I have a wild idea. what if we supported our claims of fact by linking to a reliable source. better yet, what if we went hogwild and just straight up linked to the actual unpaywalled study
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My brother saved this document and everytime he gets angry at our neighbours for being loud he prints it to their wireless printer and you can hear the wife shout “Why the fuck would you print this AGAIN?!” to her son.
1. If you were wondering, you can type the numbers in the works cited into google and they appear to be medical journal articles about using medical imaging to detect and diagnose a rare form of Gastritis.
2. Please enjoy the offical powerpoint presentation of this paper at an academic conference by the original author, complete with Q&A:
When I saw this cross my dash tonight, I smiled and thought “yess, the chicken chicken chicken post, I get to reblog it again and inflict it on all of the people that have followed me since last time”, and then I scrolled down more and to my utter delight there was A VIDEO, needless to say my night has been made
i have access to powers and locations that he cannot access independently; he needs my help to navigate the world i've brought him to
i simply found him outside and abducted him one day
there are many cats in the world, but this one is the best and my most favorite. why? because he was available to abduct that morning and for very little other reason.
i have a much greater understanding of this world than him, but he has unshakable confidence in his ability to figure it out and i find that really cute
the power dynamic is fundamentally unbalanced, but i let him have a little audacity. a little combativeness and sass. as a treat.
some humans are needlessly cruel to cats or take them in for a short time before neglecting or abandoning them. but i have chosen to love and guard this one with my life. because i think he's neat.
he is very well-treated and has pretty much everything he could possibly want or need, but he is my prisoner.
Listen I don't get to decide when the drunk elf that is my executive actually does the functioning but when he does we have a SMALL WINDOW OF TIME before he finds the schnapps again and we're done
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i wanted to share this not to come off as corrective but because i actually think it really adds to the text to know that not only is it not from a poem, but that there’s a fuller version of this quote that is just as good. and it’s actually really good advice on how to a write emotion without becoming sentimental. james hall, the interviewer, is himself a poet worth looking into if you’re unfamiliar.
James Hall: I love that you risk sentimentality in the poems. Can you talk about how you construct a poem’s emotion without letting that emotion subsume the poem? What tools are available to a poet to mitigate emotion successfully?
Richard Siken: I didn’t see it as risking anything, and I suppose the tool for mitigating emotion is undercutting, but I’ll try to answer the question sideways: Even if you don’t believe in God, you have to believe in narrative. Things happen, one after another, world without end. Just because you’re self-aware doesn’t mean you can change what’s happening. Eventually someone is going to break your heart. Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking “I am falling to the floor crying” but there’s an element of the ridiculous to it—you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well and when you’re having sex with your next lover on this very floor they will also notice that you didn’t paint it very well and they will think less of you for it. And then you think “Is that sentence too long?” And then you have to hold the contradictions of sobbing uncontrollably and wondering about grammar in your head at the same time. I think if you are true to the entire experience, not just the sad part, you don’t risk sentimentality because you’re not overloading the experience with fake, melodramatic feeling. I also hear that whispering helps.
here’s to everyone who looked for this in crush and was confused because it isn’t there. the original interview is kind of hard to source nowadays because of how often it’s misattributed: https://web.archive.org/web/20060501211545/http://www.gulfcoastmag.org/GCIssues/gc18.1%20folder/18.1%20Samples/18.1IntSiken(Hall).html
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In a strange position where I think there are massive, massive social harms to the proliferation of AI (misinfo, deepfakes, predatory 'companions', surveillance, labour rights) but also feel the mainstream arguments against it range from unconvincing (water) to actively harmful (copyright; "soul").
Like, I often hear "plagiarism machine that's killing the planet" but I'm very convinced that the copyright panic is actually harming artists far more than helping them. Strengthening Disney and Getty's IP rights in the name of "protecting artists" is a very bad thing, I think!
People often compare "AI bros" to "NFT bros", rightly so (often the same obnoxious people). Yet in the same breath, many will also essentially say right-click-saving an image is theft. I can't stand the spread of slop either, but I think that argument could set a dangerous precedent in other ways.
Or, you frequently hear "well, analytical AI is good, but generative AI is bad", but there isn't really a hard difference between the two. They often share identical underlying architecture. Like, transformers power both BERT and GPT. Vision Transformers handle tumour detection and image generation.
Moreover, tools classified as "analytical" are frequently used for facial recognition that automates surveillance & discrimination, and tools considered "generative" like diffusion models are also used in medical imaging for anomaly detection and classification. There isn't a hard "one good, one bad".
tl;dr on this one: the loudest AI criticisms are the ones that serve existing power structures, and yet its most serious harms are the ones that don't.
And it's a frustrating thing to see, because it's like, who benefits from the messy conversation around this stuff? The copyright panic benefits Disney/Getty/Adobe/etc. The analytical vs generative framing benefits companies selling surveillance tools. Presenting environmental stats taken wildly out of context benefits people who want to dismiss AI criticism entirely by making critics look innumerate. Meanwhile, the actual harms—like predatory companion apps targeting lonely teenagers, facial recognition enabling police harassment of Black neighbourhoods, algorithmic benefit denial systems destroying families, labour displacement without social insurance—don't have wealthy institutional advocates the way "protect our IP" does.
And then, I don't know, the criticism also becomes weird and individualistic. Like I have a dear friend who is a disabled artist who writes her own code for image gen and gets torn apart for it on the regular with straight up ableist disability porn ("X person drew with their feet, why can't you?").
Like, to be clear I think these companies are by and large straight up evil. Sam Altman releasing 4o is like. Practically criminal. Musk actively removing safety guardrails as a selling point, deploying it on a platform that's already a misinformation vector to generate racism and child exploitation.
But I just worry the current way these things are spoken about ends up actually obfuscating those harms. I might roll my eyes at some rando using an LLM to write their emails, but like I don't buy that they're doing something any more evil than taking a flight or eating meat or leaving the lights on.
And this kind of individualized critique is just the "ecological footprint" thing again, literally invented by BP's ad agency in the early 2000s to shift responsibility from fossil fuel corporations to individual consumers. The impact matters, but I wish it wasn't being discussed on Shell's terms.
AND I think that framing prevents good regulation. If your position is 'this shouldn't exist at all and I won't tolerate anything less than the technology not existing,' it's harder to advocate for 'here are the specific features and practices that should be required/prohibited.'
I strongly look forward to there being less of this shit everywhere. Every product suddenly has an AI feature nobody wants. LinkedIn AI-generated posts. Google AI overview and its wrong answers. Facebook flooded with Jesus made of shrimp. That viral UberEats fake Reddit post from the other day!!!
There's so much marketing hype; all the hype and some of the hate are often doing the same work of avoiding talking about its biggest dangers. I'm sick of AI bullshit everywhere, afraid of its worst applications, and also disillusioned with the way it's being talked about in many of my circles.
Anyway, one of these days I'm going to do an effortpost about Ethnically Ambiguous Homer Simpson. A truly fascinating look into training data and messy slapdash attempts at mitigating AI bias.
gun to my head, you show me the cover and tell me to guess the plot, I a) would never have come up with something as painfully non-horny as above and b) no actually i'm still stuck on point a.
Your brain loves to rewrite your past with the knowledge you have now. This is called hindsight bias. It makes things look clear that were not clear at all when you were in the situation.
Hindsight can make everything feel like it was obvious. Patterns feel clearer. Red flags look brighter.
But you did not have that clarity when you were in it. You were acting with the knowledge, feelings, and instincts you had at the time.
Even if someone warned you, even if part of you suspected something was wrong, the way you felt then mattered. Hope mattered. Fear mattered. Attachment mattered.
You were trying. You were surviving. You were not foolish for wanting things to work.
Be kinder to the version of you who did not know what you know now.
Maybe it's naive of me, but whenever I see portraits like this, with just a father and daughter, it restores my faith in humanity a little. Because people seem to love this idea that fathers never loved their daughters in the past and only saw them as bargaining chips for marriage or whatever, but look at the guy in the first portrait on the left, he loves that little girl! And the dad trying to do his work while his daughter bothers him with an Old Timey Barbie. The man teaching his daughter geography, his expression is so soft! The way the man in the last portrait holds the little girl's hand! And none of these are incidental, these aren't photographs, someone (probably the father) paid good money and sat down for hours so that they could have a painting of themselves and their daughter. Probably because they loved their daughter.
From left to right: 1795 Michał Jerzy Mniszech with his daughter Elżbieta - Marcello Bacciarelli; Christopher Anstey and his daughter Mary Ann by William Hoare 1776; A Musician and His Daughter by Thomas de Keyser 1629; The Geography Lesson (Portrait of Monsieur G. and His Daughter), 1812; Jean-baptiste Isabey And His Daughter; Portrait of a Young Girl and Older Man by William Harrison Scarborough
(this is probably somewhat related to my other favourite genre of painting, Husband With Multiple Kids Making Come Hither Eyes At His Wife)
oh I love those! People being people is one of my favourite kinds of paintings and an important reminder that people in past times were not all that different. There were dads who loved their daughters fiercely. There were fathers who happily looked after their babies too. The German reformer Philip Melanchton for example had a cradle in his office. His wife was busy organising a household for 20 people- she was out and about, he mostly worked in his office, it made sense for him to look after their babies too babies while she dropped by at snack time.
in fact often if it was kind of safe dads had the babies in their workshops for just that reason as we can see in these paintings:
The left is “the busy father” by Theodore Weber, the right one is “At the china repairer’s “ by Wenzel Tornoe. All dads who are actively involved in childcare and a painter who thought it was a cute topic rather than anything ridiculous.
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poem i wrote for @montereybayaquarium and @mbari-blog's winter art theme. (day 11's theme was precious, which is exactly how i felt about these kids.)
full poem text underneath the cut.
based on my very real experience of working at an underfunded elementary school and being the under-trained lead teacher for a week while they learned about the ocean.
Whale fall
Room 303 is learning about the ocean
I'm reading them a book about whale fall
They listen, rapt, eyes wide and mouths
open like so many gasping fish
"Ew" and "Gross" and shrieks ready behind
the ridges of their gums
But they refrain, for now,
Too entranced by the cycle of life
The cycle of death
The cycle of nourishment
A closed loop, a noose, an engagement ring,
the rotating plate of a microwave
Room 303 goes to recess
I watch over them and wonder
If they know they're dancing in whale fall
If they know how thoroughly they may be failed
If they do not learn to sustain themselves on scraps
Life flourishes, in the deepest oceans, in the coldest climates,
in the ribcage of the whale, in the belly of the beast
Life can flourish here, too
That's what I tell myself
The children of Room 303 will feast one day
They will inherit the earth in a state unfit to be passed down
They will rage and resent and renew
And I will regret, already do
regret, not serving them as an anchor longer
For rusting all the way through
The children of Room 303 do not belong there any more than I did
May they be guided by their own light
May they wield their bioluminescence with conviction and joy
May they grow into a thousand forms that have yet to be discovered
But for today, let them dance in the whale fall
Let them think this is all the world is
And find peace in ignorance of abundance
And find joy in the taste of what trickles down to them