Some days you wake and immediately start to worry. Nothing in particular is wrong. It's just the suspicion that forces are aligning quietly and there will be trouble.
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Conan Doyle drew this when he passed his medical exams
description: a simple doodle of a man in a pea-coat, jumping for joy. he's holding a piece of paper headed DIPLOMA. underneath him in cursive, it says 'Licensed to kill'
So while doing some pirate research for the play I’m writing I stumbled upon one of the most amazing things I’ve ever read. In the 5th century A.D. there was a Scandinavian princess called Alwilda who’s father tried to set her up to marry Alf, the Prince of Denmark. Alwilda wasn’t cool with this so she and some female companions dressed as men, stole a ship, and sailed away. Eventually they met a company of pirates who were in need of a new captain and they were so captivated by her that they elected her as their new leader. Her crew became so infamous that Prince Alf was sent out to stop them. When their ships met he took Alwilda prisoner and she was so impressed by Alf’s skill that she agreed to marry him after all and eventually became the Queen of Denmark.
Medievalist here for triumphant fact-checking: this story is, if not true, at least true according to the history of the Danes (Gesta Danorum) written in the 12th century by Saxo Grammaticus. You can read his account of Alwilda’s story in the original Latin here, or in English translation here. Highlights include:
She exchanged woman’s for man’s attire, and, no longer the most modest of maidens, began the life of a warlike rover. Enrolling in her service many maidens who were of the same mind, she happened to come to a spot where a band of rovers were lamenting the death of their captain, who had been lost in war; they made her their rover captain.
I love the implication that there were lots of Danish maidens just WAITING for the opportunity of a life of piracy…
completed weaving of the penelope skyphos from chiusi:
the header is tablet-woven linen, with the linen weft for the band used as the warp for the rest of the piece on a warp-weighted loom, which you can see in the photos below (there is also a previous post with more process photos here). the reverse is a negative mirror image of the front, since I wove this as double-weave pickup rather than tapestry:
additional details below the cut:
the bottom and side borders of the finished piece are tablet-woven with a mixture of linen and mercerized cotton. the sides are a classic meander motif, while the bottom border includes the "X" square from the skyphos itself. the bottom border was woven directly onto the piece using the remainder of the warp beneath penelope's feet (tablet draft for anyone interested—I designed it to be twist-neutral and everything). the side borders are sewn on because I didn't set up the side borders when I started the project, but ellen harlizius-klück previously executed a stunning version here that has the side borders woven in, as well as a really helpful video on this technique.
I was originally planning to leave part of the black warp threads unwoven to serve as penelope's warp, the way I did a few years ago with the amasis painter vase:
but I couldn't figure out how to execute it well in this version, especially since I was doing double-weave and not tapestry. perhaps next time! overall, this was a complicated and fun project as a first warp-weighted loom piece. I learned a lot of important lessons—chief among them being to actually calculate warp lengths instead of eyeballing them and to increase the loom weights on the warps for better tension. unfortunately, I also learned I want to build a large warp-weighted loom (the one I have now was made by jennifer marcus at fiber paintings studio and it is lovely, but I would like to weave larger pieces.)
the original pot also features telemachus standing over a grieving penelope (I had room only for his spear), perhaps a reference to the scene in book 1 when he reprimands his mother and orders her back upstairs:
Odysseus was not the only one
who did not come back home again from Troy.
Many were lost. Go in and do your work.
Stick to the loom and distaff. Tell your slaves
to do their chores as well. It is for men
to talk, especially me. I am the master.
οὐ γὰρ Ὀδυσσεὺς οἶος ἀπώλεσε νόστιμον ἦμαρ
ἐν Τροίῃ, πολλοὶ δὲ καὶ ἄλλοι φῶτες ὄλοντο.
ἀλλ᾽ εἰς οἶκον ἰοῦσα τὰ σ᾽ αὐτῆς ἔργα κόμιζε,
ἱστόν τ᾽ ἠλακάτην τε, καὶ ἀμφιπόλοισι κέλευε
ἔργον ἐποίχεσθαι: μῦθος δ᾽ ἄνδρεσσι μελήσει
πᾶσι, μάλιστα δ᾽ ἐμοί: τοῦ γὰρ κράτος ἔστ᾽ ἐνὶ οἴκῳ.
Od. 1.354–359. Emily Wilson translation.
my plan is to eventually create a larger version of this piece that includes telemachus and the meta aspect of unwoven warp threads. it would also be interesting to figure out if I can weave a different image on the back of the cloth, since the reverse of the pot itself depicts eurycleia recognizing odysseus as she washes his feet.
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cicero: 80% of the things that caelius here has been accused of aren't even imputations. they're just gossip. they aren't provable. it's plain it's just personal. you all should be ashamed of yourselves this is unacceptable
cicero 10 minutes later: this woman and her brother - sorry her husband -sorry her brother - sorry - what was it again - I messed up lmao it's hard not to - mehercle I'm so funny caelius don't thank me- anyway this woman and her husband - brother - hold on lmfao