And by the way if any Ancient Romans were somehow around today you should want to kill them. With guns.

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@p-clodius-pulcher
And by the way if any Ancient Romans were somehow around today you should want to kill them. With guns.

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another gift piece for @anchisiades 🩷
read ⚔️smooth is the descent⚔️ on ao3
once again I have been overtaken by hubris and made to think such things as "yeah I could render a whole suit of armour" and then I spend 3 fruitless hours and delete everything. gave up but know that a valiant effort was made
Etruscan necklace with a Phoenician pendant in the form of a bearded head
550 - 450 BCE
British Museum 1872,0604.644
misc odyssey things 🐎 ino + circe
+nausicaa wip
and when Aeneas is in the Odyssey movie for .4 blurry seconds and not even mentioned by name you can be GUARANTEED that i will be on top of reporting it

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trans people: im trans
society: ok
your gay friend you try to ignore: guys this is kind of like the aeneid and this character mirrors aeneas in a way
experimenting with clodius pulcher and exploring him
test weaving of penelope's tapestry on the chiusi skyphos:
reference:
there are some adjustments I need to make for tension, but I'd like to make the next version into a header band for a warp-weighted loom so I can try weaving the whole pot, including telemachus and penelope.
progress?
the proportions on the header band have improved, but I think I maybe should have doubled the weft threads for the warp.
also if anyone wants to knit the heddles for me, please be my guest. the last time I tied on heddles, I put the bar in the wrong place and had to redo the whole thing.
in true penelope fashion, I may need to unweave and start over, but at least now I've got the loom weights and heddles in place.
I started weaving the spear, penelope, and the right border via double-weave with the intent to leave the remaining warp threads unwoven (as they would be on penelope's loom on the pot), but predictably this is giving me tension problems. I either need to increase the loom weights or just weave the black layer and leave the orange warp threads unwoven, and then switch colors once I get to the heddle bars in the drawing, with the black warp threads floating on top. (I guess weft-faced tapestry would be a third option, if I add a ton more tension.)
either way, this is going to take me the full three years of penelope's stratagem, or perhaps the entire twenty years of odysseus's absence, primarily because clearing the sheds takes a monumental effort each time with this double-weave setup (which I'm not even sure is how it's supposed to be done, I kind of set it up based on vibes and what I thought made sense from floor loom setups).
I have 999 problems and warp tension is 997 of them (the other two are my selvedges).

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gold gets liquified at 1063°C (1945°F) and that means you’d have that running through your body. you’d die.
I really like this criticism bc the part you find unrealistic and a hazard is the temperature of the gold not the fact that it’s there in the first place
I keep seeing Ogygia depicted with landscapes and plants associated with a tropical climate, or with things that don’t make much sense in the Homeric context, so I’m going to show some photos based on Perseustufts’ speculations regarding the vegetation mentioned in Rhapsody V of the Odyssey in the description of Ogygia.
They are mentioned in different groups:
The wood that Calypso burns in her cave, and which she must obtain from somewhere, which is why I assume it is native to her region (v. 60)
Forest vegetation described as such (vv. 64-74)
Wood that she tells Odysseus to use for his raft and also to attach the logs to one another (v. 239 and v.256)
Material for Calypso’s tools (v. 236)
v. 60 → κέδρου with two possible interpretations: from κέδρον (juniper-berry) or from κέδρος, which translates as cedar, and is the one emphasised by the website itself. In this case, I believe it would be the Atlas cedar (Cedrus atlantica) because Ogygia is west of Ithaca (which means it cannot be a Lebanese cedar or Cedrus libani).
Strobilus is so cute
v. 60 → θύου with several different meanings, but as a plant, θύον here is interpreted as Callitris quadrivalvis:
v. 64 → κλήθρη from κλήθρα, here intrepeted as Alnus glutinosa:
v. 64 → αἴγειρός as Populus nigra:
v. 64 → κυπάρισσος as Cupressus sempervirens:
v. 69 → ἡμερὶς as "the cultivated vine" Vitis vinifera:
v. 72 → ἴου among the many meanings derived from ἴον, interpreted as Viola odorata:
v. 72 → σελίνου from σέλινον as Apium graveolens:
v. 236 -> ἐλάινον from ἐλάινος as "of olive-wood" which i myself assume that to Olea oleaster (is the wild variety of Olea europaea):
v. 239 → ἐλάτη as Abies cephalonica
v. 256 οἰσυΐνῃσι οἰσύινος of osier, of wicker-work (as we say in Spanish cestería) here my friend @ulises-aithon has suggested Salix purpurea:
(I have used PerseusTufts, but it is not the only reliable source of information: many other dictionaries may suggest different species, or even entire genera or taxonomic families, for the same word. This is just a brief overview.)
the horror of being "god's favourite princess". literally one of my favourite horror themes. the god loves you and it's so scary.
it will always choose you. you cannot die. you'll always come back because it loves you so much. you are its right and left hand, its eternal weapon. it will drown you in its light. light as horror. darkness as horror. what if it thinks you are its best friend.
you are god's favourite princess and it's terrifying.
“Madness may be temporary, but the isolation it generates is permanent.”
- in reference to Ajax and Dido, from Greek Tragedy in Vergil’s “Aeneid” by Vassiliki Panoussi
Something something the only possible restoration from madness is death. The severing of external ties during mania removes the sufferer from their former social position. That inability to return to equilibrium can only be remedied by killing the afflicted (ending the plague) or the afflicted killing themself (intentional reclamation of agency)
Aeneas bro 😝😝

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t-shirt with the words “high-functioning corpse” printed on it
I want the record to state I have never been this hard in my entire life