ᕕ( ᐕ)ᕗ

[He scoops up the fish, it spits water and he turns it toward the camera]

This one is stumpy and green. Very beautiful, very powerful.

[He picks up another fish and turns it toward the camera]

This is what a normal lumpfish looks like. It is more elongated, but still a vibrant blue color. Very beautiful, very powerful.

[He picks up another fish and turns it toward the camera]

This is one of the stumpiest ones we have. Its hump is very high. It is very stumpy, but yet very beautiful, and very powerful.

[He pans over a lot of fish, all looking up at the camera]

- m/f ship between a nonblack man & a Black woman

- it's either canon (e.g. mel/jayce arcane, arthur/guinevere bbcmerlin) or entirely plausible (e.g. prism or coupé/robert dispatch)

- fanbase overwhelmingly pairs nb man off with another nb man and disengages from the Black woman character, shunting her into a background wise & sassy caretaker role (for which there is a name) or leaving her out of fanworks entirely

- fans who do this ^ claim it is an expression of love and admiration for the Black woman character, actually, bc the nb man (who may be her canonical partner) "can't handle all that" (he may be perfectly competent and engaged; she may be totally low maintenance; it has no bearing), she's just too wonderful (too much) and out of his league (lacking in flaws and interiority and fan appeal)

This month people have been tearing Flock cameras off their poles. Perched above public streets, they are birdlike things, weatherproof, and they photograph every passing car and file it in a searchable national database. Somebody cut two of them in half at Washington Avenue and Westcott in Houston, spray-painted the wreckage, and left an American flag on one of them. Police were notified on the morning of the Fourth of July. Somebody severed a camera in Rutherfordton, North Carolina. The police department posted the photograph itself and collected more than twenty thousand comments. “Not all heroes wear capes.” “Give them a medal.” Here is what the cameras do when nobody cuts them down. Cops use them to hunt immigrants and to follow ICE targets across state lines and to find women who ended pregnancies in states where that is a crime and to watch exes and to watch women they want, without a warrant and without a judge. A cop types a reason in a box and the box does not check. A man in Burleson, Texas, told deputies his girlfriend had taken abortion pills. He showed them the photographs, the FedEx envelope, the instructions. Deputies opened a death investigation into a non-viable fetus, and the district attorney told them the state could not charge her, and they searched anyway: 83,345 cameras across 6,809 networks, a month of everywhere she had been. The reason they typed was had an abortion, search for female. The search reached Illinois and Washington, where what she did was legal. They found her in Dallas. She came into the sheriff’s office a week later, and they thought she had come to explain the fetus, and she had come to report that the man who called them had put a gun to her head. A sheriff in Jerome County, Idaho ran his wife’s plate more than seven hundred times in three months. He typed the same reason every time. Test. The attorney general found nothing to charge him with. He retired in April. The Institute for Justice counts at least twenty-two officers who used the system to track people they were romantically interested in, and calls that almost certainly an undercount. And the cameras keep falling.

This represents a fundamental misunderstanding of Mario's central plot structure. Mario always gets his ass beat in his initial encounter with an outside context problem, then spends the bulk of the game going around gathering allies and kicking the legs out from under the outside context problem's support structure.

"I don't think Kirby gets paid for this."

"That's-a not what I said."