This is Where Progress Comes to Die

final version:

And the kid Anna is based off of is actually this sweet peasant girl who is rescuing her best friend whom everyone else thought drowned and whom no one cared for because mirror shards got in his eyes and he only saw beauty in snowflakes while everything else was just disgustingly foul to him. Except he didn’t drown because he was whisked away by the snow queen.

Like this girl gives her shoes to the river to find out he didn’t drown. Her hair ribbons to the birds to find out who took him. Works her hands raw to get to him and has to suffer a mental breakdown because she got SO FUCKING CLOSE to saving him and he won’t even look at her because he wants to solve this puzzle the snow queen gave him.

There was a Soviet animated movie from 1957, that doesn’t brush over any of the things you just listed.

You get Gerda on her journey, meeting all of those people that both hinder her quest and help her, with older women from different regions of northern europe, as well as several princesses who aid her

also the art style and animation is absolutely gorgeous and I always feel like it’s a shame that older Soviet animation is barely recognized around the world 

And this is something that unfortunately is literally a case of “dumping the baby with water”. The art, the vision, the designs, the storytelling and the approach to olden tales, fairytale, folk tales, children’s books and poems etc, is beyond FAR BEYOND than you may imagine.

Some notable moments of Soviet Russian Animation include (not in any particular order but my own brains spitting images):

The Hedgehof In The Fog (1975)

Which is considered revolutionary and is still a staple of Russian speaking cultures and is regarded as an important piece of Animation in freaking Japan (aka the nation of Animation). If you want to deep dive into the unique stop motion art and the importance of this piece, Google away.

Another animation I love is “Fedora’s Grief” (1974).

A short animation about how objects left unattended and uncared for will not serve you, the human. It’s such an essential part of the Soviet Experience of the common person, which is hard to describe to people who were born to abundance.

I would also love to cite The Cat Leopold (1975-1987), which, for me, forever describes the naiveté of the simple, common soviet person, as we today love citing, “People Are Not Their Governments”.

This one is the antithesis to Tom & Jerry, for all it’s worth: there are tow mice forever taunting the cat, and in each episode the cat asks them, “let’s live in friendship”.

YouTube had a whole archive of the old Soviet animations. If you are looking for beauty and design, and art - these were all state sponsored, and thus - had funds for their visions. No, not all of soviet animation and film was any kind of USSR propoganda (looking at you, US cinema, 30s Batman in black and white), and to some very confusing extent, you see many animations honoring source material or being innovative in their own right, regardless of authority.

Some beautiful animations I would love people to know about:

This series, named “Kitten Named Gav” (1976-1982)

“Gav” is literally “how” as in barking sound. So it’s about a Kitten named “bark” and his little cat adventures with his friend, a puppy.

Sleeping Beauty (and 7 princes) (1951)

The Frog Queen (1954)

The Cat, That Wanders By Itself (1964)

[Yes, cats feature often, and in positive context]

“The Flower with Seven Colours” (1948)

Ugly Duckling (1956)

And you know what, this one, is just. It’s about a polar bear cub, ok? Looking for his polar bear mother.

Umka (1969)

This Wikipedia Article openjng paragraph kind of encapsulates the bleak acknowledgment of the art, stating:

All in all. Yes, the Soviet Animation, in context of today, is the baby thrown out of the window of history with the muddy water, and I, for one, will not stand for it.

I wish more people knew about those beautiful artworks.

As a former music teacher, I can also say that "learn the fundamentals first" is the death knell for a vast percentage of beginners, especially adult learners.

I've run into this with drawing several times, where some well-meaning artist has lectured me on needing to study anatomy properly or not use shortcuts like CSP brushes. And oh, believe me, I know. I know exactly how to learn an artistic discipline in a structured way. I just...don't want to!

The thing is, I'm not aiming to be a professional artist. I want to draw my gay little anime guys. I would undoubtedly improve at art much faster if I approached every gay little anime guy drawing as a study exercise. But I would also have quit drawing a decade ago if I couldn't just let myself enjoy drawing imperfect fucked-up little guys with whatever shortcuts I needed to body myself across the finish line.

With my adult piano students, my approach was always "What's your goal?" If their goal was to learn exactly one Elton John songbook to play at parties, then...that's what we did. We'd put tape on the keys to label the notes, and just fuckin go for it. Learning exactly one Elton John songbook is a good and noble musical goal, full stop.

Some of my students needed and enjoyed a more structured approach to learning; if they wanted to be able to play classical music, then yes, scales were going to have to enter the equation at some point. And yet others would learn the Elton John songbook, catch their white whale, and realize they wanted to explore more of the ocean. The scales were still there for them to learn!

Often the choice isn't between "learn art well" and "learn art imperfectly" - the choice is between "learn art imperfectly" and "don't do art at all." To which I say, learn imperfectly! Or, what the hell, don't 'learn' art. Just do, and enjoy the doing of it.

OP: Why couldn’t traditional Chinese Yinpiao银票/silver drafts be forged if they were merely slips of paper? (cr大明宝钞，渐越)

Traditional Chinese yinpiao/silver drafts were paper vouchers issued by private banks starting from the Song Dynasty(960–1279). People could exchange these slips for physical silver at bank branches across the country.

Silver drafts were made in multiple copies with matching serrated seal edges. One copy went to the customer and others stayed at the bank. All edges had to fit perfectly together to withdraw silver. The unique split edge marks were almost impossible to copy.

This mechanism is known as qifeng骑缝 (split-joint seal) in China. It first originated in the Western Zhou Dynasty (1046–771 BC). The Rites of Zhou records that contracts were written on bamboo or wooden slips in duplicate. Notches and marks were carved in the middle before splitting the slips, with each party keeping one half. The two halves would be matched by their notches for verification.

During the Spring and Autumn and Warring States periods (770–221 BC), this idea evolved into hufu虎符/tiger tally tokens. A military tally was split into two pieces with identical inscriptions carved along the split edge. Troops could only be deployed if the patterns and characters on both halves perfectly aligned, serving as a metal version of the split-joint anti-counterfeiting system.

The technology matured in the Tang Dynasty (618–907). Government documents and private contracts commonly used split-joint seals stamped across the dividing line. The Chinese character "hetong合同" (contract) was written across the middle before the paper was torn apart, so the complete characters would only appear when the two halves were put together. This split-coupon system was later adopted for Song Dynasty (960–1279) jiaozi paper money and yinpiao/silver drafts of the Ming and Qing dynasties (1368–1912).

Official Song dynasty paper money (Jiaozi交子) was abolished in 1107. Private silver drafts issued by Qing-era piaohao票行 (ancient exchange banks) vanished completely in 1951, hit hard by modern banks and currency reforms. Nowadays silver drafts no longer circulate as currency. Their collectible value depends on their rarity and physical condition.

First they were called "chirographs", but later the word "indenture" (in its earliest meaning as just a legal document of any kind between two people) came to be used, originating from the practice of a contract being written twice on a single piece of parchment and then cut in half with serrated edges (as in dent, "teeth" -> indents -> indenture) in order for each party to take one half, so they could later piece them together and verify that there had been no forgery -- same as the Chinese silver drafts!

(Charter of the Clerecía de Ledesma, 1252, showing the serrated indents at the top -- presumably they are cutting rather than tearing because they're using parchment, which I expect is much harder to tear than wood-pulp paper like the Chinese were using)

These scenarios may include:

Moving around folks who are already spooked or easily-startled

Approaching people who you absolutely do not want to alarm, such as people with poor spatial awareness, people experiencing paranoia or a panic attack, folks who are very focused on a different thing, people handling dangerous chemicals or machinery

When you very urgently need to get somewhere and there are people in your way

Any other time when you require others to be aware of your presence and location

Sincerely,

GRID PARASITES

Still in the first few videos, but a compelling, horrifying concept.