Young Cathy and Heathcliff find a half staved unconscious Jane Eyre on the moors and poked her with a stick to see if she's dead. She isn't roused by their proding and they don't care enough to try and help her so it isn't mentioned in either book.
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Young Cathy and Heathcliff find a half staved unconscious Jane Eyre on the moors and poked her with a stick to see if she's dead. She isn't roused by their proding and they don't care enough to try and help her so it isn't mentioned in either book.

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Fingolfin looks like Feanor. He knows this. Has always known this.
(He wonders, absently, whether he should be using that past tense, now that his brother is gone.)
He looks (looked?) like his brother. It was one reason that Feanor hated him so much more than Finarfin.
Still, it should not sting his heart so much. Should not hurt as much as it does, when the eldest of his nephews wakes on his sickbed and calls him ‘Atya’.
Elrond as viewed by Númenoreans is hilarious. Aristocracy is one thing, and their long kept histories and direct descent from the elves.
But someone lowborn - still educated, still familiar with the stories. Faithful or not. Lifespan lower than the upper class, but longer than other humans - but that doesn't matter - thousands of years is a long time. The Roman Empire was more recent than this guy.
Because imagine the founder of your nation and its first king, who was told to have been born as the son of a bird and a star, lived to be 500, and who died 2000 years ago. Just. Has a sibling. Who is still running around. You can go visit him. You can! He's very friendly. He wrote the medical book your healers study from. He updates it religiously every other decade. You don't hear from him often because he lives fairly secluded from society and seems to prefer a quiet life but every few hundred years something batshit insane happens and he's right there. At the center of things. Pretending to be a background character, as if Sauron didn't look warily at him expecting him to turn into another Lúthien incident. Maybe he's shy?
You are a sailor. You meet him on one of your journeys to Middle Earth.
He's not shy. He's just crown-phobic. He looks like every single painting of Tar-Minyatur you've seen. He glitters under starlight. Literally. His parents are a bird and a star and you keep forgetting that's not a metaphor. Everyone is in love with him. He sings to the birds. He has had a slowburn one-sided romance going on for the past 1000 years. His crush has yet to find out but the king is running a betting pool.
"You humans are barely taller than dwarves.."
"And you elves are as tall and lanky as birches."
It's so hard to put them on a drawing together. He's 7 feet and the Haladin are described as small. I think I made Haleth around 5'5 which makes her a tall Haladin woman. But she's still so smoool
Biomechanical elves, feat. Maglor and Galadriel! Because you don’t live for ~5000 years on one hröa without needing some maintenance.
Additional thoughts below the cut!

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reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you can’t not have servants in those times but many modern readers think “but I would never have servants. it would be so weird to have servants” and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldn’t it be so awful if your boss was always trying to be friends with you. a really common thing you’ll see is the woke baronet having tea in the kitchen with the servants bc he’s not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
#okay but now what is the optimal way to be a good boss in this situation i genuinely wanna know#its easy to guess what makes a bad boss or a mid boss. but what is a good boss#specifically in such a highly structured hierarchal situation (via @rainbowroach)
HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")
In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.
A good boss (liege lord) is:
Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.
Patient. He is not impulsive, he does not lose his temper.
Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.
Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.
Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).
Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"
Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.
Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.
Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.
Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.
Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.
Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.
The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.
TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"
(for more discussions of the ethics of fealty and what it means to be a good boss when you are an exquisitely beautiful twink of a prince with a hot beefy bodyguard.... [fingerguns] read A Taste of Gold and Iron)
Maeglin: the list of women i hate the most, in order, is myself then lúthien then you
Idril: how dare you come out to me while insulting me by not giving me the top place
Wait, or was it a dart?
In which Maeglin’s attempt to calculate tunnel load distribution is thwarted by his nosy second-in-command.
Saelon, son of Saelas, strode into Maeglin’s study uninvited and sat on top of the archive chest.
He was fond of this spot in particular, but in the past had made use of a number of other surfaces including the window embrasure, the map-press, and once, a scale model of the eastern corridor.
“Tell me something,” Saelon said.
“No,” Maeglin answered, not looking up from the plans spread before him on the drafting table.
“Then tell me this instead.”
Maeglin sighed deeply and set aside his silverpoint. He had been at work for the better part of the morning planning the passages that would soon run beneath the southern wards of Gondolin. There the rock was of many layers, and Maeglin had been halfway through an intricate calculation for the pitch of an archway.
“What is it?”
Nerdanel for @tolkienwomensweek (a little late sorry)
Day 6: Heartbreak, The Second Stage Of Grief
Another board for the mouths of Sirion, where the great river emptied into the sea and where, one day, the last refugees of Beleriand would shelter until the third kinslaying
x x x x x x x x

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New headcanon that Nertanel (rough translation is "daughter of the man-smith") was the original Quenya name of Nerdanel, but it was mangled by Sindarin soft-mutation.
The thing is, we don't actually know what Nerdanel (the name) even means. This is because the actual etymology of Nerdanel is probably something like nerdo "large, strong man" + ⚠️anel "daughter", but anel was generally replaced by seldë in later notes, which renders this void. And also this meaning makes no sense.
So I made a few alternate names for Nerdanel:
Nertanel from nér "man" + tamo "smith, builder, wright" + -(i)el "daughter"
Nerdantel* from nér "man" + √DAT "fall down" + él "star"
Nernanel from nér "man" + nan- "back (again)" + él "star"
Nertiel from nertëa "ninth" + -(i)el "-daughter"
Nerdarel from nerdo "large, strong man" + seldë "daughter"
*I think this would probably be Nellantel in proper Quenya, using lanta- "to fall".
Given that Nerdanel was the daughter of Mahtan (literal translation is "forger smith"), I feel like Nertanel would be the best fit. And we have examples of names being half-Sindarised — just look at Fëanor!
Can someone check that I'm compounding Quenya the right way, please?
something something Linguistics something something Gondolin was actually a cultural melting pot promoted by their relative peacetime and even if we don't know exactly how Quenya and Sindarin and North Sindarin and any Avarin or Nandorin or Falathrin dialects combined into a specific Gondolindrin creole, the way Tolkien developed his languages means we actually have beautiful, rare examples of what it could be.
Nost-na-Lothion is a festival mentioned in The Book of Lost Tales as being a flower holiday, when the rivers in the surrounding Echoriath flowed over the plain of Tumladen to water all the spring flowers. The literal translation of the name, in what was then called Gnomish, is "birth of flowers". If you look at it through the lens of later Sindarin and Quenya, you see:
Nost(a) means "birth" in Quenya.
Loth means "flower" in Sindarin.
(-ion) was the pluralising suffix in Gnomish with connections to the genitive, but later it became the genitive plural in Quenya.
Na was a genitive article even back in Gnomish, and survived to be the same in Sindarin.
Lookit all the linguistic blending!
Even the name of the city is a portmanteau of Quenya Ondolindë "singing stone" and Sindarin Gond-dolen "hidden rock"! As the Eldamo website says, the true Sindarin cognate of Ondolindë would have been Gonlin or Gonglin.
Titles - Fëanárions
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(Everything is Quenya. I got the words from Eldamo, and I think I put them together well enough.)
Fëanáro
Hwindaran - the Mad King
Aranáro - the Fire King
Liëaran - the People's King
Naitëhildë - the True Heir
Táriyon - the Queen's Son
Therindion - the Broideress' Son
Aranaitë - the True King
Maitimo
Ercambo - the One Handed
Formemacil - the Northern Sword
Formenáro - the Northern Fire
Formenoro - the Northern Mountain
Narthilmo - the White Fire
Entuloico - the Returned Corpse
Aranaitë - the True King
Valariandëaran - the King of Beleriand
Valariandecundo - the Guardian of Beleriand
Morimól - the Thrall of Darkness
Imnahtana - the Self Slain
Húnarindo - the Cursed Man
Macalaurë
Lindo - the Singer
Sercelindo - the Blood Singer
Macillindo - the Sword Singer
Roquen - the Horseman
Hatallindo - the Spear Singer
Formennorndo - the Northern Runner
Ranyando - the Erratic Wanderer
Laitëatar - the False Father (Elrond and Elros will smack anyone who uses this)
Tyelcormo
Oromendur - Servant of Oromë
Sercendur - Servant of Blood
Hravano - the Wild Beast
Tyelpemacil - the Silver Sword
Tyelpefaramo - the Silver Hunter
Aranehtar - the King Slayer
Hínanehtar - the Child Slayer
Carnistir
Atandil - Friend/Lover of Men
Therindo - the Broiderer
Aharo - the Furious
Laureleper - Golden Fingers
Morimo - the Dark One
Curufinwë
Curwë - the Skilled/Crafter/Inventor
Tornangaquar - Steel Fist
Pityaran - the Little King
Tornanganamba - Steel Hammer
Tornangaran - Steel King
Telperinquar
Curwë - the Skilled/Crafter/Inventor
Cormahto - the Ringmaker
Sercenca - the Bloodless
Ambarto and Ambarussa
Onóna - the Twins
Laicundo - the Guardians of the Laiquendi
Hravanor - the Wild Beasts
I think the fact that Húrin (high-ranking, but Edain) knew enough Quenya to come up with a catchy battle-cry on the spot (i.e. Aurë entuluva) in response to Fingon's (Utúlie'n aurë!) says a lot about how effective the Quenya ban was at actually banning Quenya.
one of my favourite things about Fingon is that ‘Utulie’n aurë! Aiya Eldalië ar Atanatari! Utulie’n aurë’ is in Quenya. It is possible these were words borne of sudden emotion, and subsequently in his native tongue; it is also possible he used Quenya out of spite towards Thingol, who, after all, was not there to impose his ban.

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Soron is the Quenyan word for eagle. But we can conclude that before the shift that occurred in Quenya where the þ-sounds shifted to sa-sí sounds. So Soron must have been þhoron(Thoron)
So, when Aragorn fashioned himself an alias as The Eagle of the star, he did so with the root word Thoron and not Soron. He was using archaic Quenya or better known as — Feänorìan Quenya.
Who could have taught him that but Elrond, who must have inherited the accent from his kidnap-adopted fathers and must have passed it on to his children. We have proof.
How to use Tolkien's languages
I guess posts have been made about where you can find references on Sindarin, Quenya, Nandorin, Old Elvish, and Noldorin among others on Tumblr but I wanted to make my own list (so I can come back to it when I need it). If you know a website you'd like me to consider for my list, please just mention it to me.