Since I yell about it online without actually pointing out specific works, I figured I'd back it up by sharing a reply I sent to a reader comment containing some recs on world classics - literature that I would personally prioritize reading for not just their storytelling value but for how they help broaden one's perspective on things.
ETA: forgot Vladimir Nabokov, James Joyce, Toni Morrison
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An Archive of Our Own, a project of the Organization for Transformative Works
Summary:
The Wheeler house is haunted with the ghost of Will Byers.
In the four years after Will Byers and Barbara Holland went missing, the world has moved on. Funerals were held; divorces were finalized; the town spoke in whispers of monsters in the woods that came to take away children that didn't conform.
But Mike refuses to move on. Lonely, queer, and suicidal, he clings to the idea of Will haunting him as a ghost, and Nancy doesn't know how to keep him tethered to this side of the living when she's barely treading water in her own sea of grief.
A Will Byers Never Found AU where Will, locked in Hawkins Lab for years, has given up on ever returning to society until he sees the Wheeler siblings; one burying her grief like a skeleton in the woods, and the other wander the mountainside at night in his refusal to come to face with his.
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Notes:
The supernatural eventually is touched on in this story, but I wanted to focus more on the darker side of grief. The supposed healing that never comes, the wound that never closes, the utter sense of drowning every step of the way. The despair of it never getting better, years after the loss.
So many deaths in the world are not accidents but rather murder by institutionalized oppression and negligence and societal design; whether it be from racism, classism, homophobia, misogyny, religious trauma, ableism, or PTSD from familial abuse, the trauma of being told that one is worth less than their peers – that the social contract doesn't apply to them, that they're allowed to fall through the cracks to be swept up like trash, abandoned by humans and gods alike – is a universal one. It is a devastating betrayal that drives adults as well as children to suicide, and its lifelong impact cannot be overstated. I wanted honor the struggle, the hopelessness, and the anger in those that see it and experience it. I wanted to see how deeply I could reach into the darkness of my own grief and bring it to life.
But in the end, this story is also about how we're not alone; between siblings, friends, lovers, and found family, when we look past all the trivial troubles in our daily lives – all that remains glittering at the bottom is love.
I am so tired of short-attention-span, trim-the-fat culture.
All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line?
The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy?
Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess.
I want the fat left it.
I want the pleasure and the indolence and the indulgence.
Fuck this art-advice that's always "your art needs Ozempic."
I take exception to poetry because it is an art whose muscle is honed for the strength to express as much as possible within strict, stylized constraints. Just like other highly stylized art forms, like genres of theatre or ballet.
But in general, yes. The quickfire, surface-level, use-once-and-throwaway culture permeates art these days - all glitz and no substance. My more recent style is more pared down for reasons above, but I've experimented with and celebrate other styles too - stream-of-consciousness, long rambling flowery language, everything in between.
I refuse to rearrange my writing to "hook" my readers within the first sentence and make it a blockbuster action script, and maybe I won't be able to get published traditionally due to this, but I can't deal with reducing the richness of human experience down to how desperately I can hold onto a tiktok-addicted teen's attention span.
Arts and entertainment are often grouped together, but are not always interchangeable. Not all art needs to be instant gratification entertainment. And the important ones never were.
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Never outside of the USA have I seen people so goddamn PROUD of being stupid and uneducated.
Only in the USA have I seen such a pervasive culture of sneering at, and shaming, smart kids as "nerds" and "losers".
Insecure people hate other people instead of working on themselves. Stupid people hate smart people instead of working on their stupidity.
This is what the ruling class wants. The dumbing down of education, the constant media noise through knee-jerk reactive social media that eats up attention and kills brain cells, the eradication of liberal arts and humanities. The boot-licking of randomly thanking every soldier you meet, pledging loyalty to a flag, making tribalized sports one's personality. The brainwashing to believe that the ruling class is "just like us!"
i think people are starting to confuse class analysis with bioessentialism. like... no not all men do this, but Men as a constructed social class do do this. that's still okay to say. that is regular material analysis of the world around us.
Honestly, it makes me not want to share, or take down everything I've shared, because I don't want my work fed into AI.
I guess then AI-loving "writers" can live in a world where everything they read is the same kind of slop they "write", and it becomes a circular regurgitation.
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I actually do think we should discourage women from becoming housewives. Do not become financially dependent on a man. That's how a lot of women ended up dead over the years. A man gets violent suddenly and you have to choose between homelessness or potentially dying at his hand because you have an enormous gap in your resume and no degrees or certifications or anything that will help you pursue a career that will allow you to be financially independent. He owns your bank account. His name is probably the one on the car. Try and leave and he can report it stolen. Where will you go then?
And if you do become a housewife, take steps to protect yourself. Make sure you’re legally married, for starters; stay-at-home girlfriends have very little legal recourse to claim their partner’s assets in a breakup. Make sure your name is on the house deed/rental agreement, and have your car in your name, even if your spouse is paying for it. Have your spouse transfer money every month into an account solely in your name, so you can buy yourself things without needing permission, but also so you can save up to leave if needed.
If your spouse fights you on any of this, then don’t quit your job. The tradwife to poverty pipeline is real, and so is financial abuse.
also, many women/people experience controlling behaviour and domestic violence from their partner for the first time during pregnancy. don’t risk thinking “he’s just stressed, it’ll get better when the baby comes” because it won’t. neither you and your child will ever be safe with that man. get out as early and safely as you can
Many women react with indignant resistance when told that it's not very feminist to give up their careers for a man. Erase their names for a man. Give the child they risked life and limb for a man's name. "Well I CHOSE to do it, and feminism means CHOICE to do whatever I want! Feminism means you have to SUPPORT my choice to do what I want, including giving up my name and career for a man!"
No it doesn't.
Feminism is about women's liberation. Not about celebrating every choice a woman makes.
If I enjoy being called nasty names for my skin color, does it make it less racist? If I choose to laugh along at homophobic jokes, does that make the jokes no longer homophobic? Just because I choose to remain a slave, doesn't change the definition of emancipation to mean "I'm emancipated cuz I LIKE being a slave :)" and it sure as hell doesn't mean "I support your choice to stay a slave :)". It means I'm no longer a fucking slave.
Feminism is not "clap for whatever choices women made because yay, good job, they made choices!" It's the systemic release from institutional oppression that's woven into every level of society.
I can enjoy being a domestic housewife and still be aware that I'm playing into millennia of patriarchal institution. I can choose to become jobless and dependent on my husband, and still realize that this is precisely the environment that closes doors and safety venues for women. The fact that I'm lucky enough to FEEL safe and happy within the patriarchal status quo does not magically change the fact that women ARE overwhelmingly abused, violated, murdered, stalked, harassed, dismissed, exploited, and given far fewer opportunities than men. Fundamental changes need to be made to change this fact, and that's what feminism is about.
We're allowed to not be on the front lines of war without having to feel guilty about it all the time. There are other ways to support the troops. But just because we believe in the cause and quietly support them from behind doesn't mean we are soldiers and get to loudly demand that we be called soldiers in the front lines. Because we're not.
One thing I will always appreciate Fullmetal Alchemist for is the fact that they let Roy Mustang be complicit in genocide.
Mustang is an Atoner figure. Something that plagues Atoner figures is when writers are too precious about the characters we're meant to like to actually let them be guilty of something serious.
The Atoner might be trying to make amends for their involvement in the Great '87 Hotel Massacre, and then three seasons in you find out what happened. And it's like, "I drove a taxi to the hotel, and the KILLER was in it! I ferried the killer to the hotel! That makes me responsible, and now I must atone for being nearby while the killings took place! And also vanquish the real killer who is the villain for this season."
Or maybe the Atoner did do the killings but they were under mind control the whole time and would never, ever have done it in their right mind.
But FMA said no. Mustang, Hawkeye, Hughes, even Armstrong to an extent though he suffered a breakdown and fled during it. They did that shit. They followed their orders and they did that shit. And it haunts them.
Roy did that shit. And his atonement, his grand ambition, is to see everyone responsible for that shit brought to justice for their crimes. Including himself.
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