Do you know anything i can donate to for palestine that's not the gofundmes because the idea of having to choose who needs my money more is just. scary to me they all need it 3: maybe there's a thing that splits/distributes money evenly???? idk but help would be appreciated
Gazafunds actually deals with this anxiety and makes a decision for you if you want. Their home page has a spotlighted fundraiser and the code consider things like how close the gfm is to finishing, when the most recent donation is, etc. So it's randomized to help as many people as possible.
There's also @helpgazachildren which if you donate, you can help multiple people at once since it's a whole mutual aid fund, or at least close to it. Hussam distributes money to people who need it when he's asked.
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and if i said nolan's odyssey starring no greek actors and with no recognizable aspects of greek culture or involvement by greeks, is the direct legacy of white supremacist colonialism that treated ancient greece as not just the pinnacle of ancient culture, but of an artificially created "european" culture, which white western europeans and their settler descendants, as the new pinnacle of culture, were the sole spiritual inheritors of.
on twitter this got a bunch of responses like âwow even the evil fujoshis? the homophobic yet hypocritically fetishistic ones? what if the fujoshi is racist?â and like well no obviously not in that case.
the reason they never showed us Gus being injured (at least majorly) is because Shawn, whoâs already possessive and clingy in his normal state, would become so much worse
Gus could be like âit happened a month ago Shawn! The injury wasnât that serious, Iâve been free to go back to work since last week, and my doctor says I can even partake in strenuous exerciseâ
And Shawn will still be hovering over him 24/7 like some Shinigami
Shawn basically had him on house arrest during Gusâs recovery but near the end when heâs fine he seems to let his guard down and sleeps in late so Gus thinks itâll be the perfect opportunity to go out and drive, maybe pick up some coffee and breakfast and when he gets in the car Shawn is already there in the backseat like some serial killer
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don't get me wrong i love the fact that shane and ilya retcon their relationship to be love at first sight. like good for them!! but when i look at the source material im like .. you were charmed. you were jealous. he had everything you wanted (supportive family and his country behind him, able to be big and brash and move through life with ease) and you wanted to see if you could make him feel good (can you debauch the golden boy, can you be good for the man who's had everyone) but the love didn't come until you started to take apart the things that attracted you to this person in the first place. shane fell in love with the ilya who checked in on him and with the sweetness behind the barbs and with the ilya who couldn't stop kissing him in that stairwell. and ilya fell in love with the shane who thinks buffalo is stupid and can barely get his shoes off before he throws himself at ilya and can't tell his parents he's gay because he's suffocating behind his own image not because he thinks they don't love him but because he wants to honor everything they've done for him. and so it's really nice that ilya goes "i loved you from the first time i saw you" but i, omniscient reader, call bullshit. i think you love that boy now because no version of you could ever not love any version of him. but at the time i think you were mostly just curious and then the love grew despite all odds in the most hostile of circumstances because everything you learned about each other made you want more and more and more. and also probably that's even MORE beautiful. so.
I can suspend my disbelief for a lot in Star Trek, but for some reason one of the things I have the most trouble with is the idea that entire species have one single language. (This is very much not a unique thing in Star Trek and basically all sci-fi does this, Iâm just specifically talking about Star Trek here.) How is there one single Vulcan language, one single Klingon language, one single Bajoran language, etc.? I know itâs just done to simplify the writing process, but itâs so unbelievable to me. Even the idea that there might be one âmainâ language for each species and then a few other dialects which is occasionally hinted at feels unconvincing for an entire species on an entire planet.
I remember there were a few episodes of DS9 that talked about âAncient Bajoranâ which modern Bajoran descended from and I love that idea for the history of language on Bajor, but there should be tons of different languages descended from a language that old! Maybe an old form survives as a liturgical language while another somewhat related language is the primary dialect spoken in, say, the Rakantha Province. Maybe there are different branches of languages descended from Ancient Bajoran that are mutually unintelligible to each other but that can be traced back by scholars to a common ancestor. And certainly there must be other language families on Bajor for which no link to Ancient Bajoran can be established at all. How have Bajoran religious and governmental authorities historically treated these languages? How many small languages might have been wiped out or become endangered during the Cardassian occupation? What kinds of language revitalization efforts might exist after the end of the occupation? To think about any of this stuff you just kind of have to ignore canon, though.
Maybe an old form survives as a liturgical language while another somewhat related language is the primary dialect spoken in, say, the Rakantha Province.
I've always had a similar idea! The "Ancient Bajoran" language is one I've imagined as having a colloquial use and a hermeneutical use--similar to how medieval Latin is somewhat preserved in Catholic practice and developed a sheen of 'the sacred' which is separate from classical Latin, the language that was actually spoken and from which romantic languages are derived. The main difference, as I imagine it, from this comparison is that this language became so widely spread due to semi-religious reasons which are qualified by the fact that this is the language in which the "prophecies" are recorded, material artifacts that are in some ways untranslatable but still very real attempts at communication from the prophets/wormhole aliens. The fact that ancient Bajorans also built star ships and traveled around their star system also suggests a possible unity in planet identity and the presence of a 'lingua franca'. And maybe the retention of this language in everyday practice even as language development branched out might also be compared to learning Hebrew. I can imagine every Bajoran mostly has it as one of two or more dialects and during the occupation it gained traction as people were forced from communities, children were born in these mixed-up communities, and they fell back on a shared tongue. Then afterwards, at the end of the occupation, it was revitalized as a source of cultural pride and survival.
And the reason why they have trouble translating actual material from that temple in that one episode which has the language transcribed is that the written-aspect of the language was not wholly preserved: maybe there's an alphabet used specifically to capture the particular language of the communications coming from the wormhole but its encoding is lost so translation is extra fraught.
GUYS GUYS GUYS IM WATCHING THE MAKING OF PROJECT HAIL MARY AND ONE OF THE PEOPLE COMMENTING ON THE PROCESS JUST SAID "Project Hail Mary is answering the question.... can adult men make friends if the universe is depending on it" THATS FUCKING INSANE AND HILARIOUS THAT THEY ACKNOWLEDGED THE SELF-IMPOSED MALE ISOLATION ELEMENTS DIRECTLY IN AN OFFICIAL INTERVEIW. IM GOING TO FUCKING DIE
URL to timestamp for those who wish to see for themselves: https://youtu.be/EeUyot032b0?t=196
Elaborating more on why I find this so striking: so we all know that Weir kind of sucks. And I think most of us are aware that the PHM novel was intended as Weir's self-insert story, about a man who is tragically misunderstood and betrayed by an Earth which doesn't value him, and makes an idealised male friendship among the stars and leaves Earth forever. And how, due to Weir's complete lack of self-awareness, the story instead becomes the story of a man who is chronically unable to recognise when people value him, and deliberately self-isolates and shields himself from his own lonliness with logic. I think we all know this.
But building on this, the two directors of the PHM movie saw this read, prioritised it over Weir's intended read as both more accurate and more compelling, and built the movie around that read as a basis. Particularly striking to me is a moment from an interveiw about the movie's score. One of the directors says that, intially, they tried ominous and scary music to accompany Grace waking up on the ship, but it didn't feel right. So they instead alighted on a piece of music that said, in the director's words: "Poor thing. He's going to be alright. He just doesn't know it yet."
This quote is hugely important to me, because it underpins the dialogue between the book and the movie, and can almost be interpreted as a direct dialogue between Weir and the directors. Weir writes a book that says: here is the world. It rejects me, and I don't feel valued. I deserve better than this, and instead of examining why, I choose to externalise the blame. And the director, another man, but one with a more healthy mindset, looks at this worldveiw that Weir has presented to him and says "poor thing. you're going to be alright."
So this is why saying "Project Hail Mary is answering the questionâŚ. can adult men make friends if the universe is depending on it" is funny to me: because it's acknowledging that dialogue between them in a very explicit way that leaves little room for interpretation. It's acknowledging that this is about adult men having issues with making friends and forging emotional connections, due to their own self-imposed limitations, and thereby also acknowledging that Weir has these limitations. It's very bold. And the funniest thing is, for it to have made it into the cut, it must've flown completely over Weir's head.
We need to put out periodic reminders in fandom that trying to argue in favor of the divine right of kings or defending wartime atrocities or rich people's entitlement to the deference of indentured servants or whatever is, in fact, way less compelling and far stupider than just going well, that character is hot and this is fiction so I've decided it's all good.
Wanting to fuck the evil demon king because he's gorgeous and tormented is far more respectable than trying to defend his actual policies. If someone accuses you of only liking him because you want to fuck him, you can just say yeah that's true, and then what? Either they kinkshame you or they leave. Checkmate.
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imagine being a starfleet admiral receiving word that a former ensign of yours just became a captain and one of the first things she plans to do is bail your gay failson out of prison, partially for his piloting skills but also because she knows heâll make a perfect homoerotic best friend for her future mentee/pseudo-son (sontuationship?)
"Waah waah but what if I don't like it when my intended-as-apolitical work gets analysed and people start claiming it has reactionary politics" so this can be avoided by developing a better understanding of politics
I can suspend my disbelief for a lot in Star Trek, but for some reason one of the things I have the most trouble with is the idea that entire species have one single language. (This is very much not a unique thing in Star Trek and basically all sci-fi does this, Iâm just specifically talking about Star Trek here.) How is there one single Vulcan language, one single Klingon language, one single Bajoran language, etc.? I know itâs just done to simplify the writing process, but itâs so unbelievable to me. Even the idea that there might be one âmainâ language for each species and then a few other dialects which is occasionally hinted at feels unconvincing for an entire species on an entire planet.
I remember there were a few episodes of DS9 that talked about âAncient Bajoranâ which modern Bajoran descended from and I love that idea for the history of language on Bajor, but there should be tons of different languages descended from a language that old! Maybe an old form survives as a liturgical language while another somewhat related language is the primary dialect spoken in, say, the Rakantha Province. Maybe there are different branches of languages descended from Ancient Bajoran that are mutually unintelligible to each other but that can be traced back by scholars to a common ancestor. And certainly there must be other language families on Bajor for which no link to Ancient Bajoran can be established at all. How have Bajoran religious and governmental authorities historically treated these languages? How many small languages might have been wiped out or become endangered during the Cardassian occupation? What kinds of language revitalization efforts might exist after the end of the occupation? To think about any of this stuff you just kind of have to ignore canon, though.
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the problem of racism in tolkien fandom will not be resolved for as long as people believe that the mere act of critique is a violence in itself, and that therefore having made a critique, the person who has made a critique can either be unpersoned or that norms of politeness no longer apply. of course, this fandom is too "polite" to do slurs in askboxes for the most part, but there are other mechanisms of rude communications that fly in the name of "debate". do you think its polite to misread someone and then accuse them via that misreading, of not extending enough grace to a dead historical figure? personally, i think that's quite rude as a quibble, not least because of the total disengagement with the actual arguments being made. do you think its polite to send people snide asks for weeks on end, insisting on them defending their viewpoint, their specifically racial critique of the canon? personally, i think not! but you know, ymmv.
the problem of racism in tolkien fandom will not be resolved for as long as it takes (primarily) non-white fans doing the careful work of exposition and critique in order to uncover and engage with tolkien's racism and genealogies of his thinking for any non-apologetic engagement with tolkien and race to occur in fandom. and what do i mean by non-apologetic engagement? i mean that so far outside of a very small selection of tolkien academics (and a tiny handful of white fans) who i can all roughly count on my fingers, very few expositions of race in tolkien's work are not accompanied by a cringing apology that insists that a) tolkien was not racist himself personally and b) he was a man of his time and c) that there clearly were "exceptions" to his racial ideology in his works. this defensive pose allows the protective psychological mechanisms of political whiteness to continually step in and therefore absolve itself of engagement with race in tolkien's text. to put it plainly: i am claiming that the problem of racism in tolkien fandom, in specifically making tolkien fandom a hostile space for fans of colour, will not be resolved for as long as white fans cannot call tolkien a racist. if that sounds hardline, so be it.
the problem of racism in tolkien fandom will not be resolved for as long as it is largely only non-white fans investing the time and energy in expositing and critiquing race and tolkien specifically within a fandom space. it will not be resolved for so long as non-white fans are forced to rehearse and explain racist ideas, histories and thinking to white fans who refuse to do any amount of research themselves, or who settle on an anodyne "listen to non-white voices". believe me it is not very hard to do the research if you are actually interested in creating a non-hostile atmosphere and space for non-white fans. but that process has to be co-creative. i am inviting you to participate in actually doing this hard work of critique and conversation because you care about race and because, hopefully, you care about your non-white brethren within fandom spaces.
the problem of a hostile atmosphere towards non-white fans in tolkien fandom is not a problem that non-white fans can resolve, but one that i think falls to white fans to police, resolve and make socially unviable. if there is something i want to communicate persuasively, i think it would be this: what exactly do the norms of "politeness" in the fandom serve? how are you thinking about what is polite and what is not? what feelings are you prioritising when any attempt to engage with race is treated as "hurting" people's feelings or making things "less fun"? what feelings are being prioritised when discussions abt race in the texts are labelled "fandom discourse" or "fandom wank"? what feelings are being prioritised when a non-white fan is being asked to extend grace to a dead white historical figure? are you able and willing to police such communications even internally, even when you think non-white fans are absent from your conversations? when they aren't watching? or is it only something you become aware of when a non-white fan turns their eyes on you? these are questions i would like liberal white fans to ask themselves and to have a serious debate about.
lastly, all of these things have been said many times before in many other fandoms and even within tolkien fandom. i think that should invite some amount of reflection.
Iâm not trying to play devilâs advocate about the Tolkien and race post, I agree with most of what youâre saying about the denial. But modern non fiction Marxist critics forget one thing that hopefully fandom doesnât, that is to give the author grace instead of immediately deciding that the racial politics of his work is intentional. I accept Tolkien was a conservetive, but I find it hard to believe that he was exposed to anti racist thought like we are today. I think itâs important to acknowledge the biases in his writing, but not decide it as intentional, because heâs a linguist based in a very white part of England, whose background is in European history who did not anticipate a world where migration is the norm. Of course that doesnât make the text less racist but itâs an important thing to consider. Thatâs all, I agree with your other points.Â
Thanks for the question, and please bear with me re asks gang, I was stupid enough to leave inbox on for a while, not realising the post would break containment, so Iâm snowed under atm â ď¸
So thereâs a lot of talk about Tolkien being âof his time and classâ but precious little about what that environment actually looked like other than comparing him to his fellow religious conservative Oxford dons. âOf his timeâ is not a neutral statement and it certainly isnât applicable to Tolkien, but more importantly, ânorms of his timeâ seem to often be, in this fandom, calibrated to âwhat Tolkien saidâ rather than âwhat was actually happening thenâ.
Anyway, I will try to be a little more direct than in that last post. So the âthe fundamentally racist elements of the legendarium are because Tolkien was a man of his timeâ line really annoys me (and others!) because imo it lets Tolkien's own Oxford tea table stand in for the entire twentieth century as if there wasn't an entire world outside the Inkling Orgy arguing furiously about race and empire.
I can give you an example literally from Oxford itself! The Indian Majlis had been meeting at Oxford since 1896! The Majlis, for those who might not be aware, was a full-on political and debating society which produced a fuckton of the people who'd go on to lead independence movements across South Asia. This was not some obscure footnote he would need to trudge to a specialist archive to dig up, and I can confirm that attending debates and discussion groups is, was, and has always been a large part of Oxford University life. Ie this was happening in his university in his lifetime among people of his class group he'd have had every opportunity to meet and engage with, whose existence he absolutely would have been aware of.
Beyond the Oxford ventures, you have things like Moodyâs League of Coloured Peoples, founded in London in 1931 and organising against colour bar practices in Britain itself. The West African Students' Union had been running since 1925, building a public anticolonial intellectual culture that fed directly into multiple independence movements of the following decades. CLR James was in England from 1932! And so on and so forth! And many in these organisations were white British activists or public intellectuals or writers! This was a live political and literary scene running in parallel with Tolkien's and explicitly arguing against the racial categories his fiction sought to preserve. Which is to say, I think whatâs more likely than âthe legendarium is the way it is with regards to race because Tolkien didnât know any such antiracist thought existedâ is that âthe legendarium is the way it is with regards to race specifically because Tolkien did know such antiracist thought existedâ.
can i say i am so glad the guy was not a lazy writer and also that he disliked direct allegory because if one of sharkyâs minion gangs in scouring of the shire were called the hobbiton majlis or something, i would probably start cooking peopleâs cats
Anyway, Iâm so tired of how âof his time" just keeps getting used to mean "the time as understood by conservative Oxford dons," when the actual record shows Black British and colony diasporas and white progressives were producing sustained public counter-discourse in the same space the whole time, in his own country, in his own language, in his literal university. So when people say he was "just a product of his environment," I just always want to know which environment they mean exactly, because the one he was actually in very much did sustain quite a lot of anticolonial thought.Â
Also just to get into the basics again, bro was famously a philologist, ie not exactly a profession where you could plausibly bumble through life without ever encountering race-as-a-formal-category. Philology in this period, and especially in Oxbridge, was literally a primary engine of race science. The Indo-European/Aryan linguistic apparatus that mapped language families onto racial stock was built by people doing Tolkien's exact job, so I really donât think he passively inherited racial categories without noticing, he inherited them deliberately through years of formal study, with copious footnotes and his own academic judgement. Like I always find it so funny when people, even on that post, refer to the racial dynamics of the legendarium as âunconscious biasâ because I just know Tolkien is spinning like a power drill in his grave every single time, because they just implied he was shit at his job đ
Anyway, the entire feudal value system of the legendarium runs on inherited blood as a determinant of worth (even within the Shire, ie the most ânormal people not kings of menâ place, where Sam is placed as a Good Man Friday), and this is a very well known fact within fandom. Aragorn's legitimacy is genealogical-first and earned-second, the blood of NĂşmenor "running true" in some lines and "thinning" in others is outright presented as a real, quasi-biological fact about a person's capacity for greatness, and not to forget Faramirâs entire speech about greater and lesser men, and the âchildless lords sit alone while barbarians bay at the gatesâ bit.
Or if you prefer a Silm example, (note: the context of the exile and whether or not you think they deserved what they got is irrelevant to this point) but the Doom of Mandos and the Noldorin re-entry ban, when viewed as a mechanism detached from context, is fundamentally just the ontological excision of a âbirthright citizenshipâ as a consequence of a personâs actions. Idk how big this was outside the UK but remember when Shamima Begum was extensively groomed as a child and fucked off to join ISIS and the UK decided to strip her of citizenship and leave her stateless? This is basically just that, ie the legitimisation of an ontologically confirmed birthright citizenship that can be granted to exceptional cases at the behest of the ruling body (see: Hobbits, Peredhels) due to their extraordinary actions, but also can just as easily be taken away by the same ruling body in response to a transgression. Like this is literally just present-day âmigrant criminalityâ discourse, how can you say he didnât anticipate the rise of postcolonial global migration đ
(once again to the reader, please let me reiterate i am simply comparing the mechanism of the exile alone, i am not saying that the FĂŤanorians are fucking ISIS, and i certainly am not saying that the exiled Noldor are the equivalent of stateless refugees, so pls donât jump up my ass đ)
Tolkien wasn't writing this in a vacuum where phrenology was a fringe pseudoscience nobody respectable touched, it was institutionally embedded and state sanctioned British science well into the interwar period, with its own society and journals, and an enormous presence in Oxbridge. Moral and mental character of Great Menâ˘ď¸ being first fixed by descent and the subsequent positive/negative shaping of character by choices and environment being seen as a somewhat effective yet undeniably secondary mechanism, is literally the loadbearing premise of race science. Itâs not a borrowed aesthetic! The entire legendarium runs on this logic!Â
Once again, and this is also re: a few reblogs of my original post that take a similar route, what do you mean âhe did not anticipate a world where migration is the normâ??? đThe legendarium isnât a product of 1937 alone, bro was notoriously still tinkering with its genealogies and societal architecture well into the 1960s and early 70s and pretty much until the day he died, like a fucking dweeb (for once, complimentary), hence why it takes the fragmented form it does. That's a working lifespan that runs through major global decolonisation, Windrush, the 1958 Notting Hill race riots, the 1962 Commonwealth Immigrants Act, through literally the entire long and convoluted and drawn out process by which Britain had to publicly and unavoidably reckon with the idea that the empire's subjects were now their neighbours. At some point we need to truly engage with what "of his time" means, ie we have to reckon with the fact that âhis timeâ kept moving and the foundational elements of the legendarium didnât.Â
And to bring up the same example from my original post but in a different light, Tolkien was completely capable of precise and deliberate racial argument the second it was framed as being about himself rather than his fiction. In said well known example, in 1938, some German publisher wants confirmation of his "Aryan" descent for translation rights, and Tolkien's (drafted) response is sharp and furiously specific, knowing exactly what's being asked of him by the Nazis and exactly why it's grotesque. Compare that to the total absence of literally any comparable interrogation applied to the Haradrim or orcs, or the entire chronology and geography of Middle-earth where evil consistently arrives from the same two compass directions wearing the same coded features. Man like. Tolkien was honestly a pretty clever guy, and ngl I feel it does him a (very funny) disservice to assume he didnât have the capacity to scrutinise race to the level he does â ď¸
Anyway I think where the fandom focus on âunconscious bias of the era" does not actually originate in a true desire to absolve Tolkien (fair enough, because this is a man who has never once asked to be absolved of the opinions he holds strongly enough to work into his narrative at such depth) the individual, and but rather in the interests of keeping the emotional crutch of loving a beloved childhood text without having to acknowledge that the person who made it was making choices in the same way Rudyard Kipling or Rider Haggard was making choices, and yet very few people offer Haggard this kind of protective custody in present day.
Almost nobody aside from hardcore conservatives sits around saying King Solomon's Mines just "reflected the assumptions of empire" as if Haggard had no hand in shaping said assumptions himself, we read it (correctly) as a deliberately shaped ideological project worth taking seriously as an argument. Tolkien, specifically due to the fandom culture around him both then and now, often gets a pass that even Kipling doesn't, and imo it's not because the textual evidence is thinner but because the fandom loves him more and flinches harder when heâs hit. Which is to say, the insistence on âTolkien was of his time and his time was badâ being the chosen interpretive lens is less a claim about âthe timeâ Tolkien existed in than it is a claim about us as a fandom today.Â
On a vaguely related note, I also think âthis fandom gives grace to the authorâ should not be treated as a complimentary statement, especially because one of the elements of the Tolkien fandom which genuinely baffles me is the general air of author-genuflection across the board regardless of what fandom pocket youâre in (and a towards Christopher LMFAOOO) never have I been in a fandom that consistently deifies the creator to this extent, and itâs doubly baffling considering that he isnât exactly a sensitive up and coming artist but a dude who has enormous mainstream cultural impact and, crucially, has been dead as a doornail for decades.Â
Like it is quite funny but also on a serious note, whilst the sentiment is understandable because yeah the world and its languages are as immense as the work he put into it and it is very important to so many of us, I think a publicly performed culture of âgrateful to the author for this wonderful worldâ is one of the things that preclude a deeper critical understanding of the legendarium itself. Amusingly, this is literally the only thing that makes me miss the bloodsoaked battlefields of anime fandom, because Masashi Kishimoto may have painstakingly drawn 3 billion pages of Naruto, but 95% of the fandom would probably, upon meeting the guy, tie him to a chair and beat him repeatedly on the head with a rubber hammer going âwhy the fuck did you do this? what the fuck is wrong with you? did you hate twelve year old me personally?âÂ