David about the Staged pinapple scene :)) <3 🍍
David on New York Live June 02 2026 :)
AnasAbdin
I'd rather be in outer space 🛸


shark vs the universe
Lint Roller? I Barely Know Her

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izzy's playlists!
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he wasn't even looking at me and he found me

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@masnadies
David about the Staged pinapple scene :)) <3 🍍
David on New York Live June 02 2026 :)

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I’m honestly really bothered by the way that Aziraphale was treated by the writers and, notably, by CROWLEY, throughout the finale. why on EARTH did every single interaction between crowley and aziraphale regarding s2 Final Fifteen consist of crowley accusing aziraphale of abandoning him, aziraphale explaining that he had to try to do the right thing / they couldn’t have been happy if they left all of earth’s inhabitants to suffer, and then crowley just making faces at him and never ONCE responding to those valid claims??? i kept expecting crowley to eventually arrive at the conclusion that yes, aziraphale’s motivations WERE noble, and clearly his attempts to do good actually WERE on track to achieving something (ie the Second Coming wasn’t going to be a war at all before michael ruined everything). but crowley never breached that topic.
it was all about crowley’s forgiveness of aziraphale, but never crowley’s admission that aziraphale made valid choices, too. throughout the show, aziraphale may have been flawed for acting like angels were superior to demons in efforts to keep him and crowley safe, but crowley is also flawed for always belittling aziraphale and calling him stupid/idiotic/etc any time he made a choice independent of their relationship out of some kind of protective instinct. i’m just so tired of the narrative that aziraphale’s flaws are flaws, and crowley’s flaws are quirks.
like what do you mean aziraphale is a “taker”????? he went back to Heaven to save all of humanity, yet he was characterized as selfish for it and no one ever stood up for him or acknowledged his attempts to stand up for himself. and in the end it was crowley who god gave the choice of what to do about the universe to, and whose idea it was to start a new universe for the sake of humans’ freedom. aziraphale sacrificed himself and his happiness FIRST with the s2 finale, but that choice was dubbed selfish whereas crowley was given the big moment to be self-sacrificing in s3 yet his choice is heroic. never mind the fact that aziraphale fought for the humans even harder than crowley did when he refused to run away in both seasons 1 and 2. no no no— aziraphale is lazy. crowley is a hero.
besides, to imply that aziraphale only “took” and demanded things from crowley is to entirely misunderstand their dynamic. crowley takes on a doting role in that relationship because he has been told that he has to be the symbol of evil— not even just a demon, but THE snake itself— and as much as he tried to convince himself otherwise throughout history, that’s NOT who he really is. caring for aziraphale gave him the chance to be vulnerable and loving; aziraphale loved him BECAUSE he was different from other demons, not in spite of it. we’re expected to believe that while crowley is a good person BECAUSE he’s not like other demons, aziraphale is a good person DEPSITE the fact that he enjoys food and is “lazy” or “prideful” or “gluttonous.”
furthermore, while i understand that throughout history aziraphale could have reciprocated crowley’s care more openly, let’s not forget that over and over again, crowley implies things like “they never check up” and “they love me down there.” while the risk of punishment and death is equally huge for both of them, the risk was always more likely to be a problem for aziraphale, who had heaven breathing down his neck 24/7 if he so much as used one frivolous miracle to save his own life. aziraphale kept them both alive for 6000 years by keeping crowley at a distance, yet he STILL showed up and gave him holy water— something that easily could have gotten him killed— and showed up for crowley however he could. their situations were different, and in season 1, crowley understood that difference. they had to go at aziraphale’s pace. but all of that went out the window when aziraphale was characterized as a selfish “taker” who abandoned his city and his soulmate rather than someone who tried to fucking save them.
don’t even get me STARTED on the scene between the two of them and God; the entire show has clearly indicated that, in different ways, aziraphale and crowley each have equal degrees of trauma surrounding God and her lack of communication with them. that’s what made their moments throughout the Job minisode so moving— they understood what the other was going through because they were experiencing the same thing. so why on Earth was the moment of God’s arrival given to Crowley and crowley alone?? aziraphale literally stepped aside to encourage crowley to ask his brilliant question, yet crowley didn’t offer aziraphale the same stage, and when god took it upon herself to address aziraphale, his question was exclusively romantic and had nothing to do with his own trauma surrounding heaven and humanity. aziraphale was reduced to crowley’s love interest, from the interaction with god to the fact that (nearly) every step along the way, it was crowley who figured out the next phase of the mystery first.
aziraphale has ALWAYS had ambitions outside of crowley— they both adore humanity, but it was crowley who always suggested that they say fuck it and run away whereas aziraphale stood by earth time and time again. so it makes NO sense that aziraphale wouldn’t ask god a question about anything besides his love story. that’s never been who he is. his love for crowley is an important part of his identity, but it’s not the only part. you wouldn’t get that if you watched that scene out of context.
and unlike the crowley we know and love from seasons 1 and 2, finale-crowley NEVER intervened to say something like, “no, angel. you are not good DESPITE the fact that you eat and dance and act hedonistically. you are good BECAUSE of those things.” aziraphale’s goodwill has always rippled out of small kindnesses— he stops crowley from abandoning a stranger in the street whom he just ran over with a car. his love of music caused him to forgive a tenant’s rent for free. his love of food gave him a connection with the owner of a local coffee shop and sushi restaurant. fucking BULLSHIT that he’s lazy or hedonistic “but” still a good angel. he’s a good angel BECAUSE of the things God criticized him for, not in spite of them. and even if she said those things with respect /teasingness, Mr. “I did not care for it” was SILENT during all the moments that implied that aziraphale’s interests and joys were flaws.
aziraphale is selfish for loving food and comfort, but crowley’s obsession with his car or plants just makes him funny and iconic. i kept waiting for crowley to intervene and say something beautiful about aziraphale the way that azi did for him in that scene, but nope.
and while i understand the argument i’ve seen some fans make that it’s religiously liberating for aziraphale to acknowledge that he is technically a sinner by biblical standards but is still good, my issue stems from the word “still.” he argued to god that she was right about him “BUT” he still always tried to do good. no one— not aziraphale OR crowley— pointed out that those things aren’t sins in the first place— they make him who he is. crowley is redeemed, in god’s eyes, for his creativity and curiosity, but his temper/selfishness was never addressed. alternatively, aziraphale’s so-deemed “flaws” were criticized, but his love for crowley is what made god appreciate him. and as sweet as that idea is, it’s also a version of synecdoche; it reduces aziraphale to his love story and nothing else.
and SPEAKING of aziraphale’s speech to crowley, while it WAS so sweet, i call bullshit on the idea that crowley was the “only” one willing to question, or that he “taught” aziraphale bravery. aziraphale has been THE bravest character on that show since Day One; the very first thing we learned about him was that he gave away his god-given sword because adam and eve were alone and scared, and aziraphale made that choice entirely without crowley’s influence. we also watched him look out for his fellow angel and warn him not to get into trouble BEFORE the Fall even happened— proving that deep down, aziraphale suspected heaven for what it really was before crowley even did. and then in the finale, we watched an angel who JUST saw what happens to deserters take off his own wrappings to help an injured demon who’d threatened him with his own blade.
aziraphale has NEVER needed crowley to teach him bravery; crowley taught him that the bravery he already possessed was nothing to be ashamed of. but to rob aziraphale of the same qualities that crowley possesses, to give him no ambitions outside of romance (ie “i only want one thing”), is to demote his character to crowley’s love interest, and not once in this finale did crowley speak up about it.
i think a lot of times when we have a queer relationship— even one like this in which neither being is gendered— fans subconsciously try to find a Man and Woman in the dynamic based on systemic heteronormativity and misogyny. so when we condemn aziraphale for his flaws but treat crowley’s as silly aspects of his personality, when we refuse to acknowledge that aziraphale might have ambitions outside of his love story (ie the Nate and Andy From Devil Wears Prada Effect), or when we claim that wanting SOME creature comforts for himself makes him lazy and prideful, we end up treating aziraphale exactly the way that female love interests are treated. and while i personally think that’s been a huge issue in the fanbase for years, this finale is the first time in which crowley acted that way, too. crowley actively mistreated aziraphale throughout this entire finale.
even down to the human versions of themselves: anthony is a published author, a teller of his own story (albeit not a particularly successful one), whereas that scene implied that asa didn’t even own that bookshop, he was a subordinate employee in it, connoting an inherent difference in power. and while i understand that “crowley” might be an easier name to adapt than “aziraphale,” something in me twinges sadly at the fact that he doesn’t even keep his own name in their supposed, reincarnated happy ending. and our very last scene of them involved crowley looking at the stars-aka HIS passion— and aziraphale bringing him a drink like some kind of housewife. whatever happened to all the fanon representations of the south downs cottage that was overrun with plants AND books? aziraphale’s personality was bled from his happy ending, and only crowley’s remained.
i’ll always be sorry for that clever, kind, compassionate angel who forgives all at the expense of himself, who willingly sacrificed his own happiness after fighting for it for 6,000 years so he could undo the system of abuse that HE was a victim of only to be obliviated out of existence before he got the chance to have that happiness back. he was never acknowledged as the protagonist, the frodo baggins, the hero of this story. and he fucking deserved better.
Justice for my Aziraphale. He deserves SO MUCH BETTER.
He did, and it's so lovely to see this acknowledged, because it seems like so much of what is said or implied in this 90 minutes is accepted while it is NOT true.
Especially, thanks for pointing out that he was brave from the beginning. He was brave, and he followed his own moral code against what God told him to do. He did not need Crowley to teach him that. They taught each other, both of them doing the same work together, only his is quieter, he teaches (surprisingly!) through action (give the sword, forgive the rent, heal Anathema), while Crowley tends to share ideas through debate, which Aziraphale argues and plays with, but both decide constantly who they want to be. It's not one-sided, though many seem to think it is, that Aziraphale has a character arc to become brave and free from Heaven like Crowley is (neither is free until the very end as we see occasionally through all 3 seasons for Aziraphale and in s1e1 and Edinburgh for Crowley). Yes, Aziraphale does grow more human and develop his ethics throughout. Presumably, Crowley also does (definitely seems to become more human especially in re: imagination). Certainly, they both become braver because faced with Satan in S1, Crowley was not brave and needed Aziraphale's clever support but look at them now! Where was that here? The support back-and-forth? They are both flawed but both are amazing, brave, kind. Aziraphale defended himself a bit in go3, but in the end he was very much relegated to spouting loving words towards Crowley, and they landed very poorly, because the writers didn't know what to say I think- I can't believe Aziraphale himself didn't know. Yes, he said Crowley should never have fallen, but for all that he referred back to that time, he was speaking love of Crowley, who he does see in that light, he sees him as better than he is out of love. I wish the love HAD landed, I wish the writers knew as well as Aziraphale definitely does, what Crowley needed to hear. Because Yes, he needed to tell God that Crowley should never have been made to fall but he also would have said other things. And Aziraphale had a LOT to say to God AND a lot to say to Crowley and both were hushed and replaced purely by words that enraged the fandom and encouraged the hate that go3 was supposed to calm and balance (as they were meant to be Equal protagonists!) But we forget, Yes, Crowley said they should be an Us and go off together, but what Aziraphale needed to hear is that Crowley liked and loved things about him. Because Aziraphale is very understanding of Crowley but Crowley can be unintentionally cruel as well, the talk about him being bad at magic in particular, and a kind word would have made it easier to say, "good bye" to them.
Part of what I loved about Good Omens was the equality, the fact that there WAS no AFAB part to their relationship. And then they went and shoehorned it in, truly so much more in go3 by making the f15 Aziraphale's fault (even though the show itself SAYS he was right in the end) and Crowley's pain more important than Aziraphale's pain and then removing his agency and character to replace it with the one who hurts Crowley and then almost redeems himself (and is kind-of forgiven) by sacrificing himself for the Main Character. So many people are arguing the ending. I don't know. It makes me sad. I don't want it for that story. I hear the pain and feel a lot of it, and I see the reasoning and do truly understand it. Either way, I could fix it so easily in my brain. That was the matter of a few hours. But it was the middle bit that I can't reconcile. The coldness. The taking back of most of the love that is such a joy to watch. What they did to the characters and how they broke Aziraphale, probably my favourite character of all time. I can't yet figure out how to deal with it. I see people saying Book Only, which I love but I also love the TV show as done by these amazing actors and directors and costume designers, etc. I see S1 only, but I don't want to lose his joy in the Ball, his time in Job's cellar and on the rock. But I don't know what to do with This.
RIP Anthony Stewart Head, an incredible actor, musician, singer, LGBTQ+ ally and activist, devoted girl dad, and father figure to many of us as we grew up.
You will be dearly missed. 🩷
“Liar.”
BUFFY THE VAMPIRE SLAYER (1997-2003) - 2.07 • “Lie to Me”
rip king, truly nobody was doing it for weird sci-fi and fantasy obsessed nerds like you 💔

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lie to me
Anyway, I just finished Terry Pratchett's Feet of Clay and found it fascinating for no reason at all.
This is Ankh-Morpork, you know. We’ve got extra pronouns here.”
'You really intend to prefer charges?' 'I'd prefer violence,' said Vimes loudly. 'Charges is what I'm going to have to settle for.'
'Many fine old manuscripts in that place, I believe. Without price, I'm told.' 'Yes, sir. Certainly worthless, sir.' 'Is it possible you misunderstood what I just said, Commander?' 'Could be, sir.' 'The provenances of many splendid old families went up in smoke, Commander. Of course, the Heralds will do what they can, and the families themselves keep records but frankly, I understand, it's all going to be patchwork and guesswork. Extremely embarrassing. Are you smiling, Commander?' 'It was probably a trick of the light, sir.' 'Commander, I always used to consider that you had a definite anti-authoritarian streak in you.' 'Sir?' 'It seems that you have managed to retain this even though you are authority.' 'Sir?' 'That's practically Zen.'
'Did you really punch the president of the Assassins' Guild?' 'Yes, sir.' 'Why?' 'Didn't have a dagger, sir.'
'You can be any sex you like provided you act male.'
This is it, he thought. This is where we’ve filled ourselves up with so many questions that they’re starting to overflow and become answers.
'That's blasphemy,' said the vampire. He gasped as Vimes shot him a glance like sunlight. 'That's what people say when the voiceless speak.'
That's how politics works in this city. It's a game of chess. Who cares if a few pawns die? I'll know. And I'll be the only one who knows, deep down.
'However,' he said, 'in order to keep the peace, the golem will have to be destroyed.' 'No, sir.' ' 'Allow me to repeat my instruction.' 'No, sir.' 'I'm sure I just gave you an order, Commander. I distinctly felt my lips move.' 'No, sir. He's alive, sir.' 'He's just made of clay, Vimes.' 'Aren't we all, sir? According to them pamphlets Constable Visit keeps handing out. Anyway, he thinks he's alive, and that's good enough for me.'
No more kings. Vimes had difficulty in articulating why this should be so, why the concept resonated in his very bones. After all, a good many of the patricians had been as bad as any king. But they were...sort of...bad on equal terms. What set Vimes's teeth on edge was the idea that kings were a different kind of human being. A higher lifeform.
'The big trouble,' he added, 'is that everyone wants someone else to read their minds for them and then make the world work properly.'
Ineffable Husbands + Greek Types of Love
Focus on the sweet and beautiful parts
The more I think about that ending, the more reasons it bugs me.
The newest one popped into my head as I was waking up, this morning.
The running theme of GO has always been to embrace who you are (Aziraphale's embracing of his love of creature comforts, and of a certain demon... Crowley's constant assertions that he's a demon who has no use for Hell, but still embraces minor acts of mischief... Adam's determination to stay in Tadfield, even when offered the entire world to rule... Maggie's love of a record shop that's essentially failing... And I could go on, but you get the point). But in the end, in that pub scene, what GO ended up saying, was "you can only get a happy ending if you become someone you're not." NONE of those people were actually the selves they'd been the whole series. Not one of them. Instead of finding happiness and peace as themselves, they had to become completely new people, to be happy??
I think that's why so many of us were so instantly bothered by it. The GO fandom has always been largely made up of queer and/or misfit people. Those society has deemed mostly "outside" the norm, at various points. GO told us we were accepted and lovable just as we are. It gave us the safety to explore who we actually were, through the lense of characters who were, themselves, unusual or outsiders. And then, in the end, it ripped away everything that provided safety and community for us, and said "you can only be happy if you conform to the status quo."
Excuse the fuck out of me?? Not just no, but HELL, no.
This is yet one more reason for me to ignore the existence of S3.
"I heard that you needed a nanny."

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GOOD OMENS — Crowley holding Aziraphale's food
THE LORD OF THE RINGS: The Two Towers (2002) dir. Peter Jackson.
Finally. Gay weather.
Wettervorhersage: Es wird schwul
Buffy the Vampire Slayer – 2.19: I Only Have Eyes for You
I've gone. Not one for goodbyes, I thought it best to slip out quietly. Love to you all, Giles.
Rest in peace, Anthony Stewart Head (1954 – 2026)

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remember how Terry Pratchett used to write little New Year's resolutions for Aziraphale?? does anyone have these?? 😭
incidentally, the notion of an ageless immortal being committing to something like New Year's resolutions so perfectly encapsulates what Good Omens is all about. what could be flimsier, more subjective, more human than accounting for who you are now--and who you might become in one trip-round-the-sun?
Good Omens is about the ephemera of being human: lignin-infested shelves and James Bond memorabilia, filigreed snuffboxes alongside stickers and potting soil and whatever pomade the barber recommended last Tuesday. it's a story that understands that all life happens in the incidentals; that stuff becomes something more for being cherished.
Crowley and Aziraphale are doggedly, determinedly materialistic. that's not a bad thing! and it's not just a part they're playing, like Gabriel in his off-the-rack suits. they're able to understand each other--to love each other--because they love the world: selfishly, joyously, materially.
glory, victory, all that jazz? they're abstracts. but love is a thing made of atoms.
this is something the S3 writers, headed by that evil man, don't acknowledge: love doesn't cave in the universe. it stores up every trifle, because those vacant wine glasses (still streaky with a long-legged red) and half-emptied teacups (tannins softened into something algal)--they're the things we share to build a life, a world, an us.
the idea of an ageless immortal being devising little nitpicky changes for himself!!! the ritual of marking time by choosing what you'll do with it!!! (and failing! and trying again! and forgetting about it all entirely until next year, when you try again!!!)
you think that you're so alone in the world then you read literature from hundreds of years ago and you realize that other people have always felt this way