Alarm went off this morning and I thought weird that it's going off on a Saturday and slapped it off and went back to sleep
WEDNESDAY
Backup analog get-out-of-bed system is fully operational and expects breakfast on time.
Thank goodness.
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@jindogay
Alarm went off this morning and I thought weird that it's going off on a Saturday and slapped it off and went back to sleep
WEDNESDAY
Backup analog get-out-of-bed system is fully operational and expects breakfast on time.
Thank goodness.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I would love to see a fantasy novel where the lore that the reader / protagonist learns at first is not true
e.g. they're told that this kind of creature has some kind of psychic or pheromone-based "mate bond" that cannot be broken; but it turns out that's a popular myth that has never been scientifically substantiated, and is basically used to keep people in bad relationships (basically the equivalent of "human women are biologically submissive")
"lore" is imo too often treated like information that the author is giving the reader, and it just happens to be using the medium of diagetic (that is, 'in-story') exposition.
it's so much more interesting and dynamic to treat "lore" as information that is generated and disseminated in-story. who is telling the protagonist this information? under what historical and social circumstances was this idea formed? what political motives are there for trying to get people to believe this information? which characters would disagree with it? would the protagonist believe it, or be sceptical? does the plot bear it out, or cast doubt on it?
alright, I’m annoyed with the class that I’m taking. it’s about writing novels, and I thought it would have cool stuff about balancing your narrative and developing themes etc, but instead she spent the first class talking about how every book fits into the Hero’s Journey (the monomyth template). and I was somewhat of a contrarian, and said “can you give us examples of books that don’t fit into this template?” and she said “no. because all books fit.”
but I dunno man, I just finished reading this Korean book where the plot is just the character having a string of hookups and reflecting on them without changing in any way. I don’t know if it’s possible to contort that into the Hero’s Journey.
Even inside the western canon, it doesn't fit very well way more often than people like to admit. Even inside the very stories that Campbell built it off of.
For example: Beowulf does not follow the hero's journey. I have a pet theory that Beowulf is three or four stories that kind of got mashed together since it's a collection of a couple vignettes about this warrior's life and the dragon episode is rather disconnected from Grendel (unless you're John Gardner, who ties it all together in his novel Grendel). Beowulf emerges as a full-blown hero when he enters the narrative, does not have a mentor, does not refuse the call (and rather wholeheartedly embraces it in fact - "Not only am I gonna slay your monster, I'm gonna slay your monster with my ass hanging out to show off"), does not live in the normal world at any point. One could argue he returns with the elixir to his home, given that the later story has him as a king, but the story's not interested in explaining much about how that happened and keeps going after the hero's journey would claim it should end, instead jumping to Beowulf's noble sacrificial death. You really have to squeeze to fit Beowulf into that framework, and by the point where it does, you've lost all semblance of a common structure the monomyth claims to represent. Arguably, the Iliad doesn't it either, given the scope of the story is a lot smaller than some people seem to believe.
Like I get the point that the original post was making about the western canon being so heavy with authors from the US and western Europe and not caring much about works from cultures beyond that, but I feel it's worth noting that even if you grade Campbell's ideas on the most generous possible curve, they don't hold up.
And even if we pretend they did, he never intended them as a writing guide. They were only popularized as one when George Lucas took that structure and adapted it to Star Wars.
And it's always worth mentioning that Maggie Mae Fish did a really good breakdown of Campbell and the Hero's Journey and why it's flawed. It's well worth watching. It's what got me questioning it in the first place.
ok so a wild rat just spit poison at me
slay ten of those for my ancient tarnished coin
Dude, Poison Rat venom glands sell for half a gold each. You need two, maybe three if you harvest them particularly poorly, to get that worth.
Which is besides the fact that ancient tarnished coin is a defunct currency. Valuable only as a collector's item.
This guy's a scammer.
slay this guy for my ancient tarnished coin

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Obsessed with vampires but specifically when they're really pathetic
Obsessed with a vampire's existence being symbolic of the terror in a lack of control. Of having needs that scare you. Of a non-violent heart having to enact violence for the sake of survival. Of hiding yourself and longing for the honesty of companionship that you may never hope to get. Of fearing fearful eyes. Of more hunger than you know how to fill. The vampire wants to be taken care of, the vampire is scared, the vampire feels small, the vampire wants to rest. I!!!!!! Like that a lot :) I like pathetic vampires. And I like the catharsis of when someone does offer that vampire the space to be loved and trusted. Of someone offering their blood as a symbol of the vampire being taken care of. I love you, I'm not scared of you, I trust you, I'll feed you. You're safe here. And I know that I am too
Now don't look too deeply into what this says about me
At least 3 people have tagged this with Jonathan Sims so far, which is impressive considering he's not even a vampire. What's also impressive is that they're all right
A lot of fantasy goes with Tolkien explanation of fantasy racism being the result of ancestral grudge.
Then you got Dungeon Meshi which is like:
"Elves and Dwarves hate each other because their respective empires make up 2/3 of the imperial core and are stuck in a cold war as the planet runs out of uncolonized land to grab. Elves are able to live in pastoral paradise because they've horded most of the settings farm-able land and natural capital, displacing and mass murdering any natives in the process. Orcs and goblins are hostile to other races because there the primary targets of an ongoing slavery and genocide campaign. The dividing line between human and inhuman is arbitrarily assigned via a phrenological pseudo-science that quickly falls apart when questioned by anyone who wasn't indoctrinated into it since birth."

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via @bobafett
Calling scam victims stupid, much like cult members, serves to do nothing but make you feel superior, blame victims for the wrongs done to them, and in turn actually makes you more vulnerable to scams (and cults, and so on). "Look at these people! Morons! I could never be one of them because I am smart, unlike these people who fell for them because they are stupid. It is not about vulnerability and luck, both of which are factors that could affect me, it is all simply a matter of in-born intelligence, which is why I, a better human, don't have to worry about falling for them."
And boom, you have already let your guard down - you would never fall for a scam (or cult, etc.) so you can safely click on that link or read that pamphlet because if it was a scam you'd have identified it as such immediately, because you are smart. You don't need to stop and question. You're too smart. And, really, if they didn't want to get scammed they shouldn't have gone out dressed like that.
We're all potential victims. Every single one of us has been at one point or another been at vulnerable to a scammer, or a pickpocket, or any other number of external force trying to harm you for their own benefit. Blaming the victims feels good but it doesn't help shit in the long run.
Being Cautious makes life really hard...everybody wants me to scan a QR code for some shit or click a link or sign in using an account or put information into a google form etc etc etc just for basic stuff and being like "I don't trust it" makes you seem weird
Recently ive been involved in projects and stuff for work and school where everybody is like "And you can scan a QR code to access this..." or "You can sign up with your instagram account..." and I have to be the person thats like What If They Dont Have Instagram. What If They Dont Have A Smartphone With them.
Not to mention that the important way to not get scammed is dont click links just go to the website yourself, but everything is always changing their system 3 times a year to a new URL and something you have to navigate differently, so half the time I ignore hte emails then I have to call them on the phone to be like "Ok how do i do this thing"
And my school is sending me a thousand actual legitimate emails a week anyway like "You have to do this thing or you will explode or something" expecting me to click the link in the email
And freshman orientations are always expecting kids to download some sketchy app called Goox or some shit that Accesses Your Everything Conveniently. Well what if I don't want to access my everything conveniently
oh yeah also during covid the school i was going to made me download literal actual malware to monitor me during test taking. lockdown browser, that thing that can access your camera at any time and use it for god knows what?
the line between scam and legitimate is too tenuous thats why we have all these problems
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English added by me :)
Some women are conditioned to be fragile and weak, and to believe that it's a sin to outperform a man. Her feminism would involve allowing women to be strong.
Some women are expected to be strong at times when they can't. Her feminism would involve reassuring her that it's okay to not be strong.
Some neurodivergent people are raised to believe that they're too stupid to ever amount to anything. Their disability activism would involve reassuring them that they're capable.
Some neurodivergent people are raised to believe that they're smart and gifted, and are expected to live up to impossible standards. Their disability activism would involve allowing them to fail, make mistakes, be stupid, etc.
Some children are constantly reminded "you're the child, I'm the adult" in order to deny their autonomy. Their youth rights activism would involve treating them like an adult at times when they feel ready for it.
Some children are treated like adults in order to justify increased expectations or to downplay abuse against them. Their youth rights activism would involve allowing them to be a child.
There is no one-size-fits-all solution to oppression. Each individual person's experience is different. Whatever trauma is caused by their oppression, the activism should focus on undoing it.
Fever is a hilarious immune response. Our bodies tell the disease “hey, wanna see which one of us dies of overheating first? No? Too bad.” and honestly they’re not even the winners a decent chunk of the time but it works often enough that we never evolved it away or anything. Fantastic work.
this reply is killing me
Via @sashayed
Rave…..
The core appeal of Willy Wonka is that he's a nigh-omnipotent maniac who uses his near limitless powers over reality to trick shitty people into killing themselves. You can't make him the protagonist of a whimsical coming of age tale - you have to treat him like Jason Voorhees, or Dracula, or any other horror icon. Give him some new victims and new interesting kills and set him loose, that's all audiences want.
I feel like I watched a somewhat different movie...
Gene lobbied hard for Wonka to be introduced as a feeble limping old man who suddenly falls into a forward somersault and leaps to his feet, because "from that moment on the audience won't know if he can be trusted." On a related note: the director told Gene what would happen during the boat scene, but none of the other actors were prepared; to this day, none of them are sure what he ad libbed and what was scripted.
My favorite detail, though, is his performance of Pure Imagination. On the surface, the song is charming and inviting, but if you look closely at him throughout the scene, you'll notice that Gene never blinks. He looks around, down at his feet, up at the trees; his eyes never fully close. He moves erratically, stuttering up and down the steps of the chocolate room. The lyrics are warm and friendly, but his face is blank. He bows to permit his visitors to run amok, but his posture is stiff. He helps Violet and Mike reach a couple of treats, but there is no joy in the gesture. The final post-chorus feels like a dirge, a threat, and a warning, all at once; Wonka sits in repose under a tree, but his eyes are glassy and dispassionate. "There is no life I know to compare with pure imagination; / living there / you'll be free / if you truly / wish / to be.......... "
Fantasy in excess, like anything else, will destroy you; that's the real message of Gene Wilder's Wonka. He taunts his guests with unrepentant disdain, and doesn't care if they live or die. He toys with their emotions, their safety, and their grip on reality, feeling no regret or remorse, no pity, no compassion. Fantasy is colorful and compelling, but it's false, and ultimately empty. Wonka is a walking maladaptive daydream, and as far as I'm concerned, that's the real reason the 1971 film has endured in the culture for so long.
Wait, I'm expanding my "Mary Poppins vs. Bugs Bunny" trickster spectrum here.

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good god theyre giving the weevils adderall
very dope of the weeveils to do that
the average rap battle has nothing on people who are still deeply in love after twenty years