single funniest entry in Star Trek predicting the future
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single funniest entry in Star Trek predicting the future

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Gemini had the fucking GALL to get in my email and summarize a 3-line email, taking up more space than the email did visually.
Hit the “thumbs down.” It’s like, what’s wrong??? Was our summary wrong? Were there offensive words? Thank you for helping us improve our AI tools :)
I selected “other.”
Text box popped up. Please elaborate!
Wrote in “I can fucking read” submit comment
Then had to spend several minutes torching all my settings with a flamethrower. Let me be clear: I’m (a lawyer) notoriously picky with my words FOR GOOD REASON (lawyering) so I overwhelmingly reject Gmail’s “helpful” little assistance. My privacy settings were set to “full paranoia” a little less than a year ago when I saw the writing on the wall and knew public defenders could become a target in the future. Better to lock it all down now.
Gemini had crept in there and turned ALL that shit back on. And showed itself by saying “Jane Doe says she’s so sorry for your loss and offers to reschedule for Thursday at 3” over an email from Jane Doe saying “I’m so sorry for your loss. We could reschedule for Thursday at 3?”
Why would I possibly need this. In what universe would I need this. I have eyes and a brain and a reading speed that twenty years ago was measured at 1500 wpm with full comprehension on dense scientific text. Furthermore! If I read a summary, I’m not reading what they actually wrote. If I’m not reading what they actually wrote, I’m not using my own judgment on the words and phrases that they used.
I literally don’t understand why this is helpful at all. This is just avoidance. Using LLMs to write is specifically Not Writing. Using LLMs to summarize is Not Reading. Using them to make art is Avoiding Making Art. Just READ! Just WRITE! I was not put on this fucking planet to not read and not write and not make art! Avoidance is an anxiety symptom and indulging it gives it more power.
If I had an AI to do my most dreaded task, answer the phone for clients, I wouldn’t use it. Because an AI cannot help them. An AI cannot hear the facts of their case, make appropriate noises, be thoughtful and insightful, and then give them a realistic estimate of what could happen in court. I am unique. I cannot be replaced by machine learning. I have style. I have expertise. I don’t hallucinate unless I’m having a really great Friday night and I’m off the clock.
When I need to outsource tasks from my own brain, I give them to people I know can do them and that I trust to do them right.
Fuck, it just sneaks up on you, doesn’t it?? Goddamn Gemini jumpscare right in my own fucking email
I WAS NOT PUT ON THIS FUCKING PLANET TO NOT READ AND NOT WRITE AND NOT MAKE ART!
Lapid was set to attend the Marseille International Film Festival in July as part of the jury, but pulled out following pressure from pro-Pa
Natalie Portman and French directors Justine Triet (Anatomy of a Fall) and Jacques Audiard (Emilia Perez) have joined an open letter condemning the cultural boycott of Israeli director Nadav Lapid.
Lapid was set to attend the Marseille International Film Festival in July as part of the jury, but pulled out following pressure from pro-Palestinian filmmakers, who threatened to withdraw their films from selection if Lapid took part.
The Israeli director is a sharp critic of Benjamin Netanyahu’s government and has lived in France since 2021. His last feature, Yes, is a scathing satire on the radicalization of contemporary Israeli society and the complicity of the country’s artistic community in the killings in Gaza and the West Bank. But because the film was partially financed by the Israeli Film Fund, some pro-Palestinian activists have accused Lapid of complicity with the Israeli government and called for a boycott of him and his work.
On Monday, more than 350 leading figures in the French film industry, including producers Saïd Ben Saïd (Elle) and Judith Lou Lévy (Dahomey), along with directors Stéphane Demoustier (The Great Arch) and Mati Diop (Atlantics, Dahomey), signed an open letter, published in French newspaper Le Monde calling the cultural boycott of Lapid “an intellectual failure.”
“That Israel’s greatest dissident artist [who] tirelessly denounces the fascist and colonialist tendencies of his government and its criminal moral failings in films that have won awards worldwide, should be forced to withdraw from a French festival should alarm us and mobilize us beyond this absurdity,” the letter reads. “It should alert us to the obvious truth: whatever crimes their state may commit, no one can be reduced to a passport.”
The letter’s signatores argue that Lapid, like dissident Russian or Iranian filmmakers, should not be held accountable for “crimes committed by governments they are often the most fervent critics of.” Continuing to invite these artists to festivals, they say, puts more political pressure on authoritarian regiemes than boycotting them. They point to Russian director Andrey Zvyagintsev, who won the Grand Prix in Cannes last month for Minotaur and used the ceremony to call on Vladimir Putin to “end the carnage” in Ukraine.
>support Israel's government >get called fascist genocide apologist >criticize Israel's government >get called fascist genocide apologist Starting to think that it's not just anti-Zionism and it's not just "criticism of Israel" tbh lol
“can’t believe you treat your gf like this Hollander 😔” has me crying lmao please someone write this
Heated rivalry shouldve been about 2 ugly old guys that play mahjong then maybe id consider watching it
i don't remember them playing mahjong but they do other old man things like going to the wet market together and drinking soup and taking walks. anyway go watch suk suk / twilight's kiss
"ok but where's the old chinese lesbians" go watch all shall be well. it's by the same director and the old chinese lesbians are also at the market

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Let’s say that I’m a From the River to the Sea person. Let’s say that I think the only way to free Palestine is to erase Israel and send its populace back where they “came from.” Let’s say we reject genetic research about where the Jews “came from” and assume that Jewish history magically started in 1000 CE and now everyone has to “go home.” What would this require? At its most basic level?
-mass buy in from the SE Asian subcontinent to the British Isles. I’m talking government, populace, infrastructure, the whole nine yards. Every government from Bangladesh to Morocco to Scotland will have to issue immigration papers, determine sources of income, and set up social safety nets. Etc etc etc.
That in turn will require:
-populations the world over to commit themselves to never creating an environment so hostile to Jews that Jews come to feel that a nation state in the Southern Levant is the only option.
Now let’s go full idealistic. Let’s say that the world decides to free Palestine and send the Jews “home.” Let’s say all the people and governments are committed to making that happen humanely and equitably. What would that look like?
-trillions of dollars in reparations for murder, property theft, bank accounts, businesses, etc compounded over minimum 80 years
-full buy in from all levels of society to educating themselves about anti-Semitism, and eradicating it. I’m talking from executive branch to the working poor.
If you want Palestine to be free from the river to the sea, you really need to sit down and actually think about where you will send those Israeli Jews and descendants who only ended up there in the first place after they were violently expelled from somewhere else. I’m not talking about the Yishuv. I’m talking about the world after 1945. Are they supposed to go back to Poland? Or Yemen? Or France? Or Syria? What would that look like? Genuinely, how do we administrate and create the infrastructure for that?
It’s a hard, shitty question which flies in the face of blind optimism and overly simple narratives of the Israeli-Palestinian situation. But from where I’m sitting as a non-Zionist (I don’t do nationalism point blank; this is not a value judgement or a smug assertion of diasporic Jewish moral superiority) Holocaust scholar, it seems like those Jews are supposed to disappear or like, painlessly immigrate somewhere?
This is another iteration of The Jewish Problem, and if we’re going to seriously say that Israel should cease to exist and be replaced by a Palestinian nation state, we have to answer these questions.
Because in the current global climate? The “solution” to the “Jewish Problem” in the Southern Levant looks like mass murder. And that’s half the Jews in the world right there.
That bothers me. Does it bother you? Or is it the price you’re willing to pay? You don’t have to answer that. Deep in your heart you already know exactly what your answer is.
It’s ok if this post makes you angry, and triggers intense cognitive dissonance that make me you want to yell. But I will not be engaging with abusive and/or anti-Semitic responses, and whoever replies with that material will be blocked.
sometimes i think about how eliot spencer in any other font would be such an annoying character. like he's the gruff, ex-military, man pain guy who gets all the girls. and then they said no! he's a thoughtful and kind man who children love and who has an absolutely mind-obliterating insane amount of ptsd. and he's got long hair, jewelry, and probably some sort of pronouns situation. and he's almost certainly in a sort of queerplatonic throuple with an adhd genius and the most autistic woman(?) alive. what a character
@zahnie i am kind of mad tbh bc now i keep thinking about that leverage/batman crossover and it’s ridiculous. they’re using a charity gala as a way to get into the manor. eliot immediately pegs alfred for former mi6, but he can’t figure out what the fuck bruce’s deal is. something about the way he stands or the way he watches the room or his shoulders or something. “is it not distinctive enough?” “oh, it’s distinctive as hell, i just don’t know what it is”. let’s say it’s older bruce so hardison has to get into a hacker fight with tim. sophie can’t grift bc there are too many rich people who’d recognize her in attendance. parker can’t infiltrate the catering service because they run that shit tighter than the white house (WHY is he so paranoid about his CATERERS what the HELL i’ve seen BANKS less lax about tracking employees than this) so she has to pretend to be a model. that backfires so fast because bruce is so nice and wants to know if she’s okay bc she seems uncomfortable. parker is thrilled when she discovers the house is full of secret passages but that also ends poorly when she turns a corner and bruce is standing there like “hey there, you seem lost”. he’s still wearing the tux and drinking his champagne. he helpfully guides her to the bathroom since she is having such trouble finding it. eliot has a tense standoff with alfred bc this is wayne manor alfred and that means he is like an older, british eliot who’ll shoot a motherfucker. hardison and tim get distracted playing wow together and it isn’t clear exactly how that happened. there has to be at least one scene where eliot and bruce are fighting and the rest of the team just watches instead of doing anything useful because it’s actually kind of really hot. they don’t even really hurt each other so it’s fine. probably fine. just let them keep pinning each other to the floor for a while, it’s fine. bruce has a lot of helpful critiques for nate’s plan that nate does not appreciate. the obvious thing is that they figure out he’s batman but it’s kind of funnier if they don’t and just think bruce wayne is an inexplicable bamf. they’ve all learned a valuable lesson about judging people based on appearances. bruce flirts with sophie and nate pretends not to be bitter about it but he gazes out at the gotham skyline and broods. it’s just what happens when you’re in gotham. it’s a very broodworthy skyline. make fun of batman all you want but you look out at that skyline and try not to brood. you can’t. even superman broods. i mean, he looks like he’s brooding. he’s usually trying to remember if he left the oven on because every time he decides to make himself a nice dinner a supervillain attacks and four hours later his baked ziti is charcoal. it still counts as brooding. nate never stood a chance.
“Parker, if he so much as gives you a bad feeling I want you to get the hell out of there as fast as you can.”
“What?” Parker looked back over her shoulder at the man currently adorned with three blondes, five brunettes, and a redhead. “Why?”
“Something’s not right,” Eliot said, which wasn’t an explanation at all.
“Think you can maybe give us a little more to go on than that?” Nate asked, the kind of sardonic authority that was easy to pull off when he wasn’t even in the building.
“No,” Eliot snapped. “I don’t know what the hell it is, I just know it’s bad news.” MI6 in the way he held his champagne and CIA in the way he stood and a soldier in his shoulders and Interpol in the way he looked around the room – no, CIA again – no, FBI – League of Assassins? Obviously not that, couldn’t have been that, so what exactly was it that had him wanting to grab Parker and get the hell out? If he could get closer he might be able to tell, the mezzanine might as well have been a different building entirely for all the good it did him. All forest, no trees.
“Not distinctive enough?” Hardison asked, but it wasn’t a real question.
“Too distinctive,” Eliot answered, even though he knew Hardison didn’t actually care. “I’ve just never seen it before.”
“If you’ll pardon the intrusion, sir,” said a voice not in Eliot’s ear, and he did not make it obvious how he stiffened at the address. Eliot turned, let harmless confusion and interest soften his face.
The butler, the one he’d seen before. Pennyworth. That familiar combination of MI6 and Interpol, muddied with domestic service but present all the same.
“May I have your name?” the butler asked, his hair was white but his eyes were sharp.
“Isaac Easton,” Eliot lied automatically. “Is something wrong?”
Mr. Pennyworth exuded serene amusement. “So sorry,” he said, “but I’m afraid you’re not Mr. Easton.”
“Don’t try to deny it,” Sophie said in Eliot’s ear before he could respond. “He couldn’t make it so he told you to come.”
“You caught me,” Eliot said, sheepish. “Turned out he had some kind of a family thing, said I could use his invite. Didn’t think anyone’d notice if I used his name. He’ll be flattered you remember him.”
It was unclear if Pennyworth bought this story, as placid as before. “I don’t, actually,” he said. “But I’ve always made it a point to examine the guest lists personally. If there were meant to be a former green beret in attendance, I would know about it.”
Eliot was, for the most fleeting of moments, stunned.
The butler smiled. It was not kind. “The way you watch the crowd,” he explained. “It’s very distinctive.”
Eliot froze. He frowned. His brow furrowed.
If Hardison laughed any harder, he was going to hurt himself.
ok but, the leverage crew definitely aren’t conning the bats right? they’re after someone else, & want into the manor for some paperwork bruce specifically keeps in his home office cuz it’s less weird if your house where your kids live is more fortified than the average military base. except, obviously bruce has this paperwork cuz he is also after whoever it is, maybe as batman or maybe just as a rich guy who has tricked all the other rich guys into thinking he’s also a shitbag so they brag to him about all their shitbag exploits
which is to say. leverage crew are unknowingly speedrunning this guy’s demise. bruce was already handling it, he’s just content to play a longer game cuz taking down evil rich guys who do run-of-the-mill rich people crimes and not, y'know, increasingly elaborate supervillain crimes often involving fun new dangerous chemicals and explosives is the batman equivalent of a hobby. he combs thru the banking records of gotham’s elite to relax
and. because in both the leverage crew and the batfam’s experience people who have a very particular skillset and are lying about it do not mean well, they spend the whole gala convinced the other group are Villains.
so the longer the job takes the more nate suggests maybe they just bail, guys, they can find another angle that doesn’t need those files, they have definitely stumbled into something bigger here and he has no idea who bruce wayne actually is but he does not want to piss him off, while parker and eliot stubbornly refuse to leave because, no, they are figuring out what the fuck wayne’s deal is. hardison is having too much fun talking to tim to take a side. sophie can’t decide if the inevitability of someone being stabbed is worth finding out why dick grayson is subtly grilling her about a few very specific pieces of artwork and their exact locations
(for the record dick is mostly trying to figure out if she knows selina) (he is asking the wrong person) (parker hasn’t ever talked to her but they’ve crossed paths) (only so many buildings containing incredibly expensive things in the world. yknow how it is)
and the more of the evening that passes the more bruce starts to develop a twitch, because these people are here for A Reason but no one can find anything on them, they’re not trying to get in the kitchens, they’re not armed, he sent tim off to hack into their comms two hours ago and he still hasn’t come back, dick is convinced the older woman is a prolific griffer but bruce is reasonably sure she’s related to him somehow, what are they trying to do why are they here bruce’s head hurts
eventually, eliot hits his subterfuge limit and just starts for the office, and bruce follows him, and they get in the aforementioned brawl in a relatively out-the-way hallway that slowly attracts parker, sophie, nate, and dick, and as that is playing out hardison finally says something he thinks isn’t incriminating but makes tim go “ohhh you’re after the medical fraud guy. shit, why didn’t you just say so? i’ll send you the files now”
meaning hardison finally gives his full attention back to the main comms channel and says “uh, nate? it’s cool, i sorted it, you can bounce”, only for nate to reply “eliot has bruce wayne in a chokehold” and then, as hardison splutters, “no, wait, bruce wayne has eliot pinned– no, eliot has– no, i think– wait, maybe–”
“you, uh. you can break it up” hardison says, desperately trying to find a security camera with a good angle, and tim pipes up “hey, can we set up your guy and bruce on some playdates?” as nate, caught between bemusement and concern, says “i think? this is fun for them?”
and then alfred appears to remind bruce he can’t mysteriously disappear when it’s his party (“no, i think i can” “i am not saying it would be implausible, master bruce, i am saying it would be impolite”), and sees the leverage crew out, and the leverage crew have the weirdest debrief of their lives and then get their actual con off w/o a hitch thanks in part to some extra bonus files tim sent, and a couple weeks later bruce sends them a fruit basket and a standing invitation to any and all events he hosts
@chimaerakitten you might also like this one
OH I HADNT SEEN THAT LAST BIT BEFORE
My favourite Eliot Spencer character trait is Friend-shaped To Children. Nate can't look at children without crying. Sophie is politely baffled at the concept of Humans Who Don't Understand Complicated Psychological Concepts Because They Are Literally 6 Years Old. Hardison has older brother energy, which is to say children are comfortable in his presence but they don't actively seek him out, unless of course to play an epic prank akin to the great tradition of Ring and Ditch or Spell ICUP. Parker will try to protect any child she can, but under-12s without autistic criminal intent don't really connect with her, unless of course they are Traumatized™.
Eliot Spencer is continuously sought out by children of all ages. Traumatized or not? Does not matter. Literally baby or cool teen? Does not matter. They will come up to him while he is glaring daggers or actively planning to murder someone and ask him to hold their hands through the security check at the airport. And you know what? He does. He holds their hand every single time.
he's fighting a beautiful buff lady. her shirt gets ripped and she's left in her slutty little tank top. "come on," you think. "why is the woman always wearing sexier things than her male counterparts." but fear not. now HE takes off his shirt and he's left in HIS slutty little tank top. equality. and then they kiss
[Gif ID: This exact scene happening in an episode of Leverage, where hitter Eliot Spencer takes off his jacked mid-fight with a buff lady in a strap-sleeved shirt to also reveal he is in a tank top. End ID]

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It’s a very distinctive handicraft.
It’s very telling about the kind of roles Christian Kane is cast in that I thought this was a legit subtitle for a minute and couldn’t tell if it was Leverage or The Librarians (outside chance it was Angel, honestly).
*pokes you* Make it fic for me, Sam. If not now, then next time you’re doing a Midnight Theatre. I’m putting my order in now because I am NEVER awake when you ask for prompts. Pretty please?
Guess who’s got legal weed and a will to create!
(Quick shout out to Dispensary 33, where 1920s facial hair meets 2020s weed edibles!)
Title: A Very Distinctive Backstitch Rating: General Summary: Parker returns home to find Eliot has discovered both pinterest and handicrafts, and Hardison has had to use the fire extinguisher again.
Parker got home three days after the boys did, on that particular mission. When they were planning it, they seemed to think this wasn’t fair, and she’d told them they were right; she felt terrible, having so much fun without them. Still, they’d just have to keep a stiff upper lip about it and she’d let them have all the fun next time.
(When she mentioned that, Alec got his “You have misunderstood my intentions” face, but she l…she lo…she loved Alec in part because even when she didn’t understand, he wasn’t ever mean or judgey. He didn’t always explain, but he always accepted. In this case, he just got her a GoPro so she could tape herself on the stunt bike course during the mission.)
Anyway, she spent three days having so much fun, and didn’t even mind the long drive back to Portland in the taquito truck. But when she finally arrived home, letting herself into the loft above the brewpub, she was met with a mystery. As she entered she found, draped over the kitchen island, a large fold of cloth, heavily embroidered in the style of the Bayeaux tapestry.
“Did you take an entire other job without me?” she demanded, as Alec walked into the kitchen carrying an empty plastic takeaway container. He shouted, flailed, and threw it at her. She caught it and tossed it into the sink. (She was all for throwing them away, but Eliot got a really pinched look when they did that, so now they washed them and saved them forever in the Sacred Take Away Container Reliquary, aka the bottom drawer on the right of the dishwasher.)
“Parker!” Alec yelped.
“What kind of job would you need the Bayeaux tapestry for, anyhow?” she asked.
“Woman,” Alec sighed, but he hugged her, and once she’d gotten used to them hugs were nice, so she enjoyed that part. “Welcome home. It’s not the Bayeax tapestry. I have some bad news.”
“If you’re getting some 7535 you might as well grab the 7110!” Eliot’s voice drifted out from the bedroom.
“Eliot’s lost his damn mind,” Hardison finished.
In theory, Parker knew that this job would be rough on Eliot. It required their hitter to take a beating. Eliot had said he was fine with it, but he’d taken more of a hit than anyone (possibly including the bad guys’ goon) had intended. In practice she’d been prepared for him to be bedridden, doped up, and cranky, but she hadn’t been prepared for cryptography.
“What’s 7535?” she asked in a whisper.
“Embroidery thread,” Hardison replied, reaching for a plastic bin on the counter. He held up a hank of wooly yarn, wrapped in a piece of paper that did indeed read 7535. “Did you know there are seven different shades of black?”
“Well, yeah,” she said, perplexed. “I mean, Venetian Black is totally different from Cherry Black, and then there’s Dark Black – oh! I found it!” she added, plucking the other color, 7110, out of the box. “What does Eliot want with red and black yarn?”
“Thread. Embroidery thread,” Alex said. “He got high and picked up a hobby.”
At that point Eliot himself, apparently impatient with Alec’s lack of speed, thumped into the kitchen on a crutch.
“It’s not a hobby, it’s a historical tradition,” he said. “Hi Parker, welcome home. Textiles have always been dismissed as crafts while paint and sculpture are arts,” he added, aggrieved.
Parker turned to Alec. He shrugged.
“He found a really compelling Pinterest right as the opiates kicked in,” he said.
“I learned how to embroider at three in the morning,” Eliot said to her proudly. He held out his next project after the fake Bayeaux tapestry. It was a cross stitch announcing All Cheese is Hubris. Parker studied it, impressed.
“He also almost burned the building down,” Alec interjected, as if he wasn’t used to both of them almost burning things down on a very regular basis. It was cute how he always acted surprised.
“It’s a long story,” Eliot said. “Anyway once I got the hang of it, I thought, I’ve never forged a textile before.”
“Ooh, me neither,” Parker said thoughtfully.
“But there’s a couple of panels from the Bayeaux missing, right?” he continued. “And like…why shouldn’t one of the missing panels have aliens in it?”
Parker checked the tapestry on the kitchen island. Among other more traditional motifs, it did indeed have two large-eyed aliens abducting a monk.
“He’s still high?” she asked.
“Another two days on the Vicodin,” Alec confirmed.
“It looks very authentic,” she said loyally. “Construction-wise, I mean.”
“Thanks,” Eliot said. He accepted the thread Alec handed him. “I’m gonna go finish this one. It’s for the kitchen.”
He hobbled off. Alec looked at her, his face a careful mask.
“Poor baby,” she said. “I got to base-jump twice and you’ve been tripsitting him through the hobby store.”
“ART STORE,” Eliot’s voice drifted out from the bedroom.
“Yeah, well, you know, it’s been rough, but I held up,” Alec said, putting on a mock-brave face. She grinned and kissed his cheek.
“Go play some video games. I’ll handle him from here. With a little nudge, he might learn to knit before we have to get him off the hard stuff,” she pointed out. She felt the benefits of knitting were self-evident, but Alec frowned.
“Why do we want Eliot to learn to knit?” he asked.
“Hello? Custom sized winter hats?” she pointed out. Hardison fell well within the one-size-fits-all range of most machine knitted hats – she’d done measurements while he slept – but she just knew if he had a tailored toque he’d feel better about wintering somewhere it rained every single day from Halloween to St. Patrick’s Day. She herself had quite an oval head and hadn’t gone back to off-the-rack hats since her first tailored ski mask.
“I’m gonna go…Goose Game,” he said.
“Be extra horrible for me!” she told him, and bounced off to initiate a subtle campaign to shift Eliot from embroidery to knitting.
can't believe the plot of leverage is literally 'man gets hired to be a project manager for Crime and then is forcefully adopted by the employees he doesn't want'
and it fucks
the funniest thing nate ford ever did was run up like twelve flights of stairs racing an elevator to press every floor button to stall sterling
This may seem like an exaggeration, the idea that one can learn how to properly think like a criminal by learning how crime stories work. On a personal note, let me tell a story from the Leverage writer’s room.
Apollo Robbins (http://www.istealstuff.com/) runs a crew of professional thieves who consult for law enforcement. He was also our criminal consultant on Leverage. Every few weeks he would visit the writer’s room to advise on the scripts and keep us up to date about new cons and the latest in criminal technology.
One day during the third season he sat in with the writers while we broke a story. We posted the details of a real-life white collar criminal up on the room’s whiteboard, using him as the basis for our Mark. We looked at his weaknesses, how he moved his money, what his hobbies were. Once we were happy with that element of the story we added a Vault to the mix, one that used an interesting new alarm technology we’d researched. We then spent about an hour figuring out how to circumvent that alarm. We even sketched out a map of the imaginary building so we could keep track of our Crew’s movements during the Job.
“Well, I’m done here,” Apollo muttered. Noting our confusion, he pointed at the board and index cards cluttering the wall. “This is exactly how real Crews plan these things. This writer’s room is now a fully functioning criminal gang. You could be thieves.”
Of course writing television pays better than crime (usually), with far less chance of being arrested (usually), so we all managed to resist the temptation. But aside from the day a US Attorney asked us to change a plot because we’d created a scam that was a little too foolproof, or when a Homeland Security Agent admitted they were spooked by a security hole we’d exploited in our season finale, it was certainly one of the proudest moments I had on the show.
Source: “CrimeWorld” by John Rogers in Fate Worlds Volume Two: Worlds in Shadow. Evil Hat Productions, 2013: 20.
Astronaut readjusts to life back on Earth
> Don’t give him a baby for a while.
HE GRABS THE CUP BUT THEN HE DROPS THE PEN 0.0003 SECONDS LATER
AND HE LOOKS UP AT THE CEILING INSTEAD OF AT THE GROUND WHEN HE CAN’T FIND THEM
I CAN’T STOP LAUGHING HE JUST DROPS IT
IT’S NOT FUNNY IT’S VERY LOGICAL THAT HE WOULD HAVE ADJUSTED TO LIVING LIFE WHILE HE WAS IN SPACE BECAUSE IT’S DIFFERENT FROM EARTH BUT I CAN’T FUCKING BREATHE
*THUNK*
i love it so much every time i see it
“ugh stupid gravity”
IM FUXKING CSHAKING
I haven’t seen this post on my dash in *years* bless this
Bless, this is absolutely amazing
I love this. It’s so gestural and he’s so exasperated about gravity.
The perfect comedic timing of the NASA logo.
Not to kill the joke, but just reminding folks that the timing of the logo is totally intentional! As per the video description, “"This is JSC” is a satirical series created by students at NASA Johnson Space Center.“
Tom Marshburn is a real astronaut, but he’s also having some fun in this clip.

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what are you even supposed to do when youre angry. cant scream at anyone cos im not a dick. cant break anything cos i paid money for that. cant rip my hair out cos i need it on my head. literally what now
Personally, I like to disassemble grass or leaves. Kind of feels like tearing paper, which i get isnt a huge anger relief for everyone, but it works for me. And its free.
Also if you have access to a gym they often have punching bags you can wail on
When I’m angry, I sit down and write a letter to my representative.
That sounds like a shitpost, but I’m serious. Some asshole cut me off on the freeway? Time to tell my senator how I really feel about SNAP. Complete jagoff closed a door in my face? I think my district rep should hear about the giant pothole nobody is filling (seriously RIP my suspension every time I have to pass that damn thing).
The writing calms me down, the people reading it will expect a bit of irritation, and I get to do something good. Win-win-win.
a new reality tv show called So you think you can write Doctor Who
twelve episodes, twelve contestants - a mix of annoying middle aged sci fi authors, fan fic authors and random people off the street
a variety of against the clock writing tasks, big finish scripts, ability to interact with actors without shouting at them and challenges where you have no budget or doctor for an episode
judged by solely by christopher eccleston
this is how you find the new doctor who showrunner