Kobayashi Kiyochika (Japanese 1847-1915), Fireflies by the Kinu River, 1930, Color woodblock print
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Lint Roller? I Barely Know Her
Jules of Nature
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Kobayashi Kiyochika (Japanese 1847-1915), Fireflies by the Kinu River, 1930, Color woodblock print

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A stem cup from North China, late seventh or early eighth century. Silver with embossing, chasing, engraving and microscopic traces of gilding.
Credit…via Asia Society, New York
ive invented (note: dubious claim) something i call the bear diet which is mostly fruits and vegetables with fish as the main protein source and something like once a month you eat a few hyperprocessed foods of your liking because that is when you, the bear, raid a dumpster in the suburbs
after the hyperprocessed foods, do you take tranquilizers to simulate getting captured by animal control and returned to the wild?
i would settle for melatonin gummies but well. knock yourself out
Smoking… 1969.
From The Sparrow by Mary Doria Russell

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The Wyndham Sisters; Lady Elcho, Mrs. Adeane, and Mrs. Tennant, 1899 John Singer Sargent
Public phone booths in Holambra, São Paulo, Brazil.
summer
1. make a syllabus for yourself - books, media, places, recipes
2. complete 40% of it
3. eat every fruit u can
Gold finger ring, Europe, 16th century
Nikita Chan (Chinese/American), Rainbow Shower, 2025, Colored pencil on paper

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F. Scott Fitzgerald, The Beautiful and Damned
john thatcher
Louis le Brocquy - Girl in Grey (1939)
A c1950 vintage intertwined swan ring, in sterling silver. Unsigned, but very similar to a ring designed and made by Mosheh Oved, an English antique dealer and jewelry designer who's figural rings are sought after by collectors.
eriebasin.com
Cormorant fishing in Yangshuo near Guilin, Guangxi, China. Christian Vaisse
Cormorant fishing is an old tradition in which fishermen use trained cormorants to catch fish.

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Billie Whitelaw in the UK premiere of Samuel Beckett’s Not I at the Royal Court Theatre in 1973. Not I calls for a mouth in a black void, disembodied and hovering high above the stage. Accordingly, Whitelaw is swathed and hooded in black fabric to hide her body. The rectangular objects on either side of her head are the ends of a sort of clamp to hold her head in place (Whitelaw said this prevented her getting the shakes). The wire leads to earpieces, so she could be prompted in the text if she got lost.
The strange outfit and apparatus in this photo would not have been visible to the audience, of course; all of its parts are either masking Whitelaw or keeping her oriented and still. Her lower face was covered with black makeup so that the mouth itself, lined in red, was the only visible part of her body, illuminated with a miniature spotlight. All elements of the physical and lighting design were executed by Jocelyn Herbert.
“Every night was like falling backwards into hell, there was no way round and it was awful. I still get dizzy just remembering the play and, in fact, the tension damaged my spine and I have had to see a neurologist ever since. I call it raging Beckettitis.” - Billie Whitelaw
Quote and picture from Jocelyn Herbert: A Theatre Workbook
Pair of Stockings
c. 1900
Embroidered and machine-knitted silk with sequins and beads
France
Victoria and Albert Museum