Hey, guys, finally! Look, it's us!! :'3
Really really happy with how everything turned outâ¤ď¸
Cosmic Funnies
EXPECTATIONS
YOU ARE THE REASON
NASA

ellievsbear
Misplaced Lens Cap
will byers stan first human second
untitled
trying on a metaphor
Game of Thrones Daily
I'd rather be in outer space đ¸

@theartofmadeline

Andulka

Origami Around
Claire Keane

pixel skylines

if i look back, i am lost
Show & Tell
sheepfilms
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@jacelikesminecraft
Hey, guys, finally! Look, it's us!! :'3
Really really happy with how everything turned outâ¤ď¸

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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sometimes theres a shadow in the forest, darker than the rest, resembling a horse. and sometimes you'll find a man mumbling towards it
[ image text: im not very good at taking care of you guys, huh? ]
after climb10's ghost brought cleo from exile i liked the idea of bdubs horses, especially those that were exceptionally important/doted on, existing on in some sorta ghostly form . lulu actually was possessing that pig keralis gave him, mi amore stayed wandering around the horse head rock/church watching over the other horses, etc. climb 1 (shown here) follows behind every new climb, pitch black in shadow except for her mane, which flows like water and glistens ever so slightly when the sunlight hits it just right
Kris cross applesauce
I'm serious when I say we gotta give Temmie Chang half the credit for Making Undertale (and Deltarune)
She's got an animation degree, I know the art in Undertale gets underappreciated sometimes because it's trying to evoke an older simpler style, but the art in Undertale is legit amazing and without Temmie, none of Toby's ideas would have been able to be realized (without finding some other artist and animator)
She deserves more flowers for being the one who made the vast majority of the art assets for an entire game that is one of the most commonly cited games as an influence on others (her style is so beloved and recognizeable, there's a fully complete Undertale fangame emulating it)
we owe literally no one more on this planet than the woman behind fantasy name generator
her name is emily and and she runs it all by herself
everyone say thanks emily!!!
THANK YOU EMILY!
Thank you to Emily at Fantasy Names Generator, for providing all the fantastical names I could ever need for anything!! :D

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âPratchett went back to older throwaway jokes (like dwarves being apparently unisex) and used them as metaphors to discuss social change, racial assimilation, and other complex issues, while reexamining the species heâd thrown in at the margins of his world simply because they existed at the margins of every other fantasy universe. If goblins and orcs and trolls could think, then why were they always just there to be slaughtered by the heroes? And if the heroes slaughtered sentient beings en masse, how heroic exactly were they? It was a long overdue start on redressing issues long swept under the rug by a parade of Tolkien successors who never thought of anyone green and slimy as anything but a notch on the protagonistâs sword, and much of the urgency in Pratchettâs last few books seemed to be related to them. âThereâs only one true evil in the world,â he said through his characters. âAnd thatâs treating people like they were things.â And in the last of his âgrown-upâ Discworld books, that idea is shouted with the ferocity of those who have only a few words left and want to make them count. Goblins are people. Golems are people. Dwarves are people, and they do not become any less people because they decide to go by the gender they know themselves to be instead of the one society forces on them. Even trains might be people, and youâll never know one way or the other unless you ask them, because treating someone like theyâre a person and not a thing should be your default. And the only people who cling to tradition at the expense of real people are sad, angry dwellers in the darkness who donât even understand how pathetic they are, clutching and grasping at the things they remember without ever understanding that the world was never that simple to begin with. The future is bright, it is shining, and it belongs to everyone.â
â John Seavey, The Evolution of the Disc (via liquidlightandrunningtrees)
The Amnesty International report that JK Rowling is trying to censor through legal threats.
It can also be found on Google Drive here and on Bluesky here.
Please save and share this info where possible. This report has since been removed by Amnesty International due to legal threats of libel from JK Rowling. This information is no longer easily accessible.
Crossfangs :)
My friends have been begging me to watch VSMP so I finally did it 7 years late to the party. Bet you can't guess who's Pov I watched lol.
Genuinely it's darn good, I did this sketch immediately after I finished binging it :D
Thank you Xenon and Sunnier for bullying me into this!!!
Ugh I wish so bad that I was in vampires smp so that I could ragebait abolish with questions about the legal system of his organization.
Okay but seriously. How do they decide which vampires are good and which are bad? Smarter people than me have already pointed out that Abolish is essentially a fed; but do vampires have a right to a fair trial? A jury of their peers? And how many people does a vampire have to kill before they need to be knocked off the map, anyway? One? Ten? Two thousand seven hundred ninety nine? What kind of training leads Abolish to kill Shelby yet try to reason with Owen? How much freedom does he have as an agent to pass judgement on who lives and who dies? Does he really have to do more paperwork for being turned into a vampire than ending a life?

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The poor children
Loving Scott's vibe this smp.
i do think itâs funny when youâve been into a thing long enough that youâve done all the serious analysis you can do so now youâre mostly just thinking up looney tunes scenarios to put the characters in
looney tunes scenarios which are most importantly still impeccably in-character because of all the aforementioned serious analysis
au where Cleo's mother lives and either Cleo gets turned later in life (the likelier outcome) or we get pensioner Cleo (why do men only get to grow old, I demand variety) and either way, you get a stabler Cleo, but still one who has been surrounded by vampires their whole life and their social skills are slightly skewed
Snippet inspired by a post from @lightblueglazedterracotta :)
.
By the nature of their upbringing, Cleo was not familiar with traditional family dynamics. They had their mother who was... well, Cleo could admit she was perhaps not the archetypal maternal figure, but she did go by the title. Even so, Cleo was fairly sure that what they felt towards Morcantâs human ward was not parental affection.
Siblings, maybe?
But human siblings didn't usually have 60 years between them, which kinda left an aunt-nephew bond, and Cleo was nobody's aunt.
All that really mattered was that they were family, in that kinda nebulously fucking weird way that overlapping vampire covens tended to be. Cleo's mother was good friends with Abolish's... whatever Morcant was, and that worked for them. They didn't need to put a label on it, because everyone who knew them, knew what the connection was.
Or, at least, that was how it had been.
"How do you two know each other?"
The other newcomers to Oakhurst had watched the unexpected reunion with the kind of blatent curiosity that could be expected for an eighty-something pensioner and a maybe-butler being on easy speaking terms.
"We're family," Cleo said, because the best way to lie was to tell a kind of truth.
"Distantly related, or...?" fished one of the strangers.
"Cousins," Cleo supplied. Once you got past the inner ring of familiarity, pretty much every relative was a cousin of some distinction. "Myself on my mother's side, and Abolish..."
She faltered, because Morcant hadn't so much adopted Abolish as acquired him, but she suspected that was the kind of answer that didn't fly well with mortals.
"I was employed," Abolish said.
Well, that was so much worse.
"This wasn't a coincidence," Abolish said.
Cleo snorted. "What? You think my mother and Morcant didn't just accidentally send us both to the same dead-end town? Shocker. I might need to sit down."
Abolish looked down from where he was fixing up the roof of Cleo's temporary home. "You are sitting."
"This is a protest sit. It's different."
"If this is about the cousin thingâ"
"Oh, I'm furious. Low profile, my mother said. Don't attract any unnecessary attention, she said." They took a long draught of the town's first meagre attempt at brewing, and grimaced. "Fucking employed."
"What would you call it?"
"I would avoid calling it anything because it's none of their damn business." She admitted defeat on the ale. Even getting drunk wasn't worth that. "Why did Morcant send you here? Correction," they added, "why did he say he was sending you?"
"Family business."
"Is that, like, 'family business,'" and they made the quotation marks somehow audible without any helpful gestures, "or actual family business?"
"Actual."
"Oh."
"And there was something about a cure to vampirism."
"I knew it."
"You?"
Cleo shrugged. "You know my mother. She doesn't explain anything if she doesn't have to."
"She sent you here to mess with Morcant," Abolish translated.
"Oh, absolutely."
When you thought it would be easy peasy lemon squeezy but it turns out to be difficult difficult lemon difficult.
Wait thatâs actually really good, gonna pop this out of the tags
Not the citrus scale I was looking for but I like it

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thinking about bloodloathing divorce au again (always)
thinking about Scott constantly referring to Legs as âhis husbandâ and Legs immediately correcting with âEX husbandâ.
Scott comes over to pester Legs while heâs talking with some townsfolk and Legs tells him to piss off. And Scottâs just like âwhat? Am I not allowed to talk to my husband?â Legs, immediately: âEX husbandâ
the others start picking up on it
Scott questions Abolish about why heâs spending so much time with his husband and Abolish just flatly looks at him and goes âEx Husbandâ.
Scott teases Owen about how he thinks itâs cute he can flirt with his husband. âEx husbandâ Owen grumbles back and storms off.
thereâs some scene where Scott is doing one of his âhas everyone wrapped around his fingerâ speeches to the townsfolk and he makes a comment like âyouâre all happy to cozy up to my husbandâ and there is just a resounding chorus of âEX HUSBANDâ from everyone
Scott just thinks itâs funny
that is, until the day that Shelby does it.
martyn (when ren and doc explain the fire plan): but they can go invisible! it doesn't matter how much light's on them!
doc (in the scariest voice I can possibly communicate through text): we can hear them. they'll burn.
jesus christ doc he's still wavering a little bit in session 7 whether he wants to fight or not (see some of his talks with abolish) but that doesn't mean he's not scary right off the bat
@allsoulnocoal I loooove having Doc being continuously aware of just how easy it would be to use violence. Intrusive thoughts but they're all the most efficient way to remove a problem in front of him.
@jackdaw-sprite this is such a fantastic dive into this aspect of doc's personality