinned down by a griffin.

Above: close-up of the appliqués

The sides of the saddle cover are also decorated with circular pendants made of felt; each of these pendants is trimmed with leather, encircled by tufts of horsehair, and embroidered with a stylized depiction of a ram's-head. A pair of horned tigers can also be seen at the base of each pendant.

Above: the pendants that hang from each side of the saddle cover

This artifact is attributed to the Altaic nomads of Siberia, who formed part of the larger group of cultures that are collectively known as the Scythians (or Scytho-Siberian peoples).

According to the Hermitage Museum:

Saddles used by the ancient Altaic nomads differ from those used today. They had no wooden base and consisted of two leather cushions filled with reindeer and horse hair and sewn together on one side. Felt saddle covers were traditionally decorated with scenes showing a beast of prey tearing to pieces a herbivorous animal. 

The Scythians were among the first cultures to begin using horses as mounts, and they invented one of the earliest forms of saddle. They were extremely skilled and accomplished riders, and their early mastery of mounted warfare enabled them to gain control over vast sections of Eurasia. That dynamic led to the development of a very noticeable "horse culture," with horses playing a critical role in many different aspects of Scythian life (and afterlife):

The horse was an essential part of Scythian life and was the most important and multipurpose animal used by the nomads. Initially, the Scythians reared large herds of horses mainly for their milk and hides, but eventually were among the first people to harness the horse as a mount.

By the 7th century BCE, the Scythians were already master horsemen and controlled a vast corridor of land that stretched across southern Siberia, from the Black Sea to the fringes of northern China. This expanse of land was greater than the Achaemenid Persian Empire, which the Scythians outlasted.

The Scythians produced many horse-related artifacts that have been discovered at sites throughout Eurasia, but this saddle cover is one of the most elaborate and most well-preserved examples of that tradition.

Above: the saddle cover from Pazyryk

Two other artifacts from Pazyryk have previously been featured on my blog -- a 2,300-year-old plush bird and an elaborate horse headdress.

Sources & More Info:

Hermitage Museum: Saddle Cover

World Archaeology: Do the Clothes Make the Horse? Roles, Statuses, and Identities in the Pazyryk World

University of Washington: Artifacts from Southern Siberia/Pazyryk

Expedition: The Textiles from Pazyryk (PDF)

Cambridge University Press: The Origins of Saddles and Riding Technology in East Asia

Routledge: Pazyryk Culture Up in the Altai

This, too, is a trashed bathroom; young queer people living through hell and having precious little control over their circumstances or the world in which they exist can affect something by using the language of social justice as a cudgel on their would-be allies, as well as getting a brief feeling of power over someone else by doing it.

can someone explain what he's talking about i got distracted by his giant jiggling honkers badonkers

to wit:

bottom's the raw capture, middle's just flat curve correction to make the footage visible, top is the final coloring with /counts seven adjustment layers to add back in Literally Anything But Yellow