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A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.

But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here

Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.

Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:

But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:

Also for LOOK magazine, but leaning on his themes of youth and suburban life. Expressing both hope for the curiosity and open-mindedness of children, and the bitter recognition of the suspicion of adults towards racial integration (see the face peeking out of the window in background). It’s notable that this is what he wanted America to be, too. He hoped for a better future.

Link to original post with all the links

Some very helpful tools, ideas, and ways keep going or get involved

I will add the resource Big Beautiful Boycott as a way of checking businesses to avoid that is not an app

I am reading Tim Curry’s 2025 memoir, Vagabond

and in it, he not only devotes a chapter to Muppet Treasure Island, but also references this very post

so, to recap

no, Tim Curry is absolutely NOT a Muppet; however

Even in the house it was LOUD.  Probably the loudest thing I have ever experienced but at a normal, predictable interval.  You would begin to time your sentences with little pauses with the rest of the lighthouse crew so you would talk like this while making your………..HORN…………. tea and then carry on talking because you knew when it would go off.  It rattled the walls and the dishes in our cabinet.

At least one girl had died there. They kept photos of her everywhere “in honor of her sacrifice” because she had decided to take the winter watch alone and died in a storm where bounders the size of mini vans had been lifted out of the ocean and left scattered across the island, to say nothing of the ice chunks.  People weren’t allowed to be alone on the watch after that.

One day a dead moose washed up on shore and it took my entire crew all day but we managed to rig up a line to hang it up to dry because we thought having a moose skeleton in the house would really spice the living room up a bit.  It did.  Weird shit happens when six of you are left alone, like ALONE ALONE, no cell reception, no wifi, just a radio to contact the real world and not a lot of reason to do that.  People don’t go on lighthouse jobs if they want to stay connected, I’ve found.

Ambitions lacking, face forlorn

His father's industry and wit?

He never got a lick of it

A childhood spent in anxious gloom

And sent away to certain doom

No wonder all the people say

"Hurts like the Dickens" here today

"God bless us, bless us, every one

"Except for Plorn, my grooveless son

"No spot of extra gruel for him

"I'd give him to the Jacobins"

The old man's love or high esteem

Could only happen in a dream

Imagine such a father's scorn