I was so naive, i thought him stepping down from production meant he wasn't getting any more money

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I was so naive, i thought him stepping down from production meant he wasn't getting any more money

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So I thought y'all would like this too This great white comes to the jersey shore every year and this year they named her and have been tracking her hella so this is Mary Lee and she decided to show herself under this rainbow for pride month A true gay icon
#This is the representation I’ve been looking for
How I feel about the Asa Fell & Anthony Crowley ending.
First off, I do find Asa and Anthony to be cute and I love that they found each other and are in love, happy married at their little cottage gazing at the stars......but they are not Aziraphale and Crowley to me. They have no memories of being Aziraphale and Crowley and they aren't able to appreciate what they once had and the journey and struggles they faced in order to become Asa and Anthony. Their love and the way they express it if different, their backgrounds are different, the obstacles they faced in life are different. Everything, besides some similarities in looks and interests, is completely different.
They maybe have the same souls as Aziraphale and Crowley but memories and life experiences are what make you who you are. They may seem familiar but they are complete strangers that we have to start from the beginning to build a connection with.
Aziraphale and Crowley are not aware of Asa and Anthony either. God made sure to point that out before she thanos snapped them and their universe into non-existence. They will not get to experience true freedom of being together and happy. That was taken from them and given to another pair who will also never know or experience what they once had together in another life.
We built this huge strong connection with two characters who's bond was created over thousands of years together, hoping they would get their happy ending together as who they were currently.....and Instead they had to die and give up their happiness for a completely new universe with versions of themselves they don't and will never know of.
And somehow we are expected to take that connection and love we had for two beings that meant so much to us as who they already were....and give it to completely different strangers? It feels like a betrayal in a way...
Secondly,
I truly hate the idea of Aziraphale or Crowley getting cancer, arthritis, or getting so old they can't walk and enjoy or do all things they love in life. I don't enjoy the thought of one of them getting more frail while the other has to watch helplessly, or that one will die first and the other has to grieve for them...and possibly die alone.. and because there's no Heaven..that's just It for them...
They deserved eternity together. They deserved 6000+ more years of being in love to make up for all they couldn't have before. They deserved being happy in each other's company, while watching the Earth and the humanity they love and cared for throughout the centuries continue on, enjoying all the little quirks and joys along the way.
Aziraphale deserved to keep his little bookshop with all his favorite things inside, making friends with the neighbors and forgiving their rent just for a nice plate of cookies or a good record to play. He deserved to be where he was appreciated, loved, and accepted with no judgement
Crowley deserved to keep his Bentley and move into the bookshop and decorate it with all his plants because we know Aziraphale would let him. He deserved to be with his Angel out on lunches, dinners, and have nightly wine conversations and maybe take the Bentley out into the stars to visit the ones he made. He deserved to live with freedom in his curiosity of the universe, be free to ask any questions or make choices without judgement. He deserved to live where he was seen as good even with flaws, he deserved to be happy and in love with the one person who gave all of that to him from the very beginning.
After everything they had been through, they deserved more. They deserved to be the universe and humanity's Guardians, our hope and our proof that there is good in this life and beyond. They deserved to be each other's hope and happiness.
They deserved forever..
But instead they got an end. An end to their current existence with all its flaws, perfections and precious memories that shaped them. An end to their universe they built and helped grow. And then in all its place is a replacement all shiny and new and unfamiliar. Their life is replaced with two others who may share their souls but have no memory or connection to who they were before. No memory of all the journey and struggles or even the joys that got them where they were. No memory of them and what they once had
Instead they were given a life so fleeting that once it's done..it will be buried within time and be forgotten by all but the ONE being who had the power to give them what they truly wanted and deserved but didn't allow it. And they did it all by manipulating the situation and circumstances to make the two think the choice they made of Their End was of their own free will..
There was only one winner in the end...and it wasn't them.
Their story mattered more than being soulmates in other universe and time. Their connection was way beyond any "I will always find you in every lifetime" romance trope. Their story was the eternal flame. It deserved more than mortality.
Their love for themselves and for humanity they took care of deserved to be Eternal.
But instead it's Evanescence and Ephemerality.
They deserved so much more than what they got.
I am so upset at the ending of good omens that I genuienly haven't been able to stop angry ranting about it in this blog. I already wrote two pretty extensive different posts about why GO3 sucks and I still feel like I haven't scratched the surface enough.
So I'm gonna list even more grievances I had with this ending, and how it will never work for me, and why many viewers are torn about it.
1. The entire point of the character of Jesus and what he represents, and why the way his arc was handled leaves a dangerous and grim message.
I loved Jesus in the series, I thought he was extremely tender-hearted, confused, torn and most impostantly he is so incredibly human. When I was watching the series, I assumed that his character was meant to represent the importance of unity and why humanity works.
When Jesus gains conciousness again, he immediately asks for his friends, his mother, he asks for the connections he made during his human days that mattered the most to him. He choose to reach for his people over destiny or power.
Despite being Jesus, he's portrayed less as a divine figure and more as someone trying to navigate overwhelming circumstances while clinging to the people he loves.
He ultimately wanders through Earth and continues to be defined by his desire for connection. That's why his arc initially felt so powerful to me. It seemed to be building toward the idea that humanity's greatest strength is its ability to form meaningful relationships with one another.
Love. That's one of the most consistent theme on the show. Time and time again, the story emphasizes that the connections we form with others are what give our lives meaning. Characters endure unimaginable hardships because of the people they care about. They find reasons to keep going because someone matters to them.
Because of that, I assumed his arc was leading toward a reaffirmation of one of the show's central messages: that love is what allows humanity to survive, to heal, and to move forward.
I didn't expect his arc to not feel rushed in a 90 minute run, but what we got was worse in my opinion. It wasn't just rushed, it was ultimately a plotline that just dissolved into this wierd, tragic excuse of a plot.
Jesus as well as humanity, gets erased à la infinity war thanos snap. Before he dies he tragically says how he never got a chance to give it a go.
This just...sucks!! What even is the point of having the representaion of love and unity just dissaper into particles hopelessly? what message does that leave the viewers? Why did we even follow his plotline if ultimately it led us to absolutely nothing?
2. Crowley's choice in the end is ultimately framed as selfless when in reality it not only selifsh, but cowardly.
Crowley's character has always been about taking a clear stance. He defies the systems that were built and rebels by choosing his own moral compass over blind obedience.
What makes Crowley compelling is that he acts. He questions. He pushes back. He sees injustice and refuses to quietly participate in it. Even when he's afraid (and he often is) he still makes choices. He still stands his ground.
That's why his "wish" frustrates me so much.
Crowley's choice is framed as selfless because he is willing to sacrifice himself. He is willing to give up his own existence if it means creating a world free from Heaven and Hell because apparently thats the only way free will can actually exist.
The problem is that he isn't only sacrificing himself. He is also sacrificing Aziraphale. The decision is not solely his to make, yet the narrative imposes that he has to take it upon himself anyway.
Also, What about Beelzebub and Gabriel who literally carved a live out for themselves outside of heaven or hell?
Or Adam who quite literally rejects the role assigned to him because he choose his own friends and family? He rewrote the universe in season one because he refused to destory it, he wanted to fix it.
Then there's Maggie and Nina whom whose entire role in Season 2 revolves around the idea that relationships only work when people are allowed to make their own choices, free from outside interference?
The series repeatedly celebrates autonomy, self-determination, and choosing the people you love over the institutions that claim ownership of your life.
That's what makes Crowley's decision to reboot the universe in the name of "free will" so hollow.
In a strange way, his choice mirrors the very institutions Crowley spent the story opposing. Heaven and Hell repeatedly make enormous decisions for others because they believe they know what is best. They impose their vision of the future on countless people without consent.
That is what makes the choice feel cowardly to me as well. Rather than confronting the broken systems and finding a way to change them while preserving the people he loves, he chooses a solution that removes the problem by wiping the slate clean entirely.
A universe without Heaven and Hell may sound liberating, but if achieving it requires erasing the very individuals whose lives give that universe meaning, then the solution begins to undermine the values the story spent so much time celebrating.
Also it's a choice that the he would never make. This is the same Crowley who, when the world was on the verge of ending, didn't choose a grand ideological solution. He wanted to run away with Aziraphale.
Crowley's priorities have always been remarkably consistent. No matter how much he complains, no matter how cynical he pretends to be, when everything falls apart his first instinct is to protect the people he loves and stay close to them. Which is why he dislikes Armageddon in the first place, he loves the world he's in, he just doesn't like the people in power who control it.
This is also the same Crowley who, the last time we saw him, kissed Aziraphale in a desperate attempt to get him to stay. He was begging for Aziraphale to choose a life with him.
That's why the reboot decision feels so disconnected from the character we've been following.
You're asking me to believe that a Crowley who couldn't bear the thought of being separated from Aziraphale would willingly choose a future where both of them cease to exist entirely?
if there is one thing Crowley has consistently chosen throughout the entire story, it is Aziraphale.
3. What the hell even was the point of the Metatron's character then?
Season 2 literally builds up this character in a way that suggests he is going to be one of the most important antagonistic forces in the story.
His presence is unsettling from the moment he appears. The way he manipulates conversations, the way he isolates Aziraphale from Crowley, the way other characters react to him, this all creates the impression that there is something deeply wrong beneath his calm and polite exterior.
The entire tragedy of the finale hinges on the Metatron's intervention. He is the catalyst for Aziraphale's decision, the reason Crowley and Aziraphale separate. He is also arguably the single most important character in the climax outside of Crowley and Aziraphale themselves.
Which is why I'm left wondering what the point of all that buildup was.
Season 2 encourages the audience to pay attention to him. It practically begs us to analyze his motives. Fans spent years discussing whether he threatened Aziraphale, whether he was lying, what his true goals were, and what role he would play in the final conflict.
Instead, the Metatron quite literally gets killed in the first 15 minutes or so. We don't even get him as anything remotely close to a fully realized antagonist. That's what makes the decision so baffling to me.
The framing around him suggested that he represented something larger: the corruption of Heaven, the abuse of authority, the systems that manipulate people while presenting themselves as benevolent.
If that's what he was meant to symbolize, then why remove him almost immediately??? that literally prevents the story from fully engaging with those ideas.
It would be one thing if his death served as the beginning of a larger conflict. Sometimes a villain dies early because they are merely the face of a deeper problem. But if the narrative never properly explores that deeper problem either, then the Metatron's storyline starts to feel strangely hollow.
Looking back, it raises the question of why the audience was encouraged to fear him in the first place.
Why dedicate so much time to establishing his manipulation of Aziraphale?
Why make him the architect of one of the most emotionally devastating moments in the series?
Why position him as the looming threat over the future for Earth?
If the answer is simply for him to die before any of those threads are meaningfully explored, then the character ends up feeling less like an antagonist and more like a narrative device used to force the separation in Season 2. And for a figure who carried so much thematic and emotional weight, that's an incredibly unsatisfying payoff.
4. The archangel Michael being the plottwist antagonist
This was not only predictable, but just hollow to me.
A plot twist works when it either recontextualizes what came before or reveals something meaningful about the characters involved. Michael becoming the true antagonist doesn't really accomplish either of those things.
Michael wanted to destory the world, including their own coworkers who Michael had some sort of likness towards. Michael does this because they are tired and just...I don't know actually?? a comical crash out??
Like, I get it, we only have 90 minutes, but more reason to either build up the Metatron as the actual antagonist who we were already exploring last season, or atleast make Michael's motives make sense??? They really just erased existance for the fun of it I guess.
5. Aziraphale's mistreatment and mischarectarization
As someone who adores Aziraphale, this makes me so mad. We got like, the fanon version of his character instead of the fleshed out angel we know and love.
Mrs. Sandwich verbally berates him, calling him a taker and that he is the reason whickber street is the way it is now. And like, I think if we view this from Crowley's perspective then sure.
From Crowley's point of view, Aziraphale left. He chose Heaven. He chose an institution that has repeatedly hurt both of them. Crowley is heartbroken, and the people around him are witnessing the aftermath of that heartbreak.
However, Aziraphale went to heaven in hopes because of Crowley and he was also trying to avoid the second coming from happening. I am frustrated with how much Aziraphale is put down for this choice and tries to give the viewers no air to feel actual sympathy as to why he choose to leave.
But anyways, a specific scene that to me felt out of character was when Aziraphale finds Crowley extremely broken and sulking on the floor, and Aziraphale begs him to get up. Ultimately Crowley pushes him away and the angel leaves.
That's not the lovingly stubborn angel I know.
One of Aziraphale's defining traits throughout the entire series is persistence. When he loves someone, he doesn't give up on them easily. This is the angel who spent centuries arguing with Crowley. The angel who repeatedly sought him out even when they disagreed. The angel who continued believing there was good in people, in humanity, and even in Crowley when others would have walked away.
So when he finds the person he loves completely devastated and clearly not thinking rationally, it feels bizarre that he gives up so quickly. I'm not saying he should have magically fixed the situation. Crowley is allowed to be angry. He's allowed to reject him.
But Aziraphale's response to rejection has historically never been, "Well, I tried once." This is the same character who spent six thousand years maintaining a relationship that Heaven and Hell both disapproved of.
Yet now, in arguably the most important moment of their relationship, he seems strangely passive. Their reunion was an absolute let down.
I will give Michael Sheen credit where it's due. His performance is one of the few reasons the scene carries any emotional weight at all.
His voice cracks when he talks about Crowley. The look on his face communicates heartbreak, regret, fear, and love all at once. Even when the script isn't giving him much, you can tell exactly what Aziraphale is feeling.
I can see the love on Aziraphale's face. I can hear it in his voice. I absolutely believe that Michael Sheen's Aziraphale loves Crowley.
The problem is that Michael Sheen is acting emotions that the writing doesn't fully support.
6. The completely useless Bentley sideplot
First of all, I think taking Crowely's ability for miracles was a dumb plot device to allow some stupid gangsters take his Bentley.
It feels less like a meaningful conflict and more like a mechanism to keep Crowley occupied until the plot needs Aziraphale and Crowley to interact again.
Anyways, yes Aziraphale helps Crowley get the Bentley back and that's kind of the "truce" between them instead of like,, I don't know maybe an emotionally charge conversation? Crowley and Aziraphale's relationship has always been carried by dialogue.
If the Bentley storyline absolutely had to exist, then at least make it emotionally relevant. Make the Bentley represent something. Make Crowley's attachment to it part of a larger conversation about loss, identity, or the life he built with Aziraphale.
It feels like the writers wanted a reconciliation without having to write the difficult conversation that reconciliation actually requires.
Instead, the Bentley subplot ends up feeling like a distraction from the conversation the audience was actually waiting for. If you're going to dedicate screen time to a side quest in the middle of a story that already has limited runtime, that side quest should accomplish something beyond moving pieces around the board.
7. The lack of intimacy in Aziraphale's and Crowley's relationship this season was genuienly such a strange thing.
I feel like Good Omens always was good at writing such intimately sweet and precious moments between these two. And I feel like here, this season ultimately fails to deliver that.
Again, David and Michael translate their love through their performance amazingly. The problem is the script doesn't seem nearly as interested in those moments as previous seasons were.
I have already complained about not getting any sort of kiss (when, again, they had literally already crossed that line in Season 2). But I think what makes it worse is what happens with the alternate versions of Crowley and Aziraphale.
We get a camera pan of their hands with wedding rings. The narrative goes out of its way to communicate that these versions of them are together.
Because the original Crowley and Aziraphale never got that.
The versions we spent years following.
The versions who shared six thousand years of history.
The versions who suffered, grew, changed, argued, reconciled, and fell in love.
Instead, the story presents alternate versions who have not lived through the same experiences and then gives them the visual shorthand of a happy ending.
They aren't the people whose relationship formed the emotional heart of the series.
So while I understand what the scene is trying to communicate, it doesn't land as a reward for me.
It lands as a reminder that the characters who actually earned that future never got to experience it. And that's why the moment feels strangely hollow. It's not that I needed a wedding. It's not even that I specifically needed a kiss.
It's that after Season 2 already made their romantic feelings explicit, the finale seems reluctant to give the original Crowley and Aziraphale even the smallest moment of mutual romantic fulfillment, while simultaneously making sure the audience notices the wedding rings on their replacements.
The result felt less like a payoff and more like a workaround. A way of acknowledging the romance without fully allowing the characters we've spent years loving to actually live it.
....And there's sooooo much more but i'll never shut up so i'll end my list here (if you want to add on to my list, be my guest, theres so much to say about this awful ending to such a beloved series!!)
Ultimately, I feel for the creatives who did care for this show yet had their hands tied when it came to this god awful ending. I feel for both Michael Sheen and David Tennant who put their heart and souls into these characters just for this to be the resolution. The cast and crew who worked tirelessly on this show and had to watch it crumble this way, I can't imagine how it feels.
But most importantly, I feel for the us, the viewers, whom connected with this show and followed it for years. The LGBTQ+ fans who for once, wanted a romance story that was promised ended right. For the queer love in the story to have been as loud as it had been in the past 2 seasons instead of just dancing around it.
After all these years, queer audiences are not asking for special treatment.
We're asking for the same thing every audience asks for: for the stories we invest our hearts in to follow through on the promises they make.
If you are a queer Good Omens fan... *hugs* I feel you. I feel your anger, your frustratation, your grieving and sadness for a space and media that was meant to welcome us, that was meant to make us feel safe.
If you are deeply upset about the ending, you aren't alone, and you shouldn't feel ashamed for feeling this way. You have every right. Us people of the queer community, we are tired. We are tired that our stories never are fully heard, that our queer representation in media always ends in some form of cosmic tragedy. So many queer couples or characters we see ourselves in end up dead, separated, or we were led to believe their relationship would matter only for it to be treated like bait. It's as if people keep telling us we don't deserve love, that we don't deserve joy. That we should be greatful for the crumbs they give us, and we are so tired.
Good Omens wasn't suppoused to be like this. Aziraphale and Crowley's love for each other was meant to be taken seriously, it was building up for emotional cathartic moments follwing reflective messages. This show means a lot to queer people specifically,because we barely get stories where a relationship like theirs is allowed to exist with that much complexity and sincerity without being reduced to a joke or treated like an afterthought.
And some of us really did get to see ourselves in them: in the longing, in the restraint.
There's many queer people who feel connected to Crowley, with his rebellion, with the way he exists outside of every system that tried to define him, and with how alienated he often feels while still refusing to give up on what he believes is right. It's admirable to see a character whom has been cast out, labeled as wrong but still chooses love, still strives to stand up for his personal beliefs no matter what it costs him.
A lot of people in the LGBTQ+ community know what it feels like to be made to feel “other,” to live with that distance between yourself and the systems or communities that were supposed to welcome you, and to still keep searching for a place where you can exist honestly. Crowley carried so much of that.
I personally saw myself so much in Aziraphale, his character arc meant so much to me as someone who has a complicated relationship with religion and my queerness. Watching him wrestle between duty and desire. The way he tries so hard to do “good” while loving someone he wasn’t supposed to love felt painfully real. As a queer person who grew up trying to reconcile love with systems that taught us that love was wrong, and Aziraphale embodied that conflict with so much compassion and humanity. His journey mattered so much to me, to see him unlearn fear, to see him keep trying to choose love despite everything he had been taught.
Aziraphale, to me personally, represented that deeply human conflict of wanting to believe in goodness and belonging while also trying to make peace with parts of yourself you were taught to fear.
So it hurt deeply to see how unresolved his arc felt in season 3. Because for so many of us, his story was never just about whether he and Crowley would end up together. It was about watching someone who had spent so long carrying shame and trying to earn his place finally reach a point where he could choose love without fear.
And what do we get? instead of finally giving Crowley and Aziraphale the honest emotional payoff their story had been building toward, We get half-assed conversations between Crowley and Aziraphale that don't go anwhere. After everything they had been through together, it felt like they were still being kept at a distance from the very truth the story spent so long asking us to invest in.
And then the ending asks us to accept a sacrifice where they reboot the universe into one without angels or demons, without the versions of themselves we followed and loved. It's like they straight up ripped everything we saw ourselves in and loved apart and laughed in our faces.
These two characters loved each other so much, and the story's direction was never aimed for them to just disappear. These characters suffured so much, longed so much and chose each other over and over again just for the ending to make all of this feel futile.
Not just to the characters, but to us viewers who felt emotionally invested. Especially queer viewers who found something deeply personal in their story. For a lot of us, their relationship felt safe. It felt like seeing pieces of ourselves reflected back with tenderness. And when a story spends years building that trust, asking us to care, , to believe in where these characters are headed—only to make that journey feel like it led nowhere, the hurt goes beyond simple disappointment.
And then, the political climate we are living in makes the ending even more grim. At a time when queer people are still having to defend our right to exist openly, stories like Good Omens matter in a very real way. This story become more than entertainment. They become places where people feel seen, understood, and safe.
That’s part of why this ending feels so heavy. A story about two characters who spent centuries resisting rigid systems and finding home in each other ends without that love being fully honored, instead it ends with their disappearance. With sacrifice. With the versions of them we loved no longer getting to exist at all.
And this just, adds wound to the salt. Because queer people are constantly being told, in ways both subtle and explicit, that our lives, our love, and our futures are still up for debate. So for Good Omens, a show that lets be honest, has a major queer audience, erase Aziraphale and Crowley's romantic history and the thematic messages along with it.
We were genuienly left with nothing. The alternative versions of them didn't even feel authentically like Aziraphale and Crowley, so it doesn't hit. They get married yes, but we didn't really get to see the progression of their love or get to know these new versions on a deep level, so does it matter?
Aziraphale and Crowley didn't even get to kiss. And if you read them as aroace, that’s genuinely valid—people connect to these characters in different ways, and that interpretation matters too. A lack of physical romance can feel meaningful and affirming to a lot of people, and that deserves respect.
Howeveeer: they have kissed before.
But narratively, that’s also why this feels so frustrating for many viewers, because the story itself had already crossed that line. By season 2 especially, the emotional and romantic buildup was no longer subtle implication or fandom projection. The story intentionally framed their relationship as romantic, built around confession and choices neither of them could keep avoiding.
So the frustration isn’t “they needed a kiss or the story failed.” It’s that the narrative itself spent years building up so much intimacy and love between them in a way that clearly pointed toward resolution.
Which is why ending their story without ever letting them truly reach each other feels so painful. Not because every love story needs romance expressed the same way, but because their story was written around longing and around finally crossing emotional boundaries they had spent centuries avoiding.
The only kiss we have of them is genuienly emotionally devastating. It's a desperate declaration of love. It happens in the middle of fear and the unbearable realization that they want the same thing but can’t reach each other in that moment. And that’s exactly why so many people hoped the story would eventually let them have more than that.
And then, their love doesn't necesarly need to be translated with a kiss in season 3, sure. But it's not like we got any straight forward confession that mattered, and even if we had a semblance of one, it doesn't end up being relevant BECAUSE THEIR ENTIRE EXISTENCE AND HISTORY GETS ERASED.
Also, Crowely and Aziraphale are non-binary, and in the reboot version of them that gets erased too. Which also fucking sucks.
LGBTQ+ good omens fans, I love you, I hear you and you have every right to grieve this show. Please, keep creating fanarts, comics, and fanfics for our voices to atleast still exist in this media and fandom. You guys are amazing and what keeps this space alive with so much love and passion.

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Description: [A video of a woman riding a galloping horse bareback while holding a large rainbow flag.]
i felt like these tags really added to the experience, thanks @cynderxdustypaws for your knowledge
This is one of the most powerful images I have ever seen, and I will reblog it every single time because every single time it brings tears to my eyes.
First official hello to tumblr. Hey. Hi. Have some old man yaoi.
- What did you even tell that artist?
- I wasn't...I didn't!!! I was simply trying to get Gabriel off our backs by-by planting evidence of our rivalry!
- Uh-huh
- I didn't think they'd draw me looking like a strongman!! Or...or quite so hairless...
-That is a shame...
samreidgifs

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Louis cheering for his husband
They deserve the world 🤍
my friend in orchestra sending me this. I actually haven’t remembered anything from tonight
so actually what is there to say
half agony, half hope by depraveddame
A Good Omens 3 Fix-It/Scene Rewrite: The Alley, or: Aziraphale helps Crowley up off of the ground instead of walking away from him.
Aziraphale doesn't know what to expect when he returns to Earth after three years, and he's shaken to his core when he finds Crowley lying in a filthy alleyway, shattered and alone. There is much he wants to say and even more he wants to fix, but the first step is helping a stubborn demon up off of the ground.
| tags |
season 3 fix-it, scene rewrite, protective, caring, anxious Aziraphale, depressed Crowley, references to alcohol use, emotional, light angst, holding hands, hopeful ending
| excerpt |
The inside of Aziraphale’s nose tingles as it recognises the faint but unmistakable— familiar, second nature— scent of the last electrically-charged moment before a sudden rainstorm splits the sky—
I know what you smell like.
— but that sharp, crackling shower of sparks is deadened by something far more overpowering, something heavy and oppressive and bleak that chokes the atmospheric fragrance: despair.
An Archive of Our Own, a project of the Organization for Transformative Works

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I actually think 96 minutes is plenty of time to present a cohesive and well-thought out story that doesn’t waste itself on convoluted and ultimately useless plot points while hinging on the retconning of established and vital canon (which still doesn’t help it much)
The issue with the finale isn’t the shortened time. The issue is that at the end of the day, bad writing— whether stretched across an hour and a half or six hours— is still bad writing.
you know what fucking kills me? all major historical events that happened in our universe (the supposed new universe) also happened in the original universe.
we know that covid happened because the lockdowns were the reason Maggie was behind on rent (+ the whole lockdown audio bit, if you want to treat that as canon). the French Revolution, WW2, the Spanish Inquisition, climate change all happened. Shakespeare, Queen, the Velvet Underground, Shostakovich and David Bowie happened. hell, even on a much smaller-stakes scale, our version of the M25 still looks like Crowley's version.
the universe still worked out the same exact way. what was the point of their sacrifice then? no more cosmic meddling? we've ended up with the same exact thing anyway, so either Heaven and Hell were never that important because it's all humanity's doing (oh hello Book Omens/S1) , or the universe is just so inert that the whole "once you get rid of God you gain free will" thing is just blatantly Not True
"but humanity is now free to exist without the influences from Heaven or Hell!!!" yeah and everything still worked out the same way so ultimately Heaven and Hell never had much of a hand in anything
"but humanity being in control is very Pratchett!!!" yes, but killing the whole universe just to prove that point isn't. the death of 8 billion people was just a device to prove that humanity is capable of both beauty and horror? "sin, young man, is when you treat people like things."
I dunno man, this ending is fucking bleak