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@numbersninja
Please post more drainfly

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its wild that no ones even pointed out that two of the tumblr sexyman contenders were in the same show together
This is Chapter 5 of my Deltarune Human AU Spamtenna fancomic “Limited-Time Offer”, following the “big shot era” collaboration between Spamton and Tenna. The rest of the comic is currently hosted on AO3 as well as kofi as a free pdf. The rest of Chapter 5 is also below! Thank you for reading! [ Chapter 4 ]
So I do 3D modeling and printing as a hobby, and a few weeks ago I designed wheel guards meant to prevent office chairs from running over cables and clothes... or your pet's tail.
I got the idea from cowcatchers old locomotives used to have.
Anyways, yesterday I uploaded the model to Thingiverse, and just hours after uploading it, the Community Relationship Manager of the whole website left a comment suggesting I enter the model into a competition that's currently being held on the site.
So I did... and now it's in third place not even a day later. First place is $500, but the competition still has a month to go.
Then the Community Manager contacted me again, telling me they want to feature my model in an upcoming design promotion.
Just, what is happening? I mostly made this thing for myself in, like, an hour, and now it's suddenly super popular? This is all a little bit overwhelming 😵💫
Other models I worked on for weeks didn't get nearly as popular. I swear, it's impossible to predict what people will like.
Anyways, if you want to print the wheel guards yourself, you can get the model here or here.
I also made a quiet version you can stick furniture felt pads on.
People love simple, extremely practical things. I hope you win!
Most major corporations — from airlines to social media platforms — now aspire to become unregulated banks. Bankification today accounts for
This is a long read, but worth it. Some takeaways:
-Don’t use “buy now pay later.” The fine print isn’t what it seems.
-The fine print on medical financing, store credit cards, and contactless payment is also not what it seems.
-Payday loans are still predatory, even when offered by your employer
-Rewards programs are an income stream for the companies that run them. The points systems are manipulated so that the house always wins. They depend on people leaving money in rewards accounts and not in interest-bearing traditional bank accounts.
-Electronic payment apps like VenMo are not banks. You don’t earn interest. Your money is not protected.
-Your financial information is not private if your money is not kept in a regulated bank.
-None of this is regulated by the FDIC. Your money is not protected if it is held by a non-bank doing banking business. Our economy is not protected from the collapse of financial institutions that are not banks.
-The Biden administration was making progress in increasing accountability for non-banks operating as predatory financial services providers. The current administration is reversing those protections to favor corporations.
Oh boy.
A third of younger Americans hold their savings on nonbank tech platforms like Venmo
PEOPLE! DO NOT LEAVE YOUR MONEY IN VENMO OR APPLE PAY OR ANY OF THIS SHIT. FOR THE LOVE OF GOD GO FIND A REAL BANK OR A CREDIT UNION.
If Venmo were to close tomorrow all your money would vanish. There's no insurance or guarantee on any of these things. I know banks aren't great but legit banks will have the "FDIC insured" logo on their doors and websites, which means if my bank goes under tomorrow I still get my money back. Also I guarantee you there is a credit union somewhere in your town, go find it.
You can leave some money in Venmo or Apple pay or whatever, but NOT ALL OF IT for the love of God.
FYI this is what the logo looks like and Apple Cash is FDIC insured.
No, it's misleading. Go to Green Dot's T&Cs, search for "FDIC," and you'll come across this:
your funds are insured up to $250,000 by the FDIC in the event Green Dot Bank fails
In the event Green Dot Bank fails. Meaning the only time your money is protected is if Green Dot goes under. Not if Apple goes under (unlikely, granted). Or if Apple changes its terms (entirely possible). Or if you got scammed. Or if Apple freezes your account because they think you're the one scamming. Or any of the other countless mishaps your money could suffer. Green Dot is insured, but Apple Cash is not.
This is the disclaimer (highlighted) you see before you set up Apple Cash:
I really need my followers, especially younger ones, to read this.
And DO NOT get store credit cards, they are money sucks and difficult to cancel.
As someone who's worked in the industry for a decade now, here's a quick rundown (US specific,) of what your schools and parents didn't teach you:
For the love of god get an account at a federally insured institution. Look for FDIC (banks) or NCUA (credit unions) insured and regulated financial institution. They are legally required to have this status publicly available and accessible so it's not hard to find.
The FDIC and/or NCUA will insure your accounts up to $250,000 PER AUTHORIZED SIGNER and per account type. These are factors to max your coverage to even higher than $250k but the key point is that if something happens to your bank or accounts there, that first $250k of your money is secured anyway.
Banks are for profit. Credit Unions are exactly what it sounds like: unions. They are not for profit and member owned.
Bigger institutions have more money and resources at their disposal; they have the fancier apps, 24/7 phone banking and more locations. But watch out! They are no different than any other large corporation you've heard of when it comes to ethics. Smaller institutions have more limitations, and lesser size is not an indicator of morality, but it's something to consider when choosing where to keep your money.
These institutions, regardless of what kind you choose, will offer interest bearing accounts. Money Market Savings and Time Accounts (also called Certificates of Deposit,) are popular choices to put the money you already have to work for you. You can earn money just for having your money in an interest bearing account type.
All financial institutions charge fees of one sort or another. They are offering products and services, after all. Nothing is free! They will also disclose options to avoid paying those fees, usually based around meeting specific criteria such as minimum balances or direct deposits.
Take this information and do your own research so that you can make an informed decision. Now you know what to look for! Don't be taken advantage of!

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night foraging
I've seen a bunch of "fandom etiquette" posts on my dash today and I'm going to say something that is maybe going to be unpopular but;
The absolutely pervasive mentality that unwanted criticism or critique shouldn't be given and should be ignored is why fans of color don't stay in fan spaces.
And I am not going to mince words here:
A lot of you are racist. A lot of your fan works are racist.
That might have been difficult to hear. And if it was, you should probably reflect on why that was.
"Fandom etiquette" has created a space where fans of color either bite our tongues and eventually leave or say something, get dogged on, and then eventually leave.
So much of "fandom etiquette" seems to be about insulating creatives from Feeling Bad and hostility to any kind of negative feedback is a pretty big contributor to why bigotry festers in these spaces.
#imo the potluck analogy applies- it would be rude to critique someone's icing technique at a potluck bc it wasn't as good as at the bakery #but if they had decorated their cupcakes w hate symbols it wouldn't be rude to tell them that's gross and gtfo #in fact it would be inappropriate to NOT say anything in that situation #or to complain that another guest who did point it out was 'ruining everyone's potluck' #and pointing out racism in fan works is 100% the second thing not the first! (via destructions-daughter)
There's also a tendency to conflate anyone who critiques general trends with bad faith randos. Like, there is fandom behavior that is 100% racist and should be talked about, but there are also trends of racist/sexist/ableist preferences.
If I say "I am uncomfortable with fandom's tendency to write trans men as feminine and submissive" I do not mean "I think every person who writes feminine submissive trans men should be chased with pitchforks". I don't even mean "any cis-person who writes feminine or submissive trans men should be chased with pitchforks". I mean "I would like writers to seriously think about why this is so common, why they write that, and if it fairly and genuinely engages with what it means to be a trans man, or if they just think it's hot when submissive people have vaginas and didn't want to write omegaverse of m/f".
Similarly, when people say "fandom is systemically less interested in black characters, less willing to give flat black characters rich fanon than flat white characters, and less interested in black characters in ships", the response is not to explain why you, personally, just happen to like popular white guy in that fanon. Your job is to look at yourself and ask if you tend to "just happen to be more interested" in the popular white guy across fandoms, be honest, and start unpacking that. Sometimes it's easier to love the flat character who's already getting 10,000 fics with headcanons and art and meta.
If somebody says "I wish there were more gluten free options at the potluck. I hate always showing up and not finding anything I can eat*", they are not asking you to throw your cake in the trash and weep. They do not want to hear your long speech about how actually this is your grandmother's recipe, and you've tried it with rice flour actually, but it just didn't work. You think about what you can do, and you listen to how they feel.
*The metaphor here not being that you can't read fic that isn't "good rep". The metaphor here is that it can be isolating to be in spaces where nobody is trying to make sure people like you are welcome.
ICE is attacking immigrants for now, but their goal is to subjugate all of us. Fighting for our neighbors today is a way of fighting for ourselves tomorrow.
Map the infrastructure that ICE depends on. Publicize their vulnerabilities. Popularize simple, reproducible ways to impose consequences every time that ICE inflicts harm on a community. Don't just react to their attacks—choose the time and place of confrontations. Take the initiative.
https://crimethinc.com/zines/seven-steps-to-stop-ice
"If we know, and do nothing, we are worse than the murderers hired in our name.
"If we know, then we must fight for your life as though it were our own—which it is—and render impassable with our bodies the corridor to the gas chamber. For, if they take you in the morning, they will be coming for us that night."
-James Baldwin, writing to Angela Davis while she was in captivity, November 19, 1970

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video game and film fandoms will come and go for me but the Silmarillion fandom will never die. because that book came out like 50 years ago and we're all still trying to figure out what the hell is going on there.
how were so many of the things that were basic writing/plotting advice in Every Single craft book when I was a teenager just completely straight up wrong
the biggest and worst offender I think was plotting advice that encouraged me to build my plot around my characters "desires" or "goals"
protagonists were kind of forced into a flat dichotomy of 'active' (takes actions to further their own goals, thus driving the story) and 'passive' (is acted upon by events beyond their control, moving them through the plot) with 'active' being considered good and passive being considered bad
I think this framework is very locked within a certain cultural viewpoint... specifically of a 20th century western white male. For one thing it assumes a "protagonist" will have a certain level of agency, to have goals and pursue them, overcoming obstacles in the way. It is not very inclusive of characters that don't have much agency.
It also assumes that desire/want = orienting toward or pursuing.
As far as I am concerned, characters don't have goals. They CAN, but these goals aren't actually the functional gears of the plot, and are instead their conscious rationalizations of what's really running the show.
Rather, characters have instincts and drives. I don't like to say "desires" because desire suggests something that is explicit, a thing that the character can attribute their feelings to.
I realized when reading Shakespeare's Othello that interesting characters often can't be understood in terms of "goals" or "desires" because they don't understand what they want or why they want that and they constantly act in ways that are contradictory to what they want or think they want. What a character consciously thinks is a whole layer on top of their actual instincts and feelings, which are primal and buried in traumas and needs and other aspects of creaturehood, and often is a fiction to resolve contradictions and dissonance in the demands of the creature-self. some characters can reflect upon their own thought processes and some cannot.
real humans don't often act rationally to pursue goals, they just do stuff based upon a seethe of inner instinct and the reasons why are post-hoc rationalizations. i like writing characters that reflect this and exploring the ways they do and don't understand themselves, the fictions they use to understand what's going on in there
Love this post because it gets at something I've vaguely felt, which is that often the most interesting characters have some core inconsistency to them (sometimes entirely unexplained). That contradiction feels instinctively real, maybe because it's forcing you to either solve the contradictions yourself, putting more life into the character, or give up and acknowledge the unknowable aspects of other people's minds. (imo Hamlet is like this.)
Whereas a character with perfectly coherent motivations and traits is almost more like a stylization, excellent as a side character or for a particular narrative purpose but not as chewable.
I'm always being reminded of the Hugh MacLennan quote from The Watch that Ends the Night:
“But that night as I drove back from Montreal, I at least discovered this: that there is no simple explanation for anything important any of us do, and that the human tragedy, or the human irony, consists in the necessity of living with the consequences of actions performed under the pressure of compulsions so obscure we do not and cannot understand them.” (274)
And I think that's a really great point about storytelling as well, and tragedy, that characters are also stuck with the consequences of things they can't take back but never really understood. They've become the kind of person who does [action] and they have to contend with that.
Exactly I agree fully!!
part of being an adult is figuring out what eveyone else's definition of "going crazy" is. to you it is not sleeping for 60 hours, writing 80k words in one sitting and expiriencing enough anxiety to kill a horse. to beth from accounting its buying a ticket to Columbus, Ohio. and to your friend its consuming so much ketamine you lose all of your posessions and wake up with five broken bones in a ditch somewhere and then proceeding to do it again the next day. to your other friend its writing a letter to their favourite actress about how much they appreciate her work. to your neighbour its laughing loudly in a grocery store whilst in pajamas. maya from uni hears the voice of her dead father making jokes with no punchlines and she considers that to be quite normal - to her going crazy would be hearing her husband instead. your downstairs neighbour will take night walks naked sometimes and claim there is nothing weird about him. there are literally no rules to life and all meaning is in the eye of the beholder.
I think if I heard I Gotta Feeling by The Black Eyed Peas in the correct circumstances it could move me to tears. It's like the promise of a brighter future that never came to pass
it's kind of crazy climate change has occurred at such a remarkable pace that I and everyone else around my age can remember a completely different climate in our childhoods. I truly watched winter gradually disappear in my life.
"You're too young to remember this, but there used to be so many insects outside that you would have to clean them off the windshield after a long car ride" is the kind of sentence that would have been in a cheesy scifi short story earlier in my life, perhaps submitted to a literary magazine and accepted to show support for its environmentalist message - now it's something I've said in earnest.

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have been EXTREMELY attached to the ridiculous krusielle situation at the festival
"So the whole ball pit was my idea. I wanted a ball pit."
God, this part...
But I feel like an asteroid. I feel like the asteroid that wiped out the dinosaurs. I was very, very guilty for years. I had to go to extensive therapy because I was like, “oh my god, I, Lochlan O'Neil, single-handedly destroyed fandom culture?”
She didn't she didn't she didn't. That wasn't it. She wasn't an asteroid.
She was the first skater that fell through the ice of Web 2.0.
I was also a teenager who found an amazing world, and My People, and friends I'd still talk to every day, on the internet. I spent years getting my mother to let me go to conventions and meet friends in distant cities. I started ambitious internet communities I didn't have the experience or skills to bring to fruition. I don't think there was a lot of difference between us, in a lot of ways. It's not that I was somehow smart or skilled or suave and she wasn't. She didn't have some awful planet-killing stink or velocity that she brought to the show.
The difference was this:
In 1994, when the Endless September began and the Internet felt perpetually full of stupid newbies, there were 20 million people online.
In 2001, when I got my first LiveJournal account, there were 500 million.
In 2012, when she joined Tumblr, there were 2.43 billion.
When I started out, and you joined a new messageboard or chatroom or mailing list, you had to introduce yourself to the community. Except in the biggest of websites, people expected to log onto the internet, read through all the new things that had been posted to their local bit of it, and then log off again. Older members took it upon themselves to greet the newbies and answer any questions they might have, directing them to the relevant community FAQs. People would say things like, "Oh yes, I remember you. This is only your second Thursday with us, right? I hope you have fun!"
I joined an Internet full of adults who got online through their jobs or their universities, one of the first wave of kids allowed to roam free. And the proportion of adults to kids kept steadily changing, but until DashCon, I don't think people understood how much. I remember a discussion that happened in early 2000s slash fandom, where the very true observation was made that in particular artistic ways, we had all agreed to suspend shame, which created a unique kind of space. As a community we could all admit that we were there to be embarrassingly enthusiastic in unusual ways about absolute nerd shit, and we understood that it wasn't life or death, it wasn't rocket surgery, but it also wasn't going to get broadcast onto the clouds and our bosses didn't know who we were. Everyone was (willing to act like) an adult, and we could hold the circle and create safety there.
That felt like a lot of geek spaces, then. Anime conventions, science fiction conventions, furry conventions, videogame stores, D&D meetups. Images were bulky and pixelated, video incredibly hard to move. When you got to a con, it was like a brief oasis of Weird that sheltered you and screened you from view, and you ended up volunteering because the weary, cynical, intelligent, kind people in the con ops office looked like you were throwing yourself in front of a bullet just for offering to run a clipboard down to the other end of the hotel for them.
The ice was thick enough to skate on. The circle was strong enough to let you be brave and funny and silly and free, and you could buckle down with some friends and clean all the trash out of the ballroom by 11am on Sunday, and you'd see everyone next year.
The bubble was going to burst, but nobody seemed to worry about it.
Things were changing fast for fans, all kinds of fans, in the early 2010s. Conventions that used to get news coverage like "Local Freaks Weird Out Hotel Employees: This Weekend Only" to "#Cosplay: The Hottest New Trend" and from Geocities sites that shut down if you exceeded your page visits for the month to AO3 getting 10 million pageviews a week.
It was great. We could conquer the world together. We could stay safe and together and the circle would hold.
And then the ice broke open and Lochlan fell through. Right through the bottom of that goddamn ballpit into freezing arctic sea. Right into years of people sorting through the churned ice of the wreck, taking years to come to the realization that there really had not been ANY goddamn adults in the room making sure things were okay. The community had not actually failed so much as never been formed in the first place.
Because as it turns out, group-bonding techniques that work for 100 or 1000 people do not work for 10,000. Or 100,000. Or one million. Or one billion.
That line about agreement to suspend shame sticks with me all these years after because the defining feature of post-Dashcon Tumblr has been shame. And scorn, contempt, derision, and hatred. Cringe, in short, and kys. Exactly the kind of bullshit I saw every day in junior high school, and ran to the Internet and fan conventions to get away from.
I got the kind of community and mentorship and support that have made fandom a refuge and a resource my whole life. Lochlan O'Neill didn't. Not because there was anything worse or dumber or less experienced about her.
Because a system built in the 1990s was incapable of bearing the stress of a load fifty times bigger than what was already "way too full."
Just because I'm from one generation, and she's from another.
It was not her fault.