your cat was an honor to see in the window

if i look back, i am lost
almost home

ellievsbear
NASA

#extradirty
I'd rather be in outer space 🛸

Janaina Medeiros
DEAR READER
Keni

pixel skylines
trying on a metaphor
i don't do bad sauce passes
we're not kids anymore.
dirt enthusiast

Discoholic 🪩
Sweet Seals For You, Always
Claire Keane

Origami Around



seen from United States
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@marrtian
your cat was an honor to see in the window

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tomorrow im really gonna give it my nothing
not even funny how true this is for me
An adorable comic I found on reddit and wanted to share.
Original artist Heidi.Doodlez on twitter.
Heidi’s also put this and a continuation on WEBTOON!
Rebloging to spread that webtoon link.

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Father Strange, when considering the famous shoelaces code, do you interpret the president they were stolen from to be whichever US president is currently in office, or is it still Obama? I've held in my heart that it has been Obama this whole time
I also feel like The Shoelace President is Obama but I'm curious what Tumblr at large thinks
Who did you steal your shoelaces from?
Obama
Whoever is current US president
A non-US president (put in tags)
plain text:
you need to be slow maxxing. you need to be reading long, fat books. you need to be making 48 chocolate chip cookies. you need to spend hours watching wild life. you need to spend 15 minutes making coffee. you need to breathe in and out. you need to be slowwwwwww
the change from AD to CE feels really emblematic of how surface-level and meaningless the supposed secularization of the western world is
Common Era is definitely preferable over Anno Domini, if only because christ is no lord of mine, but it’s only less christianocentric in that it doesn’t overtly make reference to christ in its title. the benchmark is still the same. you’re still measuring when the common era began using the (supposed) birth of christ, separating history into “the period before jesus” and “the period after jesus”. this conception of history is no less defined by christianity than it was before, except that now it’s easier to ignore because you’ve draped it in a “secular”, “modern” veneer and done nothing to actually unpack the ways in which western society intrinsically centers christianity.
Okay now I need a point in history that could be a benchmark to start counting the years from, and would be a common point for most of the world
What year would it be today?
UTC
Coordinated Universal Time.
The system by which every computer in existence now keeps count of the passing seconds.
And I mean that literally. To a computer system "now" is a number that represents the total number ov seconds that have passed since midnight on the 1st of January, 1960.
1960/01/01 00:00:01 is literally the beginning of time as far as a computer is concerned.
This would be the year 66UTC
I like this idea but if we changed it now then next year would be the year 67 which would make a lot of people angry
Yeah but they'd be stoked for 69UTC so
out of curiosity, how many books have you read this year
0
1-5
6-10
11-15
16-20
21-25
26-30
31-35
36-40
41-45
45-50
over 50

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I love dandelions!
*puts a dandelion in your hair*
Reblog to put a dandelion in prev's hair
i think "turning into a pumpkin" is my new favorite way to articulate the state of things when I am at a function and very overstimulated and it feels like my brain is melting. it's like no i can't be a person anymore i have to leave i'm turning into the pumpkin. the time is up yeah i gotta go. yeah see u later. pumpkin time.
felt ok but then remembered
thank you The Beatles
That’s Queen but yes thank you!
[ID: a picture of the four members of the band Fleetwood Mac pointing at the camera. It’s subtitled “You’re GAY!” /End ID]
[ID: It’s ABBA. its fucking ABBA. /End ID]
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.

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this sounds like a party to me
Watching the tank and the off-tank work a raid boss