And of course, not only does the fact that Darcy, who owes their family nothing, has kept and continues to keep this secret for them even after Elizabeth’s refusal deepen the gratitude she begins to feel for him after the letter of explanation, but it also liberates Elizabeth to fall in love with him. Because Elizabeth-who-wants-to-marry-for-love would never be happy marrying someone who didn’t know the family secret in advance. She had resigned herself to spinsterhood because she couldn’t be satisfied with having to hoodwink someone to have their hand, but also couldn’t put her family at risk by trusting someone who wasn’t bound to them by more than an engagement. (Maybe she was even tempted to confide in Wickham at one point, and hasn’t Darcy’s letter proven she was absolutely right not to yield to that passing thought.) But Darcy figured it out himself, and he’s kept her trust, and she could fall in love with him without guilt—if she hadn’t already turned him down.

first step✒️🌟

Happy witch hat day!

Don’t worry, you don’t have to listen to the entire 6-minute masterpiece. Most of you already know how the end credits typically go in a Star Wars film. The Rebel Alliance fanfare is played before John Williams delves into what he most likely considers to be the most important theme of the film. In this case, it was Across the Stars because…love story.

Now…just for reference, I need to make sure you know some themes in order for this to be as powerful as it can be. Those being:

The Imperial March which I’m sure all of you are quite familiar with. If you are new here or confused by the name, it is also commonly referred to as “Darth Vader’s Theme”.

Across the Stars is Anakin and Padme’s love theme throughout the Prequel Trilogy. If you can’t seem to remember or haven’t listened to it in a while but want to, just start the video from the 0:50 mark.

Anakin’s Theme is lesser known and also harder for people to remember since it’s not played very often. Don’t worry, I’ll let you know when it happens so you know you’re hearing it.

Now…onto the reason I’m here…

https://youtu.be/1bfeiggOubY

If you skip to 4:25, you will hear a breathtaking rendition of the spectacular love theme played on a harp.

What happens after that is pure magic and pure genius on John Williams part.

At 4:55, we hear Anakin’s Theme. Though it doesn’t quite evoke childhood innocence as much as it did in the orchestral recording for The Phantom Menace. Now, it’s more distraught, more disjointed, more melancholy, and overall much more haunting.

At 5:13, we hear Across the Stars, a theme that is nothing short of beautiful every time it’s played…but listen to what’s happening underneath it.

At 5:18, while Across the Stars is still heard, we hear an undertone of The Imperial March. It interrupts the beauty of the love theme and lets you know of the darkness that surrounds that love.

At 5:25, John Williams takes that love theme to incredibly chilling heights.

At 5:35, the end credits close with a very foreboding rendition of The Imperial March. A rendition that is so gut-wrenching and stomach-churning even for the short 10-seconds that it plays and you’re almost begging the music to return to it’s happier, higher tone…but it doesn’t. That’s how it ends.

The end credits of The Phantom Menace ended with Vader too but that was only because Anakin’s Theme actually ends with a small snippet of it. This particular piece of music heard at the very, very end of Attack of the Clones is not featured anywhere else in any other Prequel Film as it’s written here. John Williams didn’t have to do that, he didn’t have to go that hard when it was the last few minutes of, not just the film, but the end credits. But…he did and I am oh, so glad he did because it gives me chills and makes me want to cry every time I hear it.

Evening coffee ☕🌌