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Movie Howl is a soulful and quiet. Book Howl is a drama queen and Causing Problems and has a long string of jilted exes and couldn't shut up if you paid him.

Sophie and Howl drive each other up the wall at the beginning and it's really funny. Sophie and Howl are (despite themselves) very much in love by the end and they still drive each other up the wall and it's even funnier.

In the movie, Howl has been ordered by the king to participate in The War, and Howl is avoiding it because he is a brave conscientious objector. In the book, Howl has been ordered by the king to rescue his lost brother from the Witch of the Wastes, and Howl is avoiding it by any means necessary because he is a cowardly weasel who wants to stay as far from the Witch as possible.

In the movie, the Witch cursed Sophie because she was jealous about Howl speaking to Sophie for five minutes. In the book, the Witch cursed Sophie because Sophie had been doing surprisingly powerful magic for years without knowing it and it was actually starting to cut into the Witch's plans. (Sophie does not discover any of this until nearly the end of the book, but the reader can start to pick it up much earlier and the way Sophie's magic works is pretty darn cool.)

In the movie, there's a rumor that Howl eats the hearts of maidens, but this is implied to be nothing but nasty fearmongering. In the book, there's a rumor that Howl eats the hearts of maidens because Howl started the rumor so people would stop asking him to do wizard junk all the time.

The book lightly parodies a couple of tropes from Western fairy tales. In particular Sophie has internalized that, as the eldest of three sisters, her "destiny" is to fail so that her younger sisters will look cooler when they succeed, which is why she's so resigned to the hat shop at the beginning. (Sidebar: Sophie's sisters come up much more in the book and they're great.) There's also a really funny bit where Sophie attempts to operate a pair of seven-league boots.

my friend's 5 year old recently got a toy veterinary medicine set - it's super cool, like one of those mini play kitchens a lot of kids have, but it's set up to pretend to be a vet (it's this thing) - it has stuffed animals and things to weigh them, give them medicine, take x-rays, write on their charts, etc.

so this kid, who is five and to my knowledge has no experience in the administrative bureaucracy of modern healthcare, puts a stuffed pig named Piggy on the exam table. she pretends to draw blood from Piggy using a fake syringe, and the blood goes into a toy test tube vial that she calls "the resulter"

i'm playing with her, right, so i'm like, awesome, what are the results of Piggy's blood test? and she says "we have to send it to the scientists." so we send the vial to the scientists (put it in her bedroom) and when we get back to the vet playset i'm like awesome what did the scientists say? and she says they have not gotten back to us yet

so she rolls her eyes, exasperated, and says we have to call the scientists. she pretends to call them. apparently, they tell her that Piggy's blood test is "at the bottom of the list" and "we have to WAIT." she frowns. we wait a bit longer and call them back. they tell us it will be a while! she says we should go ask the scientists in person so we go back to her bedroom and she inquires at this imaginary lab, at which point the scientists yell at her and tell her now they will make us wait even longer!

keep in mind she is 100% directing this play. she is making all this up. she is fully in control of this game, and she has decided that what we are going to pretend is that we are dealing with this exhausting nonsense, not actually treating Piggy.

finally the blood tests come back. they are inconclusive. the scientists do not know what is wrong with Piggy. the little girl walks back to the stuffed pig on the exam table, sighs deeply, and says in a very serious voice "we can never help you."

i'm obsessed with this kid. when given complete control over a make believe scenario, instead of becoming the heroic rescuer administering effective cures, she is instead a beleaguered vet making multiple calls to an overworked lab only to be left unable to help her patient.

linger / the cranberries

(As a lesbian) Tom Paris is the definition of a man, especially in later seasons. He literally worships the ground B’Elanna walks on (as he should (I would sell my soul for her)). Like in season 7 episode 12 ‘lineage’ and season 7 episode 3 ‘drive’.  He’s super dedicated, and that’s super refreshing. Startrek (and like literally every other show) generally doesn’t have a ton of relationships that actually go somewhere (and stay there). so to see a show where the man doesn’t cheat or play or talk down to his parter. And is loving and consistent and willing to show his feelings, is a nice surprise (it shouldn’t be infrequent enough to be a surprise tho) but it makes me love him so much because it’s not just “look at this bitch nagging me” (like it seems to always be in something like this) instead it’s “I would give up anything for her. I want to raise her kids and I’d love to take the midnight-feedings. She is my everything and I don’t know what I would do without her. No matter what I will stand by her side. In sickness health and everything in between, not even death will do us part”

also he’s a good example of what’s missing from media now a days because what was already rare back then is practically non existent now, some how the “get back in the kitchen” and “ oh my god it’s so annoying when a woman speaks” is making a hell of a comeback

Luke freaking Skywalker is a charmer and he knows it! 💖

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you have to be kinder to people who are slow processors.

you have to be kinder to people who don't understand your jokes.

you have to be kinder to people who forget important dates.

you have to be kinder to people with cognitive decline.

you have to be kinder to people who were always this way, too.